Journal articles on the topic 'Motets'
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Bokulich, Clare. "REMAKING A MOTET: HOW AND WHEN JOSQUIN’S AVE MARIA … VIRGO SERENA BECAME THE AVE MARIA." Early Music History 39 (September 4, 2020): 1–73. http://dx.doi.org/10.1017/s0261127920000017.
Full textSmith, Norman E. "The Earliest Motets: Music and Words." Journal of the Royal Musical Association 114, no. 2 (1989): 141–63. http://dx.doi.org/10.1093/jrma/114.2.141.
Full textClark, Alice V. "Listening to Machaut's Motets." Journal of Musicology 21, no. 4 (2004): 487–513. http://dx.doi.org/10.1525/jm.2004.21.4.487.
Full textMelamed, Daniel R. "The Authorship of the Motet "Ich lasse dich nicht" (BWV Anh. 159)." Journal of the American Musicological Society 41, no. 3 (1988): 491–526. http://dx.doi.org/10.2307/831462.
Full textClark, Alice V. "New tenor sources for fourteenth-century motets." Plainsong and Medieval Music 8, no. 2 (October 1999): 107–31. http://dx.doi.org/10.1017/s0961137100001662.
Full textBROWN, THOMAS. "Another Mirror of Lovers? - Order, structure and allusion in Machaut's motets." Plainsong and Medieval Music 10, no. 2 (October 2001): 121–33. http://dx.doi.org/10.1017/s0961137101000092.
Full textPiéjus, Anne. "THE ROMAN MOTET (1550–1600): A COLLECTIVE ISSUE? NEW ATTRIBUTIONS AND REFLECTIONS ON AUTHORSHIP IN THE LIGHT OF A NEW DOCUMENT." Early Music History 40 (October 2021): 253–93. http://dx.doi.org/10.1017/s0261127921000036.
Full textLewis, Ann. "Anti-semitism in an early fifteenth-century motet: Tu, nephanda." Plainsong and Medieval Music 3, no. 1 (April 1994): 45–55. http://dx.doi.org/10.1017/s0961137100000620.
Full textBRADLEY, CATHERINE A. "Ordering in the motet fascicles of the Florence manuscript." Plainsong and Medieval Music 22, no. 1 (April 2013): 37–64. http://dx.doi.org/10.1017/s0961137112000186.
Full textCLARK, ALICE V. "Machaut's motets on secular songs." Plainsong and Medieval Music 29, no. 1 (April 2020): 1–25. http://dx.doi.org/10.1017/s0961137120000042.
Full textBradley, Catherine A. "CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT." Early Music History 32 (2013): 1–70. http://dx.doi.org/10.1017/s0261127913000016.
Full textZayaruznaya, Anna. "‘SHE HAS A WHEEL THAT TURNS …’: CROSSED AND CONTRADICTORY VOICES IN MACHAUT'S MOTETS." Early Music History 28 (August 24, 2009): 185–240. http://dx.doi.org/10.1017/s0261127909000370.
Full textBradley, Catherine A. "Re-workings and Chronological Dynamics in a Thirteenth-Century Latin Motet Family." Journal of Musicology 32, no. 2 (2015): 153–97. http://dx.doi.org/10.1525/jm.2015.32.2.153.
Full textSHAFFER, MELANIE. "Finding Fortune in Motet 13: insights on ordering and borrowing in Machaut's motets." Plainsong and Medieval Music 26, no. 2 (October 2017): 115–39. http://dx.doi.org/10.1017/s0961137117000055.
Full textEverist, Mark. "Review." Royal Musical Association Research Chronicle 20 (1987): 91–97. http://dx.doi.org/10.1080/14723808.1987.10540921.
Full textBradley, Catherine A. "Choosing a Thirteenth-Century Motet Tenor: From the Magnus liber organi to Adam de la Halle." Journal of the American Musicological Society 72, no. 2 (2019): 431–92. http://dx.doi.org/10.1525/jams.2019.72.2.431.
