Relevant bibliographies by topics / Motion pictures – Research – Methodology

Academic literature on the topic 'Motion pictures – Research – Methodology'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Motion pictures – Research – Methodology"

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Druzhinin, Andrey. "Motion Pictures as a Source of Empirical Language Data (A Case Study of Counterfactuals)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 3 (August 2021): 166–75. http://dx.doi.org/10.15688/jvolsu2.2021.3.14.

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The article focuses on the problem of research methodology in linguistics and argues that motion pictures, or feature films, provide a good source of empirical data for a realistic investigation of language as a communicative behavior. Evidence from epistemology and philosophy of science shows that scriptism and rationalism as two dominating methodologies in traditional linguistics do not give a whole picture of language functionality because through them we cannot observe a human's communicative behavior in dynamics. The aim of the article is to offer an alternative understanding of the subject-matter, method and data for linguistic research which would be grounded on human experience observable in films. In particular, the term 'languaging' is adopted to describe the dynamic process of experience construction in referential and attentional framings. The investigation of languaging is thus based on the principle of holism, circularity and 'double perspectival' view of one's experience. The author of the article gives a number of reasons why written texts alone do not provide reliable data in this respect and why motion pictures are a more viable alternative. The paper introduces the methodology of holistic research and open-ended experiential analysis and demonstrates in a case study how counterfactuals as grammatically and experientially enacted patterns can be observed and investigated in the film Atonement.
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Silenzie, Ricardo, and Muhammad Adi Pribadi. "Interaksi Simbolik dalam Komunikasi Pemasaran Terpadu di PT. Creative Motion Pctures: Studi Kasus Komunikasi Pemasaran Film Once Upon a Time in Indonesia." Prologia 4, no. 2 (October 1, 2020): 310. http://dx.doi.org/10.24912/pr.v4i2.6514.

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Integrated marketing communication planning in film marketing activities is implemented as a sales solution and promotes a film title to the public in a variety of effective and interactive ways in which the message in the film can touch the appropriate target audience. PT. Creative Motion Pictures is a film company that uses an integrated marketing communication planning formula to meet the needs of its audience. PT. Creative Motion Pictures formulas when planning marketing communication. The influence of symbolic interaction has a major contribution in the marketing communication planning of PT. Creative Motion Pictures. This research uses a qualitative methodology with a case study method. Data collection was done by participant observation, in-depth interviews with PT. Creative Motion Pictures. The conclusion of this research is that it has 4 stages of integrated marketing communication planning namely Film Products, Target Market, Promotion, Distribution. At all stages there are symbolic interactions such as language selection, organizational regulations, and company vision.Perencanaan komunikasi pemasaran terpadu dalam kegiatan pemasaran film diterapkan sebagai solusi penjualan dan mempromosikan sebuah judul film kepada masyarakat dengan berbagai cara yang efektif dan interaktif dimana pesan dalam film bisa menyentuh target audience yang sesuai. PT. Creative Motion Pictures merupakan perusahaan film yang menggunakan formula perencanaan komunikasi pemasaran terpadu untuk memenuhi kebutuhan penontonnya. PT. Creative Motion Pictures formula-formula yang ketika melakukan perancanaan komunikasi pemasaran. Pengaruh Interaksi simbolik memiliki kontribusi yang besar dalam perencanaan komunikasi pemasaran PT. Creative Motion Pictures. Penelitian ini menggunakan metodologi kualitatif dengan metode studi kasus. Pengumpulan data dilakukan dengan observasi partisipan, wawancara yang mendalam dengan tim PT. Creative Motion Pictures. Kesimpulan dari penelitian ini yakni memiliki 4 tahapan perencanaan komunikasi pemasaran terpadu yaitu Produk Film, Target Pasar, Promosi,Pendistribusian. Pada semua tahapan tersebut terdapat interaksi lambing-lambang seperti, pemilihan bahasa,peraturan organisasi, sampai visi perusahaan.
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Hatzithomas, Leonidas, Panagiotis Gkorezis, Athina Y. Zotou, and George Tsourvakas. "The impact of atmospherics on WOM about short life-cycle products: the case of motion pictures." Journal of Product & Brand Management 27, no. 5 (August 20, 2018): 471–83. http://dx.doi.org/10.1108/jpbm-01-2017-1401.

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Purpose This paper aims to empirically examine how atmospherics affect word of mouth (WOM) about the brand. The authors focus primarily on uncovering the causal mechanism in which such effect is serially mediated by both perceived positive emotions evoked by atmospherics and attitude toward the brand. Design/methodology/approach To test the research hypotheses, 314 Greek moviegoers were drafted to participate in a survey. Data were analysed using confirmatory factor analysis (AMOS) and the SPSS macro (PROCESS tool). The model was applied to motion pictures, as they provide a particularly good example of short life-cycle products. Findings Findings indicate that atmospherics are related to WOM about the brand through perceived emotions evoked by atmospherics and, in turn, attitude toward the brand. Research limitations/implications The present study extends the relevant literature by providing both direct and indirect links between atmospherics and WOM about a brand. Practical implications The model of the present study could be applied to other short life-cycle products that share key characteristics with motion pictures. Moreover, the present study increases movie producers and exhibitors’ understanding of the effects of theatre atmospherics on WOM about the movie and leads to practical suggestions and implications. Originality/value WOM is one of the key variables that can affect the profitability of short life-cycle products. To date, there was no evidence that atmospherics can influence WOM about a short life-cycle product.
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Насікан З. С. "МЕТОДОЛОГІЧНІ ОСНОВИ ПРОВЕДЕННЯ ЕКСПЕРИМЕНТАЛЬНО-ФОНЕТИЧНОГО ДОСЛІДЖЕННЯ ФОНОСЕМАНТИЧНИХ КОМПЛЕКСІВ В СУЧАСНОМУ АНГЛОМОВНОМУ ХУДОЖНЬОМУ КІНОДИСКУРСІ." International Journal of Innovative Technologies in Social Science, no. 3(15) (April 30, 2019): 25–28. http://dx.doi.org/10.31435/rsglobal_ijitss/30042019/6460.

