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Books on the topic 'Motion picture audiences'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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1

A, Austin Bruce, ed. Current research in film: Audiences, economics and law. Norwood, N.J: Ablex Publishing Co., 1985.

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2

1952-, Maltby Richard, ed. Hollywood abroad: Audiences and cultural exchange. London: BFI, 2004.

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3

Komitet Rossiĭskoĭ Federat︠s︡ii po kinematografii and Nauchno-issledovatelʹskiĭ institut kinoiskusstva (Russia), eds. Ispytanie konkurent︠s︡ieĭ: Otechestvennoe kino i novoe pokolenie zriteleĭ. Moskva: Izdatelʹskai︠a︡ firma IBB, 1997.

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4

Guillén, Fedro Carlos. La sala oscura: Sobre cine, películas y espectadores. México: Paidós, 2002.

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5

I, Zhabskiĭ M., and Nauchno-issledovatelʹskiĭ institut kinoiskusstva (Russia), eds. Pod znakom vesternizat͡s︡ii: Kino-publika-vozdeĭstvie. Moskva: Nauchno-issl. in-t kinoiskusstva, 1995.

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6

Pāṣa, Abdul Rehamān. Sinimā mattu prēkṣaka. Beṅgaḷūru: Navakarnāṭaka Prakāśana, 1987.

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7

Donev, Aleksandŭr. Pomosht ot publikata: Bŭlgarskite igralni filmi ot nachaloto na XXI vek i tekhnite zriteli v kinata. Sofii︠a︡: Fŭn tezi, 2018.

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8

Cancela, Lorena. Estado transitorio: Cinefilia en el siglo XXI. Buenos Aires, Argentina: Djaen, 2012.

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9

Saidi, Mpungu Mulenda. Un regard en marge: Le public populaire du cinéma au Zaire. Louvain-la-Neuve: Université catholique de Louvain, 1987.

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10

Melvyn, Stokes, and Maltby Richard 1952-, eds. American movie audiences: From the turn of the century to the early sound era. London: BFI Pub., 1999.

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11

Collection, Kobal, ed. Box-office champs: The most popular movies of the last 50 years. New York: Portland House, 1990.

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12

Paye, Fondation Lucien, ed. La direction de spectateurs: Création et réception au cinéma. [Bruxelles]: Impressions nouvelles, 2015.

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13

Beer, Carolin. Die Kinogeher: Eine Untersuchung des Kinopublikums in Deutschland. Berlin: Vistas, 2000.

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14

Court, J. F. Le cinéma français face à son avenir: Rapport au ministre de la Culture et de la communication. Paris: Documentation française, 1988.

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15

1926-, Voront͡s︡ov I͡U︡, Erofeev P. P, Kotelʹnikov M. V, Vilʹchek V. M, and Vsesoi͡u︡znyĭ nauchno-issledovatelʹskiĭ institut kinoiskusstva (Soviet Union), eds. Sot͡s︡iologicheskie problemy kinoprokata: Sbornik nauchnykh trudov. Moskva: Vses. nauchno-issl. in-t kinoiskusstva, Goskino SSSR, 1986.

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16

Mutlu, İlker. Bir mühendisin sinema eğitimi. Çankaya, Ankara: Gece Kitaplığı, 2017.

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17

Casetti, Francesco. Dentro lo sguardo: Il film e il suo spettatore. 2nd ed. Milano: Bompiani, 1989.

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18

(Russia), Nauchno-issledovatelʹskiĭ institut kinoiskusstva, ed. Полюса кинопроцесса: Priti͡azhenie i ottalkivanie. Moskva: Belyĭ bereg, 2007.

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19

Université d'Avignon et des pays de Vaucluse, ed. Le cinéma et ses publics: Comment le cinéma nous aide à nous comprendre et à comprendre les autres. Avignon: Éditions universitaires d'Avignon, 2015.

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20

Chang, Kŭn-yŏng. Ssaik'o tchangga ŭi yŏnghwa sok simnihak iyagi. Sŏul-si: Mega T'ŭrendŭ, 2007.

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21

Jost, François. Le temps d'un regard: Du spectateur aux images. Québec: Nuit blanche, 1998.

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22

Michalet, Charles Albert. Le drôle de drame du cinéma mondial: Une industrie culturelle menacée. Paris: La Découverte, 1987.

