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Journal articles on the topic 'Morpurgo'

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Author: Grafiati

Published: 9 March 2023

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1

Paniconi, Maria Elena. "Italian Futurism in Cairo." Philological Encounters 2, no. 1-2 (January 9, 2017): 159–79. http://dx.doi.org/10.1163/24519197-00000019.

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Nelson Morpurgo was born to a Histrian family in Cairo. Raised between Cairo and Milan, he met Filippo Tommaso Marinetti and several other Futurists and, ultimately, helped secure a place for futurism in Cairo from the 1920s through to his departure in the 1940s. He organized theatrical performances, painting exhibitions, radio shows, cultural events and debates. My paper analyzes the cultural and linguistic bilingualism that this interstitial figure developed. Morpurgo’s activity is understood in three different ways: first, as the trans-national experience of a Futurist vanguard; second, as emblematic of the Italian community in Cairo; and third, as representative of the complexities of Egyptian cosmopolitanism. His writings allow us to reframe the relationships between the Egyptian arabophone scene and the often multi-lingual, eclectic foreign community. Morpurgo negotiates a position between the ideologically incongruous cultural lives of Marinetti and the local surrealist vanguard.

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2

Willi, Andreas. "Obituary: Anna Morpurgo Davies." Language & History 58, no. 1 (May 2015): 64–65. http://dx.doi.org/10.1179/1759753615z.00000000039.

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3

Hulick, Jeannette. "Meeting Cézanne by Michael Morpurgo." Bulletin of the Center for Children's Books 67, no. 3 (2013): 172. http://dx.doi.org/10.1353/bcc.2013.0803.

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4

Stevenson, Deborah. "Muck and Magic by Michael Morpurgo." Bulletin of the Center for Children's Books 74, no. 4 (2020): 183. http://dx.doi.org/10.1353/bcc.2020.0852.

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5

Matthews, P. H. "Anna Morpurgo Davies and the Philological Society." Transactions of the Philological Society 113, no. 1 (March 2015): 1–3. http://dx.doi.org/10.1111/1467-968x.12062.

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6

Burnett, Charles. "L'idea di natura nell'Italia normannosveva.Piero Morpurgo , Alexander Murray." Speculum 72, no. 2 (April 1997): 530–34. http://dx.doi.org/10.2307/3041032.

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7

Pascu, M. N., and A. Nicolaie. "On a discrete version of the Laugesen–Morpurgo conjecture." Statistics & Probability Letters 79, no. 6 (March 2009): 797–806. http://dx.doi.org/10.1016/j.spl.2008.10.034.

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8

Berglind, Natalie. "The Day the World Stopped Turning by Michael Morpurgo." Bulletin of the Center for Children's Books 72, no. 11 (2019): 487–88. http://dx.doi.org/10.1353/bcc.2019.0504.

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9

Dickinson, Oliver. "Philippa M. Steele (ed.). Understanding Relations Between Scripts. The Aegean Writing Systems." Journal of Greek Archaeology 3 (January 1, 2018): 435–38. http://dx.doi.org/10.32028/jga.v3i.536.

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This book is based on the papers given at a conference in Cambridge, March 20-21, 2015, held in memory of Anna Morpurgo Davies, on various aspects of the prehistoric Aegean writing systems (Cretan Hieroglyphic, Linear A and Linear B) and their Cypriot relatives, including not only the material classified as Cypro-Minoan, but the Cypriot syllabary that developed from this in the early Iron Age and went on in use well into historical times, used to write both Greek and at least one non-Greek language of the island.

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10

Kay, Richard. "L'armonia della natura e l'ordine dei governi (Secoli XII-XIV). Piero Morpurgo." Speculum 80, no. 2 (April 2005): 640–42. http://dx.doi.org/10.1017/s0038713400000828.

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Lakuš, Jelena, and Nada Topić. "Pripadnici austrougarske mornarice i čitanje u Prvom svjetskom ratu: primjer splitske Knjižare Morpurgo." Radovi Zavoda za povijesne znanosti HAZU u Zadru 60 (2018): 319–50. http://dx.doi.org/10.21857/yq32oh47g9.