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This paper deals with the methodology of experimental research of phonosemantics complexes that are able to actualize the emotional function in modern English film discourse. It is claimed that such type of investigation must be held by means of perceptual and acoustic analyses. The article contains the program of investigation, its main stages including corpus, participants (auditors- informants and auditors-phoneticians), and their tasks. Acoustic analysis was directed on proving the results of perceptive analyses by counting and evaluation of tonal, dynamic and temporal characteristics. The given methodological grounds create a fundamental basis for investigation of phonosemantic means and complexes of modern English motion pictures.
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Khrenov, Nikolai Andreyevich. "S.M. Eisenstein’s Aesthetics in Semiotic Perspective." Journal of Flm Arts and Film Studies 7, no. 1 (March 15, 2015): 8–25. http://dx.doi.org/10.17816/vgik718-25.

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The article is devoted to the semiotic interpretation of the theoretical heritage of S.M. Eisenstein, the film maker who anticipated the structuralist approach which has been so popular from the 1960s. Back in the 1960s, Eisensteins heritage attracted the attention of Academician Vyacheslav Ivanov because he found there he found a trend for understanding cinema as a language or, to be more precise, as a semiotic system. Vyacheslav Ivanov could not but notice it, as the formation of semiotics methodology in Russia is associated with his name. No wonder that he would reflect on the background of art semiotics which in the sphere of motion pictures is associating with the name of S.M. Eisenstein. While trying to appreciate the significance of Vyacheslav Ivanovs research of Eisensteins aesthetics, the author is contemplates on the application of semiotics methodology to the cinema as a semiotic system. In this regard the article is reproducing the aura of devotion to semiotics of domestic film scholars. When explaining the meaning of the title of Ivanovs book on S. Eisenstein, the author argues that the concept of semiotics was initially developed on the stage of the formation of aesthetics as a philosophical science.
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Hossein, Najafi, and Darryl W. Miller. "Predicting motion picture box office performance using temporal tweet patterns." International Journal of Intelligent Computing and Cybernetics 11, no. 1 (March 12, 2018): 64–80. http://dx.doi.org/10.1108/ijicc-04-2017-0033.

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Purpose The purpose of this paper is to investigate temporal tweet patterns and their effectiveness in predicting the financial performance of a movie. Specifically, how tweet patterns are formed prior to and after a movie’s release and their usefulness in predicting a movie’s success is explored. Design/methodology/approach Volume was measured and sentiment analysis was performed on a sample of Tweets posted four days before and after the release of 86 movies. The temporal pattern of tweeting for financially successful movies was compared with those that were financial disappointments. Using temporal tweet patterns, a number of machine learning models were developed and their predictive performance was compared. Findings Results show that the temporal patterns of tweet volume, length and sentiment differ between “hits” and “busts” in the days surrounding their releases. Compared with “busts” the tweet pattern for “hits” reveal higher volume, shorter length, and more favourable sentiment. Discriminant patterns in social media features occur days in advance of a movie’s release and can be used to develop models for predicting a movie’s success. Originality/value Analysis of temporal tweet patterns and their usefulness in predicting box office returns is the main contribution of this research. Results of this research could lead to development of analytical tools allowing motion picture studios to accurately predict and possibly influence the opening night box-office receipts prior to the release of the movie. Also, the specific temporal tweet patterns presented by this work may be applied to problems in other areas of research.
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Sumathi, S., P. Bhuvaneshwari, V. Harikrishnaveni, S. A. Sangami, and N. S. Shivanee Bhuvaneshwari. "A Deep Learning based Advanced Gait Detection." Journal of Physics: Conference Series 2325, no. 1 (August 1, 2022): 012056. http://dx.doi.org/10.1088/1742-6596/2325/1/012056.

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Abstract A gait is a biometric sign that people use to provide visual verification of viewing. Distinctive highlights need more than one movement cycle. In Gait Energy Image (GEI), for example, typical images of a frame with more than one cycle motion are analyzed. The unique stride highlights the required movement of an individual strolling more than one complete walking cycle. For instance, in Gait Energy Image (GEI), normal outline pictures of more than one entire walk cycle are processed. Be that as it may, there may be an incomplete step cycle in which information is accessible due to impediments. This research work has designed and developed a model for implementing stride arrangement and profound learning strategies. A separate walk dataset is used in our trial. The walk marks are removed from the Gait Energy Image (GEI) using the Convolution Neural Network (CNN). The classifier proposed here for grouping human gait postures is Mobile Net. Finally, the proposed methodology is evaluated on the OULP step dataset, affirming that the proposed design effectively reproduces total GEI even from the outrageously deficient walk cycles.
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Lewińska, Paulina, Dominik Sowiński, and Stanisław Szombara. "The measurements of snow cover volume in the area of Szrenicki Cirque." E3S Web of Conferences 49 (2018): 00067. http://dx.doi.org/10.1051/e3sconf/20184900067.

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The purpose of this project is to determine a fast way of calculating the volume and distribution of snow mantle, which is located in wide terrain concavities in mountain areas. Our study area was so-called Szrenicki Cirque (Kocioł Szrenicki), which is the nival recess, located in Karkonosze Mountains, Poland. We analyzed modern technologies, that are designed to generate 3D-models: terrain laser scanning and close-range photogrammetry (including structure-from-motion technique). There were two major reasons for our research. First, analyzing if a structure-frommotion based software is capable of creating a 3D model of snow cover since potential tie points for adjoin pictures are scarce. The second was to establish the quality and accuracy of this model in relation to potentially more accurate terrestrial laser scanning results. An important issue was also is to estimate the fastest, simplest and least expensive methodology that can be implemented as a daily task of Karkonosze National Park workers. A proper, fast, safe and accurate method of calculating the snow cover volume would incise the safety and avalanche risk evaluation in the vicinity of Karkonosze Mountains. In addition, the developed method can be used to monitor the risk of local spring floods.
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Marchand, Andre, Thorsten Hennig-Thurau, and Sabine Best. "When James Bond shows off his Omega: does product placement affect its media host?" European Journal of Marketing 49, no. 9/10 (September 14, 2015): 1666–85. http://dx.doi.org/10.1108/ejm-09-2013-0474.