Full textLEACH, ELIZABETH EVA. "Adapting the motet(s)? The case of Hé bergier in Oxford MS Douce 308." Plainsong and Medieval Music 28, no. 02 (October 2019): 133–47. http://dx.doi.org/10.1017/s0961137119000032.
Full textPesce, Dolores. "A Revised View of the Thirteenth-Century Latin Double Motet." Journal of the American Musicological Society 40, no. 3 (1987): 405–42. http://dx.doi.org/10.2307/831675.
Full textCrook, David. "The Exegetical Motet." Journal of the American Musicological Society 68, no. 2 (2015): 255–316. http://dx.doi.org/10.1525/jams.2015.68.2.255.
Full textAnderson, Michael Alan. "FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST." Early Music History 30 (September 8, 2011): 1–53. http://dx.doi.org/10.1017/s0261127911000027.
Full textBazinet, Geneviève. "SINGING THE KING’S MUSIC: ATTAINGNANT’S MOTET SERIES, ROYAL HEGEMONY AND THE FUNCTION OF THE MOTET IN SIXTEENTH-CENTURY FRANCE." Early Music History 37 (October 2018): 45–89. http://dx.doi.org/10.1017/s0261127918000037.
Full textEVERIST, MARK. "Motets, French Tenors, and the Polyphonic Chanson ca. 1300." Journal of Musicology 24, no. 3 (2007): 365–406. http://dx.doi.org/10.1525/jm.2007.24.3.365.
Full textPlanchart, Alejandro Enrique. "Notes on Heinrich Isaac's Virgo prudentissima." Journal of Musicology 28, no. 1 (January 1, 2011): 81–117. http://dx.doi.org/10.1525/jm.2011.28.1.81.
Full textBrown, Howard Mayer. "The Mirror of Man's Salvation: Music in Devotional Life About 1500." Renaissance Quarterly 43, no. 4 (1990): 744–73. http://dx.doi.org/10.2307/2862788.
Full textТеплова, А. С. "Three Faces of Medieval English Motet." Научный вестник Московской консерватории 14, no. 3(54) (October 20, 2023): 420–43. http://dx.doi.org/10.26176/mosconsv.2023.54.3.02.
Full textZazulia, Emily. "Out of Proportion." Journal of Musicology 36, no. 2 (2019): 131–66. http://dx.doi.org/10.1525/jm.2019.36.2.131.
Full textTkachenko, E. S. "German Motet in Johannes Brahms’ Works." Observatory of Culture, no. 3 (June 28, 2015): 58–63. http://dx.doi.org/10.25281/2072-3156-2015-0-3-58-63.
Full textSaucier, Catherine. "Johannes Brassart’s Summus secretarius." Journal of Musicology 34, no. 2 (2017): 149–81. http://dx.doi.org/10.1525/jm.2017.34.02.149.
Full textSaint-Cricq, Gaël. "A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THE PEDES-CUM-CAUDA MOTET." Early Music History 32 (2013): 179–223. http://dx.doi.org/10.1017/s0261127913000077.
Full textRyan, Mary Ellen. "“Our Enemies Are Gathered Together”." Journal of Musicology 36, no. 3 (2019): 295–330. http://dx.doi.org/10.1525/jm.2019.36.3.295.
Full textKidwell, Susan A. "Elaboration through exhortation: troping Motets for the Common of Martyrs." Plainsong and Medieval Music 5, no. 2 (October 1996): 153–73. http://dx.doi.org/10.1017/s0961137100001133.
Full textMontale, Eugenio, and Jonathan Galassi. "Motets." Grand Street, no. 41 (1992): 24. http://dx.doi.org/10.2307/25007524.
Full textMaurey, Yossi. "A COURTLY LOVER AND AN EARTHLY KNIGHT TURNED SOLDIERS OF CHRIST IN MACHAUT'S MOTET 5." Early Music History 24 (July 14, 2005): 169–211. http://dx.doi.org/10.1017/s0261127905000082.
