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Books on the topic 'Movie tourism'

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Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

O'Bannon, Teresa. Teaching with movies: Recreation, sports, tourism, and physical education. Champaign, IL: Human Kinetics, 2008.

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2

Pudar, Željka. Nature of Serbia: Holiday on the move. Beograd: Tourist Organization of Serbia, 2010.

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3

Burrell, Kathy. Mobilities in socialist and post-socialist states: Societies on the move. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.

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4

A, Gordon William. The ultimate Hollywood tour book: The incomparable guide to movie stars' homes, movie and TV locations, scandals, murders, suicide, and all the famous tourist sites. Toluca Lake, CA: North Ridge Books, 1992.

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5

A, Gordon William. The ultimate Hollywood tour book: The incomparable guide to movie stars' homes, movie and TV locations, scandals, murders, suicides, and all the famous tourist sites. 3rd ed. Lake Forest, Calif: North Ridge Books, 2002.

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6

Schürmann, Michael. Paris movie walks: Ten guided tours through the city of lights! camera! action! Branford, CT: Intrepid Traveler, 2009.

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7

Paris movie walks: Ten guided tours through the city of lights! camera! action! Branford, CT: Intrepid Traveler, 2009.

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8

Gordon, William A. The Ultimate Hollywood Tour Book (3rd edition): The Incomparable Guide to Movie Stars' Homes, Movie and TV Locations, Scandals, Murders, Suicides, and All the Famous Tourist Sites. 4th ed. Lake Forest, CA: North Ridge Books, 2008.

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9

Roadside Hollywood: The movie lover's state-by-state guide to film locations, celebrity hangouts, celluloid tourist attractions, and more. Chicago: Contemporary Books, 1991.

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10

The movie lover's tour of Texas: Reel-life rambles through the Lone Star State. Lanham, Md: Taylor Trade Pub., 2005.

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11

Zou xiang guo ji lv you dao: Wai shang zai Zhongguo Hainan tou zi de you hui zheng ce he fa lü bao zhang = Move towards the international tourism island : preferential policy and legal guarantee that the foreign businessman makes an investment in Hainan of China. Changchun Shi: Jilin da xue chu ban she, 2010.

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12

Dorfles, Gillo. Il Kitsch: Antologia del cattivo gusto. Milano: Mazzotta, 1990.

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13

Bureau, Montana Promotion, ed. Montana tourism & movie locations marketing plan, July 1, 1990-June 30, 1991. Helena, MT: Montana Promotion Division, Dept. of Commerce, 1991.

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14

Guevara, Ernesto. The Motorcycle Diaries (Movie Tie-in Edition) : Notes on a Latin American Journey. Ocean Press, 2004.

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15

Movie London Walks Tours And Locations. B.T. Batsford, 2012.

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16

Teaching With Movies: Recreation, Sports, Tourism, and Physical Education. Human Kinetics Pub, 2007.

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17

Bayman, Louis, and Natália Pinazza, eds. Journeys on Screen. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474421836.001.0001.

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This collection seeks to position the journey as a persistent presence across cinema, and fundamental to its position within modernity. It addresses the innovative appeal of journey narratives from pre-cinema to new media and through documentary, fiction, and the spaces between. Its examples traverse different regions and cultures, including a sub-section dedicated to Eastern Europe, to illuminate questions of belonging, diaspora, displacement, identity and memory. It considers how the journey is a formal element determining art cinema and popular genres such as sci-fi, romance and horror alike, with a special focus on rethinking the road movie. Through this variety, the collection investigates the journey as a motif for self-discovery and encounter, an emblem of artistic and social transformation, a cause of dynamism or stasis and as evidence of autonomy and progress (or their lack). The essays in it thus document epochal changes from urbanisation, migration and war to tourism and shopping, and all aim to address the diversity of cinematic journeys through developing methodological frameworks appropriate to an understanding of the journey as simultaneously a political question, contextual element and a formal property.

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18

Gordon, William A. The Ultimate Hollywood Tour Book: The Incomparable Guide to Movie Stars' Homes, Movie and TV Locations, Scandals, Murders, Suicides, and All the Famous Tourist Sites. 4th ed. North Ridge Books, 2007.

