Books on the topic 'Motion pictures – Social aspects – Congresses'

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1

editor, Saxena Ambrish, and Vivekananda School of Journalism and Mass Communication, eds. Indian cinema society and culture. New Delhi: Kanishka Publishers, Distributors, 2014.

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2

Kent State University International Film Conference (8th 1990). Film & society: Proceedings of the Eighth Annual Kent State University International Film Conference, April 17-18, 1990. [Kent, Ohio: Romance Languages Dept., Kent State University, 1990.

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3

1941-, Schenk Irmbert, and Bremer Symposium zum Film (4th : 1999?), eds. Erlebnisort Kino. Marburg: Schüren, 2000.

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4

Sergio, Basso, and Festival del cinema spirituale Tertio Millennio (11st : 2007 : Rome, Italy), eds. Identità e disgregazione: Frammenti dal cinema contemporaneo. Roma: Fondazione ente dello spettacolo, 2008.

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5

Teresa, De Lauretis, Heath Stephen, and University of Wisconsin--Milwaukee. Center for Twentieth Century Studies., eds. The Cinematic apparatus. New York: St. Martin's Press, 1985.

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6

La mirada cómplice: Ensayos sobre cine y sociedad. Tijuana, B.C: Consejo Nacional para la Cultura y las Artes, Centro Cultural Tijuana, 2013.

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7

Coloquio, Internacional "A Emigración no Cine: Diversos Enfoques (2007 Santiago de Compostela Spain). La emigración en el cine, diversos enfoques. Santiago de Compostela: Universidade de Santiago de Compostela, 2009.

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8

Coloquio Internacional "A Emigración no Cine: Diversos Enfoques (2007 Santiago de Compostela, Spain). La emigración en el cine, diversos enfoques. Santiago de Compostela: Universidade de Santiago de Compostela, 2009.

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9

Pronkevych, O. V. (Oleksandr Viktorovych), editor, ed. Film and cultures of memory. Saarbrücken: Universaar, Universitätsverlag des Saarlandes, 2015.

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10

Turkey) Uluslararasi Suç ve Ceza Film Festivali (6th 2016 Istanbul. 6. Uluslararası Suç ve Ceza Film Festivali "Yoksulluk": Tebliğler = 6th International Crime and Punishment Film Festival "Poverty" : academic papers. Edited by Sözüer Adem editor. Şişli, İstanbul: Oniki Levha Yayıncılık, 2017.

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11

Anschauen und Vorstellen: Gelenkte Imagination im Kino. Marburg: Schüren, 2014.

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12

1942-, Moser Walter, and Lillo Gastón, eds. Cine, historia y sociedad: Cine argentino y brasileño desde los años 80 = Cinema, history and society : Argentinian and Brasilian cinema since the 80s. Ottawa: Legas, 2007.

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13

Society for the Interdisciplinary Study of Social Imagery. Conference. The image of the hero in literature, media, and society: Selected papers [of the] Society for the Interdisciplinary Study of Social Imagery, March 2004, Colorado Springs, Colorado. Pueblo, CO: The Society, Colorado State University-Pueblo, 2004.

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14

Colloque international icône-image (2nd 2005 Auxerre). Les interdits de l'image: 2e colloque international icône-image, musées d'Auxerre, 7-9 juillet 2005. [Sens]: Obsidiane, 2006.

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15

Jean-Pierre, Bertin-Maghit, ed. Discours audiovisuels et mutations culturelles: Actes du colloque organisé par l'AFECCAV, Bordeaux, 28, 29, 30 septembre 2000. Paris: L'Harmattan, 2002.

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16

Groupe de recherche et d'études nord-américaines (France). Colloque. Myt hes et représentations aux Etats-Unis: La transgression : actes du colloque des 25, 26 et 27 mars 1994. Aix-en-Provence: Université de Provence, 1996.

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17

The films of the seventies: A social history. Metuchen, N.J: Scarecrow Press, 1987.

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18

Espinosa, Julio García. Cine, comunicacíon y cambio social. Lima: Editorial Causachun, 1989.

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19

McKiernan, D. W. Cinema and community. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.