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12

Dales, Richard C. "Filosofia della natura nella Schola salernitana del secolo XII.Piero Morpurgo , Enrique Montero Cartelle." Speculum 67, no. 3 (July 1992): 729–30. http://dx.doi.org/10.2307/2863715.

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13

Faucounau, J. "Les Signes homophones existent-ils vèritablement dans l'Ecriture "hittite hièroglyphique"?" Belleten 53, no. 207-208 (August 1, 1989): 487–96. http://dx.doi.org/10.37879/belleten.1989.487.

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L'article de J.D. HAWKINS, A. MORPURGO-DAVIES et G. NEUMANN publie en 1974 (cf [4] de la bibliographie in fine) a mis en evidence la necessite d'un profond re-examen du dechiffrement de l'ecriture hittite hieroglyphique. Comme le soulignent en particulier les auteurs de cet article, "it is apparent that the process of decipherment cannot yet be considered as completed... Often there is no agreement about the vocalic value of the consonantal signs; is it possible to attribute to some signs a double or even triple vocalization or should we assume that normally each sign has only one vocalization?... All to often it remains unclear whether the uneveness depends on a lack of systematic organization in the script itself or on the inadequacy of the modern decipherment..".

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14

Guidi, Angela. "Continuité et ruptures dans l'itinéraire français de Philippe Sarchi (alias Samuel Morpurgo, 1764-1830)." Archives Juives 52, no. 1 (2019): 12. http://dx.doi.org/10.3917/aj1.521.0012.

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15

Jarzyna, Anita. "W oku konia. Horyzonty biografii." Polonistyka. Innowacje, no. 3 (May 30, 2016): 57–74. http://dx.doi.org/10.14746/pi.2016.1.3.6.

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Artykuł przybliża losy zwierząt (przede wszystkim koni), wykorzystywanych w trackie działań wojennych podczas I wojny światowej. Autorka, której bliska jest perspektywa historii nieantropocentrycznej, sięga po poświęcone między innymi tym zagadnieniom pionierskie opracowanie Érica Barataya pt. Zwierzęcy punkt widzenia. Inna wersja historii oraz po pamiętniki Ivana Cassagnau, francuskiego artylerzysty z lat 1914- 1916, odnosi je do napisanej przez Michaela Morpurgo powieści dla dzieci i młodzieży pt. War Horse (1982). W Polsce przełożonej dopiero pod wpływem adaptacji filmowej w reżyserii Stevena Spielberga z 2011 roku, dystrybuowanej pod kuriozalnym tytułem Czas wojny. Autorka artykułu w krytycznej interpretacji powieści zwraca uwagę na wartość (i niedociągnięcia) narracji prowadzonej z perspektywy zwierzęcego bohatera, zastanawia się, w jakim stopniu dzięki temu zabiegowi pisarzowi udało się stworzyć przekonującą wojenną biografię konia, wreszcie podkreśla wynikający z tej optyki pacyfistyczny wydźwięk książki.

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16

Cohen. "The Power of Writing from the Margins: Assessing Rachel Morpurgo, the First Hebrew Woman Poet." Prooftexts 38, no. 2 (2020): 409. http://dx.doi.org/10.2979/prooftexts.38.2.09.

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17

Zhang, Y., and D. Donnelly. "A Modified Nodal Cutting Bioassay for Assessing Salinity Tolerance in Potato (Solanum sp.)." HortScience 30, no. 4 (July 1995): 752E—752. http://dx.doi.org/10.21273/hortsci.30.4.752e.

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The potato (Solanum tuberosum L.) is considered moderately sensitive to salinity stress. Yields can be adversely affected by salinity at EC levels of 2 to 3 dS·m–1. In vitro screening and selection for salinity tolerance may be faster and more reliable than traditional field assessment. A modified nodal cutting bioassay was developed based on that of Morpurgo (1991) and used to rank the salinity tolerance of several potato cultivars, wild Solanum species, and their hybrids. Nodal cuttings were cultured in Murashige and Skoog (1962) basal medium which included NaCl at 0, 40, 80, and 120 mM. After 4 weeks at 25C and 16/8 h day/night period, vegetative growth parameters were assessed. Hybrids derived from S. chacoense outperformed hybrids of other wild species, their wild parents, and S. tuberosum cultivars. `Russet Burbank' and `Kennebec' were more salinity-tolerant than the three other cultivars tested.

