Relevant bibliographies by topics / Mourning

Academic literature on the topic 'Mourning'

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Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Mourning"

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Young, Robert J. C. "Phantom Threads." Oxford Literary Review 44, no. 1 (July 2022): 17–26. http://dx.doi.org/10.3366/olr.2022.0373.

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In this essay I contrast Freud’s account of mourning in Mourning and Melancholia to that of Merleau-Ponty in Phenomenology of Perception. In suggesting a somatic as well as a psychic response, Merleau-Ponty, I argue, more accurately accounts for the ways in which we experience loss and why, contrary to Freud’s suggestion, mourning’s work is never completed.
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Goldberg, Shari. "Henry James’s Black Dresses." Nineteenth-Century Literature 72, no. 4 (March 1, 2018): 515–38. http://dx.doi.org/10.1525/ncl.2018.72.4.515.

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Shari Goldberg, “Henry James’s Black Dresses: Mourning without Grief” (pp. 515–538) While scholars have carefully discerned how nineteenth-century modes of mourning differ from Sigmund Freud’s later model, the distinction between mourning and grief, in texts of the period and beyond, tends to be collapsed. This essay argues that Henry James disentangles the two terms by insisting on mourning’s association with ritualistic, social behavior, most iconically the wearing of a black dress. In James’s writing, to be “in mourning” generally means to be physically within such a dress, without reference to one’s emotional state. His use of the phrase, particularly in “The Altar of the Dead” (1895) and “Maud-Evelyn” (1900), thus offers ways of thinking through responses to death apart from grief. One is that the black dress can obscure, rather than advertise, the wearer’s feelings. Another is that such garments may facilitate ongoing relationships with persons now dead. Such processes of mourning without grief are nearly impossible to recognize after the advent of psychoanalysis, yet this essay concludes by finding evidence of their circulation in today’s political resistance.
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Chika Unigwe. "Mourning." Transition, no. 122 (2017): 8. http://dx.doi.org/10.2979/transition.122.1.05.

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Newbury, Catharine. "Mourning." Cahiers d'études africaines 44, no. 173-174 (January 1, 2004): 428–30. http://dx.doi.org/10.4000/etudesafricaines.4683.

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Lipsky-Karasz, Andrea. "Mourning." Iowa Review 37, no. 3 (December 2007): 123–25. http://dx.doi.org/10.17077/0021-065x.6288.

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Bell, David L. "Mourning." Journal of Adolescent Health 67, no. 4 (October 2020): 621. http://dx.doi.org/10.1016/j.jadohealth.2020.07.011.

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Dourado, Janaína Rute da Silva. "Mourning." Accounting, Auditing & Accountability Journal 36, no. 5 (June 19, 2023): 1470. http://dx.doi.org/10.1108/aaaj-06-2023-197.

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Tagliere, Julia. "Mourning." McNeese Review 59, no. 1 (2022): 26. http://dx.doi.org/10.1353/mcn.2022.a925959.

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Hurtado Hurtado, Joshua. "Mourning:." Perspectivas Revista de Ciencias Sociales 1, no. 2 (December 29, 2016): 176–91. http://dx.doi.org/10.35305/prcs.v0i2.264.

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This article draws upon discourse theoretical and psychoanalytical approaches to provide an overview on the potentiality of mourning as both a practice and a conceptual tool for the critical analysis of social and political phenomena. Within poststructuralist discourse theory, mourning has recently been considered a practice with the potential to engage in ‘ideological critique’. In contrast, stunted mourning and melancholia have been associated with being under the ‘grip of ideology’, affected by hegemonic discursive narratives and practices. By providing examples ranging from national identity to unemployment and class resubjectivation, the argument is made that mourning is a useful practice and analytical tool for examining phenomena that result from the experience of dislocation, even when it is not death related.
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Gullickson, Terri. "Review of Children Mourning: Mourning Children." Contemporary Psychology: A Journal of Reviews 41, no. 3 (March 1996): 287. http://dx.doi.org/10.1037/002833.

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Dissertations / Theses on the topic "Mourning"

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Crowder, Julie. "Teaching Mourning." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/215.

