Books on the topic 'Motion pictures Social aspects Australia'

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1

Australian national cinema. London: Routledge, 1996.

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2

Rattigan, Neil. Images of Australia: 100 films of the new Australian cinema. Dallas: Southern Methodist University Press, 1991.

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3

Rebecca, Coyle, ed. Reel tracks: Australian feature film music and cultural identities. Eastleigh, UK: John Libbey Pub., 2005.

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4

Donald, Stephanie. Tourism and the branded city: Film and identity on the Pacific Rim. Aldershot, Hants, England: Ashgate Pub. Co., 2007.

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5

Creative nation: Australian cinema and cultural studies reader. New Delhi: SSS Publications, 2009.

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6

The films of the seventies: A social history. Metuchen, N.J: Scarecrow Press, 1987.

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7

Espinosa, Julio García. Cine, comunicacíon y cambio social. Lima: Editorial Causachun, 1989.

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8

Cinema and community. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.

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9

Sorlin, Pierre. European cinemas, European societies 1939-1990. London: Routledge, 2001.

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10

McKiernan, D. W. Cinema and community. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.

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11

European cinemas, European societies, 1939-1990. New York: Routledge, 1991.

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12

Cinematic sociology: Social life in film. 2nd ed. Thousand Oaks, Calif: SAGE Publications, 2013.

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13

A social history of Iranian cinema. Durham, NC: Duke University Press, 2011.

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14

Okome, Onookome. Cinema and social change in West Africa. Jos: Nigerian Film Corporation, 1995.

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15

Eye of the century: Film, experience, modernity. New York: Columbia University Press, 2008.

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16

The new Latin American cinema: A continental project. Austin: University of Texas Press, 1993.

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17

Flatlining on the field of dreams: Cultural narratives in the films of President Reagan's America. New Brunswick, N.J: Rutgers University Press, 1997.

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18

Camera and action: American film as agent of social change, 1965-1975. Jefferson, N.C: McFarland, 2008.

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19

Film and politics in America: A social tradition. London: Routledge, 1992.

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20

Historia social del cine en España. Madrid: Editorial Fundamentos, 2003.

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21

Cinema in democratizing Germany: Reconstructing national identity after Hitler. Chapel Hill: University of North Carolina Press, 1995.

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22

Realism and tinsel: Cinema and society in Britain, 1939-1949. London: Routledge, 1992.

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23

Murphy, Robert. Realism and tinsel: Cinema and society in Britain, 1939-1948. London: Routledge, 1989.

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24

Work in cinema: Labor and the human condition. New York: Palgrave Macmillan, 2013.

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25

Michael, Wood. Film: A very short introduction. Oxford: Oxford University Press, 2012.

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26

Hollywood intellect. Lanham: Lexington Books, 2009.

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27

Ferreira, Fernando. Luz, cámara-- memoria: Una historia social del cine argentino. Buenos Aires: Corregidor, 1995.

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28

Film cultures. London: Sage Publications, 2002.

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29

The big tomorrow: Hollywood and the politics of the American way. Chicago: University of Chicago Press, 2000.

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30

1945-, James David E., and Berg Rick, eds. The hidden foundation: Cinema and the question of class. Minneapolis, Minn: University of Minnesota Press, 1996.

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31

This side of despair: How the movies and American life intersected during the Great Depression. Madison [NJ]: Fairleigh Dickinson University Press, 2008.

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32

David, Thomson. The big screen: The story of the movies and what they did to us. London: Allen Lane, 2012.

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33

O'Regan, Tom. Australian National Cinema. Taylor & Francis Group, 2005.

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34

O'Regan, Tom. Australian National Cinema. Taylor & Francis Group, 2005.

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35

O'Regan, Tom. Australian National Cinema. Taylor & Francis Group, 2005.

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36

Tourism and the Branded City: Film and Identity on the Pacific Rim (New Directions in Tourism Analysis). Ashgate Publishing, 2007.

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37

Donald, Stephanie Hemelryk, and John G. Gammack. Tourism and the Branded City: Film and Identity on the Pacific Rim. Taylor & Francis Group, 2016.

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38

Donald, Stephanie Hemelryk, and John G. Gammack. Tourism and the Branded City: Film and Identity on the Pacific Rim. Taylor & Francis Group, 2016.

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39

Shimmering Screens: Making Media in an Aboriginal Community (Visible Evidence). Univ Of Minnesota Press, 2006.

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40

Shimmering Screens: Making Media in an Aboriginal Community (Visible Evidence). Univ Of Minnesota Press, 2006.

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41

Simonton, Dean Keith, and James C. Kaufman. Social Science of Cinema. Oxford University Press, Incorporated, 2013.

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42

Social Science of Cinema. Oxford University Press, Incorporated, 2014.

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43

Jarvie, I. C. Movies as Social Criticism. The Scarecrow Press, Inc., 1989.

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44

Beeton, Sue. Film-Induced Tourism (Aspects of Tourism). Channel View Publications, 2005.

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45

Beeton, Sue. Film-Induced Tourism (Aspects of Tourism). Multilingual Matters Limited, 2005.

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46

Waddell, Terrie. The Lost Child Complex in Australian Film: Jung, Story and Playing Beneath the Past. Routledge, 2019.

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47

Waddell, Terrie. Lost Child Complex in Australian Film: Jung, Story and Playing Beneath the Past. Taylor & Francis Group, 2019.

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48

Waddell, Terrie. Lost Child Complex in Australian Film: Jung, Story and Playing Beneath the Past. Taylor & Francis Group, 2019.

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49

Waddell, Terrie. Lost Child Complex in Australian Film: Jung, Story and Playing Beneath the Past. Taylor & Francis Group, 2019.

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50

The Lost Child Complex in Australian Film. Routledge, 2019.

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