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Books on the topic 'Motion pictures - Psychological aspects'

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Author: Grafiati

Published: 4 June 2021

Last updated: 3 March 2023

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1

Wolfenstein, Martha. Movies: A psychological study. Glencoe, Ill: Free Press, 1987.

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2

Münsterberg, Hugo. The film: A psychological study. Mineola, N.Y: Dover Pub., 2004.

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3

Understanding cinema: A psychological theory of moving imagery. Cambridge, U.K.: Cambridge University Press, 2003.

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4

Per, Persson. Understanding cinema: A psychological theory of moving imagery. Cambridge: Cambridge University Press, 2003.

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5

Filmverstehen und Alltagserfahrung: Grundzüge einer kognitiven Psychologie des Mediums Film. Wiesbaden: Deutscher Universitäts-Verlag, 2001.

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6

Screen, culture, psyche: A post-Jungian approach to working with the audience. New York: Routledge, 2006.

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7

Movies and the mind: Theories of the great psychoanalysts applied to film. Jefferson, N.C: McFarland, 2004.

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8

The cinema, or, The imaginary man. Minneapolis: University of Minnesota Press, 2005.

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9

R, Plantinga Carl, and Smith Greg M. 1962-, eds. Passionate views: Film, cognition, and emotion. Baltimore: Johns Hopkins University Press, 1999.

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10

Cinema, technologies of visibility, and the reanimation of desire. New York: Palgrave Macmillan, 2011.

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11

Embodied visions: Evolution, emotion, culture, and film. New York: Oxford University Press, 2009.

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12

Feeling cinema: Emotional dynamics in film studies. New York: Continuum, 2011.

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13

Siegfried, Kracauer. From Caligari to Hitler: A psychological history of the German film. Princeton, N.J: Princeton University Press, 2004.

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14

O, Gabbard Glen, ed. Psychiatry and the cinema. Chicago: University of Chicago Press, 1987.

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15

Cinema and life development: Healing lives and training therapists. Westport, Conn: Praeger, 2004.

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16

The aesthetics and psychology of the cinema. Bloomington: Indiana University Press, 1997.

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17

O, Gabbard Glen, ed. Psychiatry and the Cinema. Chicago: Univ.Chicago Press, 1990.

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18

Botz-Bornstein, Thorsten. Films and dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-wai. Lanham, MD: Rowman & Littlefield, 2007.

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19

Savage theory: Cinema as modern magic. Durham: Duke University Press, 2000.

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20

Cinematic narration and its psychological impact: Functions of cognition, emotion and play. Newcastle: Cambridge Scholars, 2009.

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21

Ohler, Peter. Kognitive Filmpsychologie: Verarbeitung und mentale Repräsentation narrativer Filme. Münster: MakS Publikationen Münster, 1994.

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22

Ostaszewski, Jacek. Rozumienie opowiadania filmowego. Kraków: Wydawn. Uniwersytetu Jagiellońskiego, 1999.

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23

Riflessi interiori: Il film nella mente dello spettatore. Bergamo: Bergamo University Press, 2003.

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24

The reality of illusion: An ecological approach to cognitive film theory. Carbondale: Southern Illinois University Press, 1996.

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25

Psychocinematics: Exploring cognition at the movies. Oxford: Oxford University Press, 2013.

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26

Anderson, Joseph. The reality of illusion: An ecological approach to cognitive film theory. Carbondale: Southern Illinois University Press, 1996.

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27

Willing suspension of disbelief: Poetic faith in film. Lanham, MD: Lexington Books, 2007.

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28

Cinema of choice: Optional thinking and narrative movies. New York: Berghahn Books, 2012.

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29

Film and the emotions. Malden, MA: Wiley Periodicals, 2010.

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30

Moving pictures: A new theory of film genres, feelings, and cognition. Oxford: Clarendon Press, 2002.

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31

Engaging characters: Fiction, emotion, and the cinema. Oxford: Clarendon Press, 1995.

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32

Real to reel: Psychiatry at the cinema. Ross-on-Wye, UK: PCCS Books, 2011.

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33

Doubling, distance and identification in the cinema. Houndmills, Bsingstoke, Hampshire: Palgrave Macmillan, 2015.

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34

Blothner, Dirk. Erlebniswelt Kino: Über die unbewusste Wirkung des Films. Bergisch Gladbach: Bastei Lübbe, 1999.

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35

Marchant, Brent. Get the picture: Conscious creation goes to the movies. Needham, Mass: Moment Point Press, 2007.

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36

Albano, Lucilla. Lo schermo dei sogni: Chiavi psicoanalitiche del cinema. Venezia: Marsilio, 2004.

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37

Gubern, Román. Espejo de fantasmas: De John Travolta a Indiana Jones. Madrid: Espasa Calpe, 1993.

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38

Sándor, Féjja. A filmbeli személyiség: Filmpszichológia, például így. Budapest: Művelődési Minisztérium Filmfőigazgatósága, 1989.

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39

Sparks, Tav. How every film can change your life. Santa Cruz, Calif: Hanford Mead Publishers, Inc., 2009.

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40

Sparks, Tav. Movie yoga: How every film can change your life. Santa Cruz, Calif: Hanford Mead Publishers, Inc., 2009.

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41

Enrile, Andrea. Interiors: Lettura junghiana di alcuni film d'autore. Roma: Minotauro, 1998.

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42

Lotersztein, Salo. El cine y su relación con el inconsciente. Buenos Aires, Argentina: Milá, 1996.

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43

Lebeau, Vicky. Lost angels: Psychoanalysis and cinema. London: Routledge, 1995.

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44

Carnal thoughts: Embodiment and moving image culture. Berkeley: University of California Press, 2004.

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45

Shame and desire: Emotion, intersubjectivity, cinema. New York: P.I.E. Peter Lang, 2007.

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46

Sobchack, Vivian Carol. Carnal thoughts: Embodiment and moving image culture. Berkeley: University of California Press, 2004.

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47

Moving pictures: A new theory of film genres, feelings, and cognition. Oxford: Clarendon Press, 1997.

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48

Margolis, Harriet Elaine. The cinema ideal: An introduction to psychoanalytic studies of the film spectator. New York: Garland Pub., 1988.

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49

The tactile eye. Berkeley: University of California Press, 2009.

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50

Permanencia voluntaria: El cine y su espectador. 2nd ed. Xalapa, Ver., México: Universidad Veracruzana, 2000.

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