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Purpose – This paper aims to contribute to the marketing literature and practice by examining the effect of product placements on the host brand. The declining effectiveness of traditional advertising has prompted increasing interest in strategies for placing products in media programming. Most existing research adopt the perspective of the brands embedded in media products, with limited attention to the impact that product placement has on the media product that serves as a host brand for the embedded brands. The authors investigate this effect in the context of motion pictures and develop a theory-driven conceptual model. Design/methodology/approach – The authors test their hypotheses with two experiments in which randomly assigned participants view one of seven versions of a custom-made, seven-minute short film that differ in their level of placement prominence. Findings – The results from a mediation analysis indicate that, after controlling for audiences’ general attitudes toward the embedded brand, greater placement prominence heightens consumers’ reactance to persuasion attempts and negatively affects their evaluations of the host brand. A post hoc experiment confirms that even very low levels of placement prominence can worsen host brand evaluations. Originality/value – This research is among the first to investigate the effects of product placement from a host brand perspective. It issues a warning to producers of entertainment content: a product placement strategy may generate additional earnings, but it also can lower audiences’ evaluations of the focal entertainment product.
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Witkowski, Terrence H. "Visualizing Winchester: a brand history through iconic Western images." Journal of Historical Research in Marketing 10, no. 4 (November 19, 2018): 383–419. http://dx.doi.org/10.1108/jhrm-09-2017-0053.

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Purpose This paper aims to present a visually documented brand history of Winchester Repeating Arms through a cultural analysis of iconic Western images featuring its lever action rifles. Design/methodology/approach The study applies visual culture perspectives and methods to the research and writing of brand history. Iconic Western images featuring Winchester rifles have been selected, examined, and used as points of departure for gathering and interpreting additional data about the brand. The primary sources consist chiefly of photographs from the nineteenth century and films and television shows from the twentieth century. Most visual source materials were obtained from the US Library of Congress, the Smithsonian Institution, the Buffalo Bill Center of the West and the Internet Movie Firearms Database. These have been augmented by written sources. Findings Within a few years of the launch of the Winchester brand in 1866, visual images outside company control associated its repeating rifles with the settlement of the American West and with the colorful people involved. Some of these images were reproduced in books and others sold to consumers in the form of cartes de visite, cabinet cards and stereographs made from albumen prints. Starting in the 1880s, the live Wild West shows of William F. Cody and his stars entertained audiences with a heroic narrative of the period that included numerous Winchesters. During the twentieth century and into the present, Winchesters have been featured in motion pictures and television series with Western themes. Research limitations/implications Historical research is an ongoing process. The discovery of new primary data, both written and visual, may lead to a revised interpretation of the selected images. Originality/value Based largely on images as primary data sources, this study approaches brand history from the perspective of visual culture theory and data. The research shows how brands acquire meaning not just from the companies that own them but also from consumers, the media and other producers of popular culture.
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Dissertations / Theses on the topic "Motion pictures – Research – Methodology"

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Burge, Eric William. "Sound Design for Non-fiction Film and Video: A Discussion of Methodology, Perception, and Ethics." Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/burge/BurgeE1207.pdf.

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Traditional documentary films, particularly science and natural history works, presume to authentically or legitimately convey accurate representations of historical events that actually occurred at a prior time. Factual and convincing representations are not necessarily congruent, and a film's merit of authenticity is often based on the perceived validity of the visual content represented. While visual imagery dominates a presentation's general delivery, a film's sound design is a fundamental structural element that is often overlooked or less scrutinized with regard to factual or accurate recounting of these same historical events. The purpose of this thesis is to examine methodologies of sound acquisition and reproduction and to discuss how various acoustic contents are perceived in relation to associated visual elements. While discerning viewers may notice critical discrepancies in picture contents that may invalidate a film's credibility, a complex matrix of sonic elements does not lend itself to deconstruction as easily. Thorough analysis of a science and natural history film must include an examination of its complete sound design. Consideration must be given to the ethical implications of using any synthesized or borrowed audio tracks if such a work is to be considered as "factual" documentary. The standards of acceptance or rejection should be no different than those associated with fabricating unnatural or contrived visual contents, no matter how compelling may be the end product.
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Preston, Barry A. (Barry Alan). "Myths and Movies: a Mythographical Methodology of Motion Picture Analysis." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279362/.

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Over the past decade, cinema studies scholars have begun to recognize the value of mythographical methodologies for motion picture analysis; however, most of the scholarly research in this field has focused either on mythic archetypal images or on monomythic narrative structure, rather than combining the two approaches into a unified theory. This essay addresses the problem by proposing a mythographical methodology of motion picture analysis based on Carl Jung's theory of archetypal images and Joseph Campbell's theories concerning the monomythic structure of heroic narratives. Combining the two approaches of myth interpretation results in a more comprehensive methodology for interpreting the mythic elements of motion pictures. This essay illustrates the application of this methodology through a detailed analysis of Terry Gilliam's film, The Fisher King.
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Koven, Mikel J. "An ethnography of seeing : a proposed methodology for the ethnographic study of popular cinema /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape8/PQDD_0006/NQ42479.pdf.

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Sim, Gerald Sianghwa. "The race with class towards a materialist methodology for race in film studies /." Diss., University of Iowa, 2007. http://ir.uiowa.edu/etd/187.

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Folkerth, Jennifer Amanda. "Shared visions : toward collaborative visual ethnography." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68089.

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Recent critiques of both the subject and method of anthropology have caused the discipline to reexamine its process of representation. This thesis provides an exploration of approaches to representation in visual anthropology, with specific emphasis on collaborative visual ethnography. Both theoretical and practical issues are considered. The first chapter traces the history of ethnographic film and discusses various approaches to subject participation in literature and films. The second chapter presents a theoretical basis for collaborative visual ethnography, primarily from "postmodern" critiques of anthropology and recent visual anthropology literature. The third chapter consists of an analysis of a video resulting from a collaborative project I facilitated, in order to illustrate ideas of collaborative visual ethnography in a practical setting. The fourth, and final, chapter examines the few examples of collaborative film and video that are documented in order to construct a framework for approaching collaborative projects.
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Forrett, Steven Lawrie. "Movie poster advertisements: A relevance theory persepctive." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3236.

