Relevant bibliographies by topics / Motet analysis

Academic literature on the topic 'Motet analysis'

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Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Motet analysis"

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Saint-Cricq, Gaël. "A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THE PEDES-CUM-CAUDA MOTET." Early Music History 32 (2013): 179–223. http://dx.doi.org/10.1017/s0261127913000077.

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This article investigates a corpus of sixteen thirteenth-century motets whose formal structures are rigorously modelled on the AAB formal type of the trouvère chanson. This corpus bears witness that the first specimens of hybridization between polyphony and the high-style lyric chanson arose as early as the 1240s, well before the emergence of fourteenth-century polyphonic song. The analysis of the make-up of the AAB form of the motets first reveals that its elements completely match those of the pedes-cum-cauda formal type of trouvère chansons. The formal impact of song citations within the corpus is then explored, together with the different modalities according to which they are involved in the make-up of the AAB form. Finally, the analysis of the texture of the works brings to light the singularity of their fabric: remodelled by the structures of the trouvère chanson, it breaks with the traditional format of the motet and turns into the texture of a motet-chanson.
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Desmond, Karen. "W. de Wicumbe's Rolls and Singing the Alleluya ca. 1250." Journal of the American Musicological Society 73, no. 3 (2020): 639–709. http://dx.doi.org/10.1525/jams.2020.73.3.639.

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Abstract A set of thirteenth-century parchment fragments, including the remnants of two rolls and one manuscript codex, preserves a largely unstudied repertoire unique to medieval England. In addition to a single motet and a setting of a responsory verse, the Rawlinson Fragments preserve twelve three-voice Alleluya settings. While polyphonic Alleluyas are well known from the continental Magnus liber repertoire, these insular Alleluya settings are quite different. Most significantly, while composed on the text and pitches of plainchant, they include newly composed texts in at least one voice—that is, they are polytextual chant settings. Aspects of their musical style certainly draw on other polyphonic genres—organum, conductus, and motet. This article presents the paleographical and codicological evidence that corroborates an early date for these fragments (in the 1240s), confirms their connection to Reading Abbey, and situates their repertoire within a broader context. My analysis points to intriguing points of overlap with both the plainchant prosula tradition and the Magnus liber organa and motets. It reopens broader questions about the copying and performance practices of liturgical polyphony, including previous suggestions that motet texts may have been sung within the performance of the Magnus liber organa, regardless of the scribal copying conventions that separated organum and motet in the surviving Magnus liber manuscripts. The article also considers the role of the Rawlinson Fragments’ main scribe, Benedictine monk W. de Wicumbe, who was active within the monastic communities of Leominster and Reading as a composer of plainchant and polyphony, and as precentor, most likely in charge of his community's musical life.
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Rothenberg, David J. "Angels, Archangels, and a Woman in Distress: The Meaning of Isaac's Angeli archangeli." Journal of Musicology 21, no. 4 (2004): 514–78. http://dx.doi.org/10.1525/jm.2004.21.4.514.

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Henricus Isaac's grand six-voice motet Angeli archangeli (Angels, archangels) sets a text from the liturgy of the Feast of All Saints (November 1), but its only preexistent musical material is a cantus firmus in the tenor voice, drawn from the tenor of the mid 15th-century chanson Comme femme desconfortéée (As a woman in distress), attributed to Binchois. Scholars have assumed that Angeli archangeli is a motet for All Saints but have been at a loss to explain why Isaac chose the cantus firmus he did. This study attempts to explain Isaac's puzzling juxtaposition of Latin text and secular cantus firmus by suggesting that Angeli archangeli is not a motet for All Saints, but rather for the Assumption of the Virgin. Liturgical analysis of the motet text reveals that its connection to the Feast of All Saints (November 1) is weaker than has previously been assumed. Additionally, examination of numerous other sacred works that incorporate the Comme femme desconfortéée tenor demonstrates that it was widely understood as a Marian cantus firmus ca. 1500. The Marian associations of the cantus firmus help to explain why one manuscript source (VatS 46) groups the work with other Marian motets, and why another (LeipU 1494) transmits it with a Marian contrafact text (O regina nobilissima). Finally, by relating the musical construction of Angeli archangeli to the Assumption of the Virgin as depicted in late medieval liturgy, iconography, and in Jacobus de Voragine's widely read Legenda aurea, it is suggested that the text of Angeli archangeli, though drawn from the All Saints liturgy, actually describes Mary's assumption into heaven. Sacred text and secular cantus firmus thus collaborate in communicating a complex but clear theological/devotional meaning.
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Howlett, David. "Busnois' motet In hydrauliscise in textual reconstruction and analysis." Plainsong and Medieval Music 4, no. 2 (October 1995): 185–91. http://dx.doi.org/10.1017/s0961137100000978.