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20

Cinematic sociology: Social life in film. 2nd ed. Thousand Oaks, Calif: SAGE Publications, 2013.

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21

A social history of Iranian cinema. Durham, NC: Duke University Press, 2011.

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22

Okome, Onookome. Cinema and social change in West Africa. Jos: Nigerian Film Corporation, 1995.

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23

Daniel, Nina, ed. Blade Runner: Memoria, vigilancia y el sujeto desechable. San Juan, P.R: Ediciones Callejón, 2008.

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24

1946-, Pomerance Murray, ed. Cinema and modernity. New Brunswick, N.J: Rutgers University Press, 2006.

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25

Haydn, Smith Ian, ed. New Chinese cinema: Challenging representations. London: Wallflower, 2002.

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26

Camera and action: American film as agent of social change, 1965-1975. Jefferson, N.C: McFarland, 2008.

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27

Monaco, Paul. Ribbons in time: Movies and society since 1945. Bloomington: Indiana University Press, 1988.

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28

Historia social del cine en España. Madrid: Editorial Fundamentos, 2003.

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29

Murphy, Robert. Realism and tinsel: Cinema and society in Britain, 1939-1948. London: Routledge, 1989.

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30

Realism and tinsel: Cinema and society in Britain, 1939-1949. London: Routledge, 1992.

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31

Hollywood intellect. Lanham: Lexington Books, 2009.

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32

Work in cinema: Labor and the human condition. New York: Palgrave Macmillan, 2013.

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33

Michael, Wood. Film: A very short introduction. Oxford: Oxford University Press, 2012.

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34

Ferreira, Fernando. Luz, cámara-- memoria: Una historia social del cine argentino. Buenos Aires: Corregidor, 1995.

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35

1945-, James David E., and Berg Rick, eds. The hidden foundation: Cinema and the question of class. Minneapolis, Minn: University of Minnesota Press, 1996.

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36

David, Thomson. The big screen: The story of the movies and what they did to us. London: Allen Lane, 2012.

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37

The films of the nineties: The decade of spin. New York: Palgrave Macmillan, 2009.

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38

J, Palmer William. The films of the nineties: The decade of spin. New York: Palgrave Macmillan, 2009.

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39

Vision machines: Cinema, literature, and sexuality in Spain and Cuba, 1983-93. London: Verso, 1996.

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40

1962-, Sutherland Jean-Anne, and Feltey Kathryn 1954-, eds. Cinematic sociology: Social life in film. Thousand Okas: Pine Forge Press, 2010.

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41

1962-, Sutherland Jean-Anne, and Feltey Kathryn 1954-, eds. Cinematic sociology: Social life in film. Thousand Okas: Pine Forge Press, 2010.

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42

1962-, Sutherland Jean-Anne, and Feltey Kathryn 1954-, eds. Cinematic sociology: Social life in film. Thousand Oaks: Pine Forge Press, 2010.

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43

1962-, Sutherland Jean-Anne, and Feltey Kathryn 1954-, eds. Cinematic sociology: Social life in film. Thousand Oaks: Pine Forge Press, 2010.

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44

Eiga kara mietekuru Ajia. Tōkyō: Yōsensha, 2005.

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45

Barahona, Fernando Alonso. Antropología del cine. Barcelona: Centro de Investigaciones Literarias Españolas e Hispanoamericanas, 1991.

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46

Kolovos, Nikos. Koinōniologia tou kinēmatographou. [Athens]: Aigokerōs, 1988.

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47

Niv, Ḳobi. ʻAl mah ha-sereṭ ha-zeh? Tel-Aviv: Devir, 1999.

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48

Ahmad, Naim Haji. Filem sebagai alat dan bahan kajian. [Kuala Lumpur]: Penerbit Universiti Pertanian Malaysia, 1995.

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49

Kasongo Ibanda Ngozulu W. T. Le " cinéma pour africains": Acte d'influence à visée persuasive. Louvain-la-Neuve: CIACO, 1989.

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50

García, Asunción Anca. Visión del cine espectáculo: Lineamientos para una interpretación. [Caracas]: CONAC, 1990.

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