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The purpose of this thesis is to examine ten movie posters while hypothesizing whether or not their tagline texts could interest a reader. A linguistic framework Relevance Theory, is used in the analysis of this project.
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Zhang, Bing. "Avatar in China : a cyber-audience discourse analysis perspective." Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2525516.

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Turner, Ralph L. "The Cowboy Way: A Study of Leadership As Portrayed in Western Film." Digital Commons @ East Tennessee State University, 1996. https://dc.etsu.edu/etd/2986.

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This study sought to examine leadership through the medium of film, specifically the genre of the western. The western is iconographic; representative of the American ethos, the western embodied the "frontier myth." The purposes of this study were to examine how leadership was portrayed in a selected sample of western films dating from 1945 to 1995, and to categorize and characterize the leadership methods exhibited in each film. Qualitative in design, the study was concerned with broad description and discovery. Using observation as the data collection technique and content analysis as the research method, the study examined a sample of 29 pre-selected western films released between 1945 and 1995. Individual samples displaying leadership dynamics were drawn from each film through the use of verbatims and character analysis. Each film was examined for examples of leadership in order to gain a better understanding of the role that leadership played in the western and to ascertain leadership models exhibited in the genre. Conclusions of the study emphasized the diverse portrayals of leadership exhibited through this genre. The western showed a depth of character in relation to leadership, displaying a variety of styles, motifs, and characteristics representative of several leadership theories. Some of the concepts of leadership, and the underlying theories and styles portrayed, revealed a universal quality about leadership that transcended theoretical research. The western was a multi-faceted venue through which to study leadership, providing a unique perspective on the dynamics involved in the leadership process both through theory and by praxis.
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Hayman, Graham Peter. "An analysis of some variables of in-camera editing of anthropological video: a case study." Thesis, Rhodes University, 1993. http://hdl.handle.net/10962/d1002887.

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Anthropological film and videomakers use their media for both research and education. In both cases, a formal technique of observational camerawork is required. In this thesis, appropriate continuity methods and a model of decision-making in camerawork are proposed, which are designed to deal with the certainties and uncertainties encountered in the observational type of ethnographic film. The ethnographic context of the research is the community in the Shixini area of the Transkei, where the author made video-recordings of a number of ritual and everyday events between 1981 and 1984. The model is tested on the case study of a "small event". There is an extensive amount of video material of a four-day mortuary ritual. The model is examined through a first-person account of the influences on decisions during shooting, and through formal analysis. Both of these examinations refer in detail to the unedited video material which accompanies the thesis, and assess how the decisions deal with time and space: with regard to the ritual markers and the continuity method. The thesis concludes that the model of camera work can be used to provide a coherent observation of the small event. The suitability of the model for editing is then tested. The unedited material of the case study is compared with an edited version. The ritual is represented in a narrative segment within a longer documentary, "Shixini December: Responses to Poverty in the Transkei". The complexity of editing operations is examined in detail by a variety of methods, and refers closely to the longer documentary. The fit between continuity in the unedited camera work and the edited version is established. A video copy of this documentary also accompanies the thesis. The unedited observational material is then tested for its use in research. An anthropologist screened the unedited material to ritual participants to elicit their responses, and with the results wrote a dissertation combining interpretation and ethnography. The detail of the ethnography and the consistency of the interpretation demonstrates the value of an observational video record. It does not conclusively demonstrate its validity for research, because the effect of video on memory needs further exploration. Instead of stimulating memory of off-camera action as may be expected, the video seems to anaesthetise it. Continuity methods can provide a clear but partial and fragmented observational record. This record has formal characteristics which are a necessary but not sufficient condition for editing into narrative. Continuity methods may provide a video record that is useful for research. If the video is used for reflexive validation, then a possible effect on the memory of off-camera events must be taken into account. The continuity characteristics of unedited video which result from in-camera editing can, but need not be, evident in subsequent texts based on them.
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Bennett, Austin N. "Cognitive Constituents of Character." Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1378503177.

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Books on the topic "Motion pictures – Research – Methodology"

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Krista, Harper, ed. Participatory visual and digital methods. Walnut Creek, California: Left Coast Press, 2013.

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Aaron, Gerow, ed. Research guide to Japanese film studies. Ann Arbor: Center for Japanese Studies, The University of Michigan, 2009.

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D, Keller Gary, ed. Chicano cinema: Research, reviews, and resources. Binghamton, N.Y: Bilingual Review/Press, 1985.

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1952-, Austin Bruce A., ed. Current research in film: Audiences, economics, and law. Norwood, N.J: Ablex Pub. Corp., 1985.

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Film and the American left: A research guide. Westport, Conn: Greenwood Press, 1999.

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Shortland, Michael. Medicine and film: A checklist, survey and research resource. Oxford: Wellcome Unit for the History of Medicine, 1989.

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1953-, Chiaro Delia, Heiss Christine, and Bucaria Chiara, eds. Between text and image: Updating research in screen translation. Amsterdam: John Benjamins Pub. Co., 2008.

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Iberraken, Mahmoud. Sémiologie du cinéma: Méthodes et analyses filmiques. Alger: Office des Publications Universitaires, 2006.

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Critical realism: History, photography, and the work of Siegfried Kracauer. Baltimore: Johns Hopkins University Press, 1994.

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1942-, Soll David R., and Wessels Deborah, eds. Motion analysis of living cells. New York: Wiley-Liss, 1998.

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Book chapters on the topic "Motion pictures – Research – Methodology"

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Hao, Xiaofei. "Theory, literature and methodology." In Motion Pictures and the Image of the City, 31–76. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-14340-4_2.

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Molenda, Michael H. "History and Development of Instructional Design and Technology." In Handbook of Open, Distance and Digital Education, 1–18. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0351-9_4-1.