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Munich, Bayerische Staatsbibliothek, Mus. MS 3154 folios 47v–48r preserves the unique text of Busnois' motet In hydraulis, reproduced by D. Plamenac in Die Musik in Geschichte und Gegenwart IX Tafel 116.
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Fast, Susan. "God, Desire, and Musical Narrative in the Isorhythmic Motet." Canadian University Music Review 18, no. 1 (March 15, 2013): 19–37. http://dx.doi.org/10.7202/1014818ar.

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This article examines the relationship between late Medieval narrative structure in French literature and music (specifically the isorhythmic motet) and how that structure was shaped by deeply held beliefs within Medieval culture, including the idea that a person's identity and desires were directed by God. A detailed analysis of the motet De bon espoir/Puis que la douce rousee/Speravi by Guillaume de Machaut is made to support the argument.
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Probst, Barbara, and John Bucholtz. "Polyphonic coding in qualitative analysis: conversation as musical motet." Qualitative Research Journal 15, no. 3 (August 10, 2015): 339–50. http://dx.doi.org/10.1108/qrj-05-2014-0017.

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Purpose – Thematic coding is a common form of qualitative analysis, yet identification of “codes” can limit understanding by directing the researcher to formulated categories rather than inviting exploration of what else the data may be trying to convey. Since categorization is an essential component of language and can scarcely be avoided, the purpose of this paper is to propose a polyphonic approach as a way to add texture and nuance. In polyphonic coding, text is coded several times along various dimensions of interest; these independently coded versions are then superimposed to identify patterns and relationships, allowing a multi-lensed view of the data as both forest and trees. Design/methodology/approach – Polyphonic coding is applied to a specific interview in order to illustrate how the method can be utilized in a three-step process: in vivo coding from several independent perspectives (role, relational movement, and vocal mannerism), merging the perspectives, and “plugging in” to theory. Findings – Polyphonic coding reveals relationships among the perspectives that point to an over-arching theme (in the example used) of a struggle for control. Research limitations/implications – This approach offers a way to code verbal, tonal, and somatic data as a means of understanding the construction and negotiation of identity in the relational context of qualitative research. Practical implications – This approach promotes a flexible, expanded use of data analysis software. Originality/value – The metaphor of a musical motet is used to describe a multi-faceted approach to qualitative analysis that can help to mitigate some of the pitfalls of typical thematic coding.
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Wright, Craig. "Dufay's Nuper rosarum flores, King Solomon's Temple, and the Veneration of the Virgin." Journal of the American Musicological Society 47, no. 3 (1994): 395–441. http://dx.doi.org/10.2307/3128798.

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Analysis of the architecture of the cathedral of Florence suggests that there is no correlation between the structural proportions in that church and the durational ratios in Guillaume Dufay's motet Nuper rosarum flores (as suggested by Charles Warren in 1973). The inspiration for the formal plan of the motet was likely not architecture, but a biblical passage (1 Kings 6:1-20), which gives the dimensions of the Temple of Solomon as 60 x 40 x 20 x 30 cubits. The vision of the Temple and, to a lesser degree, the image of the womb of the Virgin as the temple of Christ were elaborated upon by countless medieval exegetes, sermonizers, liturgical commentators, poets, and manuscript illuminators. Dufay expressed the traditional numerical symbols of the Temple (6:4:2:3, 4 and 7) and that of the Virgin (7) throughout the structure of his motet and thereby effected a musical union of these two spiritual forces.
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Parsons, Laurel. "Music and Text in Elisabeth Lutyens's Wittgenstein Motet." Canadian University Music Review 20, no. 1 (May 16, 2013): 71–100. http://dx.doi.org/10.7202/1015648ar.

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Although Elisabeth Lutyens (1906-83) was a pioneer of British twentieth-century music, her work is relatively unknown in North America. This article begins with an introduction to her life and compositions, before going on to a detailed analysis of text-music relations in selected passages of her Motet, op. 27 (1953). The analysis forms the basis for a discussion of the concept of text as representation of music: Lutyens began to compose the music of the Motet first, and chose its text—excerpts from the Tractatus logico-philosophicus (1921) by the Austrian-born English philosopher Ludwig Wittgenstein (1889-1951)—because it seemed a fitting expression of the musical ideas that had already begun to develop.
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Honisch, Erika Supria. "Drowning Winter, Burning Bones, Singing Songs." Journal of Musicology 34, no. 4 (2017): 559–609. http://dx.doi.org/10.1525/jm.2017.34.4.559.