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23

Hoefer, Georg. Eine Filmtheorie der Wahrnehmung: Wahrnehmungspathologie als Folge der Reizüberflutung : Ursachen, Folgen, Auswege. Alfeld: Coppi-Verlag, 1996.

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24

Feng, Jinfang. Que xi yu zai chang de bian zheng tu jing: Xin shi qi Zhongguo dian ying guan zhong wen ti yan jiu. Beijing Shi: Zhongguo chuan mei da xue chu ban she, 2006.

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25

Chŏng, Hyŏn-chʻang. 1999-2003년도한국영화관람객의성향과변화분석. Sŏul-si: Yŏnghwa Chinhŭng Wiwŏnhoe, 2004.

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26

I, Zhabskiĭ M., and Nauchno-issledovatelʹskiĭ institut kinoiskusstva (Russia), eds. Kinoprot︠s︡ess v kommunikativnoĭ perspektive. Moskva: Belyĭ bereg, 2008.

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27

Phillips, T., K. Egan, S. Ralph, and M. Barker. Alien Audiences: Remembering and Evaluating a Classic Movie. Palgrave Macmillan Limited, 2015.

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28

Alien Audiences: Remembering and Evaluating a Classic Movie. Palgrave Pivot, 2016.

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29

Stempel, Tom. American Audiences on Movies and Moviegoing. University Press of Kentucky, 2014.

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30

Stempel, Tom. American Audiences on Movies and Moviegoing. University Press of Kentucky, 2021.

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31

1946-, Williams Linda, ed. Viewing positions: Ways of seeing film. Athlone, 1995.

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32

Going to the pictures: Scottish memories of cinema. Edinburgh: NMS Pub., 2000.

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33

Maltby, Richard, Philippe Meers, and Daniel Biltereyst. Cinema, Audiences and Modernity: New Perspectives on European Cinema History. Taylor & Francis Group, 2013.

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34

(Editor), Melvyn Stokes, and Richard Maltby (Editor), eds. Hollywood Abroad: Audiences and Cultural Exchange. British Film Institute, 2005.

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35

(Editor), Melvyn Stokes, and Richard Maltby (Editor), eds. Hollywood Abroad: Audiences and Cultural Exchange. British Film Institute, 2005.

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36

Trice, Jasmine Nadua. City of Screens: Imagining Audiences in Manila's Alternative Film Culture. Duke University Press, 2021.

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37

City of Screens: Imagining Audiences in Manila's Alternative Film Culture. Duke University Press, 2021.

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38

Fair, Laura. Reel Pleasures: Film Audiences and Cinema Entrepreneurs in Tanzania. Ohio University Press, 2018.

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39

Reel Pleasures: Film Audiences and Cinema Entrepreneurs in Tanzania. Ohio University Press, 2018.

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40

(Editor), Melvyn Stokes, and Richard Maltby (Editor), eds. Identifying Hollywood's Audiences: Cultural Identity and the Movies. British Film Institute, 2000.

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41

Atkinson, Sarah. Beyond the Screen: Emerging Cinema and Engaging Audiences. Bloomsbury Publishing Plc, 2015.

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42

Comanducci, Carlo. Spectatorship and Film Theory: The Wayward Spectator. Palgrave Macmillan, 2018.

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43

Mennel, Barbara, and Sabine Hake. Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens. Berghahn Books, Incorporated, 2014.

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44

Kinoauditorii͡a︡ na ėtape perekhoda k rynku. Moskva: Glabart, 1994.

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45

SPECTATORSHIP: THE POWER OF LOOKING ON. LONDON: WALLFLOWER, 2007.

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46

La caverna dei giganti: Scritti sull'evoluzione del dispositivo cinematografico. Parma [Italy]: Pratiche, 1992.

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47

Acland, Charles R. Screen Traffic: Movies, Multiplexes, and Global Culture. Duke University Press, 2003.

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48

Comanducci, Carlo. Spectatorship and Film Theory: The Wayward Spectator. Palgrave Macmillan, 2019.

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49

Wilson, Laura. Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film. Palgrave Macmillan Limited, 2018.

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50

Mennel, Barbara, and Sabine Hake. Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens. Berghahn Books, Incorporated, 2012.

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