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AbstractThe origins and evolution of instructional technology and instructional design are treated in this chapter as separate concepts, although having intertwined histories. As with other technologies, their origins can be traced to the scientific discoveries on which they are based. Early in the twentieth century, new discoveries in optics and electricity stimulated educators to the adoption of technological innovations such as projected still pictures, motion pictures, and audio recording. Individuals and, later, groups of affiliated professionals promoted enriching learning by adding visual and, later, audiovisual resources where verbal presentations previously dominated. As radio broadcasting grew in the 1930s and then television in the 1950s, these mass media were perceived as ways to reach audiences, in and out of school, with educative audiovisual programs. In the 1960s, the wave of interest in teaching machines incorporating behaviorist psychological technology engendered a shift in identity from audiovisual technologies to all technologies, including psychological ones. As computers became ubiquitous in the 1990s, they became the dominant delivery system, due to their interactive capabilities. With the global spread of the World Wide Web after 1995, networked computers took on communication functions as well as storage and processing functions, giving new momentum to distance education. Meanwhile, research during and after World War II prompted a technology of planning – systems analysis. In the 1960s, educators adapted the systems approach to instructional planning, starting the development of instructional systems design (ISD). Since the 1980s, ISD has been the reigning paradigm for instructional design, while instructional design has become the central activity of instructional technology professionals.
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Molenda, Michael H. "History and Development of Instructional Design and Technology." In Handbook of Open, Distance and Digital Education, 57–74. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-2080-6_4.

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AbstractThe origins and evolution of instructional technology and instructional design are treated in this chapter as separate concepts, although having intertwined histories. As with other technologies, their origins can be traced to the scientific discoveries on which they are based. Early in the twentieth century, new discoveries in optics and electricity stimulated educators to the adoption of technological innovations such as projected still pictures, motion pictures, and audio recording. Individuals and, later, groups of affiliated professionals promoted enriching learning by adding visual and, later, audiovisual resources where verbal presentations previously dominated. As radio broadcasting grew in the 1930s and then television in the 1950s, these mass media were perceived as ways to reach audiences, in and out of school, with educative audiovisual programs. In the 1960s, the wave of interest in teaching machines incorporating behaviorist psychological technology engendered a shift in identity from audiovisual technologies to all technologies, including psychological ones. As computers became ubiquitous in the 1990s, they became the dominant delivery system, due to their interactive capabilities. With the global spread of the World Wide Web after 1995, networked computers took on communication functions as well as storage and processing functions, giving new momentum to distance education. Meanwhile, research during and after World War II prompted a technology of planning – systems analysis. In the 1960s, educators adapted the systems approach to instructional planning, starting the development of instructional systems design (ISD). Since the 1980s, ISD has been the reigning paradigm for instructional design, while instructional design has become the central activity of instructional technology professionals.
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Ohol, S. S., K. D. Kalantri, Y. M. Pirjade, A. U. Kotkar, N. M. Patwardhan, D. R. Londhe, and T. P. Shelke. "Research Methodology for Augmenting a Gait Cycle of Lower-Body Exoskeleton, by Using a Data of Mathematical Modeling and Motion Study of a Specific User While Obtaining a Customized Gait for Joint Actuation of Exoskeleton." In Handbook of Smart Materials, Technologies, and Devices, 927–51. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-84205-5_165.

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Pagani, Margherita. "The Critical Role of Digital Rights Management Processes in the Context of the Digital Media Management Value Chain." In Information Security and Ethics, 3499–509. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-937-3.ch235.

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This paper set out to analyze the impact generated by the adoption of Digital Rights Management (DRM) processes on the typical Digital Media Management Value Chain activities and try to analyze the processes in the context of the business model. Given the early stage of the theory development in the field of DRM the study follows the logic of grounded theory (Glaser and Strauss, 1967) by building the research on a multiple-case study methodology (Eisenhardt, 1989). The companies selected are successful players which have adopted DRM processes. These companies are Endemol, Digital Island, Adobe Systems, Intertrust, and the Motion Picture Association. In this paper we provide in-depth longitudinal data on these five players to show how companies implement DRM processes. Twelve DRM solution vendors are also analyzed in order to compare the strategies adopted. After giving a definition of Intellectual Property and Digital Rights Management (section 1) the paper provides a description of the typical Digital Media Management Value Chain Activities and players involved along the different phases examined (section 2). An in-depth description of Digital Rights Management processes is discussed in section 3. Digital Rights Management processes are considered in the context of business model and they are distinguished into content processes, finance processes and Rights Management processes. We conclude with a discussion of the model and main benefits generated by the integration of digital rights management and propose the most interesting directions for future research (section 4).
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Kester, George W., Gregory J. Cooper, Roger A. Dean, Peter T. Gianiodis, and Michael G. Goldsby. "Hollywood in the Classroom." In Handbook of Research on Teaching Ethics in Business and Management Education, 619–36. IGI Global, 2012. http://dx.doi.org/10.4018/978-1-61350-510-6.ch036.

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This chapter describes how Hollywood movies can be used in the classroom to bring finance and business ethics alive in ways that that are difficult to achieve in traditional lectures, assignments and written case studies. The use of seven popular full length motion pictures, four fictional and three based upon actual events, are discussed along with an approach that uses selected excerpts (film clips) in the classroom.
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"Using Soft Systems Methodology for the Analysis of Sustainable Energy Initiatives." In Applications of Soft Systems Methodology for Organizational Change, 211–32. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4504-1.ch010.

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The chapter is devoted to the energy efficiency analysis as a prerequisite for sustainable use of energy. In this regard, the current study is focused on the application of soft systems methodology (SSM) and its role as a problem structuring approach to analyze the energy efficiency initiatives. For this purpose, four research works were addressed. The mentioned researches employed a combination of multiple-criteria decision analysis (MCDA) and (SSM) to assess the energy efficiency initiatives. The obtained results included the role of key players in rich pictures with a potential interest in a system for energy efficiency initiatives evaluations, the definition of the root, CATWOE components, and a conceptual model. The results of such processes could be applied in the establishment of a sufficiently accurate decision model capable of offering structured support giving rise to a more informed decision in terms of the energy efficiency measures implementation.
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Ladjailia, Ammar, Imed Bouchrika, Nouzha Harrati, and Zohra Mahfouf. "Encoding Human Motion for Automated Activity Recognition in Surveillance Applications." In Computer Vision, 2042–64. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-5204-8.ch089.