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In 1587 the Flemish composer Carolus Luython, employed by Holy Roman Emperor Rudolf II, published an unusual motet collection in Prague. Titled Popularis anni jubilus, the collection describes the sounds and rituals beloved by Central European peasants, recasting them as the ecstatic songs of rustic laborers (jubilus) famously celebrated by Saint Augustine in his Psalm commentaries. Highlighting the composer’s collaboration with the Czech cleric who wrote the motet texts, this study serves as a corrective to the interpretative frameworks that have broadly shaped discourses on Central European musical and religious practices in the early modern period. To make sense of the print’s raucous parade of drunken revelers, mythological figures, honking geese, and the Christ child, this analysis sets aside the hermetic lens typically used to account for the cultural products of the Rudolfine court and turns instead to contemporary theological tracts and writings by Augustine and Ovid that were foundational to the literary worlds of Renaissance humanists. Doing so brings into focus an ordered sequence of motets that offers some of the earliest and most vivid documentation in Central Europe of lay practices associated with the major feasts of the church year, from the bonfires on the Nativity of St. John the Baptist to the drowning of winter on Laetare Sunday. At the same time, this study shows the extent to which such “folk” traditions, parsed along national lines since the nineteenth century, had in fact long occupied common ground in the diverse territories of Habsburg Central Europe.
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Kwon, Song Taik. "French Grand Motet in the 17th Century: An Analysis of Text, Style, and Propaganda." Journal of the Science and Practice of Music 45 (April 30, 2021): 1–28. http://dx.doi.org/10.36944/jspm.2021.04.45.1.

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Dissertations / Theses on the topic "Motet analysis"

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Montefu, Jennette Lauren, and res cand@acu edu au. "The Latin Texted Motets of Guillaume de Machaut." Australian Catholic University. School of Arts and Sciences, 2003. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp37.29082005.

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Guillaume de Machaut’s motets constitute a cycle. This study focuses upon Machaut’s six Latin texted motets and their influence upon these cyclical contexts. Former research into these motets has uncovered references to contemporary poetry, liturgical texts, literary sources, particular persons, and historical events. Through an examination of recent research into the cyclical nature of the motets it is possible to critically evaluate these hypotheses in the light of the past historical, codicological, liturgical, musical and poetic analysis of these works to create a rounded picture of each motet. In this way it was found that many of the previously researched aspects of the motets follow in line with recent theories surrounding motet grouping structures. In this way when placing these works within a mystical theological literary context their sacred nature, evident within the tenor chant fragments upon which many of them are built, becomes evident and a greater plan apparent. Beyond this, with an examination of Machaut’s life and the events which occurred in his lifetime the context for composition of the remaining motets is unearthed. Within these motets elements have now been identified which link them to Machaut’s canonries at both Saint Quentin and Reims as well as the events of the Hundred Years’ War. In this way the deep connection between Machaut’s motets and all levels of his life is becoming increasingly apparent. Through an examination of these six Latin texted motets it is found that a liturgical context is key to the analysis of all voices. This is apparent in the mere use of vocabulary idiomatic to the liturgy present within these texts. In this way the selection of words within motet 21 points to a Marian allusion and the apocalyptic, drawing motet 21 even closer in context to motets 22-23. This apocalyptic reference is also seen in specific words within in triplum text of motet 22. Furthermore, the Marian allusions discovered throughout these last three motets in their upper voices are apparent only with a close examination of the Salve Regina texts. In this way the influence and importance of liturgical context to the analysis of the motet has been extended to all voices. This study has also uncovered allusions to other fourteenth century works in the analysis of Machaut’s motets. In the case of motet 9 a connection between its chant tenor and another from the Roman de Fauvel reveals a political context which brings an added richness to the interpretation of these texts. Furthermore, as with motets 18-19, it may be gleaned that as Machaut and Vitry were both canons at Saint Quentin that perhaps it was here and with these two motets that Machaut began his tutelage with the older master of the motet. These conclusions may be drawn by the striking similarities between Machaut’s works and those believed to have originated from within the Vitry circle. In the course of this study there have been additions to evidence the necessity of looking to all aspects of Guillaume de Machaut’s motets in their analysis. This includes use of numerical symbolism in varying aspects as shown in motet 9 as well as a thorough exploration of Machaut’s use of vocabulary within his texts to find its literary, historical, motet, and liturgical allusions. The identification of these sources may either serve to reinforce or expand the context of the motet leading to a deeper understanding of its purpose within a group of motets or individually.
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Chiu, Remi. "Motet settings of the Song of Songs ca. 1500-1520." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99361.