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18

Kümmel, M. J. "Indo-European Perspectives. Studies in Honour of Anna MORPURGO DAVIES. Ed. by J. H. W. Penney." Kratylos 53, no. 1 (2008): 25–35. http://dx.doi.org/10.29091/kratylos/2008/1/3.

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19

Guion, Susan G. "Greek Syllable Structure." Diachronica 13, no. 1 (January 1, 1996): 63–82. http://dx.doi.org/10.1075/dia.13.1.04gui.

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SUMMARY This paper investigates the syllable structure of Cyprian, an ancient Greek dialect written with a syllabary. Based on the corroboration of orthographic and metrical evidence, Cyprian is found to have a syllable structure which maximizes onsets to allow clusters of equal or rising sonority (see also Deecke 1884, Meister 1894, Thumb & Scherer 1922, Lejeune 1972, and Masson 1983). This analysis is different from the traditional view of Greek syllable structure which considers all intervocalic consonant clusters to be hetero-syllabic (Hermann 1923, Meillet 1934). The support for the traditional view of Greek syllable structure is critiqued and found to be unreliable. Competing views on Cyprian syllabary which were largely motivated by a desire to defend the traditional view of Greek syllable structure are also critiqued (Morpurgo Davies 1987, Viredaz 1983, Miller 1994, and Woodard 1994). These alternative explanations of the Cyprian syllabary are found to be needlessly complicated and to employ ad hoc devices. Finally, the traditional reconstruction of Proto-Greek is evaluated against Steriade's (1982) proposal, which allows complex onsets of equal or rising sonority. Steriade's proposal is found to be the more sensible. RÉSUMÉ Cet article examine la structure syllabique du cypriote, dialecte grec ancien écrit en caractère syllabique. Grâce à des preuves orthographiques et métriques, on conclut que le cypriote avoit une structure syllabique maximisant le point d'attaque ('onset') permettant la présence de groupes de consonnnes croissant ou stables en sonorité (voir Deecke 1884, Meister 1894, Thumb & Scherer 1922, Lejeune 1972 et Masson 1983). Cette analyse diffère du point de vue traditionel, en ce qui a trait à la structure syllabique de grec, selon lequel tout groupe de consonnes était hétérosyllabique en position intervocalique (Hermann 1932, Meillet 1943). Dans le présent acticle on critique ce point de vue, et on triouve peu fiabe son analyse de la structure syllabique du grec. On y critique aussi les avis contraires exprimés quant au syllabaire cypriote dont la plupart semblent motivés par le désir de maintenir intactles analyses traditio-nelles de la structure syllabique du grec (Morpurgo Davies 1987, Viredaz 1983, Miller 1994 et Woodard 1994). Les explications alternatives sont jugées être d'une complexité inutile, et de faire appel à des explications ad hoc. Enfin, on compare la reconstruction traditionelle du proto-grec à la proposition de Steriade (1982) que permet des groupes de consonnes complexes, de sonorité égale ou croissante dans le point d'attaque. On conclut que la proposition de Steriade est la plus raisonnable. ZUSAMMENFASSUNG In vorliegendem Beitrag wird die Silbenstruktur des Zypriotischen unter-sucht. Zypriotisch ist ein altert ümlicher Dialekt des Griechischen, der in Form des Syllabars geschrieben wird. Aufgrund von orthographischen sowie metrischen Übereinstimmungen wird geschlossen, daß die Silbenstruktur des Zypriotischen Silbenanlaute maximiert, die aus Konsonantenhäufungen mit gleich-wertiger oder steigender Klangfülle bestehen (s. Deecke 1884, Meister 1894, Thumb & Scherer 1922, Lejeune 1972, Masson 1983). Diese Analyse unter-scheidet sich von den herkömmlichen Sichtweisen der griechischen Silbenstruktur, die zwischenvokalische Konsonantenhäufungen als heterosilbisch ansehen (Herman 1932, Meillet 1943). Die Basis dieser herkömmlichen Sichtweisen der griechischen Silbenstruktur wird hier kritisch untersucht und als unzuverlässig befunden. Konkurrierende Sichtweisen des zypriotischen Syllabars, welche vom Wunsch geleitet sind, herkömmliche Sehensweise der griechischen Silbenstruktur zu verteidigen (Morpurgo Davies 1987, Viredaz 1983, Miller 1994 und Woodard 1994), werden ebenfalls kritisch untersucht. Diese konkurrierenden Erklarungen des zypriotischen Syllabars werden als unnö-tigerweise kompliziert gefunden. Weiterhin wird festgestellt, daB dabei auch ad hoc-Analysenmittel benutzt werden. SchlieBlich wird die herkömmliche Re-konstruktion des Proto-Griechischen mit dem Vorschlag von Steriade (1982) verglichen. Ihr Vorschlag läßt die Möglichkeit komplexer Silbenanlaute mit gleichwertiger oder steigender Klangfülle zu. Die hier vorgelegte Analyse hat gezeigt, daB der Vorschlag Steriades besser motiviert ist als die übrigen Theo-rien.