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As computing becomes ubiquitous in our modern society, automated recognition of human activities emerges as a crucial topic where it can be applied to many real-life human-centric scenarios such as smart automated surveillance, human computer interaction and automated refereeing. Although the perception of activities is spontaneous for the human visual system, it has proven to be extraordinarily difficult to duplicate this capability into computer vision systems for automated understanding of human behavior. Motion pictures provide even richer and reliable information for the perception of the different biological, social and psychological characteristics of the person such as emotions, actions and personality traits of the subject. In spite of the fact that there is a considerable body of work devoted to human action recognition, most of the methods are evaluated on datasets recorded in simplified settings. More recent research has shifted focus to natural activity recognition in unconstrained scenes with more complex settings.
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Ladjailia, Ammar, Imed Bouchrika, Nouzha Harrati, and Zohra Mahfouf. "Encoding Human Motion for Automated Activity Recognition in Surveillance Applications." In Applied Video Processing in Surveillance and Monitoring Systems, 170–92. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1022-2.ch008.

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As computing becomes ubiquitous in our modern society, automated recognition of human activities emerges as a crucial topic where it can be applied to many real-life human-centric scenarios such as smart automated surveillance, human computer interaction and automated refereeing. Although the perception of activities is spontaneous for the human visual system, it has proven to be extraordinarily difficult to duplicate this capability into computer vision systems for automated understanding of human behavior. Motion pictures provide even richer and reliable information for the perception of the different biological, social and psychological characteristics of the person such as emotions, actions and personality traits of the subject. In spite of the fact that there is a considerable body of work devoted to human action recognition, most of the methods are evaluated on datasets recorded in simplified settings. More recent research has shifted focus to natural activity recognition in unconstrained scenes with more complex settings.
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Brennan, Nathaniel. "The Cinema Intelligence Apparatus." In Cinema's Military Industrial Complex. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520291508.003.0008.

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This chapter, by Nathaniel Brennan, discusses the efforts of the Museum of Modern Art Film Library to make use of captured enemy motion pictures on behalf of the federal government’s wartime intelligence programs during World War II. While the chapter presents an overview of the film library’s governmental intelligence work, ranging from matters of storage to the challenges of training analysts, the central case study examines the work of British anthropologist Gregory Bateson, whose work at the film library consisted of trying to define an objective approach to the study of culture through cinema and the preparation of a test film that would instruct American soldiers about the peculiarities of the German character. Although Bateson’s plans did not materialize, the efforts of Margaret Mead to adapt Bateson’s anthropological film methodology for the Cold War nonetheless influenced the development of postwar film studies and the analysis of national cinemas.
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Conference papers on the topic "Motion pictures – Research – Methodology"

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Mathias, Yehoshua. "USING MOTION PICTURES TO FOSTER HISTORICAL THINKING: A PROPOSAL FOR HISTORY TEACHERS' EDUCATION." In 15th annual International Conference of Education, Research and Innovation. IATED, 2022. http://dx.doi.org/10.21125/iceri.2022.1817.

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Ma, Tianyu, Taotao Wang, Jun Li, and Songlin Yang. "System Identification Methodology Preliminary Research on Maneuvering Motion of a New Type Unmanned Surface Vehicle." In 2015 International Conference on Intelligent Systems Research and Mechatronics Engineering. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/isrme-15.2015.334.

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Ogorodnov, D. M., S. A. Evdokimov, and Yu D. Kropotov. "The research of neuroplasticity by the Visual Continuous Performance Tasks in teaching by the method of complex music and vocal education." In VIII Vserossijskaja konferencija s mezhdunarodnym uchastiem «Mediko-fiziologicheskie problemy jekologii cheloveka». Publishing center of Ulyanovsk State University, 2021. http://dx.doi.org/10.34014/mpphe.2021-156-159.

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The Methodology of Comprehensive Music and Vocal Education (CMVE) is a powerful pedagogical instrument which helps a person's to improve its voice and musicality. Because several zones, such is auditory, somatosensory, motor (mainly due to the inclusion of hands and speech motor apparatus) and visual are actively involved, which is active contributes to a change in the picture of the dominant centers of the cortex, stimulates and develops such cognitive functions as attention, speech, memory, praxis. Neuroplasticity is closely related to music education, as indicated, for example, by such work as G. Schlaug, which explains some of the sensorimotor and cognitive improvements associated with music education. This allows us to assume and test the effects of neuroplasticity when working according to the CMVE method, which also uses different modalities. To investigate event-related potentials, the authors use a two-stimulus selective attention test (VCPT Go / NoGo test). Key words: EEG, ERP, VCPT-task, musical-vocal education by D.E. Ogorodnov.
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Albarrán González, Diana. "Weaving decolonising metaphors: Backstrap loom as design research methodology." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.186.