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This thesis investigates early sixteenth-century motet settings of texts taken from the Song of Songs. By way of contextualization, I will explore the Christian history of Song of Songs exegesis from the third century to the twelfth. I will also consider generic properties of the renaissance motet---contemporary definitions of the genre, performance context, types of texts used, and repertory dissemination---and make a case that both the Song of Songs and the motet occupy a sort of "intermediate" position between the secular and the sacred world, participating in both the earthly and the spiritual.
Several motets---Tota pulchra es by Ludwig Senfl, Tota pulchra es by Nicolaus Craen, Nigra sum sed formosa by Johannis Lheritier, and the anonymous Vulnerasti cor meum from Petrucci's Motetti de la Corona I print---will be analyzed through the lens of the historical Christian exegesis and generic considerations of the motet. I interpret diverse musical parameters---among them, texture, quotation of pre-existent material, motivic structuring, cadential manipulation, mode and modal commixture---as some of the ways in which the composers responded to their Song of Songs texts.
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Glysson, Scott Douglas. "An Analysis of Musical Style and Cecilian Idealism in the Latin-Texted Motets of Camille Saint-Saëns." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/325233.

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The Cecilian movement was a reactionary movement made up of composers who sought to restore the musical principles of the fifteenth and sixteenth centuries by placing emphasis back on the liturgy, reviving the idea that the music should be subservient to the text. In his article "The Cecilian Movement in the Nineteenth Century: A Summary of the Movement," Patrick Liebergen introduces the term "Cecilian Ideal" as a means of describing the way in which Franz Liszt and Anton Bruckner incorporated elements of Cecilianism into their compositions. Though the two composers never belonged to the Cäcilien-Verband für Deutschland, analysis of various style features commonly found in their music reveals that they accomplished many of the goals of the Cecilian movement while retaining their own individual compositional styles. Analysis of the Latin-texted choral motets of Camille Saint-Saëns reveals that they share stylistic features that were endorsed by the Cecilian movement. That these features were a result of conscious decisions made by the composer is suggested by the fact that similar style traits were praised by Saint-Saëns in two articles he wrote about liturgical music that were published near the end of his life. Moreover, Patrick Liebergen already has shown that many of the Saint-Saëns' beliefs can be understood through the application of what he terms the "Cecilian Ideal" concept. The Latin-texted choral motets of Camille Saint-Saëns have largely been overlooked by the scholarly community. Perhaps it is the uncomplicated nature of these pieces that has led many to dismiss them as an unremarkable portion of the composer's repertoire. Six of the Latin choral motets which are the most similar in terms of style and function were chosen for this study, as they best represent the consistent compositional features of the composer in this genre. These works span a fifty-eight year time period covering a broad portion of the composer's life and career. By analyzing Saint-Saëns' liturgical music in the light shed by his prose writings on the subject we can better understand both his compositional style and his view of the Cecilian movement.
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Allinson, David John. "The rhetoric of devotion : some neglected elements in the context of the early Tudor motet." Thesis, University of Exeter, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286476.

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Dobbs, Benjamin Michael. "Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33142/.

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Although Magdeburg cantor Heinrich Grimm was frequently listed among prominent musical figures of the early seventeenth century such as Heinrich Schütz, Johann Hermann Schein, and Michael Praetorius in music lexica through the nineteenth century, he has almost disappeared from modern scholarship. However, a resurgence in Grimm studies has begun in recent years, especially in the areas of biographical study and compositional output. In this study, I examine the yet unexplored music-analytic perspective by investigating the stylistic characteristics of Grimm's 1631 motet, Unser Leben wehret siebenzig Jahr'. Furthermore, I compare his compositional technique to that of his contemporaries and predecessors with the goal of examining the work from both Renaissance and Baroque perspectives.
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Ren, Min. "Behavioural intentions in the motel industry : an empirical analysis." Diss., Lincoln University, 2008. http://hdl.handle.net/10182/1097.

