Journal articles on the topic 'Motet'
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Bradley, Catherine A. "Re-workings and Chronological Dynamics in a Thirteenth-Century Latin Motet Family." Journal of Musicology 32, no. 2 (2015): 153–97. http://dx.doi.org/10.1525/jm.2015.32.2.153.
Smith, Norman E. "The Earliest Motets: Music and Words." Journal of the Royal Musical Association 114, no. 2 (1989): 141–63. http://dx.doi.org/10.1093/jrma/114.2.141.
Bradley, Catherine A. "Choosing a Thirteenth-Century Motet Tenor: From the Magnus liber organi to Adam de la Halle." Journal of the American Musicological Society 72, no. 2 (2019): 431–92. http://dx.doi.org/10.1525/jams.2019.72.2.431.
BROWN, THOMAS. "Another Mirror of Lovers? - Order, structure and allusion in Machaut's motets." Plainsong and Medieval Music 10, no. 2 (October 2001): 121–33. http://dx.doi.org/10.1017/s0961137101000092.
Piéjus, Anne. "THE ROMAN MOTET (1550–1600): A COLLECTIVE ISSUE? NEW ATTRIBUTIONS AND REFLECTIONS ON AUTHORSHIP IN THE LIGHT OF A NEW DOCUMENT." Early Music History 40 (October 2021): 253–93. http://dx.doi.org/10.1017/s0261127921000036.
Crook, David. "The Exegetical Motet." Journal of the American Musicological Society 68, no. 2 (2015): 255–316. http://dx.doi.org/10.1525/jams.2015.68.2.255.
Melamed, Daniel R. "The Authorship of the Motet "Ich lasse dich nicht" (BWV Anh. 159)." Journal of the American Musicological Society 41, no. 3 (1988): 491–526. http://dx.doi.org/10.2307/831462.
LEACH, ELIZABETH EVA. "Adapting the motet(s)? The case of Hé bergier in Oxford MS Douce 308." Plainsong and Medieval Music 28, no. 02 (October 2019): 133–47. http://dx.doi.org/10.1017/s0961137119000032.
SHAFFER, MELANIE. "Finding Fortune in Motet 13: insights on ordering and borrowing in Machaut's motets." Plainsong and Medieval Music 26, no. 2 (October 2017): 115–39. http://dx.doi.org/10.1017/s0961137117000055.
Anderson, Michael Alan. "FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST." Early Music History 30 (September 8, 2011): 1–53. http://dx.doi.org/10.1017/s0261127911000027.
Bazinet, Geneviève. "SINGING THE KING’S MUSIC: ATTAINGNANT’S MOTET SERIES, ROYAL HEGEMONY AND THE FUNCTION OF THE MOTET IN SIXTEENTH-CENTURY FRANCE." Early Music History 37 (October 2018): 45–89. http://dx.doi.org/10.1017/s0261127918000037.
Clark, Alice V. "New tenor sources for fourteenth-century motets." Plainsong and Medieval Music 8, no. 2 (October 1999): 107–31. http://dx.doi.org/10.1017/s0961137100001662.
Atchison, Mary. "Bien me sui aperceuz: monophonic chanson and motetus." Plainsong and Medieval Music 4, no. 1 (April 1995): 1–12. http://dx.doi.org/10.1017/s0961137100000851.
Saint-Cricq, Gaël. "A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THE PEDES-CUM-CAUDA MOTET." Early Music History 32 (2013): 179–223. http://dx.doi.org/10.1017/s0261127913000077.
Lewis, Ann. "Anti-semitism in an early fifteenth-century motet: Tu, nephanda." Plainsong and Medieval Music 3, no. 1 (April 1994): 45–55. http://dx.doi.org/10.1017/s0961137100000620.
Ryan, Mary Ellen. "“Our Enemies Are Gathered Together”." Journal of Musicology 36, no. 3 (2019): 295–330. http://dx.doi.org/10.1525/jm.2019.36.3.295.