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Decolonising approaches have challenged conventional Western research creating spaces for Indigenous, culturally-appropriate, and context-based research alternatives. Decolonising design movements have also challenged dominant Anglo-Eurocentric approaches giving visibility to other ways of thinking and doing design(s). Indigenous peoples have considered metaphors as important sense-making tools for knowledge transmission and research across different communities. In these contexts, Indigenous craft-design-arts have been used as metaphorical research methodologies and are valuable sources of knowledge generation, bringing concepts from the unseen to the physical realm manifested through our hands and bodies. In particular, Indigenous women have used the embodied practices of weaving and textile making as research methodology metaphors connecting the mind, body, heart and spirit. Situated in the highlands of Chiapas, this research proposes backstrap loom weaving as a decolonial design research methodology aligned with ancestral knowledge from Mesoamerica. For Mayan Tsotsil and Tseltal peoples, jolobil or backstrap loom weaving is a biocultural knowledge linked to the weaver’s well-being as part of a community and is a medium to reconnect with Indigenous ancestry and heritage. Resisting colonisation, this living textile knowledge and practice involve collective memory, adapting and evolving through changes in time. Mayan textiles reflect culture, identity and worldview captured in the intricate patterns, colours, symbols, and techniques. Jolobil as a novel methodological proposal, interweaves decolonial theory, visual-digital-sensorial ethnography, co-design, textiles as resistance, Mayan cosmovision and collective well-being. Nevertheless, it requires the integration of onto-epistemologies from Abya Yala as fundamental approaches like sentipensar and corazonar. Jolobil embodies the interweaving of ancestral knowledge with creative practice where the symbolism of the components is combined with new research interpretations. In this sense, the threads of the warp (urdimbre) representing patrones sentipensantes findings are woven with the weft (trama) as the embodied reflexivity of sentipensar-corazonando. As the weaver supports the loom around her waist, the cyclical back and forth motion of weaving jolobil functions as analysis and creative exploration through sentirpensar and corazonar creating advanced reflexive textile narratives. The interweaving of embodied metaphors and textiles with sentipensar, corazonar, mind, body, heart and spirit, contribute to the creation of decolonising alternatives to design research towards pluriversality, aligned with ways of being and doing research as Mesoamerican and Indigenous women.
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Bianchi, Riccardo, Guido Francesco Ritelli, Andrea Vacca, and Massimiliano Ruggeri. "A Frequency-Based Control Methodology for the Reduction of Payload Oscillations in Hydraulic Load Handling Machines." In ASME/BATH 2015 Symposium on Fluid Power and Motion Control. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/fpmc2015-9510.

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This paper presents a non-model based control approach to reduce payload oscillations in hydraulic load handling machines. Hydraulic mobile machinery are subjected to different kinds of vibrations related to their actuation, which hamper productivity and safety. In particular, these oscillations can occur at the machine structure, at the operator cabin or at the payload. While several techniques have been proposed to specifically address the first two forms of vibrations, the problem of limiting payload oscillations has encountered less attention by researchers in the fluid power field. The particular control technique proposed in this work is pressure feedback, and utilizes pressure sensor which can be located in well protected areas of the hydraulic system of the machine. The control method is based on an online identification of the frequency of load oscillations and selectively reduces these oscillations by acting on the hydraulic actuators of the machine. With reference to a hydraulic crane installed at the authors’ research center, this paper details the methodology, particularly focusing on the technique utilized for the online identification of the nature of load oscillations. Experimental results are presented to show the effectiveness of the proposed method to reduce payload oscillations, and demonstrate its applicability for hydraulic load handling machines.
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Bayraktar, Şule, and Zeynep Kuvvet. "PRESCHOOL CHILDREN’S IDEAS ABOUT LIVING THINGS." In Proceedings of the 2nd International Baltic Symposium on Science and Technology Education (BalticSTE2017). Scientia Socialis Ltd., 2017. http://dx.doi.org/10.33225/balticste/2017.15.

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The purpose of this research is to examine pre-school children’s ideas about living and non-living things. Children were asked to determine whether particular objects in the pictures shown to them are living or non-living and asked to explain why they think so. The results of the research showed that majority of children can classify living and non-living things correctly and know that motion is a characteristic of a living thing. However, they held some alternative conceptions on the subject. Keywords: living things, alternative conceptions, pre-school children, science education.
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Landry, Steven, and Myounghoon Jeon. "Participatory Design Research Methodologies: A Case Study in Dancer Sonification." In The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.069.

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Given that embodied interaction is widespread in Human-Computer Interaction, interests on the importance of body movements and emotions are gradually increasing. The present paper describes our process of designing and testing a dancer sonification system using a participatory design research methodology. The end goal of the dancer sonification project is to have dancers generate aesthetically pleasing music in real-time based on their dance gestures, instead of dancing to prerecorded music. The generated music should reflect both the kinetic activities and affective contents of the dancer’s movement. To accomplish these goals, expert dancers and musicians were recruited as domain experts in affective gesture and auditory communication. Much of the dancer sonification literature focuses exclusively on describing the final performance piece or the techniques used to process motion data into auditory control parameters. This paper focuses on the methods we used to identify, select, and test the most appropriate motion to sound mappings for a dancer sonification system.
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Govea, Eder, and Hugo I. Medellín-Castillo. "Design and Development of Virtual Reality Environments for Biomedical and Engineering Applications." In ASME 2015 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/imece2015-52817.

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Virtual Reality (VR) is one of the areas of knowledge that have taken advantage of the computer technological development and scientific visualization. It has been used in different applications such as engineering, medicine, education, entertainment, astronomy, archaeology and arts. A main issue of VR and computer assisted applications is the design and development of the virtual environment, which comprises the virtual objects. Thus, the process of designing virtual environment requires the modelling of the virtual scene and virtual objects, including their geometry and surface characteristics such as colours, textures, etc. This research work presents a new methodology to develop low-cost and high quality virtual environments and scenarios for biomechanics, biomedical and engineering applications. The proposed methodology is based on open-source software. Four case studies corresponding to two applications in medicine and two applications in engineering are presented. The results show that the virtual environments developed for these applications are realistic and similar to the real environments. When comparing these virtual reality scenarios with pictures of the actual devices, it can be observed that the appearance of the virtual scenarios is very good. In particular the use of textures greatly helps in assessing specific features such as simulation of bone or metal. Thus, the usability of the proposed methodology for developing virtual reality applications in biomedical and engineering is proved. It is important to mention that the quality of the virtual environment will also depend on the 3D modelling skills of the VR designer.
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Grytoyr, Guttorm, Anne Marthine Rustad, Nils Sodahl, and Per Christian Bunaes. "Methodology for Disconnect Analysis of CWO Risers in Random Seas." In ASME 2009 28th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/omae2009-79130.