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Pisa, João Paulo Novelletto, Jorge Luiz Conte Tacito, and Denise Pereira Leme. "Afetividade e emoções de personagens-cavalos em dois livros da literatura mundial." Research, Society and Development 9, no. 8 (August 1, 2020): e880986528. http://dx.doi.org/10.33448/rsd-v9i8.6528.

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A zooliteratura concentra-se no estudo de obras que contêm e discutem sobre animais. ´´Beleza Negra``, de Anna Sewell, e de ´´Cavalo de Guerra`` de Michael Morpurgo, são duas obras literárias em que se apresentam elementos suficientes para serem classificados como zooliteratura. Estes dois romances foram lidos com foco nas emoções dos protagonistas equinos por meio de uma comparação com a revisão da literatura científica, para verificar se existe uma relação com a realidade, considerando o fator humano e os estados afetivos dos personagens. Para isso, interpretaram-se os textos para seleção de trechos para o estudo. Neste trabalho, seguiu-se o preceito que a maneira como as pessoas se relacionam com os cavalos e suas atitudes em relação a eles têm resultam numa valência emocional nos animais com consequências proporcionais em suas qualidades de vida. Embora alguns sentimentos e emoções encontrados nos personagens equinos sejam antropomórficos ou outros ainda não são reconhecidos pela ciência, tais manifestações podem servir para criar nos leitores desses dois livros a reflexão e a empatia para com os cavalos.

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21

Arbib. "A Woman and Poet against the Stream: Rachel Morpurgo, Advocate of the Kabbalah in an Anti-Kabbalistic Age." Nashim: A Journal of Jewish Women's Studies & Gender Issues, no. 29 (2015): 8. http://dx.doi.org/10.2979/nashim.29.8.

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22

Zaradija Kiš, Antonija. "Što je Put rata, a što Ratni konj? Nikad se ne smije zaboraviti njihova uloga u prošlim ratovima!" Libri et liberi 7, no. 2 (May 1, 2019): 349–63. http://dx.doi.org/10.21066/carcl.libri.7.2.9.

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Rad se fokusira na knjigu i film Put rata poznatoga engleskoga dječjega pisca Michaela Morpurga. Pisac je nedovoljno poznat hrvatskoj čitateljskoj publici, a istoimeni film (inače oboje netočno prevedeni na hrvatski jezik) Stevena Spielberga nedovoljno primijećen u javnosti. Morpurgova su djela posebice zanimljiva jer se u pozadini glavnih zbivanja redovito oslikavaju važni svjetski povijesni događaji kao što je i slučaj s knjigom originalnoga naslova War Horse u čijoj je pozadini Prvi svjetski rat. Rad se usredotočuje na konja i empatično ozračje knjige, ali isto tako nastoji istaknuti vječnu vezu čovjeka i te dostojanstvene i plemenite životinje, čime se želi potaknuti drugačiji pristup animalističkim putokazima ovoga djela, ali i drugih u kojima je životinja važan ili glavni sudionik radnje.