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Abstract TEACHING MOURNING By Julie Ann Crowder, MAE A thesis submitted in partial fulfillment of the requirements for the degree of Master of Art Education at Virginia Commonwealth University. Virginia Commonwealth University, 2011 Major Director: Sara Wilson McKay, Ph.D. Interim Department Chair and Associate Professor, Art Education As a researcher I sought to understand the following research questions: 1) What were the official policies and protocols that went into effect at William Fox Elementary School after the murder of the Harvey family in January of 2006? 2) What were the experiences of the staff and parents at William Fox Elementary School after the murder of the Harvey family? 3) What critiques and or suggestions do the employees and parents have of the personal or official policies or protocols, which were carried out after the murder of the Harvey family? The purpose of this research was layered. This research was necessary in order to create an accurate picture of the difficult emotional reactions of teachers attempting to teach students how to mourn while mourning themselves. Additionally, this study identified how teachers were able to continue about the business of every day life and education when they were dealing with difficult emotional issues. Participants at William Fox Elementary experienced the tragic death of the Harvey family on New Year’s Day 2006. This research illuminated possible new ways of looking at mourning, the public/media, and ways of handling these difficulties. This research could lead to the creation of new policies or protocols that would better serve the mourning populations in schools, which lose members to violence. The members of this study were William Fox Elementary employees or parents who were on present during and after the Harvey murders. Special attention was given to the IRB process. Seven participants who had a great deal of contact with Stella were selected. The PTA-funded Art Explosions teacher, Stella Harvey’s classroom teacher, the principal, the guidance counselor, a parent, the music teacher, and the librarian were all participants. Significant findings include: the importance of the speed and selection of information given to adults at the time of a tragedy, and the child information networks that form when children are not completely informed. Additionally a variety of information and thoughts are given on the subject of mourning, both public and private. Implemented and suggested healing techniques were investigated. Lastly, several uncomfortable issues that arose, such as race and rage were explored.
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Veder, Robin. "Dying Virgins and Mourning Mothers: A Study in American Mourning Iconography." W&M ScholarWorks, 1995. https://scholarworks.wm.edu/etd/1539625944.

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Pecora, Jennifer. "Women Mourners, Mourning "NoBody"." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2220.

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Historian David Bell recently suggested that scholars reconsider the impact of the Revolutionary and Napoleonic Wars (1793-1815) upon modern culture, naming them the first "total war" in modern history. My thesis explores the significance of the wars specifically in the British mourning culture of the period by studying the war literature of four women writers: Anna Letitia Barbauld, Amelia Opie, Jane Austen, and Felicia Hemans. This paper further asks how these authors contributed to the development of a national consciousness studied by Georg Lukács, Benedict Anderson, and others. I argue that women had a representative experience of non-combatants' struggle to mourn war deaths occurring in relatively foreign lands and circumstances. Women writers recorded and contributed to this representative experience that aided the development of a national consciousness in its strong sense of shared anxieties and grief for soldiers. Excluded physically and experientially, women would have had an especially difficult time attempting to mourn combatant deaths while struggling to imagine the places and manners in which those deaths occurred, especially when no physical bodies came home to "testify" of their loved ones' experiences. Women writers' literary portraits of imagined women mourning those whose bodies never came home provide interesting insights into the strategies employed during the grieving process and ultimately demonstrate their contribution to a collective British consciousness based on mourning. The questions I explore in the first section of this thesis circle around the idea of women as writers and mourners: What were writers saying about war, death, and mourning? What common themes begin to appear in the women's Romantic war literature? And, perhaps most importantly, how did such mourning literature affect the growing sense of nationality coming out of this period? In the second section, I consider more precisely how these literary contributions affected mourning culture when no bodies were present for burial and advanced the development of a national consciousness that recognized the wars' "nobodies." How did women's experiences of being left behind and marginalized in the war efforts prepare them to conceptualize destructive mass deaths abroad, and, conceptualizing them, to mourn them?
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CARAMORE, JULIANA DE FARIA. "ASPECTS OF MOURNING IN LACAN." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=4764@1.

