Dissertations / Theses on the topic 'Motets'
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Hatter, Jane Daphne. "Marian motets in Petrucci's Venetian motet anthologies." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112398.
Full textBanks, Jon. "The motet as a formal type in Northern Italy ca 1500 /." New York ; London : Garland, 1993. http://catalogue.bnf.fr/ark:/12148/cb36961785c.
Full textSeiferling, Steffen. "O felix templum jubila : Musik, Text und Zeremoniell in den Motetten Johannes Ciconias /." Berlin : Mensch & Buch, 2004. http://catalogue.bnf.fr/ark:/12148/cb40147064d.
Full textMontefu, Jennette Lauren, and res cand@acu edu au. "The Latin Texted Motets of Guillaume de Machaut." Australian Catholic University. School of Arts and Sciences, 2003. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp37.29082005.
Full textDahlenburg, Jane Elizabeth. "The motet c.1580-1630 : sacred music based on the Song of Songs /." Ann Arbor (Mich.) : UMI, 2006. http://catalogue.bnf.fr/ark:/12148/cb40063407z.
Full textBonfield, Stephan. "Mode, text and syntax in selected motets of Cristóbal de Morales." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0007/MQ34878.pdf.
Full textBorgerding, Todd Michael. "The motet and Spanish religiosity ca 1550-1610 /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37122214n.
Full textCramer, Susanne Heugel Johannes. "Johannes Heugel (ca. 1510-1584/85) Studien zu seinen lateinischen Motetten /." Kassel : G. Bosse, 1994. http://books.google.com/books?id=N5ZAAAAAMAAJ.
Full textChaney, Mark Allen. "Four motets from the Florilegium portense." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180461416.
Full textDavies, Rachel Lindley. "Marian aspects of Montpellier Codex motets." Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4453/.
Full textPumpe, Jutta. "Die Motetten der Madrider Notre-Dame-Handschrift : Studie /." Tutzing : H. Schneider, 1991. http://catalogue.bnf.fr/ark:/12148/cb36651461t.
Full textHehr, Elizabeth. "Le petit motet : étude de cinq manuscrits de la collection De Brossard /." [Paris] : [E. Hehr], 1994. http://catalogue.bnf.fr/ark:/12148/cb366814634.
Full textSkaadel, Håvard. "Musical-rhetorical devices in the small concertato motets of Henry Du Mont (ca. 1610-1684) : conventions and modernity in a mid-17th-century musical aesthetic of proportions and emotional representation /." Oslo : University of Oslo, section of musicology, 2005. http://catalogue.bnf.fr/ark:/12148/cb401080895.
Full textLütteken, Laurenz. "Guillaume Dufay und die isorhythmische Motette : Gattungstradition und Werkcharakter an der Schwelle zur Neuzeit /." Hamburg : K.D. Wagner, 1993. http://catalogue.bnf.fr/ark:/12148/cb36959308j.
Full textHüschen, Klaus Dietrich. "Studien zum Motettenschaffen Ernst Peppings." Regensburg : G. Bosse, 1987. http://books.google.com/books?id=E747AAAAMAAJ.
Full textBradley, C. A. "The earliest motets : musical borrowing and re-use." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596851.
Full textMontefu, Jennette Lauren. "The Latin-texted motets of Guillaume De Machaut." Thesis, Australian Catholic University, 2003. https://acuresearchbank.acu.edu.au/download/b97bd042245aab86afea43625e1befd4d47b87c77437d414e8940ded5a77aa24/1343902/65004_Montefu_2003_TheLatin_texted_Motets_1_.pdf.
Full textChaney, Mark A. "Four Motets from the Florilegium Portense." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1180461416.
Full textFreis, Wolfgang. "Cristóbal de Morales and the Spanish motet in the first half of the sixteenth century : an analytical study of selected motets by Morales and competitive settings in Sev-Bc 1 and Taraz-C 2-3 /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37121617j.
Full text3 tomes réunis en 1 seul volume. Extraits de textes en latin avec la trad. anglaise en regard ainsi que des textes en espagnol. Les transcriptions en fin de volume sont celles de motets conservés à la Biblioteca Colombina de la Cathédrale de Séville (Sev-Bc 1) et à l'Archivo Capitular de Tarazona (Taraz-C 2-3). Bibliogr. p. 343-354.
Duchamp, Jean. "Motteti del Fiore : une étude des huit livres de motets édités à Lyon par Jacques Moderne (1532-1543) avec la transcription des pièces inédites /." Lille : A.N.R.T, 2003. http://catalogue.bnf.fr/ark:/12148/cb390576589.
