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Author: Grafiati

Published: 25 July 2024

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1

Simis, Anita. Estado e cinema no Brasil. São Paulo, SP: Editora UNESP, 2015.

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2

Simis, Anita. Estado e cinema no Brasil. São Paulo, SP, Brasil: Annablume, 1996.

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3

Podalsky, Laura. The politics of affect and emotion in contemporary Latin American cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan, 2011.

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4

1966-, Shaw Lisa, ed. Popular cinema in Brazil, 1930-2001. Manchester: Manchester University Press, 2004.

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5

Michalczyk, John J. The Italian political filmmakers. Rutherford: Fairleigh Dickinson University Press, 1986.

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6

Ṣadr, Ḥamīd Riz̤ā. Iranian cinema: A political history. London: I.B. Tauris, 2006.

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7

A, Genovese Michael, ed. The political film: An introduction. 2nd ed. Needham Heights, MA: Simon & Schuster Custom Pub., 1998.

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8

Rosenbaum, Jonathan. Movies as politics. Berkeley, Calif: University of California Press, 1997.

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9

Ryan, Michael. Camera politica: Politics and ideology of contemporary Hollywood film. Bloomington: Indiana University Press, 1988.

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10

Michael, Ryan. Camera politica: The politics and ideology of contemporary Hollywood film. Bloomington, Ind: Indiana University Press, 1988.

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11

Merrill, Kelley Beverly, ed. Reelpolitik: Political ideologies in '30s and '40s films. Westport, Conn: Praeger, 1998.

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12

Tratner, Michael. Crowd scenes: Movies and mass politics. New York: Fordham University Press, 2008.

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13

Zavarzadeh, Mas'ud. Seeing films politically. Albany: State University of New York Press, 1991.

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14

Cormack, Mike. Ideology and cinematography in Hollywood, 1930-39. New York: St. Martin's Press, 1994.

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15

Flatlining on the field of dreams: Cultural narratives in the films of President Reagan's America. New Brunswick, N.J: Rutgers University Press, 1997.

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16

O'Shaughnessy, Martin. The new face of political cinema: Commitment in French film since 1995. New York: Berghahn Books, 2007.

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17

Mike, Wayne, ed. Understanding film: Marxist perspectives. London: Pluto, 2005.

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18

Kenez, Peter. Cinema and Soviet society, 1917-1953. Cambridge [England]: Cambridge University Press, 1992.

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19

Schulte-Sasse, Linda. Entertaining the Third Reich: Illusions of wholeness in Nazi cinema. Durham: Duke University Press, 1996.

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20

Film and the American left: A research guide. Westport, Conn: Greenwood Press, 1999.

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21

Ravetto, Kriss. The unmaking of fascist aesthetics. Minneapolis: University of Minnesota Press, 2001.

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22

Reichel-Heldt, Kai. Filmfestivals in Deutschland: Zwischen kulturpolitischen Idealen und wirtschaftspolitischen Realitäten. Frankfurt am Main: Lang, 2007.

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23

Politics and the cinema: An introduction to political films. Lexington, Mass: Ginn Press, 1986.

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24

Shapiro, Michael J. Cinematic political thought: Narrating race, nation, and gender. Edinburgh: Edinburgh University Press, 1999.

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25

Shapiro, Michael J. Cinematic political thought: Narrating race, nation, and gender. New York: New York University Press, 1999.

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26

Scott, Ian. American politics in Hollywood film. Chicago: Fitzroy Dearborn Publishers, 2000.

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27

Scott, Ian. American politics in Hollywood film. Edinburgh: Edinburgh University Press, 2000.

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28

Stam, Robert. Keywords in subversive film-media aesthethics. Chichester, West Sussex: Malden, MA, 2015.

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29

Giglio, Ernest D. Here's looking at you: Hollywood, film & politics. 3rd ed. New York: Peter Lang, 2010.

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30

Cormack, Michael J. Ideology and cinematography in Hollywood, 1930-39. New York: St. Martin's Press, 1994.

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31

Franklin, Daniel P. Politics and film: The political culture of film in the United States. Lanham, MD: Rowman & Littlefield Publishers, 2004.

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32

Franklin, Daniel P. Politics and film: The political culture of film in the United States. Lanham: Rowman & Littlefield Publishers, 2006.

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33

Nechaĭ, O. F. Ėkran oblichaet: Progressivnoe zarubezhnoe kino. Minsk: "Nauka i tekhnika", 1987.

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34

Alemanno, Roberto. Segnali di fumo: Per una verifica della crisi : teorie e prassi di politica cinematografica. Roma: Edizioni associate, 1993.

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35

Birri, Fernando. Fernando Birri: El alquimista democrático : por un nuevo nuevo nuevo cine latinoamericano. Santa Fe, Argentina: Ediciones Sudamérica Santa Fe, 1999.

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36

Lobo, Narciso. A tônica da descontinuidade: Cinema e política em Manaus na década de 60. Manaus: UA, 1994.

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37

Avellar, José Carlos. A ponte clandestina: Birri, Glauber, Solanas, García Espinosa, Sanjinés, Alea : teorias de cinema na América Latina. São Paulo, SP: Edusp, 1995.

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38

Ḥusaynī, Muḥammad ʻAbd al-Wahhāb. al- Fīlm al-siyāsī fī al-sīnimā al-Sūrīyah: Dirāsah. Dimashq: Ittiḥād al-Kuttāb al-ʻArab, 1991.

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39

Beceyro, Raúl. Cine y política: Ensayos sobre cine argentino. Santa Fe, Argentina: Universidad Nacional del Litoral, Centro de Publicaciones, 1997.

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40

Uris, Pedro. 360⁰ en torno al cine político. Badajoz: Diputación de Badajoz, Departamento de Publicaciones, 1999.

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41

ʻAwdāt, Ḥusayn. al- Sīnamā wa-al-qadīyah al-Filasṭīnīyah. Dimashq: al-Ahālī, 1987.

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42

Birri, Fernando. Fernando Birri: El alquimista poético-político : por un nuevo nuevo nuevo cine latinoamericano, 1956-1991. Madrid: Cátedra, 1996.

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43

Faroult, David. Mai 68, ou, Le cinéma en suspens. Tarascon: Festival Résistances, 1998.

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44

al-Dīn, Durrīyah Sharaf. al- Siyāsah wa-al-sīnimā fī Miṣr, 1961-1981. al-Qāhirah: Dār al-Shurūq, 1992.

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45

Murray, Bruce Arthur. Film and the German left in the Weimar Republic: From "Caligari" to "Kuhle Wampe". Austin,Tex: University of Texas Press, 1990.

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46

Buchsbaum, Jonathan. Cinema and the Sandinistas: Filmmaking in revolutionary Nicaragua. Austin, TX: University of Texas Press, 2003.

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47

Farnsworth, Rodney. The infernal return: The recurrence of the primordial in films of the reaction years, 1977-1983. Westport, Conn: Praeger, 2002.

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48

Murray, Bruce Arthur. Film and the German left in the Weimar Republic: From Caligari to Kuhle Wumpe. Austin: University of Texas Press, 1990.

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49

1945-, Crowdus Gary, ed. The political companion to American film. Chicago: Fitzroy Dearborn, 1994.

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50

Hanson, Philip. This side of despair: How the movies and American life intersected during the Great Depression. Madison [NJ]: Fairleigh Dickinson University Press, 2008.

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