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19

Schwadron, Hannah. Hello, Gorgeous, and the Historical Lens. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190624194.003.0003.

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This chapter celebrates a performance history in the United States of Jewish female physical comedy that spans nearly a century of gender and humor radicalism. It moves from early twentieth-century performances of the Red Hot Mamas Sophie Tucker, Fanny Brice, and Betty Boop to touring acts, movie dance scenes, and comedy sketches of the late 1960s, 1970s, and 1980s, including spotlights on Barbra Streisand, Gilda Radner, Bette Midler, and Madeline Kahn. Specific performances showcase how these giants of comedy staged critical responses to Jewish race and class assimilation in the context of women’s liberation movements, establishing foundational techniques of today’s Sexy Jewess spectacle.

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20

Desmond, Jane. Tracking the Political Economy of Dance. Edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.52.

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This chapter analyzes the processes of transporting community-based dance practices to the stage, and argues that previously dominant formulations of “appropriation” are not complex enough to theorize this “political economy” of dance practices, practitioners, and audiences as dance forms move across cultural communities and onto the stage. Taking three disparate case studies as a way of thinking through these issues, this chapter investigates works by Twyla Tharp on Broadway, by Chuck Davis and his African American Dance Ensemble on stages in New York or Durham, NC, and Hawaiian hula performances in tourist venues and local halaus, or studios, to suggest that a more complex goal and sharper theoretical practice would be to literally track the political economy of dance practices, the accrual of monetary and cultural capital, and the ways that meanings change for performers and audience when dances move across cultural and commercial/non-commercial boundaries.

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21

Anderson, Michael, and Corinne Roughley. Islands. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805830.003.0006.

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A database of all the 233 islands in Scotland populated at any time since 1841 shows over half becoming depopulated between 1861 and 2011, with a marked inverse relationship between population size and population decline. Only three of the 129 islands where populations never exceeded 49 in this period were not depopulated at least once. Most even of medium-size islands were unable to maintain the infrastructure available on the largest islands, though even there there was much variation in timings and extent of population change. Other reasons for variation in trends and outcomes include: when electricity arrived; transport costs, journey times and accessibility; how much local produce could be marketed off-island; scale of non-farm/fishing activities, especially tourism;, in some cases, a strong desire by sometimes a very small number of people, for a variety of reasons, to stay on an island or to move there.

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22

Monroe, Raquel L. “Oh No! Not This Lesbian Again”. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199377329.003.0016.

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Propelled into black popular culture by their appearance on HBOs Real Sex 24 in 2000, Jessica Holter’s Punany Poets have been touring and performing erotic performance poetry, song and dance to bolster black female sexual agency for over twenty-five years. This critical performance analysis of “Cucumber Cu Cum Her,” a duet between veteran lesbian spoken word artist Lucky Seven and erotic dancer Punany’s Pearl reveals how their erotic condom demonstration literally and discursively propels lesbian sexuality and fantasy into commercial hip-hop’s hyper-masculinist sphere. The duet queer the reviled pimp-ho aesthetic to reimagine rapper-turned-movie star Ice Cube’s 1991 hit “Look Who’s Burnin.’ ” The erotic dancer’s body creates space for women to pleasurably explore their gender identities and sexual fantasies. As a skilled laborer Punany’s Pearl imbues the heretofore-imagined disempowered, objectified, erotic dancer with agency and challenges black respectability politics.

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23

Hird, Derek, and Geng Song, eds. The Cosmopolitan Dream. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888455850.001.0001.

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What does it mean to be a mainland Chinese man in a transcultural world? What resources do mainland Chinese men utilise to perform a masculinity that is both Chinese and cosmopolitan? This volume demonstrates that the newly emerging formations of mainland Chinese masculinity, whether located in China or overseas, can only be fully understood through attending to the transnational dimensions of their construction. This volume maps multiple instantiations of the 'transnational turn' in Chinese masculinities, including portrayals of the transnational business masculinity of globe-trotting Chinese businessmen in Chinese and German TV dramas, transcultural models of caring fatherhood in Chinese reality TV shows, the transnational journeys of young Chinese entrepreneurs in search of a sense of cultural identity in Chinese blockbuster movies, filmic portrayals of Chinese gay identities ‘haunted’ by premodern masculine models, the integration of sexually liberated Western masculinities and historical caizi images in contemporary fiction, the culinary masculinity of cosmopolitan Chinese TV chefs, the representation of Chinese masculinities in Japan and in online Chinese-language forums in the US, the effect of migration to Africa on Chinese fathering subjectivities, and Chinese fathers' involvement in the growing transnational phenomenon of 'birth tourism' in California.