Full textTacaille, Alice. "L'emprunt à la liturgie dans un corpus de motets (1420-1560) : étude quantitative des genres liturgiques." Paris 4, 1994. http://www.theses.fr/1994PA040231.
Full textThe study presents a quantitative analysis of liturgical borrowed material (antiphons, hymns, responsories, sequences, other liturgical chants) within a corpus of 1810 motets. The works of J. Dunstable, G. Binchois, G. Dufay, J. Regis, J. Ockeghem, A. Busnois, A. Agricola, J. Obrecht, Josquin des Prés, l. Compere, G. Van Weerbecke, H. Isaac, P. De la Rue, A. Brumel, J. Mouton, A. De Fevin, M. De Orto, J. Lupi, N. Bauldeweyn, Carpentras, P. Verdelot, P. Moulin, J. Lhéritier, Jachet de Mantoue, J. Richafort, A. Willaert, N. Gombert, Clemens non Papa, J. Arcadelt, P. Certon are under review, with a cantus prius factus point of view and a statistical method, taking aim for displaying the evolutions of each chant type between 1420 and 1560, by means of tables and graphics. Two thematic catalogues allow melodic identification, classified by Latin textual incipits of the chants, and by musical incipits. Each liturgical chant's evolution denotes the fluctuation of religious tensions and humanistic tendencies in the 15th and 16th centuries
Judd, Dana Cristle Collins. "Aspects of tonal coherence in the motets of Josquin." Thesis, King's College London (University of London), 1993. https://kclpure.kcl.ac.uk/portal/en/theses/aspects-of-tonal-coherence-in-the-motets-of-josquin(5b292ae1-b291-4226-bfbb-38f5e5b28fb6).html.
Full textKolb, Paul Lawrence. "Intertextuality, exegesis, and composition in polytextual motets around 1500." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:aaf9f53a-196e-4fc0-8ffb-e37b3353f1d4.
Full textTreloar, Stephanie Lynn. "Pierre Attaingnant's Treize livres (1534-35) and their anonymous motets /." Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37059782n.
Full textWilczkowski, Gabriel. "Gregorianik hos Maurice Duruflé : En analys av Duruflés Quatre motets." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-173672.
Full textSchedensack, Elisabeth. "Die Solomotetten Isabella Leonardas (1620-1704) : Analysen sämtlicher Solomotetten und ausgewählte Transkriptionen /." [S.l.] : Neuhausen : American Institute of musicology ; Hänssler-Verlag, 1998. http://catalogue.bnf.fr/ark:/12148/cb36982382w.
Full textBartels, Katrin. "Musikalisch-rhetorische Figuren in Kompositorischer Praxis : Untersuchungen zur deutschen Evangelienmotette um 1600 /." Aachen : Shaker, 1997. http://catalogue.bnf.fr/ark:/12148/cb375228756.
Full textSchiltz, Katelijne. ""Vulgari orecchie-purgate orecchie" : de relatie tussen publiek en muziek in het Venetiaanse motetoeuvre van Adriaan Willaert /." Leuven : Universitaire Pers Leuven, 2003. http://catalogue.bnf.fr/ark:/12148/cb39212904h.
Full textThomson, Matthew Paul. "Interaction between polyphonic motets and monophonic songs in the thirteenth century." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:4230a588-2359-4ac3-bd87-59c0e4ce775a.
Full textDrake, Joshua Farris. "The contemporary perception of text-music relations in motets c.1500." Thesis, University of Glasgow, 2006. http://theses.gla.ac.uk/5644/.
Full textMorton, Wyant. "Questions of authenticity in three motets attributed to Johann Sebastian Bach." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185862.
Full textSchlagel, Stephanie P. "Josquin des Prez and his motets : a case study in sixteenth-century reception history /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37122202n.
Full textSources manuscrites et imprimées concernant les motets avec localisation p. 335-355. Contient la musique de 3 motets en fin de volume. Bibliogr. p. 387-398.
Kempson, Emma Clare. "The motets of Henricus Isaac (c. 1450-1517) transmission, structure and function /." Thesis, Online version, 1998. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.287312.
Full textHughes, J. Edmund, and J. Edmund Hughes. "The Choral Style of Healey Willan as Exemplified in the Liturgical Motets." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/626231.
Full textRose-Steel, Tamsyn. "French Ars nova motets and their manuscripts : citational play and material context." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3313.
Full textEsparza, Eric Peché. "The motets of Francesco Cavalli's Musiche Sacre: performing edition with critical commentary." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12364.
