Dissertations / Theses on the topic 'Motets History and criticism 15th century'
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Goulet, Marie-Maude. "Analyses et comparaisons des techniques répétitives utilisées dans les oeuvres séculaires et sacrées de Loyset Compère." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19481.
Full textThomson, Matthew Paul. "Interaction between polyphonic motets and monophonic songs in the thirteenth century." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:4230a588-2359-4ac3-bd87-59c0e4ce775a.
Full textTees, Miriam H. "Chronology and style in the Laborde Chansonnier." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23361.
Full textFallows, Brown, Montagna, Kenney, Perkins and others have discussed the transformation of the style of the chanson over the course of the 15th century. Little has been written specifically on the period of the Laborde chansonnier. With reference to musical features such as melodic style, imitation, cadences, metrical structure, role of the contratenor, and range of note values, I discuss the style of the chansons, first in general, and then layer by layer, charting the changes in a crucial period. Although these changes are gradual, it is possible to follow the development of the chanson during the period between 1450 and the beginning of the sixteenth century.
The Laborde Chansonnier contains twenty-five unica, of which four have appeared in modern editions, and one of which is incomplete. I have transcribed the other twenty and also four other chansons which I could not find in modern editions. (Abstract shortened by UMI.)
Chiu, Remi. "Motet settings of the Song of Songs ca. 1500-1520." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99361.
Full textSeveral motets---Tota pulchra es by Ludwig Senfl, Tota pulchra es by Nicolaus Craen, Nigra sum sed formosa by Johannis Lheritier, and the anonymous Vulnerasti cor meum from Petrucci's Motetti de la Corona I print---will be analyzed through the lens of the historical Christian exegesis and generic considerations of the motet. I interpret diverse musical parameters---among them, texture, quotation of pre-existent material, motivic structuring, cadential manipulation, mode and modal commixture---as some of the ways in which the composers responded to their Song of Songs texts.
Rushing-Raynes, Laura. "A history of the Venetian sacred solo motet (c. 1610--1720)." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185473.
Full textDumitrescu, Theodor. "The early Tudor court and international musical relations /." Aldershot [u.a.] : Ashgate, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016142806&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Full textForeign cultural models at the English royal court -- International events and musical exchanges -- Building a foreign musical establishment at the early Tudor court -- Anglo-continental relations in music manuscripts -- English music theory and the international traditions. Includes bibliographical references (p. [297]-315) and index.
Mapstone, Sally. "The advice to princes tradition in Scottish literature, 1450-1500." Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:a93e3e2d-89ce-4d4a-bcbf-47aa24f93e5c.
Full textHamrick, David (David Russell). "Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279184/.
Full textRusak, Helen Kathryn. "Rhetoric and the motet passion." Title page, table of contents and introduction only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armr949.pdf.
Full textLeitch, Megan Glynnis. "Wars of the Roses literature : romancing treason in England c.1437-1497." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610140.
Full textGetz, Christine Suzanne 1957. "Music and Patronage in Milan 1535-1550 and Vincenzo Ruffo's First Motet Book." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332652/.
Full textRobb, Stuart James. "To begin, continue and complete : music in the wider context of artistic patronage by Pope Alexander VI (1492-1503) and the hymn cycle of CS 15." Thesis, University of Manchester, 2011. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:122374.
Full textElphick, Anthony Beresford. "Rapport between players and audience in 15th and early 16th century English drama." Diss., 1995. http://hdl.handle.net/10500/16743.
Full textM.A. (English)
Niehus, Patrick Robert John. "Charting the undiscovered country : religious discourses and the articulation of renaissance subjectivity / by Patrick Robert John Niehus." 1999. http://hdl.handle.net/2440/19512.
Full textBibliography: leaves 345-370.
ix, 370 leaves : ill. ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Argues that Renaissance notions of identity, inferiority, and alterity are articulated through religious discourse invoked to make sense of death and apocalyptic and eschatological experience. Also argues that Renaissance ways of enunciating subjectivity are varied and often conflicting.
Thesis (Ph.D.)--Adelaide University, Dept. of English, 2000?
Niehus, Patrick Robert John. "Charting the undiscovered country : religious discourses and the articulation of renaissance subjectivity / by Patrick Robert John Niehus." Thesis, 1999. http://hdl.handle.net/2440/19512.
Full textBibliography: leaves 345-370.
ix, 370 leaves : ill. ; 30 cm.
Argues that Renaissance notions of identity, inferiority, and alterity are articulated through religious discourse invoked to make sense of death and apocalyptic and eschatological experience. Also argues that Renaissance ways of enunciating subjectivity are varied and often conflicting.
Thesis (Ph.D.)--Adelaide University, Dept. of English, 2000?