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The New Zealand hospitality sector has become increasingly competitive in the past decade. The increase in competition has prompted motel management to focus on generating favourable customers’ perceptions of their service as favourable perceptions encourage repeat purchase. Strategically, retaining existing customers and attracting new customers will be critical if motels are going to remain profitable in New Zealand’s competitive accommodation market. There is a conceptual gap in the marketing literature as there has been very limited published research on service quality, value, customer satisfaction or behavioural intentions on the motel industry. This study seeks to fill this conceptual gap in the motel industry by identifying the dimensions of service quality, and empirically examining the interrelationships among the service quality dimensions, service quality, value, customer satisfaction, and behavioural intentions. The findings of this study are based on the analysis of a sample of 349 respondents who stayed at a full service New Zealand motel on Riccarton Road in Christchurch. Of the 600 questionnaires distributed, a total of 349 useable responses were returned resulting in a 58.2% useable response rate. Support was found for use of the primary dimensions: Interaction Quality, Physical Environment Quality, and Outcome Quality as broad dimensions of service quality in a hierarchical factor structure for motels. Ten sub-dimensions of service quality, as perceived by motel customers, were determined using focus group interviews and exploratory factor analysis. These ten sub-dimensions were: (1) Staff Professionalism, (2) Accuracy of Reservation, (3) Tangibles, (4) Cleanliness and Comfort, (5) Noise Level, (5) Parking, (7) Security, (8) Accuracy of Billing, (9) Location, and (10) Pleasant Stay. Support for the hypothesised paths between Service Quality, Value (price), Satisfaction, and Favourable Behavioural Intentions was confirmed. The results of the regression analysis make a contribution to the service marketing theory by providing an empirically based insight into the Service Quality construct in the motel industry. The study also provides a framework for understanding the effects of the three primary dimensions on Service Quality and how Service Quality affects Value (price), Satisfaction, and Favourable Behavioural Intentions. Value (price) was also empirically supported as an important predictor variable that has a moderating effect on the relationship between service quality and customer satisfaction.
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Granger, Deshane Lance. "Construction cost analysis of new/refurbished hotel & motel properties /." Online version of thesis, 1993. http://hdl.handle.net/1850/11581.

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Anderson, Gordon Douglas. "Piedras Blancas Motel Feasibility Study and Redevelopment Alternatives." DigitalCommons@CalPoly, 2010. https://digitalcommons.calpoly.edu/theses/301.

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The Piedras Blancas Motel is a 1950’s era roadside motel comprised of 11 lodging units, plus a cafe, laundry room, manager’s apartment, and adjacent storage area. It is located seven miles north of San Simeon and nine miles south of the San Luis Obispo/Monterey County line. In 2005, the property was purchased using State, Federal, and private funds, and then transferred to the California Department of Parks and Recreation (State Parks). Although it has been closed to the public since 2005, the Site offers day-use parking and convenient beach access. This professional project, under contract with the California Coastal Conservancy, provides information necessary for the future redevelopment of the Piedras Blancas Motel. It demonstrates the feasibility of a preferred development alternative through several analyses including: a structural analysis of the existing building(s), a constraints analysis, an evaluation of regulatory requirements, and an assessment of redevelopment options based on preliminary market research and financial analysis. The primary objective of the Coastal Conservancy and State Parks is to provide low-cost overnight lodging and visitor services along the Big Sur Coast. The Motel would serve as an alternative to existing expensive lodges or resorts as well as existing tent or RV camping that may not serve as an option for some visitors.
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Boncz, Peter Alexander. "Monet: a next-generation DBMS kernel for query-intensive applications." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2002. http://dare.uva.nl/document/64315.

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Schedensack, Elisabeth. "Die Solomotetten Isabella Leonardas (1620-1704) : Analysen sämtlicher Solomotetten und ausgewählte Transkriptionen /." [S.l.] : Neuhausen : American Institute of musicology ; Hänssler-Verlag, 1998. http://catalogue.bnf.fr/ark:/12148/cb36982382w.

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Books on the topic "Motet analysis"

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Just, Martin. Motets on text from the New Testament.: Critical commentary. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1998.

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1620-1704, Leonarda Isabella, Leonarda Isabella 1620-1704, Leonarda Isabella 1620-1704, Leonarda Isabella 1620-1704, Leonarda Isabella 1620-1704, and Leonarda Isabella 1620-1704, eds. Die Solomotetten Isabellas Leonardas (1620-1704): Analyses sämtlicher Solomotetten und ausgewählte Transkriptionen. [Neuhausen]: American Institute of Musicology, 1998.

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Schedensack, Elisabeth. Die Solomotetten Isabellas Leonardas (1620-1704): Analysen sämtlicher Solomotetten und ausgewählte Transkriptionen. Neuhausen: American Institute of Musicology, 1998.