Full textFrancesco Cavalli was the most renowned composer of opera in seventeenth-century Venice. Though Cavalli's operas have enjoyed a surge in popularity and interest in recent years, his sacred works remain largely unknown. Cavalli published only a small portion of his compositional output, and his Musiche Sacre Concernenti of 1656 contains the largest source of his acred music in concertato style, representing a fusion of his sacred and secular compositional worlds. The purpose of this study is threefold. The first is to provide a modern performing edition of each motet governed by the same editorial principles that will serve scholars and performers by providing a performing edition based on the Gesamtausgabe tradition of complete works of a single composer. The second is to explore the musical, liturgical, and historical context and significance of his motets as pertains to executing an informed performance. The third is to promote the music of Francesco Cavalli in general. The motets of the collection include eleven psalms, five hymns, the Magnificat, and the four Marion antiphons, employable in various Vesper services of the liturgical year. Part I of this study will serve as the Critical Commentary to the edition. Chapter 1 examines Cavalli's life and work. Chapter 2 contains analyses of the motets. Chapter 3 discusses the liturgical contexts of the motets as well as the historical background of the collection in relation to Seicento Venice. Chapter 4 explores issues of performance practice such as ensemble size, voicing, the appropriate choice of instruments, pitch center, continuo practice, tempo, metric relationships, coronas, dynamics, and missing verses. Part II will present the performing edition of each motet in full score with a critical report. Sources and editorial methods will be discussed, and detailed critical notes will be provided. Appendices including the motets' texts, translations, and instrumental parts are provided.
Russell, Kathleen. "Exegesis and the structure of the thematic sermon in Du Fay's Florentine motets." Thesis, University of Ottawa (Canada), 1999. http://hdl.handle.net/10393/8740.
Full textRice, Stephen James. "The five-part motets of Nicholas Gombert : stylistic elements, theoretical issues, and historiography." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402815.
Full textFranke, Veronica Mary. "Palestrina's fifteen five-part imitation masses modelled upon motets : a study of compositional procedures." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315851.
Full textMolina, Marcela. "The Use of Chorale in the Motets of Johannes Brahms: Plurality of Musical Languages." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/301695.
Full textBrobeck, John Thomas. "The motet at the court of Francis I /." Ann Arbor (Mich.) : UMI, 2003. http://catalogue.bnf.fr/ark:/12148/cb392686076.
Full textMelville-Richards, Joanna. "Text- and music-structures in two fourteenth-century manuscripts of English provenance." Thesis, Bangor University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322345.
Full textDecobert, Laurence. "Henry Du Mont : 1610-1684 : sous-maître de la chapelle de Louis XIV : contribution à l'histoire de la musique religieuse au grand siècle." Lille : L'Université, 1990. http://catalogue.bnf.fr/ark:/12148/cb37073156d.
Full textDuchamp, Jean. "Motteti del Fiore : une étude des huit livres de motets édités à Lyon par Jacques Moderne (1532-1543) avec la transcription des pièces inédites." Tours, 2000. http://www.theses.fr/2000TOUR2025.
Full textSmith, Anthea Elizabeth. "The sacred motets of Henry Du Mont (1610-1684) : aspects of classification, dating and performance." Thesis, University of Hull, 2005. http://hydra.hull.ac.uk/resources/hull:11072.
Full textSauerborn, Franz-Dieter. "Homer Herpol, ca.1510-1573 /." Pfaffenweiler : Centaurus-Verlagsgesellschaft, 1991. http://catalogue.bnf.fr/ark:/12148/cb40065499x.
Full textHamrick, David (David Russell). "Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279184/.
Full textCabré, i. Cercós Bernat. "Els motets de Josep Reig(1595-1674). Contribució al coneixement del primer Barroc musical a Catalunya." Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/668996.
Full textPassmore, Andrew. "A study of performance issues and an edition of Alessandro Grandi's six books of concertato motets." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/13909/.
Full textChiu, Remi. "Motet settings of the Song of Songs ca. 1500-1520." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99361.
Full textSeveral motets---Tota pulchra es by Ludwig Senfl, Tota pulchra es by Nicolaus Craen, Nigra sum sed formosa by Johannis Lheritier, and the anonymous Vulnerasti cor meum from Petrucci's Motetti de la Corona I print---will be analyzed through the lens of the historical Christian exegesis and generic considerations of the motet. I interpret diverse musical parameters---among them, texture, quotation of pre-existent material, motivic structuring, cadential manipulation, mode and modal commixture---as some of the ways in which the composers responded to their Song of Songs texts.