Books on the topic 'Motion pictures, Chinese – China – Hong Kong'

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1

Fu, Poshek. Between Shanghai and Hong Kong: The politics of Chinese cinemas. Stanford, Calif: Stanford University Press, 2003.

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2

Cheung, Ruby. New Hong Kong cinema: Transitions to becoming Chinese in 21st-century East Asia. New York: Berghahn Books, 2015.

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3

Wang, Yiman. Remaking Chinese cinema: Through the prism of Shanghai, Hong Kong, and Hollywood. Honolulu: University of Hawaiʻi Press, 2013.

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4

Yang, Jeff. Once upon a time in China: A guide to Hong Kong, Taiwanese, and mainland Chinese cinema. New York: Atria Books, 2003.

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5

Yang, Jeff. Once upon a time in China: A guide to Hong Kong, Taiwanese, and mainland Chinese cinema. New York: Atria Books, 2003.

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6

Fu, Poshek. Shuang cheng gu shi: Zhongguo zao qi dian ying de wen zheng zhi = Between Shanghai and Hong Kong : the politics of Chinese cinemas. 8th ed. Beijing Shi: Beijing da xue chu ban she, 2008.

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7

Gina, Marchetti, and See Kam Tan 1958-, eds. Hong Kong film, Hollywood and the new global cinema: No film is an island. London: Routledge, 2007.

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8

Wang, Lingzhen. Chinese women's cinema: Transnational contexts. New York: Columbia University Press, 2011.

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9

Taylor, Jeremy E. Rethinking transnational Chinese cinemas: The Amoy-dialect film industry in Cold War Asia. Abingdon, Oxon: Routledge, 2011.

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10

Witterstaetter, Renee. Dying for action: The life and films of Jackie Chan. New York: Warner Books, 1997.

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11

Stokes, Lisa Odham. City on fire: Hong Kong cinema. London: Verso, 1999.

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12

Teo, Stephen. Hong Kong cinema: The extra dimensions. London: BFI, 1997.

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13

Frank, Bren, ed. Hong Kong cinema: A cross-cultural view. Lanham, Md: Scarecrow Press, 2004.

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14

Lee, Vivian P. Y. Hong Kong cinema since 1997: The post-nostalgic imagination. Basingstoke, Hampshire, UK: Palgrave Macmillan, 2009.

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15

Esther, Yau Ching-Mei, ed. At full speed: Hong Kong cinema in a borderless world. Minneapolis: University of Minnesota Press, 2001.

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16

Cheung, Esther M. K., Gina Marchetti, and Ching-Mei Esther Yau. A companion to Hong Kong cinema. Chichester, West Sussex: John Wiley & Sons Inc., 2015.

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17

Logan, Bey. Hong Kong action cinema. Woodstock, N.Y: Overlook Press, 1996.

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18

Logan, Bey. Hong Kong action cinema. London: TitanBooks, 1994.

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19

Zhu, Yaowei, and Esther M. K. Cheung. Between home and world: A reader in Hong Kong cinema. Oxford: Oxford University Press, 2004.

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20

Bordwell, David. Planet Hong Kong: Popular cinema and the art of entertainment. Cambridge, Mass: Harvard University Press, 2000.

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21

Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Madison, Wisconsin: Irvington Way Institute Press, 2011.

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22

Nochimson, Martha. Dying to belong: Gangster movies in Hollywood and Hong Kong. Malden, MA: Blackwell, pub., 2007.

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23

1955-, Fu Poshek, and Desser David, eds. The Cinema of Hong Kong: History, arts, identity. Cambridge, UK: Cambridge University Press, 2000.

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24

Yau, Kinnia Shuk-ting. East Asian cinema and cultural heritage: From China, Hong Kong, Taiwan to Japan and South Korea. New York: Palgrave Macmillan, 2011.

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25

1958-, See Kam Tan, ed. Hong Kong screenscapes: From the new wave to the digital frontier. Hong Kong: Hong Kong University Press, 2011.

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26

戀戀光塵: 我和電影的二三事2. Hong Kong: 香港電影評論學會, 2017.

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27

Cheung, Ruby. New Hong Kong Cinema: Transitions to Becoming Chinese in 21st-Century East Asia. Berghahn Books, Incorporated, 2018.

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28

Wang, Lingzhen. Chinese Women's Cinema. Columbia University Press, 2011.

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29

Kam, Tan See, and Gina Marchetti. Hong Kong Film, Hollywood and the New Global Cinema: No Film Is an Island. Taylor & Francis Group, 2006.

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30

Zhou, Xuelin. Youth Culture in Chinese Language Film. Taylor & Francis Group, 2017.

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31

Zhou, Xuelin. Youth Culture in Chinese Language Film. Taylor & Francis Group, 2016.

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32

Zhou, Xuelin. Youth Culture in Chinese Language Film. Taylor & Francis Group, 2016.

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33

Witterstaetter, Renee. Dying for Action. Ebury Press, 1998.

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34

Witterstaetter, Renee. Dying for Action: The Life and Times of Jackie Chan. Ebury Press, 1998.

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35

Hsiao-yen, Peng, and Ella Raidel. Politics of Memory in Sinophone Cinemas and Image Culture: Altering Archives. Taylor & Francis Group, 2017.

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36

Hsiao-yen, Peng, and Ella Raidel. Politics of Memory in Sinophone Cinemas and Image Culture: Altering Archives. Taylor & Francis Group, 2019.

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37

Chu, Yingchi. Hong Kong Cinema. Routledge, 2009.

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38

Williams, Tony, and Esther Yau. Hong Kong Neo-Noir. Edinburgh University Press, 2017.

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39

Hong Kong Neo-Noir. Edinburgh University Press, 2018.

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40

Teo, Stephen. Hong Kong Cinema: The Extra Dimensions. British Film Institute, 1998.

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41

Teo, Stephen. Hong Kong Cinema: The Extra Dimensions. British Film Institute, 1998.

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42

Lai, Linda Chiu-Han, and Kimburley Wing-Yee Choi. World Film Locations: Hong Kong. Intellect, Limited, 2013.

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43

Charles, John. Hong Kong Filmography, 1977-1997: A Reference Guide to 1,100 Films Produced by British Hong Kong Studios. McFarland & Company, Incorporated Publishers, 2009.

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44

Aitken, Ian. Hong Kong Documentary Film. Edinburgh University Press, 2014.

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45

Lee, Joseph Tse, and Satish Kolluri. Hong Kong and Bollywood: Globalization of Asian Cinemas. Palgrave Macmillan, 2016.

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46

Lee, Joseph Tse-Hei, and Satish Kolluri. Hong Kong and Bollywood: Globalization of Asian Cinemas. Palgrave Macmillan, 2018.

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47

Lee, Joseph Tse-Hei, and Satish Kolluri. Hong Kong and Bollywood: Globalization of Asian Cinemas. Palgrave Macmillan, 2016.

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48

The A To Z Of Hong Kong Cinema. Scarecrow Press, 2010.

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49

Yau, Esther C. M., Esther M. K. Cheung, and Gina Marchetti. Companion to Hong Kong Cinema. Wiley & Sons, Limited, John, 2020.

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50

Yau, Esther C. M., Esther M. K. Cheung, and Gina Marchetti. Companion to Hong Kong Cinema. Wiley & Sons, Incorporated, John, 2015.

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