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Books on the topic 'Motion pictures - Psychological aspects'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Wolfenstein, Martha. Movies: A psychological study. Glencoe, Ill: Free Press, 1987.

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2

Per, Persson. Understanding cinema: A psychological theory of moving imagery. Cambridge: Cambridge University Press, 2003.

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3

Siegfried, Kracauer. From Caligari to Hitler: A psychological history of the German film. Princeton, N.J: Princeton University Press, 2004.

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4

Botz-Bornstein, Thorsten. Films and dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-wai. Lanham, MD: Rowman & Littlefield, 2007.

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5

Ohler, Peter. Kognitive Filmpsychologie: Verarbeitung und mentale Repräsentation narrativer Filme. Münster: MakS Publikationen Münster, 1994.

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6

Ostaszewski, Jacek. Rozumienie opowiadania filmowego. Kraków: Wydawn. Uniwersytetu Jagiellońskiego, 1999.

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7

Anderson, Joseph. The reality of illusion: An ecological approach to cognitive film theory. Carbondale: Southern Illinois University Press, 1996.

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8

Lebeau, Vicky. Lost angels: Psychoanalysis and cinema. London: Routledge, 1995.

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9

Sobchack, Vivian Carol. Carnal thoughts: Embodiment and moving image culture. Berkeley: University of California Press, 2004.

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10

Sparks, Tav. Movie yoga: How every film can change your life. Santa Cruz, Calif: Hanford Mead Publishers, Inc., 2009.

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11

Sparks, Tav. How every film can change your life. Santa Cruz, Calif: Hanford Mead Publishers, Inc., 2009.

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12

Enrile, Andrea. Interiors: Lettura junghiana di alcuni film d'autore. Roma: Minotauro, 1998.

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13

Blothner, Dirk. Erlebniswelt Kino: Über die unbewusste Wirkung des Films. Bergisch Gladbach: Bastei Lübbe, 1999.

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14

Lotersztein, Salo. El cine y su relación con el inconsciente. Buenos Aires, Argentina: Milá, 1996.

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15

Marchant, Brent. Get the picture: Conscious creation goes to the movies. Needham, Mass: Moment Point Press, 2007.

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16

Albano, Lucilla. Lo schermo dei sogni: Chiavi psicoanalitiche del cinema. Venezia: Marsilio, 2004.

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17

Gubern, Román. Espejo de fantasmas: De John Travolta a Indiana Jones. Madrid: Espasa Calpe, 1993.

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18

Sándor, Féjja. A filmbeli személyiség: Filmpszichológia, például így. Budapest: Művelődési Minisztérium Filmfőigazgatósága, 1989.

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19

Margolis, Harriet Elaine. The cinema ideal: An introduction to psychoanalytic studies of the film spectator. New York: Garland Pub., 1988.

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20

Zavala, Lauro. Permanencia voluntaría: El cine y su espectador. Xalapa, Ver., México: Universidad Veracruzana, 1994.

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21

Broschke-Davis, Ursula. Cinema: The hidden persuader. Needham Heights, MA: Simon & Schuster Custom Pub., 1996.

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22

Navarro, Omar Torreblanca. Cine y psicología: El fenómeno cinematográfico visto desde una perspectiva psicológica. [México]: IMCINE, 1994.

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23

Bargagli, Gioia Gabellieri. Le immagini dietro le emozioni: Gli archetipi e il potere mitico del cinema. Milano: Guerini studio, 2008.

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24

Katsaros, Stathēs M. Sinema kai deinosauroi: To erpetiko symplegma antepitithetai. [Greece]: Aigokerōs, 1994.

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25

Wuss, Peter. Filmanalyse und Psychologie: Strukturen des Films im Wahrnehmungsprozess. Berlin: Sigma, 1993.

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26

Klippel, Heike. Gedächtnis und Kino. Basel: Stroemfeld, 1997.

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27

Mikunda, Christian. Kino spüren: Strategien der emotionalen Filmgestaltung. München: Filmland Presse, 1986.

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28

Chang, Kŭn-yŏng. Ssaik'o tchangga ŭi yŏnghwa sok simnihak iyagi. Sŏul-si: Mega T'ŭrendŭ, 2007.

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29

Dami︠a︡nov, Marin. Psikhoanaliza & kinodramaturgii︠a︡. Sofii︠a︡: Action, 2008.

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30

Münsterberg, Hugo. The Photoplay: A Psychological Study. BiblioBazaar, 2007.

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31

The reality of illusion: An ecological approach to cognitive film theory. Carbondale: Southern Illinois University Press, 1996.

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32

Films and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-Wai. Lexington Books, 2007.

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33

(Editor), Carl Plantinga, and Greg M. Smith (Editor), eds. Passionate Views: Film, Cognition, and Emotion. The Johns Hopkins University Press, 1999.

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34

(Editor), Carl Plantinga, and Greg M. Smith (Editor), eds. Passionate Views: Film, Cognition, and Emotion. The Johns Hopkins University Press, 1999.

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35

Persson, Per. Understanding Cinema: A Psychological Theory of Moving Imagery. Cambridge University Press, 2009.

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36

Persson, Per. Understanding Cinema: A Psychological Theory of Moving Imagery. Cambridge University Press, 2003.

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37

Laine, Tarja. Feeling Cinema: Emotional Dynamics in Film Studies. Bloomsbury Publishing Plc, 2013.

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38

Feeling Cinema: Emotional Dynamics in Film Studies. Bloomsbury Publishing Plc, 2011.

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39

Feeling Cinema: Emotional Dynamics in Film Studies. Bloomsbury Publishing Plc, 2011.

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40

Feeling cinema: Emotional dynamics in film studies. New York: Continuum, 2011.

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41

Hausmann, V., and Vincent J. Hausmann. Cinema, Technologies of Visibility, and the Reanimation of Desire. Palgrave Macmillan, 2011.

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42

Hausmann, Vincent J. Cinema, Technologies of Visibility, and the Reanimation of Desire. Palgrave Macmillan, 2011.

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43

Embodied visions: Evolution, emotion, culture, and film. New York: Oxford University Press, 2009.

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44

Moore, Rachel O. Savage Theory: Cinema as Modern Magic. Duke University Press, 1999.

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45

Botz-Bornstein, Thorsten. Films and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-Wai. Lexington Books/Fortress Academic, 2007.

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46

Botz-Bornstein, Thorsten. Films and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-Wai. Lexington Books/Fortress Academic, 2008.

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47

Jean, Mitry. Aesthetics and Psychology of the Cinema. Athlone Press, 2000.

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48

Botz-Bornstein, Thorsten. Films and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-Wai. Rowman & Littlefield Publishers, Incorporated, 2007.

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49

The aesthetics and psychology of the cinema. London: Athlone, 1998.

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50

Münsterberg, Hugo. The Photoplay (Large Print Edition): A Psychological Study. BiblioBazaar, 2007.

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