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Picker, Martin. Motets based on texts from the old testament.: Critical commentary. Utrecht: Koninklikje Vereniging voor Nederlandse Muziekgeschiedenis, 2000.

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Gustafsson, Jan. Integration som text, diskursiv och social praktik: En policyetnografisk fallstudie av mötet mellan skolan och förskoleklassen. Göteborg, Sweden: Acta Universitatis Gothoburgensis, 2003.

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Krimgold, Frederick. Incremental seismic rehabilitation of hotel and motel buildings: Providing protection to people and buildings. [Washington, D.C.]: U.S. Dept. of Homeland Security, FEMA, 2005.

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Workshop on the Design and Analysis of On-Farm Experiments (1987 Kafue, Zambia). Proceedings of a Workshop on the Design and Analysis of On-Farm Experiments held at the River Motel, 2nd-6th November, 1987. Chilanga, Zambia: Adaptive Research Planning Team, Research Branch, Dept. of Agriculture, 1989.

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Ecole d'astrophysique solaire d'Oléron (4th 1999). Voies nouvelles pour l'analyse des données en sciences de l'univers: Ecole d'astrophysique solaire d'Oléron : new avenues for astronomical data analysis : 4e Ecole d'astrophysique d'Oléron, 21-25 juin 1999, 5e Ecole d'astrophysique, La Grande Motte, 15-19 mai 2000. Les Ulis, France: EDP Sciences, 2002.

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Diegmann-Hornig, Katja. " Sich in die Poesie zu flüchten, wie in unantastbare Eilande der Seeligen": Analysen zu ausgewählten Romanen von Friedrich Baron de La Motte Fouqué. Hildesheim: Olms, 1999.

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C, Albert, and Colloque International du Séminaire Sud-Rhodanien de Géométrie, (5th : 1988 : La Grand Motte), eds. Géométrie symplectique et mécanique: Colloque international, La Grand Motte, 23-28 mai, 1988. Berlin: Springer, 1990.

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Book chapters on the topic "Motet analysis"

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Gaur, Rajkumar, and Shiva Prakash. "Performance and Parametric Analysis of IoT’s Motes with Different Network Topologies." In Lecture Notes in Electrical Engineering, 787–805. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0749-3_61.

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Prashanth Kumar, Manda, Karunakaran Logesh, and Soumya Dutta. "Limitations of Mott-Schottky Analysis for Organic Metal-Insulator-Semiconductor Capacitors." In Springer Proceedings in Physics, 69–74. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-97604-4_12.

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Sagar, N. Shyam Sunder, P. Chandrasekar Reddy, Chavali Sumana, Naga Snigdha, A. Charitha, and Abhuday Saxena. "Analysis on Range Enhancing Energy Harvester (Reach) Mote Passive Wake-Up Radios for Wireless Networks." In Advances in Intelligent Systems and Computing, 457–65. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-13731-5_50.

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Bandekar, Ashutosh, Akshay Kotian, and Ahmad Y. Javaid. "Comparative Analysis of Simulation and Real-World Energy Consumption for Battery-Life Estimation of Low-Power IoT (Internet of Things) Deployment in Varying Environmental Conditions Using Zolertia Z1 Motes." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 137–48. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61563-9_12.

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Thrall, Grant Ian. "Hotel and Motel." In Business Geography and New Real Estate Market Analysis. Oxford University Press, 2002. http://dx.doi.org/10.1093/oso/9780195076363.003.0012.

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The key concepts, proceeding top-down, for market analysis for the hospitality industry are market segmentation, demand, and supply. Location or trade area comes into the analysis as an umbrella over these three concepts. Market niche and segmentation, demand, and supply are primary determinants to establishing the criteria for locating hospitality facilities. Whenever there have been sufficient numbers of travelers in search of food and shelter, some form of hostelry industry has arisen.1 The Code of Hammurabi (1800 B.C.E) referred to innkeeping (Winfree 1996). In the western countries, as the Romans established an extensive roadway system, taverns and inns followed at strategically spaced locations. The Roman roads were used for military travel, trade and commerce, and pilgrimage and tourism. These are the primary reasons we use roads today. The early inns were largely run by religious orders. However, in Europe, as commerce grew in the fifteenth century, lodging as a commercial activity began to replace innkeeping as a charitable activity. In the American colonial period during the seventeenth and eighteenth centuries, inns and taverns were an important part of commerce and cultural exchange. These facilities were designed after the inns and taverns of England, which were closely integrated into their communities. Inns and taverns did not intrude or disrupt the neighborhood; instead, they were thought of as being an integral part of the culture and activities of the neighborhood. Architecturally, early inns and taverns conformed to the look and feel of the surrounding neighborhood environment. Survivors of these early inns are the contemporary bed-and-breakfasts (B&Bs). The term hotel arose early in the nineteenth century and was used to distinguish a greater level of commercial activity than an inn. Hotels offered food, drink, retail shopping, and lodging. Hotels were also more intrusive in their neighborhoods. Instead of less than 10 rooms that typified many inns of the era, early hotels contained as many as 200 rooms, and rose to 6 floors in height. Many nineteenth-century hotels were the tallest buildings in town. Thus, the hospitality industry began its first cautious attempts at market segmentation and diversification. Inns remained, but hotels offered an alternative experience via amenity differentiation.
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Motte, Warren. "The Book, Inside and Out." In Revisioning French Culture, 239–50. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620207.003.0017.

