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Books on the topic 'Motiv i filmen'

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Published: 26 July 2024

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1

K, Heumann Joseph, ed. Ecology and popular film: Cinema on the edge. Albany: State University of New York Press, 2009.

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2

Benshoff, Harry M. America on film: Representing race, class, gender, and sexuality at the movies. 2nd ed. Malden, MA, USA: Wiley-Blackwell, 2009.

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3

Benshoff, Harry M. America on film: Representing race, class, gender, and sexuality at the movies. Malden, MA: Blackwell Pub., 2004.

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4

Billy Wilder: Filme - Motive - Kontroverses. Bochum: Paragon-Verlag, 2006.

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5

Cowan, Douglas E. Sacred space: The quest for transcendence in science fiction film and television. Waco, TX: Baylor University Press, 2010.

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6

Seesslen, Georg. Filmwissen: Detektive: Grundlagen des populären Films. Marburg: Schüren, 2011.

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7

Schneider, Christian, Karsten Visarius, and Margrit Frölich. Projektionen des Fundamentalismus: Reflexionen und Gegenbilder im Film. Marburg: Schüren, 2008.

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8

Lazăr, Ioan. Teme și stiluri cinematografice: Motive fundamentale, genuri, curente, autori și filme de referință. București: Editura Meridiane, 1987.

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9

Lazăr, Ioan. Teme și stiluri cinematografice: Motive fundamentale, genuri, curente, autori și filme de referință. București: Editura Meridiane, 1987.

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10

Ferguson, Paula M. Motif reference manual: For motif 2.1. 2nd ed. Beijing: O'Reilly, 2000.

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11

Stefan, Machura, and Voigt Rüdiger, eds. Krieg im Film. Münster: Lit, 2005.

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12

Curtis, Barry. Dark places: The haunted house in film. London: Reaktion Books, 2008.

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13

N, Mione Antonino. Quickstart motif. Ft. Washington, PA: CBM Books, 1996.

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14

Ames, Christopher. Movies about the movies: Hollywood reflected. Lexington, Ky: University Press of Kentucky, 1997.

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15

Foundation, Open Software, ed. OSF/Motif style guide: Revision 1.1 (for OSF/Motif release 1.1). Englewood Cliffs, N.J: Prentice Hall, 1991.

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16

Wolfschlag, Claus. Traumstadt und Armageddon: Zukunftsvisionen und Weltuntergang im Science-Fiction-Film. Graz: Ares, 2007.

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17

Navarrete, Luis. La historia contemporánea de España a través del cine español. Madrid: Síntesis, 2009.

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18

Navarrete, Luis. La historia contemporánea de España a través del cine español. Madrid: Síntesis, 2009.

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19

Foundation, Open Software, ed. OSF/Motif style guide: Revision 1.0. Englewood Cliffs, N.J: Prentice Hall, 1990.

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20

Foster-Johnson, Eric. Power programming-- Motif. 2nd ed. New York, NY: MIS Press, 1993.

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21

Foster-Johnson, Eric, and Eric F. Johnson. Power programming... Motif. Portland, Or: MIS Press, 1991.

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22

Tippner, Anja, Karin Hoff, and Christine Gölz. Filme der Kindheit, Kindheit im Film: Beispiele aus Skandinavien, Mittel- und Osteuropa. Frankfurt am Main: Peter Lang, 2010.

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23

Bowman, Charles F. Objectifying Motif. New York: SIGS Books, 1995.

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24

Ferguson, Paula M. Motif Reference Manual. Sebastopol, CA: O'Reilly & Associates, 1993.

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25

Wahlström, Helena. New fathers?: Contemporary American stories of masculinity, domesticity and kinship. Newcastle upon Tyne: Cambridge Scholars Pub., 2010.

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26

Kevin, Reichard, and Johnson Erik F, eds. Power programming- Motif. 2nd ed. New York, N.Y: MIS:Press, 1993.

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27

Reichel, Sabine. Bad girls: Hollywoods bo˜se Beauties. Mu˜nchen: Heyne, 1996.

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28

Hilliard, Robert. Pictures of protest: Hollywood films that dared to deal with real world issues. Malden, MA: Wiley-Blackwell, 2009.

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29

Young, Douglas A. OSF/Motif reference guide. Englewood Cliffs, N.J: Prentice Hall, 1990.

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30

Klotter, James C. A concise history of Kentucky. Lexington, Ky: University Press of Kentucky, 2008.

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31

Crosnier, Christelle. L'amour comme au cinéma. [Paris]: Éd. 1, 2005.

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32

Crosnier, Christelle, and Valérie Vlacci. L'amour comme au cinéma: Les répliques romantiques des plus grands films. [Paris]: Librio, 2007.

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33

Heller, Dan. Motif Programming Manual. 2nd ed. Sebastopol, Calif: O’Reilly & Associates, 1994.

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34

Heller, Dan. Motif Programming Manual. Sebastopol, California: O’Reilly & Assocoates, 1991.

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35

Programming with Motif. New York: Springer-Verlag, 1992.

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36

Convegno internazionale di studi 50 fois Nouvelle vague (2009 Rome, Italy). Nouvelle vague: Forme, motivi, questioni. Roma: Fondazione Ente dello spettacolo, 2011.

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37

G, Kochan Stephen, and Wood Patrick H, eds. UNIX desktop guide to X/Motif. Carmel, Ind., USA: Hayden Books, 1991.

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38

Teo, Stephen. Chinese martial arts cinema: The Wuxia tradition. Edinburgh: Edinburgh University Press, 2009.

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39

Foundation, Open Software, ed. OSF/Motif programmer's guide: Revision 1.2 (for OSF/Motif release 1.2. Englewood Cliffs, N.J: PTR Prentice Hall, 1993.

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40

Foundation, Open Software, ed. OSF/Motif style guide: Revision 1.2 (for OSF/Motif release 1.2). Englewood Cliffs, N.J: PTR Prentice Hall, 1993.

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41

N, Mione Antonino. CDE and Motif: A practical primer. Upper Saddle River, N.J: Prentice Hall PTR, 1998.

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42

Wood, Aylish. Technoscience in contemporary film: Beyond science fiction. Manchester: Manchester University Press, 2002.

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43

Foundation, Open Software, ed. OSF/Motif programmer's reference: Revision 1.2 (for OSF/Motif release 1.2). Englewood Cliffs, N.J: PTR Prentice Hall, 1993.

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44

Barkakati, Nabajyoti. UNIX desktop guide to X/Motif. Edited by Kochan Stephen and Wood Patrick H. Carmel, Ind., USA: Hayden Books, 1991.

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45

Haramundanis, Katherine. Exploring workstation applications with CDE and Motif. Boston: Digital Press, 1996.

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46

André, Emmanuelle. Esthétique du motif: Cinéma, musique, peinture. Paris: Presses Universitaires de Vincennes, 2007.

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47

McMinds, Donald L. Mastering OSF/Motif widgets. 2nd ed. Reading, Mass: Addison-Wesley, 1993.

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48

Mastering OSF/motif widgets. Reading, Mass: Addison-Wesley, 1992.

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49

George, Alistair. Advanced motif programming techniques. New York: Prentice Hall, 1994.

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50

Bär, Gerald. Das Motiv des Doppelgängers als Spaltungsphantasie in der Literatur und im deutschen Stummfilm. Amsterdam: Rodopi, 2004.

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