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O objetivo desta dissertação é o estudo do tema do luto na obra de Lacan. É com este intuito que se pretende desenvolver alguns aspectos do luto no ensino lacaniano. Lacan aborda o luto do ponto de vista do ato, o ato inibido. Assim, pode-se tomar como exemplo Hamlet, personagem que se encontra numa relação problemática com seu ato, em função de seu desejo. Ele não consegue cumprir a missão que lhe foi atribuída, Hamlet só consegue realizar seu ato, quando conclui o trabalho de luto, recuperando seu desejo. A dissertação se desenvolve partindo da formulação freudiana de que a perda exige a realização de um luto, sendo que este luto pode ser realizado naturalmente, com o tempo, sem qualquer intervenção o que seria o luto normal. De outro modo, o luto desencadeado pode não alcançar um fim espontâneo, permanecendo travado. Nessa situação, o luto irá se transformar em luto patológico. Lacan demonstra que o enlutado encontra-se numa posição problemática com relação ao desejo do Outro, assim, a dificuldade do luto se relaciona à perda da possibilidade de saber que objeto era para o desejo do Outro. Para Lacan, o que está implicado no trabalho de luto é a manutenção dos vínculos por onde o desejo está suspenso. Para se chegar ao desejo, há o tempo da angústia, a angústia aqui é a angústia da castração. Quanto mais angústia, mais inibição, menos trabalho de luto. A direção do tratamento analítico do enlutado seria transformar o luto patológico em trabalho de luto, transformar inibição em desejo.
The objective of this dissertation is the study of mourning within Lacan works. With this, it will be developed some aspects of mourning within Lacan teaching. Lacan approaches mourning in the perspective of the act, the inhibited act. Thus, it is possible to take Hamlet as an example, a character that finds himself bound to a tough and problematic connection with his act because of his desire. He fails in fulfilling the mission assigned to him, Hamlet can act only when he lives the mourning and pulls his desire back. The dissertation unfolds from the freudian formulation based on which the loss demands mourning and this mourning can only be lived naturally, with time, without any intervention; this would be the normal mourning. Otherwise, the mourning unleashed can t reach its spontaneous end, and remains blocked. Within this circumstance, mourning will turn into pathological mourning. Lacan demonstrates that the individual in mourning is in a problematic position in relation to the desire of the Other, thus, the difficulty of the mourning is connected to the loss of the possibility of knowing what the object meant to the Other s desire. Lacan believes that what is implied in the mourning is the maintenance of the bonds through where desire is suspended. To reach desire, there is a time of anguish, and said anguish is the anguish of castration. The greater the anguish, the greater is the inhibition, and less mourning. The direction of the psychoanalytical treatment of the individual in mourning would be to transform the pathological mourning into normal mourning, transform inhibition in desire.
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O'Neill, Mary. "Ephemeral art : mourning and loss." Thesis, Loughborough University, 2007. https://dspace.lboro.ac.uk/2134/8012.

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Ephemeral art is usually understood as reflecting a desire to dematerialize the art object in order to evade the demands of the market, or to democratize or challenge art museums. However, in many ephemeral artworks something much more fundamental is involved. In this thesis I explore the hypothesis that the use of ephemerality by some artists is best understood, not solely in terms of art world issues but of the relationship between ephemerality, mourning and loss. I will begin with a refinement of the definition of ephemeral art, which is often confused with temporary works. This definition identifies four characteristics of ephemeral art: time, communicative act, inherent vice and directive intent. Ephemeral art often involves works that do not exist in a steady state, but change or decay slowly. This temporal aspect is examined through a discussion of the boredom they consciously evoke, which can be seen not only as an acute awareness of time but also a form of mouming for lost desire. The different physical state of ephemeral works represents a shift from the art object to communicative act. This shift is exemplified by artists working in the 1960s, particularly those influenced by John Cage. Cage's engagement with Buddhism and the subsequent work he produced demonstrates that the appreciation of transience is a reflection of wider cultural values. The growing interest in Buddhist philosophy and the engagement with transience at that period are discussed, not as cause and effect, but as both stemming from the same desire to find alternative forms of meaning and expression at a time when traditional structures of meaning were in decline. The use of non-traditional, non-durable materials and the incorporation of chance and ephemerality mean that the resulting worlds possess an 'inherent vice' which results in the demise or disappearance of the work. This is a key feature of ephemeral art, which distinguishes it from temporary works. The latter are designed to function for a fixed period, after which they are discarded or destroyed. The conclusions drawn have implications that reach beyond artworld concerns with durable or at least preservable commodities. These works offer insights into the mourning process which are powerful and profound reflections on the human condition. These works can act as a means of engaging with bereavement, disenfranchised grief and ambiguous loss. In a world where many societies may be deemed post-religious traditional myths and rituals that once served to alleviate fear or mortality and the pain of bereavement are no longer viable or effective, this is of immense significance.
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McCarthy, Andrew D. "Mourning men in early English drama." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Dissertations/Spring2010/a_mccarthy_020910.pdf.

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Norling, Margaretha. "Änglar och sorg : Angels and mourning." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-12559.