Kidwell, Susan A. "Elaboration through exhortation: troping Motets for the Common of Martyrs." Plainsong and Medieval Music 5, no. 2 (October 1996): 153–73. http://dx.doi.org/10.1017/s0961137100001133.
Bokulich, Clare. "REMAKING A MOTET: HOW AND WHEN JOSQUIN’S AVE MARIA … VIRGO SERENA BECAME THE AVE MARIA." Early Music History 39 (September 4, 2020): 1–73. http://dx.doi.org/10.1017/s0261127920000017.
Tkachenko, E. S. "German Motet in Johannes Brahms’ Works." Observatory of Culture, no. 3 (June 28, 2015): 58–63. http://dx.doi.org/10.25281/2072-3156-2015-0-3-58-63.
BRADLEY, CATHERINE A. "Ordering in the motet fascicles of the Florence manuscript." Plainsong and Medieval Music 22, no. 1 (April 2013): 37–64. http://dx.doi.org/10.1017/s0961137112000186.
Savon, Dmytro. "Motet “Jesu, Meine Freude” by Johann Sebastian Bach: Comparative Analysis of Editions of Musical Text." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 131 (June 30, 2021): 167–81. http://dx.doi.org/10.31318/2522-4190.2021.131.243229.
Pesce, Dolores. "A Revised View of the Thirteenth-Century Latin Double Motet." Journal of the American Musicological Society 40, no. 3 (1987): 405–42. http://dx.doi.org/10.2307/831675.
Maurey, Yossi. "A COURTLY LOVER AND AN EARTHLY KNIGHT TURNED SOLDIERS OF CHRIST IN MACHAUT'S MOTET 5." Early Music History 24 (July 14, 2005): 169–211. http://dx.doi.org/10.1017/s0261127905000082.
Zazulia, Emily. "Out of Proportion." Journal of Musicology 36, no. 2 (2019): 131–66. http://dx.doi.org/10.1525/jm.2019.36.2.131.
Desmond, Karen. "W. de Wicumbe's Rolls and Singing the Alleluya ca. 1250." Journal of the American Musicological Society 73, no. 3 (2020): 639–709. http://dx.doi.org/10.1525/jams.2020.73.3.639.
ZAYARUZNAYA, ANNA. "Quotation, perfection and the eloquence of form: introducing Beatius/Cum humanum." Plainsong and Medieval Music 24, no. 2 (September 25, 2015): 129–66. http://dx.doi.org/10.1017/s096113711500011x.
Saint-Cricq, Gaël. "GENRE, ATTRIBUTION AND AUTHORSHIP IN THE THIRTEENTH CENTURY: ROBERT DE REIMS VS ‘ROBERT DE RAINS’." Early Music History 38 (September 11, 2019): 141–213. http://dx.doi.org/10.1017/s0261127919000044.
EVERIST, MARK. "Motets, French Tenors, and the Polyphonic Chanson ca. 1300." Journal of Musicology 24, no. 3 (2007): 365–406. http://dx.doi.org/10.1525/jm.2007.24.3.365.
Szelest, Marcin. ""Sancte Simon magno mundi": nowo zidentyfikowany motet Giovanniego Battisty Coccioli." Muzyka 63, no. 3 (October 2, 2018): 65–101. http://dx.doi.org/10.36744/m.512.
Brown, Howard Mayer. "The Mirror of Man's Salvation: Music in Devotional Life About 1500." Renaissance Quarterly 43, no. 4 (1990): 744–73. http://dx.doi.org/10.2307/2862788.
Rothenberg, David J. "Angels, Archangels, and a Woman in Distress: The Meaning of Isaac's Angeli archangeli." Journal of Musicology 21, no. 4 (2004): 514–78. http://dx.doi.org/10.1525/jm.2004.21.4.514.
