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Books on the topic 'Motion pictures – social aspects – cuba'

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Author: Grafiati
Published: 26 July 2024
Last updated: 27 July 2024

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1

Chanan, Michael. The Cuban image: Cinema and cultural politics in Cuba. London: BFI Pub., 1985.

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2

Smith, Paul Julian. Vision machines: Cinema, literature, and sexuality in Spain and Cuba, 1983-93. London: Verso, 1996.

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3

Chanan, Michael. Cuban cinema. Minneapolis: University of Minnesota Press, 2003.

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4

Cuba, Pabellón, and Bienal de La Habana (8th : 2003 : Havana, Cuba), eds. Pabellón Cuba 4D: 4Dimensions, 4Decades. Berlin: B-books, 2008.

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5

J, Palmer William. The films of the seventies: A social history. Metuchen, N.J: Scarecrow Press, 1987.

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6

Espinosa, Julio García. Cine, comunicacíon y cambio social. Lima: Editorial Causachun, 1989.

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7

Cinema and community. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.

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8

McKiernan, D. W. Cinema and community. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.

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9

Sutherland, Jean-Anne, and Kathryn Feltey. Cinematic sociology: Social life in film. 2nd ed. Thousand Oaks, Calif: SAGE Publications, 2013.

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10

Naficy, Hamid. A social history of Iranian cinema. Durham, NC: Duke University Press, 2011.

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11

Okome, Onookome. Cinema and social change in West Africa. Jos: Nigerian Film Corporation, 1995.

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12

1946-, Pomerance Murray, ed. Cinema and modernity. New Brunswick, N.J: Rutgers University Press, 2006.

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13

Eye of the century: Film, experience, modernity. New York: Columbia University Press, 2008.

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14

Bapis, Elaine M. Camera and action: American film as agent of social change, 1965-1975. Jefferson, N.C: McFarland, 2008.

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15

Monaco, Paul. Ribbons in time: Movies and society since 1945. Bloomington: Indiana University Press, 1988.

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16

Puertas, Emeterio Díez. Historia social del cine en España. Madrid: Editorial Fundamentos, 2003.

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17

Murphy, Robert. Realism and tinsel: Cinema and society in Britain, 1939-1948. London: Routledge, 1989.

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18

Robert, Murphy. Realism and tinsel: Cinema and society in Britain, 1939-1949. London: Routledge, 1992.

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19

Bloom, James D. Hollywood intellect. Lanham: Lexington Books, 2009.

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20

Mazierska, Ewa. Work in cinema: Labor and the human condition. New York: Palgrave Macmillan, 2013.

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21

Wood, Michael. Film: A very short introduction. Oxford: Oxford University Press, 2012.

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22

Ferreira, Fernando. Luz, cámara-- memoria: Una historia social del cine argentino. Buenos Aires: Corregidor, 1995.

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23

1945-, James David E., and Berg Rick, eds. The hidden foundation: Cinema and the question of class. Minneapolis, Minn: University of Minnesota Press, 1996.

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24

David, Thomson. The big screen: The story of the movies and what they did to us. London: Allen Lane, 2012.

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25

1962-, Smith Murray, and Wartenberg Thomas E, eds. Thinking through cinema: Films as philosophy. Malden, MA: Blackwell Pub., 2006.

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26

J, Palmer William. The films of the nineties: The decade of spin. New York: Palgrave Macmillan, 2009.

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27

J, Palmer William. The films of the nineties: The decade of spin. New York: Palgrave Macmillan, 2009.

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28

Satō, Tadao. Eiga kara mietekuru Ajia. 8th ed. Tōkyō: Yōsensha, 2005.

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29

Barahona, Fernando Alonso. Antropología del cine. Barcelona: Centro de Investigaciones Literarias Españolas e Hispanoamericanas, 1991.

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30

Kolovos, Nikos. Koinōniologia tou kinēmatographou. [Athens]: Aigokerōs, 1988.

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31

Niv, Ḳobi. ʻAl mah ha-sereṭ ha-zeh? Tel-Aviv: Devir, 1999.

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32

Ahmad, Naim Haji. Filem sebagai alat dan bahan kajian. [Kuala Lumpur]: Penerbit Universiti Pertanian Malaysia, 1995.

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33

Kasongo Ibanda Ngozulu W. T. Le " cinéma pour africains": Acte d'influence à visée persuasive. Louvain-la-Neuve: CIACO, 1989.

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34

García, Asunción Anca. Visión del cine espectáculo: Lineamientos para una interpretación. [Caracas]: CONAC, 1990.

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35

Niv, Ḳobi. ʻAl mah ha-sereṭ ha-zeh? Tel-Aviv: Devir, 1999.

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36

Purohit, Vinayak. Some aspects of sociology of Indian films and profile of the Hindi hit movie, 1951-1989. Bombay: Indian Institute of Social Research, 1990.

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37

Deza, Alfonso B. Mythopoeic Poe: Understanding the masa as audience through the films of Fernando Poe, Jr. Quezon City: Published and exclusively distributed by Great Books Pub., 2006.

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38

Liu, Siqi. Dian ying yu re sheng. 8th ed. Beijing: Zhongguo wen shi chu ban she, 2006.

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39

L, Ossovskiĭ V., ed. T͡S︡ennosti professionalʹnoĭ dei͡a︡telʹnosti: Opyt sot͡s︡iologicheskogo issledovanii͡a︡ kino. Kiev: Nauk. dumka, 1986.

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40

Ke, Jōsaph Vi. Sinimayuṃ pr̲atyaśāstr̲avuṃ. Tiruvananthapuram: Sāṃskārika Pr̲asiddhīkaraṇavakuppȧ, 1997.

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41

Nehru Memorial Museum and Library. Centre for Contemporary Studies., ed. Dislocations: The cinematic imagining of a new society in 1950s India. New Delhi: Centre for Contemporary Studies, Nehru Memorial Museum and Library, 1994.

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42

Gai bian ren sheng de 108 bu dian ying: 108 films changing your life. Taibei Xian Zhonghe Shi: Zhong jing she, 2004.

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43

Roesch, Stefan. The experiences of film location tourists. Bristol, UK: Channel View Publications, 2010.

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44

Deza, Alfonso B. Mythopoeic Poe: Understanding the masa as audience through the films of Fernando Poe, Jr. Quezon City: Published and exclusively distributed by Great Books Pub., 2006.

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45

Ḥawwās, ʻAbd al-Ḥamīd. Aṭyāf wa-ẓilāl: Awrāq ʻan al-ʻalāqah bayna al-sīnimā wa-al-maʾthūr al-thaqāfī. al-Qāhirah: al-Hayʾah al-ʻĀmmah li-Quṣūr al-Thaqāfah, 2000.

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46

The Cuban Image: Cinema and Cultural Politics in Cuba. Indiana Univ Pr, 1986.

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47

The Cuban Image: Cinema and Cultural Politics in Cuba. BFI Publishing, 1986.

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48

Chanan, Michael. Cuban Image. BFI Publishing, 1985.

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49

The politics of affect and emotion in contemporary Latin American cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan, 2011.

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50

Lesman, Robert S. Translating Cuba: Literature, Music, Film, Politics. Taylor & Francis Group, 2021.

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