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What psychologial processes are activated in experiencing mourning after a loss of a belovedperson? How is death described in other authors’ novels and short stories compared to mine? This essay aims at analysing my two short stories The follower and The price for love fromdifferent aspects. I discuss the psychological realism and the spirituality using the method ofclose reading, interpreting and applying ideas of texts from other authors in my short stories. Death is a central phenomenon in both of my texts. Therefore I discuss death frompsychological and philosophical aspects in this essay. To get a philosophical frame of death Iturn to Jacques Derrida, Emmanuel Levinas and Martin Heidegger. They express different opinions but important to point out is their truism that death is waiting for us all. Then I turn to Sigmund Freud, Ann-Kristin Lundmark and Lars Rönnmark to get the psychological view of death. Because of the character of the texts, I use concepts of mourning and losses from Sigmund Freud, Barbro Lennéer Axelson and Lars Rönnmark. I discuss the characters, their inner psychological processes, and relationships between persons. In this essay I indicate that mourning is a natural reaction to the loss of a beloved person. The usual mourning often follow four phases. The first phase is the chock phase, then comes the reaction phase, followed by the process phase. Finally comes the reorientation phase. The religious aspect of the stories is also explored. There my starting point is authors as Staffan Ljungman and Inger Waern, who discuss the occurrence of angels in human beings lifes. The narrator in The follower is a guardian angel, something that makes the question ofangels interesting to study. The reality aspect in the short stories is also discussed in this essay. I turn to James Wood and compare his ideas and hypotheses with my texts. James Wood present the importance of giving the reader an appearance of reality and creating vitality of the literary characters. My stories are planted in a realistic environment, the characters act and react the way real people could do in their culture and epoch. Their mourning is also similar to what human beings could experience. Therefore I come to the conclusion that my stories could regard realistic for some readers but not to other. My intention is to give the reader an atmosphere of probability. If I success is both depending on the way I send my messages as well as on the way the reader receives it. I use no special school of philosophy or psychology to analyse these texts. I analyse from the point of view of a social worker. My own conclusion of this essay is that relationships are important in my stories, as well as a capability of mourning. The religious facet is an attempt to raise the question of a possible invisible world.
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Russell, Fiona Elizabeth. "Possession : mourning, childhood and J.M. Barrie." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321731.

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Findlay, Jules. "Fragmentation : materialising mourning from complicated grief." Thesis, Royal College of Art, 2018. http://researchonline.rca.ac.uk/3465/.

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This research by project is asking whether the affect of embodied materiality can be materialised from complicated grief, in an investigation into the relationship between the affect of grief and the creative, embodied encounters with paper materials. In some types of traumatic loss, complicated grief can subsume the bereaved in a way like no other. Mourning can be a very difficult process. The research integrates creative practice, working with fibre-based materials, with the scholarly and cultural exploration of the literature and theory of mourning as a specific psychological state of mind. It is an exploration of the experience of mourning a complicated grief, through the sustained process of an embodied encounter with the materiality of making paper. Paper becomes the metaphor to discuss research questions that connect the maternal with affect in maternal grief, that paper can be the Symbolic and the body that inputs Cartesian culture is feminised using affect of the embodied encounter with materials. This research is not into art therapy, nor into art as illustrative of psychology. I use a hybrid approach to methodology, involving auto-ethnography and subjective experience as a medium through which to reflect on the relationship between materiality and affect. The substrate uses play; judgment is suspended, whilst the substrate is being handmade to create individual materiality. Culture and social theory, which enabled the methods of auto-ethnography and creative practice research to emerge, is the paradigm of postmodern and post positivist accounts of new relations between ‘subjectivity’ and ‘objectivity’. Moving forward from Glaser and Strauss’s thinking on grounded theory, display, together with reflective practice, is compatible with the emergence of feminist thinking on the significance of subjectivity and affect. The submission comprises a written dissertation, which reflects on the six years of creative practice, making new sense of the conventional silence surrounding complex mourning. The practice itself, connotes affect through the materialities of paper.
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Hirschmann, Gregory Scott. "Filled With Absence: Spaces for Mourning." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/36449.

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Long ago the stories common to men were clearly present in their architecture. Sculpture, mosaics, paintings, stained-glass windows, all blatantly told the beginning, the morals, the epics, and future of humanity. Today these elements have all but disappeared along with the stories that they told. One story still common to humanity is the act of death, transcending culture, nationality, or creed. The pages to follow disclose an architecture for the emotional state of mourning. The seven spaces of this architecture exist in three dimensions: the narrative, the emotive, and sacred.
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Books on the topic "Mourning"

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Desnos, Robert. Mourning for mourning. London: Atlas, 1992.

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J, Doka Kenneth, ed. Children mourning, mourning children. Washington, DC: Hospice Foundation of America, 1995.

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Rosenthal, Bert. Alonzo Mourning. Philadelphia, PA: Chelsea House Publishers, 1998.

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Mastrototaro, Johanna Barca. Mourning song. West Babylon, NY: Lamberson Corona Press, 2007.

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Couch, Kevin. Blissful Mourning. Maryland,USA: PublishAmerica, 2007.