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23

Weilhartner, J. "A Companion to Linear B. Mycenaean Greek Texts and their World. Ed. by Yves Duhoux and Anna Morpurgo Davies." Kratylos 55, no. 1 (2010): 112–18. http://dx.doi.org/10.29091/kratylos/2010/1/15.

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24

Lorda, J. L. "Guido MORPURGO-TAGLIABUE, I Processi di Galileo e l'epistemologia, Editore Armando Armando, Roma 1981, 206 pp., 14 x 22." Scripta Theologica 18, no. 1 (March 6, 2018): 366. http://dx.doi.org/10.15581/006.18.20159.

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25

Rocha, Raul De Carvalho, and Núbia Rabelo Bakker Faria. "Jacob Grimm: da exaltação da língua alemã à linguística do século XIX." Revista da Anpoll 1, no. 45 (August 22, 2018): 263–75. http://dx.doi.org/10.18309/anp.v1i45.1123.

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O presente trabalho busca demonstrar a influência e o impacto dos ideais do Romantismo alemão no direcionamento das reflexões sobre a linguagem no século XIX, que contribuiu para o estabelecimento da Linguística como ciência. Será dada ênfase a Jacob Grimm (1785–1863), conhecido pela compilação, com o seu irmão, Wilhelm (1786–1859), de contos infantis extraídos do folclore alemão (publicados entre 1812–1815) e pela formulação da nomeada “primeira lei fonética”. Influenciado pelo nacionalismo romântico, que se caracterizou por recusar o passado clássico e por exaltar a literatura e a língua nacionais, Grimm dedicou-se ao estudo das manifestações culturais genuinamente germânicas e da língua alemã, com vistas a enaltecer a identidade nacional. O resultado, entretanto, foi a importante descoberta da mutação fônica sistemática, observada na comparação entre o grego, o gótico, o latim e o sânscrito, que influenciará os rumos dos estudos linguísticos modernos. Partindo-se de uma contextualização histórica e exposição teórica sobre o Romantismo, relacionar-se-ão os ideais do movimento com a obra linguística de Grimm. Trata-se de uma pesquisa de natureza bibliográfica, teoricamente fundamentada em Robins (1979) e Morpurgo Davies (1998), obras voltadas para a historiografia linguística, e em Guinsburg (1978), no campo da teoria da literatura.

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Castiglioni, P., R. Tommasini, M. Morpurgo, and M. Di Rienzo. "Modulation of pulmonary arterial input impedance during transition from inspiration to expiration." Journal of Applied Physiology 83, no. 6 (December 1, 1997): 2123–30. http://dx.doi.org/10.1152/jappl.1997.83.6.2123.

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Castiglioni, P., R. Tommasini, M. Morpurgo, and M. Di Rienzo. Modulation of pulmonary arterial input impedance during transition from inspiration to expiration. J. Appl. Physiol. 83(6): 2123–2130, 1997.—We investigated whether respiration influences pulmonary arterial input impedance during transition from inspiration to expiration in five anesthetized, spontaneously breathing dogs. Impedance (Z) was separately assessed for heart beats occurring in inspiration, in expiration, and during the transition from inspiration to expiration (transitional beat). Transitional beats were scored by the ratio between the fraction of beat falling in expiration and the total beat duration [expiratory fraction (Efr)] to quantify their position within the transition. In transitional beats, input resistance linearly increased with Efr; Z modulus at the heart-rate frequency (fHR) decreased up to −50% for Efr = 50%. Z phase at fHR was greater than in inspiration for Efr<40% and lower for Efr >50%. Unlike blood flow velocity, mean value and first harmonic of pulmonary arterial pressure were correlated to Efr and paralleled the changes of input resistance and Z at fHR. This indicates that respiration influences Z through modifications in arterial pressure. The evidence of important respiratory influences on Z function may help the pathophysiological interpretation of dysfunctions of the right heart pumping action, such as the so-called cor pulmonale.

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27

Simkin, O. B. "(J.H.W.) Penney Ed.Indo-European Perspectives. Studies in Honour of Anna Morpurgo Davies. Oxford UP, 2004. Pp. xx + 598. £88. 0199258929." Journal of Hellenic Studies 126 (November 2006): 204–5. http://dx.doi.org/10.1017/s0075426900008314.

