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Books on the topic 'Motion pictures Social aspects Victoria'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

The films of the seventies: A social history. Metuchen, N.J: Scarecrow Press, 1987.

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2

Espinosa, Julio García. Cine, comunicacíon y cambio social. Lima: Editorial Causachun, 1989.

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3

Cinema and community. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.

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4

Sorlin, Pierre. European cinemas, European societies 1939-1990. London: Routledge, 2001.

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5

McKiernan, D. W. Cinema and community. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.

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6

European cinemas, European societies, 1939-1990. New York: Routledge, 1991.

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7

Australian national cinema. London: Routledge, 1996.

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8

Cinematic sociology: Social life in film. 2nd ed. Thousand Oaks, Calif: SAGE Publications, 2013.

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9

A social history of Iranian cinema. Durham, NC: Duke University Press, 2011.

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10

Okome, Onookome. Cinema and social change in West Africa. Jos: Nigerian Film Corporation, 1995.

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11

Eye of the century: Film, experience, modernity. New York: Columbia University Press, 2008.

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12

The new Latin American cinema: A continental project. Austin: University of Texas Press, 1993.

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13

Flatlining on the field of dreams: Cultural narratives in the films of President Reagan's America. New Brunswick, N.J: Rutgers University Press, 1997.

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14

Camera and action: American film as agent of social change, 1965-1975. Jefferson, N.C: McFarland, 2008.

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15

Film and politics in America: A social tradition. London: Routledge, 1992.

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16

Historia social del cine en España. Madrid: Editorial Fundamentos, 2003.

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17

Cinema in democratizing Germany: Reconstructing national identity after Hitler. Chapel Hill: University of North Carolina Press, 1995.

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18

Realism and tinsel: Cinema and society in Britain, 1939-1949. London: Routledge, 1992.

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19

Murphy, Robert. Realism and tinsel: Cinema and society in Britain, 1939-1948. London: Routledge, 1989.

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20

Work in cinema: Labor and the human condition. New York: Palgrave Macmillan, 2013.

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21

Michael, Wood. Film: A very short introduction. Oxford: Oxford University Press, 2012.

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22

Hollywood intellect. Lanham: Lexington Books, 2009.

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23

Ferreira, Fernando. Luz, cámara-- memoria: Una historia social del cine argentino. Buenos Aires: Corregidor, 1995.

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24

Film cultures. London: Sage Publications, 2002.

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25

The big tomorrow: Hollywood and the politics of the American way. Chicago: University of Chicago Press, 2000.

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26

1945-, James David E., and Berg Rick, eds. The hidden foundation: Cinema and the question of class. Minneapolis, Minn: University of Minnesota Press, 1996.

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27

This side of despair: How the movies and American life intersected during the Great Depression. Madison [NJ]: Fairleigh Dickinson University Press, 2008.

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28

David, Thomson. The big screen: The story of the movies and what they did to us. London: Allen Lane, 2012.

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29

Ḥawwās, ʻAbd al-Ḥamīd. Aṭyāf wa-ẓilāl: Awrāq ʻan al-ʻalāqah bayna al-sīnimā wa-al-maʼthūr al-thaqāfī. al-Qāhirah: al-Hayʼah al-ʻĀmmah li-Quṣūr al-Thaqāfah, 2000.

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30

Barahona, Fernando Alonso. Antropología del cine. Barcelona: Centro de Investigaciones Literarias Españolas e Hispanoamericanas, 1991.

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31

García, Asunción Anca. Visión del cine espectáculo: Lineamientos para una interpretación. [Caracas]: CONAC, 1990.

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32

Communication, cinema, development: From morosity to hope. New Delhi: Manohar, 1998.

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33

Deza, Alfonso B. Mythopoeic Poe: Understanding the masa as audience through the films of Fernando Poe, Jr. Quezon City: Published and exclusively distributed by Great Books Pub., 2006.

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34

Kasongo Ibanda Ngozulu W. T. Le " cinéma pour africains": Acte d'influence à visée persuasive. Louvain-la-Neuve: CIACO, 1989.

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35

Dian ying yu re sheng. Beijing: Zhongguo wen shi chu ban she, 2006.

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36

Die Darstellung von Solidarität im postmodernen Spielfilm: Eine Analysemethode sozialer Interaktionen in Spielfilmen. Berlin: Logos, 2000.

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37

Another cinema for another society. Calcutta: Seagull Books, 1985.

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38

Niv, Ḳobi. ʻAl mah ha-sereṭ ha-zeh? Tel-Aviv: Devir, 1999.

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39

Gai bian ren sheng de 108 bu dian ying: 108 films changing your life. Taibei Xian Zhonghe Shi: Zhong jing she, 2004.

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40

Ḥawwās, ʻAbd al-Ḥamīd. Aṭyāf wa-ẓilāl: Awrāq ʻan al-ʻalāqah bayna al-sīnimā wa-al-maʾthūr al-thaqāfī. al-Qāhirah: al-Hayʾah al-ʻĀmmah li-Quṣūr al-Thaqāfah, 2000.

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41

Niv, Ḳobi. ʻAl mah ha-sereṭ ha-zeh? Tel-Aviv: Devir, 1999.

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42

Gilbert, Nora. Better Left Unsaid: Victorian Novels, Hays Code Films, and the Benefits of Censorship (The Cultural Lives of Law). Stanford Law Books, 2013.

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43

Simonton, Dean Keith, and James C. Kaufman. Social Science of Cinema. Oxford University Press, Incorporated, 2013.

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44

Social Science of Cinema. Oxford University Press, Incorporated, 2014.

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45

Jarvie, I. C. Movies as Social Criticism. The Scarecrow Press, Inc., 1989.

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46

O'Regan, Tom. Australian National Cinema. Taylor & Francis Group, 2005.

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47

O'Regan, Tom. Australian National Cinema. Taylor & Francis Group, 2005.

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48

O'Regan, Tom. Australian National Cinema. Taylor & Francis Group, 2005.

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49

Beeton, Sue. Film-Induced Tourism (Aspects of Tourism). Channel View Publications, 2005.

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50

Beeton, Sue. Film-Induced Tourism (Aspects of Tourism). Multilingual Matters Limited, 2005.

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