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Reichs, Kathy. Monday mourning. New York: Scribner, 2004.

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Reichs, Kathy. Monday mourning. New York: Pocket Star Books, 2005.

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Desnos, Robert. Mourning for Mourning. Atlas Press, 1992.

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Doka, Kenneth J. Children Mourning, Mourning Children. Taylor & Francis Group, 2014.

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Doka, Kenneth J. Children Mourning, Mourning Children. Taylor & Francis, 2014. http://dx.doi.org/10.4324/9781315798523.

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Book chapters on the topic "Mourning"

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Zhang, Everett Yuehong. "Mourning." In A Companion to Moral Anthropology, 264–82. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118290620.ch15.

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Khanfer, Riyad, John Ryan, Howard Aizenstein, Seema Mutti, David Busse, Ilona S. Yim, J. Rick Turner, et al. "Mourning." In Encyclopedia of Behavioral Medicine, 1265. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4419-1005-9_101105.

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Cummings, Kate. "Mourning." In Constructing Knowledge: Curriculum Studies In Action, 35–43. Rotterdam: SensePublishers, 2015. http://dx.doi.org/10.1007/978-94-6300-250-9_4.

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Basevi, W. H. F. "Mourning." In The Burial of the Dead, 178–88. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003324621-17.

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Roberts, Allen F. "Mourning." In Encyclopedia of African Religions and Philosophy, 457–58. Dordrecht: Springer Netherlands, 2021. http://dx.doi.org/10.1007/978-94-024-2068-5_251.

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Ornstein, Anna. "Mourning." In The Handbook of Psychoanalytic Holocaust Studies, 74–80. Milton Park, Abingdon, Oxon; New York, NY: Routledge, [2020]: Routledge, 2019. http://dx.doi.org/10.4324/9780429292965-9.

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Buechler, Sandra. "Mourning." In Psychoanalytic Approaches to Problems in Living, 33–49. Abingdon, Oxon ; New York, NY : Routledge, [2019]: Routledge, 2019. http://dx.doi.org/10.4324/9781351204996-3.

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Wu, Xiaoqun. "Mourning Apparel." In Mourning Rituals in Archaic & Classical Greece and Pre-Qin China, 73–84. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0632-7_5.

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Pilard, Nathalie. "Mourning Superego." In Encyclopedia of Psychology and Religion, 1524–27. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_9360.

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Kracke, Waud H. "Kagwahiv Mourning." In Dreams, 175–87. New York: Palgrave Macmillan US, 2001. http://dx.doi.org/10.1007/978-1-137-08545-0_10.

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Conference papers on the topic "Mourning"

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Kim, Jihwan, Seyong /Kim, Jinju Yu, Sangsup Yoon, and Sangki Han. "Mourning tree." In the 2011 annual conference extended abstracts. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/1979742.1979876.

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Xu, Xinyuan, Ruben Manrique, and Bernardo Pereira Nunes. "RIP Emojis and Words to Contextualize Mourning on Twitter." In HT '21: 32nd ACM Conference on Hypertext and Social Media. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3465336.3475100.

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Franson, Christian. "Ingested Shot and Tissue Lead Concentrations in Mourning Doves." In Ingestion of Spent Lead Ammunition: Implications for Wildlife and Humans. The Peregrine Fund, 2009. http://dx.doi.org/10.4080/ilsa.2009.0202.

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Schulz, John. "Policy Considerations for a Mourning Dove Nontoxic Shot Regulation." In Ingestion of Spent Lead Ammunition: Implications for Wildlife and Humans. The Peregrine Fund, 2009. http://dx.doi.org/10.4080/ilsa.2009.0308.

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Lussier, Jessica. "Learning to Stay With the Trouble : Mourning and Ecological Loss." In AERA 2022. USA: AERA, 2022. http://dx.doi.org/10.3102/ip.22.1894711.

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Lussier, Jessica. "Learning to "Stay With the Trouble": Mourning and Ecological Loss." In 2022 AERA Annual Meeting. Washington DC: AERA, 2022. http://dx.doi.org/10.3102/1894711.

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Marcondes Machado, Marina, Priscilla Vilas Boas, and Luiz Eduardo Cotrim. "It'll become pleasure in profession (with a pinch of mourning)." In 6TH INTERNATIONAL CONFERENCE ON THE GEOGRAPHIES OF CHILDREN, YOUTH AND FAMILIES. Galoa, 2019. http://dx.doi.org/10.17648/gcyf-2019-99349.

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"Study on the Aesthetic Significance of "Mourning Sorrow" in Japanese Literature." In 2018 4th International Conference on Education & Training, Management and Humanities Science. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/etmhs.2018.29186.