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Gragnani, Cristina. "Irredentist Propaganda “Baedeker Style:” Anna Franchi’s and Willy Dias’ Nationalist Geographical Fantasy." Quaderni d'italianistica 40, no. 1 (May 4, 2020): 41–75. http://dx.doi.org/10.33137/q.i..v40i1.34152.

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This article analyzes how Anna Franchi and Willy Dias (Fortuna Morpurgo) utilized the language of tourism in their irredentist writings during the first two years of World War I. I look at how they adopted specific features of travel guidebooks to create a nationalistic geographical fantasy. I argue that the two authors’ similar approaches have the same two-fold goal: to teach about the geography, history, and even the existence of the contended areas; to induce their readers to “imagine” the nation (in Benedict Anderson’s terms) as a community ideally united, within and beyond the state’s borders, by a common cultural, linguistic, geographical and ethnic heritage. Inspired by Risorgimento ideology and by irredentist historians, Dias and Franchi rooted such heritage in Greek and Roman history and myth and in the Venetian identity of the contended lands. I show how, through discursive strategies of inclusion/exclusion, Dias and Franchi represented the Mediterranean civilization as antithetic to German and Slavic “barbarism.” Drawing upon the work of historians of the Adriatic Littoral, I place Dias’ and Franchi’s works in the broader context of the history of the representation of the contended provinces in irredentist discourse. Through the lens of the Sociology of Tourism, and the Semiotics of Tourism I look at how the two authors produced an ideologized vision of landscape.

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29

Farrell, Eleanor M. "Arthur, High King of Britain by Michael Morpurgo, and: Black Horses for the King by Anne McCaffrey, and: Passager by Jane Yolen." Arthuriana 7, no. 1 (1997): 163–64. http://dx.doi.org/10.1353/art.1997.0011.

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30

Siverson, Erik Louis. "Arthur, High King of Britain by Michael Morpurgo, and: Black Horses for the King by Anne McCaffrey, and: Passager by Jane Yolen." Arthuriana 7, no. 1 (1997): 164–66. http://dx.doi.org/10.1353/art.1997.0016.

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31

Perdicoyianni-Paléologou, Hélène. "Yves Duhoux et Anna Morpurgo Davies (dirs.). A companion to Linear B. Mycenaean Greek Texts and their World, Volume 3." Mouseion 19, no. 1 (November 1, 2022): 74–76. http://dx.doi.org/10.3138/mous.19.1.05.

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32

Melchert, H. Craig. "“Thorn” and “Minus” in Hieroglyphic Luvian Orthography." Anatolian Studies 38 (December 1988): 29–42. http://dx.doi.org/10.2307/3642839.

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It has long been known that HLuvian sign 383, an oblique stroke (\), when added to another sign, indicates the presence of a postvocalic r: see the references cited by Laroche, HH 205. The “thorn”, as it is often called, may indicate /r/ alone, or a sequence /ra/ or /ri/. The now standard transliteration ra/i is thus a cover symbol for all three possibilities. The actual reading in any particular case may be determined only on comparative grounds, internal or external. As examples of /r/, /ra/, and /ri/1 may cite respectively dat.-loc. pl. (“FINES”)I + ra/i-ha-za = /irhanza/ “boundaries” (cf. Hitt. irḫa- “idem”), pret. 3rd sg. i + ra/i = /ira/ “went”, and pres. 3rd sg. i + ra/i = /iri/ “goes”.Hawkins, Morpurgo-Davies and Neumann, HHL 171 f, have argued that in internal and final position the combination 209 + 383 (), in addition to i + ra/i, may also indicate ri+i = /ri/. That is, in combination with a vowel sign V, the “thorn” may indicate the sequence /rV/ instead of/Vra/i/. Note that the HLuvian syllabary has no CV sign for /ri/, while sign 412 (and less often sign 103) spells /ru/. Evidence for the reading ri+i comes from alternations such as abl./inst. DEUS-na-ri+i beside deus-na-ti-(i) “by/from the god(s)” or tu-pi-ri+i beside tu-pi-ti-i “strikes”.