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The term ‘riser recoil’ refers to the situation when the lower end of a top tensioned riser is released, and the riser is lifted up by the riser tensioner and/or top motion compensator system on the supporting vessel. The elastic energy stored in the riser is then released, and the riser ‘recoils’. This paper focuses on the case of planned disconnect. Recoil of Marine Drilling Risers has been the subject of several research papers over the past two decades. Some examples are listed in references [2] through [7]. Completion and Work Over (CWO) risers are unique in the sense that they may be simultaneously connected to both the riser tensioner system and the top motion compensator system of a drilling vessel. A Marine Drilling riser, on the other hand, is only connected to the riser tensioner system. Typically the riser tensioner system has a stroke of ± 8–9 m, whereas the top motion compensator system has only ± 3.5–4 m. It is imperative that the connector is lifted clear of the subsea structure in order to avoid damage to the equipment after the riser has been disconnected. The operating window for planned disconnect of CWO risers is severely limited by the available stroke of the top motion compensator. One of the purposes of the disconnect analysis is to establish the maximum wave height at which there is still sufficient clearance between the connector and the subsea structure after disconnect. Previous experience has shown that this may be the governing limitation for workover operations. The current industry practice is to use a regular wave approach in the analysis. The wave frequency is varied in order to find the maximum response, and hence one is actually searching for the extreme response, without paying attention to the probability that this will occur. In this paper a new method is presented, where the analysis is based on an irregular wave approach and the Monte Carlo technique, using time-domain simulations. Acceptance criteria are established based on a stochastic analysis, and are based on target levels of probability of exceedance. The results are documented through a case study of a typical CWO riser system connected to a semi-submersible in typical North Sea environmental conditions. The semi-submersible and the CWO riser system are exposed to both regular and irregular waves. Comparison of the resulting allowable wave height indicates that using the approach presented here with irregular waves will give a considerable increase in the operating window, and the resulting operability, compared to a regular wave analysis.
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Melzer, Frank. "Semi-Symbolical Equations of Motion for Flexible Multibody Systems." In ASME 1993 International Computers in Engineering Conference and Exposition. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/cie1993-0010.

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Abstract The need for computer aided engineering in the analysis of machines and mechanisms led to a wide variety of general purpose programs for the dynamical analysis of multibody systems. In the past few years the incorporation of flexible bodies in this methodology has evolved to one of the major research topics in the field of multibody dynamics, due to the use of more lightweight structures and an increasing demand for high-precision mechanisms such as robots. This paper presents a formalism for flexible multibody systems based on a minimum set of generalized coordinates and symbolic computation. A standardized object-oriented data model is used for the system matrices, describing the elastodynamic behaviour of the flexible body. Consequently, the equations of motion are derived in a form independent of the chosen modelling technique for the elastic bodies.
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Reports on the topic "Motion pictures – Research – Methodology"

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Rose, Paul N. Motion Sickness: A Brief Review and a Proposed Methodology for a Research Program. Fort Belvoir, VA: Defense Technical Information Center, November 2004. http://dx.doi.org/10.21236/ada428175.

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Klochko, Oksana V., Vasyl M. Fedorets, Aleksandr D. Uchitel, and Vitaliy V. Hnatyuk. Methodological aspects of using augmented reality for improvement of the health preserving competence of a Physical Education teacher. [б. в.], November 2020. http://dx.doi.org/10.31812/123456789/4405.

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The article deals with the results of the research aimed at the improvement of methodology of use of augmented reality for the development of health preserving competence of a Physical Education teacher under conditions of post-graduate education. From the point of Umwelt phenomenology, augmented reality is characterized by correspondence to nature, its cognitive, metaphoric, diverse, interactive, anthropomorphic nature. The article analyzes the vectors of using augmented reality in the professional activity of a Physical Education teacher, particularly the one that is aimed at health preservation. The software that may be used with this purpose has been described. The attitude of Physical Education teachers to the use of the augmented reality for preserving their students’ health and development of their motion skills, intellect and creativity was determined in the research. The results of the survey show that the majority of teachers positively react to the idea of using augmented reality in their professional activity. However, in some cases, not a fully formed understanding of this issue was observed. The ways of solving the stated problem could be the inclusion of augmented technologies’ techniques into the process of post-graduate education, taking into consideration the anthropological, ethical, cultural contexts as well as teacher involvement in the stated process.
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Rahmani, Mehran, Xintong Ji, and Sovann Reach Kiet. Damage Detection and Damage Localization in Bridges with Low-Density Instrumentations Using the Wave-Method: Application to a Shake-Table Tested Bridge. Mineta Transportation Institute, September 2022. http://dx.doi.org/10.31979/mti.2022.2033.

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This study presents a major development to the wave method, a methodology used for structural identification and monitoring. The research team tested the method for use in structural damage detection and damage localization in bridges, the latter being a challenging task. The main goal was to assess capability of the improved method by applying it to a shake-table-tested prototype bridge with sparse instrumentation. The bridge was a 4-span reinforced concrete structure comprising two columns at each bent (6 columns total) and a flat slab. It was tested to failure using seven biaxial excitations at its base. Availability of a robust and verified method, which can work with sparse recording stations, can be valuable for detecting damage in bridges soon after an earthquake. The proposed method in this study includes estimating the shear (cS) and the longitudinal (cL) wave velocities by fitting an equivalent uniform Timoshenko beam model in impulse response functions of the recorded acceleration response. The identification algorithm is enhanced by adding the model’s damping ratio to the unknown parameters, as well as performing the identification for a range of initial values to avoid early convergence to a local minimum. Finally, the research team detect damage in the bridge columns by monitoring trends in the identified shear wave velocities from one damaging event to another. A comprehensive comparison between the reductions in shear wave velocities and the actual observed damages in the bridge columns is presented. The results revealed that the reduction of cS is generally consistent with the observed distribution and severity of damage during each biaxial motion. At bents 1 and 3, cS is consistently reduced with the progression of damage. The trends correctly detected the onset of damage at bent 1 during biaxial 3, and damage in bent 3 during biaxial 4. The most significant reduction was caused by the last two biaxial motions in bents 1 and 3, also consistent with the surveyed damage. In bent 2 (middle bent), the reduction trend in cS was relatively minor, correctly showing minor damage at this bent. Based on these findings, the team concluded that the enhanced wave method presented in this study was capable of detecting damage in the bridge and identifying the location of the most severe damage. The proposed methodology is a fast and inexpensive tool for real-time or near real-time damage detection and localization in similar bridges, especially those with sparsely deployed accelerometers.
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