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Schulz, John. "Acute Lead Toxicosis and Experimental Lead Pellet Ingestion in Mourning Doves." In Ingestion of Spent Lead Ammunition: Implications for Wildlife and Humans. The Peregrine Fund, 2009. http://dx.doi.org/10.4080/ilsa.2009.0203.

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Zhang, Xinxin. "Research on the Emotional Direction of Mourning Poetry in the Song Dynasty." In 2015 International Conference on Management, Education, Information and Control. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/meici-15.2015.102.

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Reports on the topic "Mourning"

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Lurio, Samantha, and Alphonso McClendon. Tucked in Mourning Blue. Ames: Iowa State University, Digital Repository, February 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-581.

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Roberts, Samuel, Elizabeth Tymkiw, Zachary Ladin, and Greg Shriver. Status and trends of landbird populations in the Northern Colorado Plateau Network: 2023 field season. National Park Service, 2024. http://dx.doi.org/10.36967/2304411.

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In 2023, the University of Delaware, in cooperation with the National Park Service (NPS), completed the eighteenth year of a habitat-based landbird monitoring program in park units of the Northern Colorado Plateau Network (NCPN). This program is designed to provide rigorous population trend data for most diurnal, regularly occurring breeding landbird species throughout the network. This population information is useful for land managers and supports the NPS?s goal of long-term monitoring of biological indicators for network parks. University biologists surveyed 42 out of 45 survey locations within 11 NPS units in 2023. Fifteen transects were located in each of the three habitats of interest: low-elevation riparian, pinyon-juniper, and sagebrush shrubland. Each location was surveyed once. In addition to the habitat-based surveys, four point-count surveys and an area search were conducted at Pipe Spring National Monument using a modified monitoring design. Over 18 years of data collection, 16,159 point-count surveys were conducted in 11 NCPN units, detecting 176 unique species. During the 2023 field season, 599 point-count surveys were conducted, detecting 118 unique species. In addition, since 2009, a modified protocol that includes four point counts and an area search has been conducted at Pipe Spring National Monument. Using data from 2005 to 2023, 118 population-density trends were estimated across the three habitats. Fourteen of the estimated density trends were significant (p-value <0.05). Six negative trends were observed: mourning dove (Zenaida macroura) and white-throated swift (Aeronautes saxatalis) in low-elevation riparian, and mourning dove, white-throated swift, Bewick?s wren (Thryomanes bewickii), and mountain bluebird (Sialia currucoides) in pinyon-juniper areas. Additionally, eight positive trends were found: hairy woodpecker (Leuconotopicus villosus) in low-elevation riparian; lazuli bunting (Passerina amoena), yellow-rumped warbler (Setophaga coronata), vesper sparrow (Pooecetes gramineus), and western tanager (Piranga ludoviciana) in pinyon-juniper habitats; and western tanager, Grace?s warbler (Setophaga graciae) and lark sparrow (Chondestes grammacus) in sagebrush shrubland. There were sufficient sample sizes to estimate the densities of 61 species in at least one of the three habitats surveyed.
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Peitz, David, and Tani Hubbard. Bird monitoring at Herbert Hoover National Historic Site, Iowa: Status report 2005?2022. National Park Service, 2024. http://dx.doi.org/10.36967/2303787.

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In 2005, the Heartland Inventory and Monitoring Network initiated bird surveys on Herbert Hoover National Historic Site to monitor changes in bird community composition and abundance and improve our understanding of relationships between breeding birds and their habitat and the effects of management actions on those relationships. This information helps park staff plan management objectives and assess the effectiveness of management alternatives. We evaluated park breeding bird trends in the context of trends observed within the North American Bird Conservation Initiative?s Eastern Tallgrass Prairie Bird Conservation Region where the park is located. This allows us to assess the influence of park habitat management on bird populations with an understanding of regional population trends that are outside the influence of natural resource management activities at the park. Seventy-four species of birds were recorded in 18 years (2005?2022). Seventy-one of the species are considered breeding species (permanent or summer residents). Seven of these are species of concern for the Eastern Tallgrass Prairie Bird Conservation Region. Nine species were observed in sufficient numbers to calculate annual abundances and trends with some degree of statistical confidence. The Red-winged Blackbird, American Robin and Dickcissel were the most abundant and widespread species on the park. Comparisons of regional trends (2005?2019; Sauer et al. 2020) with park population trends were inconclusive. Trends in the nine abundant species on the park were uncertain. Regionally, Dickcissel and Northern Cardinal were increasing. However, American Goldfinch, American Robin, Common Grackle, Common Yellowthroat, Eastern Meadowlark, Mourning Dove, and Red-winged Blackbird were declining regionally. Diversity, richness, and evenness in distribution of individuals across species in the park breeding bird community were unchanged over the 18 years. When sampled, habitats on the plots at Herbert Hoover National Historic Site consisted primarily of the old field/prairie type, with lesser amounts of other types present. Canopy cover averaged 2 to 13% on plots, with cover provided primarily by hard?wood trees. Basal area of hardwood trees averaged between 1 and 2 m2/ha, and canopy height averaged between 4 and 5 m. Tree species from 12 different families contrib?uted to the canopy cover and basal area of plots. Plots were primarily unvegetated at ground level, with grass litter common and bare soil exposed. Total foliar cover at ground level on consisted primarily of cool season grasses and forbs.
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Peitz, David, and Tani Hubbard. Bird monitoring at Homestead National Historical Park, Nebraska: Status report 2009?2022. National Park Service, 2024. http://dx.doi.org/10.36967/2303805.