Full textAgee, Richard J., Philippe de Monte, and Milton Steinhardt. "Motets from Various Sources; Motets Extant in Instrumental Versions Only; Incomplete Motets." Notes 44, no. 4 (June 1988): 808. http://dx.doi.org/10.2307/941042.
Full textWathey, Andrew. "The Marriage of Edward III and the Transmission of French Motets to England." Journal of the American Musicological Society 45, no. 1 (1992): 1–29. http://dx.doi.org/10.2307/831488.
Full textCLARK, SUZANNAH. "‘S’en dirai chançonete’: hearing text and music in a medieval motet." Plainsong and Medieval Music 16, no. 1 (April 2007): 31–59. http://dx.doi.org/10.1017/s0961137107000605.
Full textSavon, Dmytro. "Motet “Jesu, Meine Freude” by Johann Sebastian Bach: Comparative Analysis of Editions of Musical Text." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 131 (June 30, 2021): 167–81. http://dx.doi.org/10.31318/2522-4190.2021.131.243229.
Full textSaltzstein, Jennifer. "Rape and Repentance in Two Medieval Motets." Journal of the American Musicological Society 70, no. 3 (2017): 583–616. http://dx.doi.org/10.1525/jams.2017.70.3.583.
Full textAllsen, J. Michael. "Tenores ad longum and rhythmic cues in the early fifteenth-century motet." Plainsong and Medieval Music 12, no. 1 (April 2003): 43–69. http://dx.doi.org/10.1017/s0961137103003036.
Full textSavon, Dmytro. "Performance Composition of Johann Sebastian Bach’s Motets: Hypotheses and Discussions." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 132 (November 29, 2021): 198–208. http://dx.doi.org/10.31318/2522-4190.2021.132.250006.
Full textFallows, David, Johannes Ockeghem, Richard Wexler, and Dragan Plamenac. "Motets and Chansons." Notes 50, no. 3 (March 1994): 1164. http://dx.doi.org/10.2307/898602.
Full textQuinney, R. "Approaching Bach's motets." Early Music 36, no. 4 (November 1, 2008): 659–61. http://dx.doi.org/10.1093/em/can102.
Full textSawkins, L. "French motets catalogued." Early Music 40, no. 3 (August 1, 2012): 501–2. http://dx.doi.org/10.1093/em/cas070.
Full textWolinski, Mary E. "The compilation of the Montpellier Codex." Early Music History 11 (October 1992): 263–301. http://dx.doi.org/10.1017/s0261127900001248.
Full textFábián, Apolka. "Analytical Aspects of the Three Versions of Confitebor Tibi, Domine by Claudio Monteverdi." Studia Universitatis Babeş-Bolyai Musica 68, no. 2 (December 30, 2023): 297–310. http://dx.doi.org/10.24193/subbmusica.2023.2.22.
Full textBrothers, Thomas. "Vestiges of the Isorhythmic Tradition in Mass and Motet, ca. 1450-1475." Journal of the American Musicological Society 44, no. 1 (1991): 1–56. http://dx.doi.org/10.2307/831727.
Full textRose-Steel, Tamsyn, and Ece Turnator. "Medieval Music in Linked Open Data: A Case Study on Linking Medieval Motets." International Journal of Humanities and Arts Computing 10, no. 1 (March 2016): 36–50. http://dx.doi.org/10.3366/ijhac.2016.0158.
Full textJudd, Cristle Collins. "Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500." Journal of the American Musicological Society 45, no. 3 (1992): 428–67. http://dx.doi.org/10.2307/831714.
Full textZAYARUZNAYA, ANNA. "Quotation, perfection and the eloquence of form: introducing Beatius/Cum humanum." Plainsong and Medieval Music 24, no. 2 (September 25, 2015): 129–66. http://dx.doi.org/10.1017/s096113711500011x.
Full textAtchison, Mary. "Bien me sui aperceuz: monophonic chanson and motetus." Plainsong and Medieval Music 4, no. 1 (April 1995): 1–12. http://dx.doi.org/10.1017/s0961137100000851.
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