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Books on the topic 'Motion picture plays – History and criticism'

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Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Corrigan, Timothy. New German film: The displaced image. Bloomington: Indiana University Press, 1994.

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2

1952-, Thompson Frank T., ed. Between action and cut: Five American directors. Metuchen, N.J: Scarecrow Press, 1985.

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3

Brunetta, Gian Piero. Identikit del cinema italiano oggi: 453 storie. Venezia: Marsilio, 2000.

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4

Günther, Dahlke, and Karl Günter, eds. Deutsche Spielfilme von den Anfängen bis 1933: Ein Filmführer. Berlin: Henschelverlag Kunst und Gesellschaft, 1988.

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5

Tyler, Parker. The Hollywood hallucination. New York: Garland, 1985.

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6

István, Kovács. Robogás a nyárba: Írások a lengyel filmről. Pécs: Jelenkor, 1992.

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7

István, Kovács. Robogás a nyárba: Írások a lengyel filmrművészetről. Budapest: Rejtjel, 1998.

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8

Kasten, Jürgen. Film schreiben: Eine Geschichte des Drehbuches. Wien: Hora Verlag, 1990.

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9

Schwartz, Ronald. Spanish film directors (1950-1985): 21 profiles. Metuchen, N.J: Scarecrow Press, 1986.

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10

Piazza, Roberta. The discourse of Italian cinema and beyond: Let cinema speak. London: Continuum, 2011.

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11

Jonathan, Rosenbaum, ed. Midnight movies. New York, N.Y: Da Capo Press, 1991.

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12

Ramēṣ, Pi Kē. Cantiralēkāviliruntu Hē Rām varai: Tiraikkatai amaippu par̲r̲iya oru āyvu. Cen̲n̲ai: Ñān̲apānu, 2005.

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13

Höcherl, Ulrich. Internationale Filmbibliographie =: Bibliographie internationale du cinéma = International motion-picture bibliography. München: Filmland Presse, 1985.

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14

Claudia, Sternberg. Written for the screen: The American motion-picture screenplay as text. Tübingen: Stauffenburg, 1997.

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15

Garfinkel, Asher. Screenplay story analysis: The art and business. New York: Allworth Press, 2007.

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16

Field, Syd. Four Screenplays. New York: Random House Publishing Group, 2009.

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17

Field, Syd. Four screenplays: Studies in the American screenplay. New York: Delta Trade Paperbacks, 2006.

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18

Field, Syd. Four screenplays: Studies in the American screenplay. New York: Dell Pub., 1994.

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19

Stempel, Tom. Framework: A history of screenwriting in the American film. New York: Continuum, 1988.

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20

Richards, Jeffrey J. Best of British: Cinema and society, 1930-70. Oxford: Blackwell, 1985.

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21

Király, Jenő. Mágikus mozi: Műfajok, mítoszok, archetípusok a filmkultúrában. Budapest: Korona, 1998.

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22

Rocha, Glauber. O século do cinema. São Paulo, SP: Cosac Naify, 2006.

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23

Siegfried, Kracauer. Von Caligari zu Hitler: Eine psychologische Geschichte des deutschen Films. Frankfurt: Suhrkamp, 1999.

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24

Bogdanovich, Peter. Pieces of time: Peter Bogdanovich on the movies, 1961-1985. New York: Arbor House, 1985.

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25

Ajidarma, Seno Gumira. Layar kata: Menengok 20 skenario pemenang Citra, Festival Film Indonesia, 1973-1992. Yogyakarta, Indonesia: Yayasan Bentang Budaya, 2000.

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26

Borgomano, Madeleine. L' écriture filmique de Marguerite Duras. Paris: Albatros, 1985.

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27

Borgomano, Madeleine. L 'écriture filmique de Marguerite Duras. Paris: Albatros, 1985.

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28

Dorsay, Atilla. Sinemamızın umut yılları: 1970-80 arası Türk sinemasına bakışlar. İstanbul: İnkılâp Kitabevi, 1989.

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29

Sternberg, Claudia. Written for the screen: Das Amerikanische Spielfilmdrehbuch als Text. Köln: Sternberg, 1995.

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30

Ālūru, Candraśēkhara. Gīta saṅgīta. Beṅgaḷūru: Kalyāṇi Prakāśana, 1991.

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31

Egypt), Akādīmīyat al-Funūn (Cairo, ed. Farḍīyātī li-iktishāf al-sīnimā al-Miṣrīyah. [Cairo]: Akādīmīyat al-Funūn, 2005.

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32

Viktaravich, Krasinskiĭ Anatoliĭ, Bondareva Efrosinʹi͡a︡ Leonidovna, and Instytut mastatstvaznaŭstva, ėtnahrafii i falʹkloru (Akadėmii͡a︡ navuk Belaruskaĭ SSR), eds. Sovremennoe belorusskoe kino. Minsk: "Nauka i tekhnika", 1985.

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33

Mamatova, L. Kh. Vetvi mogucheĭ krony. Moskva: Iskusstvo, 1986.

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34

Jean, Narboni, ed. André Bazin: Le cinéma français de la Libération à la Nouvelle Vague (1945-1958). Paris: Cahiers du cinéma, 1998.

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35

Walter, Fritz. Kino in Österreich, 1929-1945: Der Tonfilm. Wien: Österreichischer Bundesverlag, 1991.

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36

Gyöngyi, Balogh. A magyar játékfilm története a kezdetektől 1990-ig. [Budapest]: Műszaki Könyvkiadó, 2004.

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37

Yukako, Katō, ed. Eiga to sono shinwateki sekai: Yōroppa, Amerika, Kanada no kokumin bunka no keisei. Kyōto: Kōyō Shobō, 1994.

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38

1910-1998, Kurosawa Akira, Akutagawa Ryūnosuke 1892-1927, and Richie Donald 1924-, eds. Rashomon. New Brunswick [N.J.]: Rutgers University Press, 1987.

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39

Bordwell, David. Narration in the fiction film. Madison, WI: University of Wisconsin Press, 1985.

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40

Bordwell, David. Narration in the fiction film. London: Routledge, 1988.

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41

Williams, Alan Larson. Max Ophuls and the cinema of desire: Style and spectacle in four films, 1948-1955. Salem, NH: Ayer Co, 1992.

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42

Gross, Josh. The last word: Final scenes from favorite motion pictures. New York: Vintage Books, 1992.

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43

Pramono, Dedi. Nagabonar Asrul Sani dalam kajian sosiologi sastra. Yogyakarta: Universitas Ahmad Dahlan, 2011.

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44

Meaney, Gerardine. Nora. Cork: Cork University Press, 2004.

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45

Rochelle, Réal La. Cinéma en rouge et noir: 30 ans de critique de cinéma au Québec. Montréal, Québec: Triptyque, 1994.

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46

Douglas, Gomery, ed. Film history: Theory and practice. New York: McGraw-Hill, 1985.

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47

Douglas, Gomery, ed. Film history: Theory and practice. New York: Knopf, 1985.

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48

Peralta, Elda. La época de oro sin nostalgia: Luis Spota en el cine, 1949-1959. México: Grijalbo, 1989.

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49

Agee on film: Criticism and comment on the movies. New York: Modern Library, 2000.

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50

Price, Steven. The Screenplay: Authorship, Theory and Criticism. Palgrave Macmillan, 2010.

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