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In 2009, the Heartland Inventory and Monitoring Network initiated bird surveys on Homestead National Historical Park to monitor changes in bird community composition and abundance and improve our understanding of relationships between breeding birds and their habitat and the effects of management actions on those relationships. This information helps park staff plan management objectives and assess the effectiveness of management alternatives. We evaluated park breeding bird trends in the context of trends observed within the North American Bird Conservation Initiative?s Central Mixed Grass Prairie Bird Conservation Region where the park is located. This allows us to assess the influence of park habitat management on bird populations with an understanding of regional population trends that are outside the influence of natural resource management activities at the park. Ninety-eight species of birds were recorded on the park in 14 years (2009?2022). Eighty-one of the species are considered breeding species (permanent or summer residents). Two of these are species of concern for the Central Mixed Grass Prairie Bird Conservation Region. Eighteen species were observed in sufficient numbers to calculate annual abundances and trends with some degree of statistical confidence. The Dickcissel, Red-winged Blackbird, House Wren, and Common Yellowthroat were the most abundant and widespread species on the park. Comparisons of regional trends (2009?2019; Sauer et al. 2020) with park population trends were inconclusive. Red-winged Blackbird had a moderately increasing park population, but trends of the other 17 abundant species on the park were uncertain. Regionally, the Gray Catbird and Yellow Warbler were increasing, the Brown-headed Cowbird, Common Yellowthroat, Mourning Dove, Northern Bobwhite, Ring-necked Pheasant, and Red-winged Blackbird were declining, and the remaining 10 species had uncertain population trends. Diversity, richness, and evenness in distribution of individuals across species in the park breeding bird community were unchanged over the 14 years. When sampled, habitats on the plots at Homestead National Historical Park consisted primarily of the field/prairie and woodland vegetation types, with lesser amounts of other types present. Canopy cover of hardwood trees averaged 18 to 33% on plots, basal area averaged 7 to 10 m2/ha, and canopy height averaged 7 to 10 m. Tree species from 10 different families contrib?uted to the canopy cover and basal area of plots. Plots sampled were primarily unvegetated at ground level, with grass litter common and bare soil exposed. Total foliar cover at ground level on plots consisted primarily of cool season grasses and forbs.
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MacFarlane, Andrew. 2021 medical student essay prize winner - A case of grief. Society for Academic Primary Care, July 2021. http://dx.doi.org/10.37361/medstudessay.2021.1.1.