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Warren Motte’s treatment of the work of Edmond Jabès argues that Jabès’s work is animated by a meditation on the idea of the book. Motte contends that despite that sustained reflection, the status of the book in Jabès’s writing remains ambiguous. Indeed, his analysis shows that Jabès always defers a coherent, functional definition of the book. Motte underscores how that process of deferral—paired with the constant iterative process of crafting new interrelated books—has resulted in a powerful œuvre that gives the reader the sense of an ideal book, but one that never quite exists materially.
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"Analysis of the Complicated Mott-Schottky Behavior." In Immittance Spectroscopy, 283–306. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119185413.ch10.

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Alilunas, Peter. "Panorams, Motels, and Pirates." In Smutty Little Movies. University of California Press, 2016. http://dx.doi.org/10.1525/california/9780520291706.003.0003.

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Chapter one examines the early history of adult video from a variety of technological, cultural, and industrial perspectives beginning with the Panoram, a device invented in the 1940s and completely unintended for pornography. Following is an analysis of the adult motel landscape of Southern California, an early site of adult video distribution. The chapter concludes with a history of the early pioneers of adult video, including George Atkinson, who created the first video rental store in the United States.
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Hasty, Christopher. "Problems of Meter in Early-Seventeenth-Century and Twentieth-Century Music." In Meter as Rhythm, 296–346. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190886912.003.0014.

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This chapter assesses meter in early-seventeenth-century and twentieth-century music. Specifically, it analyzes compositions by Monteverdi, Schütz, Webern, and Babbitt. Monteverdi's “Ohimè, se tanto amate” from the fourth book of madrigals presents a metrical subtlety rarely encountered in eighteenth- and nineteenth-century music. Here the projective field is very mobile, and mensural determinacy is restricted to relatively small measures. Meanwhile, Schütz's concertato motet “Adjoro vos, filiae Jerusalem” from the Symphoniae sacrae, Book I (1629), demonstrates extremely subtle rhythmic detail and great projective contrast used in the service of a compelling larger gesture. Here the repetition of small melodic figures is used for the creation of complex projective fields that serve the continuity of phrases and sections. The chapter then looks at the much smaller measures and much greater ambiguity in some music of the twentieth century.
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Pinto, Pedro, António Alberto Pinto, and Manuel Ricardo. "Reducing Simulation Runtime in Wireless Sensor Networks." In Advances in Systems Analysis, Software Engineering, and High Performance Computing, 726–41. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-4666-8823-0.ch024.

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Wireless Sensor Networks (WSNs) can be deployed using available hardware and software. The Contiki is an operative system compatible with a wide range of WSN hardware. A Contiki development environment named InstantContiki is also available and includes the Cooja simulator, useful to test WSN simulation scenarios prior to their deployment. Cooja can provide realistic results since it uses the full Contiki's source code and some motes can be emulated at the hardware level. However this implies extending the simulation runtime, which is heightened since the Cooja is single threaded, i.e, it makes use of a single core per instant of time, not taking advantage of the current multi-core processors. This chapter presents a framework to automate the configuration and execution of Cooja simulations. When a multi-core processor is available, this framework runs multiple simultaneous Cooja instances to reduce simulations runtime in exchange of higher CPU load and RAM usage.
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Conference papers on the topic "Motet analysis"

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Gajjar, Sachin, Nilav Choksi, Mohanchur Sarkar, and Kankar Dasgupta. "Comparative analysis of wireless sensor network motes." In 2014 International Conference on Signal Processing and Integrated Networks (SPIN). IEEE, 2014. http://dx.doi.org/10.1109/spin.2014.6776991.

