Books on the topic 'Motion picture authorhip'

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1

Heartland Film Festival Video (Firm) and Films for the Humanities (Firm), eds. Inside Hollywood: Writing in Hollywood: tips from the pros : mindsets and methods. Princeton, NJ: Films for the Humanities & Sciences, 2004.

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2

Wright, Wexman Virginia, ed. Film and authorship. New Brunswick, N.J: Rutgers University Press, 2003.

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3

1966-, Gerstner David A., and Staiger Janet, eds. Authorship and film. New York: Routledge, 2003.

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4

Śarmā, Govinda. Hindī sinemā: Paṭakathā lekhana. Mumbaī: Paridr̥śya Prakāśana, 2003.

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5

1944-, Boozer Jack, ed. Authorship in film adaptation. Austin: University of Texas Press, 2008.

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6

author, Bernardelli Andrea 1962, ed. Che co'sè la narrazione cinematografica. Roma: Carocci editore, 2021.

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7

Furtado, Jorge. Um astronauta no Chipre: Incluindo os roteiros de "Ilha das Flores", "Esta não é a sua vida" e o inédito "A Matadeira". Porto Alegre, RS: Artes e Ofícios, 1992.

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8

Regina, Werner, ed. Berliner Drehbuchwerkstatt: Entwicklungen 1986-1992. Berlin: VISTAS, 1993.

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9

Boatto, Sébastien. Ecran et écriture mythique. Pessac: Presses universitaires de Bordeaux, 2009.

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10

Blatty, William Peter. If there were demons, then perhaps there were angels: William Peter Blatty's own story of The exorcist. Southwold, Suffolk [England]: ScreenPress Books, 1999.

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11

1937-, Turner Barry, ed. The screenwriter's handbook: The essential companion for all screenwriters. New York: St. Martin's Griffin, 2008.

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12

Jost, François. Un monde à notre image: Énonciation, cinéma, télévision. Paris: Méridiens/Klincksieck, 1992.

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13

Kosberg, Robert. How to sell your idea to Hollywood. New York, NY: HarperPerennial, 1991.

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14

Thương, Sâm. Viết kịch bản điện ảnh & truyền hình. TP. Hồ Chí Minh: Nhà xuất bản Văn hóa - Văn nghệ, 2011.

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15

Tinazzi, Giorgio. La scrittura e lo sguardo: Cinema e letteratura. Venezia: Marsilio, 2007.

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16

Lê, Ngọc Minh. Viết kịch bản phim truyện: Sách phục vụ sáng tác kịch bản điện ảnh. Hà Nội: Hội điện ảnh Việt Nam, 2006.

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17

Dami︠a︡nov, Marin. Psikhoanaliza & kinodramaturgii︠a︡. Sofii︠a︡: Action, 2008.

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18

Axelrod, Mark. Aspects of the screenplay: Techniques of screenwriting. Portsmouth, NH: Heinemann, 2001.

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19

Andrés, Di Tella, Pro-Arte (Organization : Santa Fe, Argentina), Universidad Nacional del Litoral. Taller de Cine., Universidad Nacional del Litoral. Centro de Publicaciones., Instituto Nacional de Cinematografía (Argentina), Jornadas de Discusión sobre Cine (3rd : 1989 : Santa Fe, Argentina), and Festival de Cine Argentino (7th : 1989 : Santa Fe, Argentina), eds. El Guión: Cinematográfico. Santa Fe, Rep. Argentina: Centro de Publicaciones de la Universidad Nacional del Litoral, 1991.

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20

Pro-Arte (Organization : Santa Fe, Argentina) and Universidad Nacional del Litoral, eds. El guión y la luz en el cine. Santa Fe, Argentina: Universidad Nacional del Litoral, 2011.

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21

Ickowicz, Luisa Irene. La escritura de largometrajes: Clímax y géneros. Bs. As: Corregidor, 2018.

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22

editor, Okumura Masaru 1953, and Sazaki Yoriaki 1962 editor, eds. Nihon eiga ni okeru tekusuto renkan: Hikaku eigashi kenkyū. Tōkyō: Shinwasha, 2016.

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23

Staiger, Janet, and David A. Gerstner. Authorship and Film. Taylor & Francis Group, 2002.

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24

Staiger, Janet, and David A. Gerstner. Authorship and Film. Taylor & Francis Group, 2013.

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25

Caughie, John. Theories of Authorship. Taylor & Francis Group, 2013.

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26

Caughie, John. Theories of Authorship. Routledge, 2015.

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27

Caughie, John. Theories of Authorship. Taylor & Francis Group, 2013.

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28

Caughie, John. Theories of Authorship. Taylor & Francis Group, 2013.

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29

Caughie, John. Theories of Authorship. Taylor & Francis Group, 2013.

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30

Theories of authorship: A reader. London: Routledge in association with the British Film Institute, 1988.

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31

Genre, Authorship and Contemporary Women Filmmakers. Edinburgh University Press, 2019.

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32

Genre, Authorship and Contemporary Women Filmmakers. Edinburgh University Press, 2018.

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33

Film Authorship Short Cuts Wallflower. Wallflower Press, 2011.

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34

Codruţa Morari. Bressonians: French Cinema and the Culture of Authorship. Berghahn Books, Incorporated, 2017.

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35

Goodman, Evelyn. Writing Television and Motion Picture Scripts That Sell. Westbourne Enterprises, 1987.

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36

Gallagher, Mark. Another Steven Soderbergh Experience: Authorship and Contemporary Hollywood. de Gruyter GmbH, Walter, 2013.

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37

Another Steven Soderbergh Experience: Authorship and Contemporary Hollywood. University of Texas Press, 2014.

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38

Staiger, Janet, and David A. Gerstner. Authorship and Film. Taylor & Francis Group, 2013.

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39

Staiger, Janet, and David A. Gerstner. Authorship and Film. Taylor & Francis Group, 2013.

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40

Authorship and Film. Routledge, 2013.

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41

Filmfortellere. Oslo: Gyldendal Akademisk, 2001.

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42

Hindi Sinema: Patakatha Lekhana. Paridrsya Prakasana, 2003.

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43

Price, Steven. The Screenplay: Authorship, Theory and Criticism. Palgrave Macmillan, 2010.

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44

Price, Steven. The Screenplay: Authorship, Theory and Criticism. Palgrave Macmillan, 2010.

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45

Boozer, Jack. Authorship in Film Adaptation. de Gruyter GmbH, Walter, 2009.

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46

Die Rueckkehr des Subjekts: Neues Autorenkino in der Romania. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2012.

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47

America's corporate art: The studio authorship of Hollywood motion pictures. Stanford, California: Stanford University Press, 2012.

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48

Christensen, Jerome. America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures. Stanford University Press, 2012.

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49

Cook, Martie. Write to TV: Out of Your Head and onto the Screen. Taylor & Francis Group, 2014.

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50

Cook, Martie. Write to TV. Taylor & Francis Group, 2020.

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