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As a student undertaking a Longitudinal Integrated Clerkship (LIC)1 based in a GP practice in a rural community in the North of Scotland, I have been lucky to be given responsibility and my own clinic lists. Every day I conduct consultations that change my practice: the challenge of clinically applying the theory I have studied, controlling a consultation and efficiently exploring a patient's problems, empathising with and empowering them to play a part in their own care2 – and most difficult I feel – dealing with the vast amount of uncertainty that medicine, and particularly primary care, presents to both clinician and patient. I initially consulted with a lady in her 60s who attended with her husband, complaining of severe lower back pain who was very difficult to assess due to her pain level. Her husband was understandably concerned about the degree of pain she was in. After assessment and discussion with one of the GPs, we agreed some pain relief and a physio assessment in the next few days would be a practical plan. The patient had one red flag, some leg weakness and numbness, which was her ‘normal’ on account of her multiple sclerosis. At the physio assessment a few days later, the physio felt things were worse and some urgent bloods were ordered, unfortunately finding raised cancer and inflammatory markers. A CT scan of the lung found widespread cancer, a later CT of the head after some developing some acute confusion found brain metastases, and a week and a half after presenting to me, the patient sadly died in hospital. While that was all impactful enough on me, it was the follow-up appointment with the husband who attended on the last triage slot of the evening two weeks later that I found completely altered my understanding of grief and the mourning of a loved one. The husband had asked to speak to a Andrew MacFarlane Year 3 ScotGEM Medical Student 2 doctor just to talk about what had happened to his wife. The GP decided that it would be better if he came into the practice - strictly he probably should have been consulted with over the phone due to coronavirus restrictions - but he was asked what he would prefer and he opted to come in. I sat in on the consultation, I had been helping with any examinations the triage doctor needed and I recognised that this was the husband of the lady I had seen a few weeks earlier. He came in and sat down, head lowered, hands fiddling with the zip on his jacket, trying to find what to say. The GP sat, turned so that they were opposite each other with no desk between them - I was seated off to the side, an onlooker, but acknowledged by the patient with a kind nod when he entered the room. The GP asked gently, “How are you doing?” and roughly 30 seconds passed (a long time in a conversation) before the patient spoke. “I just really miss her…” he whispered with great effort, “I don’t understand how this all happened.” Over the next 45 minutes, he spoke about his wife, how much pain she had been in, the rapid deterioration he witnessed, the cancer being found, and cruelly how she had passed away after he had gone home to get some rest after being by her bedside all day in the hospital. He talked about how they had met, how much he missed her, how empty the house felt without her, and asking himself and us how he was meant to move forward with his life. He had a lot of questions for us, and for himself. Had we missed anything – had he missed anything? The GP really just listened for almost the whole consultation, speaking to him gently, reassuring him that this wasn’t his or anyone’s fault. She stated that this was an awful time for him and that what he was feeling was entirely normal and something we will all universally go through. She emphasised that while it wasn’t helpful at the moment, that things would get better over time.3 He was really glad I was there – having shared a consultation with his wife and I – he thanked me emphatically even though I felt like I hadn’t really helped at all. After some tears, frequent moments of silence and a lot of questions, he left having gotten a lot off his chest. “You just have to listen to people, be there for them as they go through things, and answer their questions as best you can” urged my GP as we discussed the case when the patient left. Almost all family caregivers contact their GP with regards to grief and this consultation really made me realise how important an aspect of my practice it will be in the future.4 It has also made me reflect on the emphasis on undergraduate teaching around ‘breaking bad news’ to patients, but nothing taught about when patients are in the process of grieving further down the line.5 The skill Andrew MacFarlane Year 3 ScotGEM Medical Student 3 required to manage a grieving patient is not one limited to general practice. Patients may grieve the loss of function from acute trauma through to chronic illness in all specialties of medicine - in addition to ‘traditional’ grief from loss of family or friends.6 There wasn’t anything ‘medical’ in the consultation, but I came away from it with a real sense of purpose as to why this career is such a privilege. We look after patients so they can spend as much quality time as they are given with their loved ones, and their loved ones are the ones we care for after they are gone. We as doctors are the constant, and we have to meet patients with compassion at their most difficult times – because it is as much a part of the job as the knowledge and the science – and it is the part of us that patients will remember long after they leave our clinic room. Word Count: 993 words References 1. ScotGEM MBChB - Subjects - University of St Andrews [Internet]. [cited 2021 Mar 27]. Available from: https://www.st-andrews.ac.uk/subjects/medicine/scotgem-mbchb/ 2. Shared decision making in realistic medicine: what works - gov.scot [Internet]. [cited 2021 Mar 27]. Available from: https://www.gov.scot/publications/works-support-promote-shared-decisionmaking-synthesis-recent-evidence/pages/1/ 3. Ghesquiere AR, Patel SR, Kaplan DB, Bruce ML. Primary care providers’ bereavement care practices: Recommendations for research directions. Int J Geriatr Psychiatry. 2014 Dec;29(12):1221–9. 4. Nielsen MK, Christensen K, Neergaard MA, Bidstrup PE, Guldin M-B. Grief symptoms and primary care use: a prospective study of family caregivers. BJGP Open [Internet]. 2020 Aug 1 [cited 2021 Mar 27];4(3). Available from: https://bjgpopen.org/content/4/3/bjgpopen20X101063 5. O’Connor M, Breen LJ. General Practitioners’ experiences of bereavement care and their educational support needs: a qualitative study. BMC Medical Education. 2014 Mar 27;14(1):59. 6. Sikstrom L, Saikaly R, Ferguson G, Mosher PJ, Bonato S, Soklaridis S. Being there: A scoping review of grief support training in medical education. PLOS ONE. 2019 Nov 27;14(11):e0224325.
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