Everist, Mark. "Review." Royal Musical Association Research Chronicle 20 (1987): 91–97. http://dx.doi.org/10.1080/14723808.1987.10540921.
Clark, Alice V. "Listening to Machaut's Motets." Journal of Musicology 21, no. 4 (2004): 487–513. http://dx.doi.org/10.1525/jm.2004.21.4.487.
Allsen, J. Michael. "Tenores ad longum and rhythmic cues in the early fifteenth-century motet." Plainsong and Medieval Music 12, no. 1 (April 2003): 43–69. http://dx.doi.org/10.1017/s0961137103003036.
CLARK, SUZANNAH. "‘S’en dirai chançonete’: hearing text and music in a medieval motet." Plainsong and Medieval Music 16, no. 1 (April 2007): 31–59. http://dx.doi.org/10.1017/s0961137107000605.
Everist, Mark. "The Refrain Cento: Myth or Motet?" Journal of the Royal Musical Association 114, no. 2 (1989): 164–88. http://dx.doi.org/10.1093/jrma/114.2.164.
Reynolds, Christopher. "Motive, Structure and Meaning in Willaert’s Motet Videns Dominus." Journal of Musicology 32, no. 3 (2015): 328–45. http://dx.doi.org/10.1525/jm.2015.32.3.328.
Bradley, Catherine A. "CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT." Early Music History 32 (2013): 1–70. http://dx.doi.org/10.1017/s0261127913000016.
Wolinski, Mary E. "The compilation of the Montpellier Codex." Early Music History 11 (October 1992): 263–301. http://dx.doi.org/10.1017/s0261127900001248.
Rose-Steel, Tamsyn, and Ece Turnator. "Medieval Music in Linked Open Data: A Case Study on Linking Medieval Motets." International Journal of Humanities and Arts Computing 10, no. 1 (March 2016): 36–50. http://dx.doi.org/10.3366/ijhac.2016.0158.
Aspøy, Arild. "Handlingsrommet og motet." Stat & Styring 24, no. 01 (April 1, 2014): 1. http://dx.doi.org/10.18261/issn0809-750x-2014-01-01.
Bent, Margaret. "Varieties of motet." Early Music XXVIII, no. 1 (February 2000): 114–16. http://dx.doi.org/10.1093/earlyj/xxviii.1.114.
Dunlop, Margaret. "Response to motet." Nursing Inquiry 7, no. 3 (September 2000): 214. http://dx.doi.org/10.1046/j.1440-1800.2000.00044-2.x.
Williamson, Magnus. "Royal image-making and textual interplay in Gilbert Banaster's O Maria et Elizabeth." Early Music History 19 (October 2000): 237–78. http://dx.doi.org/10.1017/s026112790000200x.
Thomas, Jennifer. "Reading Michele Pesenti’s Tulerunt Dominum meum." Journal of Musicology 32, no. 3 (2015): 367–409. http://dx.doi.org/10.1525/jm.2015.32.3.367.
Saucier, Catherine. "Johannes Brassart’s Summus secretarius." Journal of Musicology 34, no. 2 (2017): 149–81. http://dx.doi.org/10.1525/jm.2017.34.02.149.
CALDWELL, JOHN. "An early English motet." Early Music XXVI, no. 1 (February 1998): 189–90. http://dx.doi.org/10.1093/earlyj/xxvi.1.189.
Weller, Philip. "Sighting the Obrechtian Motet." Journal of the Alamire Foundation 3, no. 1 (January 2011): 37–51. http://dx.doi.org/10.1484/j.jaf.1.102192.
Bent, M. "The motet around 1500." Early Music 35, no. 4 (November 1, 2007): 684–86. http://dx.doi.org/10.1093/em/cam094.
Saint-Cricq, G. "Sounding the medieval motet." Early Music 41, no. 3 (August 1, 2013): 495–98. http://dx.doi.org/10.1093/em/cat067.