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Alhoussein, Ali, Hadi Alawieh, Riah Zouheir, and Yacine Azzouz. "Optimising a New SiC MOSET Model's Parameters Using FFT Analysis." In 2019 IEEE 13th International Conference on Power Electronics and Drive Systems (PEDS). IEEE, 2019. http://dx.doi.org/10.1109/peds44367.2019.8998954.

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Levin, Kirill Lvovich, Rojerio V. Jelamo, Nikolay S. Pshchelko, and Samuil D. Khanin. "Electrical properties of graphenes for application in electrochemical charge storage devices." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2019. http://dx.doi.org/10.21661/r-508508.

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Graphenes in the form of flexible thin films treated with different types of plasma were investigated by Mott-Schottky analysis. The possibility of variation of electrical conductivity in graphene prepared by plasma treatment was shown. Obtained materials are promising for electric energy storage devices.
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Murakami, Yuta, Martin Eckstein, and Philipp Werner. "Floquet DMFT Analysis of High Harmonic Generation in Mott Insulators." In Proceedings of the International Conference on Strongly Correlated Electron Systems (SCES2019). Journal of the Physical Society of Japan, 2020. http://dx.doi.org/10.7566/jpscp.30.011183.

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Faisal, Sakib, Sheikh Ifatur Rahman, Sarwar Ahmed, and Tanvir Islam Dhrubo. "Numerical analysis of MoTe2 thin film solar cell with Cu2Te BSF layer." In TENCON 2017 - 2017 IEEE Region 10 Conference. IEEE, 2017. http://dx.doi.org/10.1109/tencon.2017.8228252.

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Shashkin, V. I., and A. V. Murel. "Comparative analysis of microwave low-barrier Mott and Schottky detector diodes." In 2010 20th International Crimean Conference "Microwave & Telecommunication Technology" (CriMiCo 2010). IEEE, 2010. http://dx.doi.org/10.1109/crmico.2010.5633007.

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Hossain, Shafayat, Md Iquebal Hossain Patwary, Zahirul Haque, Abu Yousuf, Sakib Choudhury, and Md Ibrahim Hossain Patwary. "A Numerical Analysis of N-MoTe2 in Back Contact of CdTe Solar Cell." In 2019 IEEE International Conference on Power, Electrical, and Electronics and Industrial Applications (PEEIACON). IEEE, 2019. http://dx.doi.org/10.1109/peeiacon48840.2019.9071927.

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Looga, Vilen, Zhonghong Ou, Yang Deng, and Antti Yla-Jaaski. "PowerShark: IEEE 802.15.4 Mote Activity Analysis Using Power Traces and Neural Networks." In GLOBECOM 2016 - 2016 IEEE Global Communications Conference. IEEE, 2016. http://dx.doi.org/10.1109/glocom.2016.7842163.

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Gold, Vladimir M. "Numerical Modeling of Fragmentation Characteristics of Explosive Fragmentation Munitions." In ASME 2002 Pressure Vessels and Piping Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/pvp2002-1150.

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Numerical simulations of explosive fragmentation munitions presented in this work integrate three-dimensional axisymmetric hydrocode analyses with analytical fragmentation modeling. The developed analytical fragmentation model is based on the Mott’s theory of break-up of cylindrical “ring-bombs” (Mott, 1947), in which the average length of fragments is a function of the radius and velocity of the ring at the moment of break-up, and the mechanical properties of the metal. The fundamental assumption of the model is that the fragmentation occurs instantly throughout the entire body of the shell. Adopting Mott’s critical fracture strain concept (Mott, 1947), the moment of the shell break-up is identified in terms of the high explosive detonation products volume expansions, V/V0. The assumed fragmentation time determined from the high-speed photographic data of Pearson (1990) had been approximately three volume expansions, the fragmentation being defined as the instant at which the detonation products first appear as they emanate from the fractures in the shell. The newly developed computational technique is applied to both the natural and preformed explosive fragmentation munitions problems. Considering relative simplicity of the model, the accuracy of the prediction of fragment spray experimental data is rather remarkable.
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Gaur, P. K., B. S. Dhaliwal, and A. Seehra. "Analysis of power saving multicasting routing applications for Mica2 motes-an event based MATLAB implementation." In 2009 International Multimedia, Signal Processing and Communication Technologies (IMPACT-2009). IEEE, 2009. http://dx.doi.org/10.1109/mspct.2009.5164186.

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