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24

Warfield, Patrick. The Centennial City. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037795.003.0004.

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This chapter discusses John Philip Sousa's move from Washington to Philadelphia to prove himself as a violinist, arranger, and composer. Following his tours with Nobles, he “decided to go to Philadelphia and see the Centennial. It was a big event in the life of any young American and I believe the first event of its kind that the country had ever had.” It was in the Centennial City that Sousa earned his stripes writing songs and stage works, and it was also in Philadelphia that he began to plot a return to the capital. By the time he left Philadelphia in 1880, Sousa had orchestrated several complete operettas.

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25

O'Hara, Alexander. Columbanus in Brittany. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190857967.003.0006.

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Columbanus landed in Brittany and made his way into the heartland of Merovingian Gaul, where he established his monastic communities in the Vosges region of eastern France. There he encountered an established monastic community, Salicis, which may have included some British monks. This chapter examines the extent to which Columbanus’s work in Gaul followed on from the work of British and Breton ascetics in both Neustria and Austrasia. It suggests that Columbanus originally landed not on the north coast of Brittany, but in the region of the Golfe de Morbihan, and that although Gregory of Tours makes no direct reference to the Irish saint, his narrative provides a context for Columbanus’s arrival, and for his move from Brittany to Burgundy.

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26

Borer, Michael Ian. Vegas Brews. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479885251.001.0001.

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Equally reviled and revered as “Sin City,” Las Vegas is both exceptional and emblematic of contemporary American cultural practices and tastes. Michael Ian Borer takes us inside the burgeoning Las Vegas craft beer scene to witness how locals use craft beer to create and foster not just a local culture but a locals’ culture. Through compelling detailed ethnographic accounts and interviews, Vegas Brews provides an unprecedented look into the ways that brewers, distributors, bartenders, and drinkers fight against the perceived and preconceived norm about what “happens in Vegas” and lay claim to a part of their city that is too often overshadowed by the bright lights of tourist sites. In doing so, Borer shows how our interactions with the things we care about—and the ways that we care about how they’re made, treated, and consumed—can lead to new senses of belonging and connections with and to others and the places where we live. In a world where people and things move around at an extraordinary rate, the folks Borer spent time talking (and drinking) with remind us to slow down and learn how to taste the “good life,” or at least a semblance of it, even in a city where style is often valued over substance.

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27

Hitchcott, Nicki. Rwanda Genocide Stories. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781381946.001.0001.

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This book provides an in-depth analysis of fictional responses written in response to the Rwandan genocide of 1994. Through the course of the book, the reader is taken on a journey from the events leading up to the genocide, the horrific massacres that were carried out against the Tutsi population, and finally to modern-day Rwanda, where the country comes to terms with a brutal episode in its recent past. Nicki Hitchcott focuses her analytic study on a group of African authors, including Rwandans, who were brought together as part of the Rwanda: écrire par devoir de mémoire initiative in 1998 to write a variety of works to commemorate and reflect on the genocide. Hitchcott organises her analysis of each imagined work in to the context of tourists, witnesses, survivors, victims and perpetrators, whilst carefully examining the effects that an author’s positionality has on their response to the genocide. In addition to this, Hitchcott calls in to question the ethical issues raised when writing fiction based on the genocide, and how the reader becomes implicated by studying the works of fiction based on it. Above all, this work serves as a testimony to the range and diversity of genocide fiction written by African authors, and how the works they have produced enables a country to move forward.

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28

Dorfles, Gillo. Le Kitsch: UN Catalogue Raisonne Du Mauvais Gout. Olympic Marketing Corp, 1988.

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