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33

Rocha, Raul de Carvalho, and Núbia Rabelo Bakker Faria. "O lugar de J. Grimm no CLG." Revista do GELNE 21, no. 1 (March 21, 2019): 32–46. http://dx.doi.org/10.21680/1517-7874.2019v21n1id16124.

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No Curso de Linguística Geral (1916), F. de Saussure faz, ocasionalmente, referências explícitas aos primeiros linguistas alemães, em especial a Franz Bopp, responsável pela publicação, em 1816, da obra considerada o marco fundador dos estudos linguísticos propriamente ditos, na qual foram demonstradas as relações de parentesco entre línguas europeias e asiáticas. Jacob Grimm, a quem é atribuída a descoberta da primeira “lei fonética”, entretanto, é mencionado apenas em dois momentos, em um dos quais de forma crítica pela confusão entre letra e som presente em seu trabalho. Todavia, a importante descoberta de Grimm a respeito da mutação consonantal observada no gótico em relação ao grego, ao sânscrito e ao latim constituiu a base sobre a qual se fundamentaram os linguistas do último quartel do século XIX em seu redirecionamento dos estudos linguísticos para a fonética e para as “línguas vivas”. Pretende-se com esse trabalho discutir a importância de Grimm para o advento da Linguística Indo-Europeia e demonstrar a repercussão da descoberta do autor alemão sobre o estabelecimento da disciplina em sua época e sobre os autores posteriores, incluindo o próprio Saussure, com destaque para a separação entre os estudos sincrônicos e diacrônicos, apesar das parcas menções ao autor alemão no CLG, que sugeririam uma contribuição pífia de sua parte para o estudo científico da língua. Trata-se de uma pesquisa de natureza bibliográfica, fundamentada sobretudo em Auroux et al. (2000), Campbell (1999), Morpurgo Davies (1998; 2004) e Saussure (2012 [1916]).

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34

Agostinelli, E., L. Cervoni, A. Giartosio, and L. Morpurgo. "Stability of Japanese-lacquer-tree (Rhus vernicifera) laccase to thermal and chemical denaturation: comparison with ascorbate oxidase." Biochemical Journal 306, no. 3 (March 15, 1995): 697–702. http://dx.doi.org/10.1042/bj3060697.

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The thermal denaturation of laccase from the Japanese lacquer tree (Rhus vernicifera) was studied by differential scanning calorimetry. The endotherms of holo-laccase, type 2-Cu-depleted laccase and apo-laccase were deconvoluted into two independent two-state transitions, providing evidence for a domain structure of the protein. The correlation of the two transitions with the bleaching of copper optical bands and the decrease of the transitions' enthalpy on Cu removal show that the process involves the denaturation of Cu sites. No detectable unfolding of secondary structure was observed, since the thermal transitions, characterized by low overall specific enthalpy, did not modify either the laccase c.d. spectra in the beta-fold region or the maximum wavelength of the fluorescence emission. On chemical denaturation, however, the emission was red-shifted by about 20 nm. The laccase behaviour is substantially different from that of stellacyanin, a protein containing a single blue Cu ion, in which the thermal transition had higher specific enthalpy and induced a large change of the c.d. spectrum in the beta-fold region. The laccase denaturation behaviour is similar to that of ascorbate oxidase from zucchini (courgette; Cucurbita pepo) [Savini, D'Alessio, Giartosio, Morpurgo and Avigliano (1990) Eur. J. Biochem. 190, 491-495], suggesting a structural analogy. In both proteins heating may cause a change of tertiary structure through modifications of Cu co-ordination with loosening of the bonds between the structural domains at the interface of which the trinuclear Cu cluster is located.

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PEREIRA, MICHELA. "PIERO MORPURGO, Filosofia della natura nella Schola Salernitana del secolo XII, Prefazione di Enrique Montero Cartelle, Bologna, CLUEB, 1990, 245 pp., L. 35.000." Nuncius 6, no. 1 (1991): 218–21. http://dx.doi.org/10.1163/182539191x00218.

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AGOSTINELLI, Enzo, Giovanna DE MATTEIS, Bruno MONDOVÌ, and Laura MORPURGO. "Reconstitution of Cu2+-depleted bovine serum amine oxidase with Co2+*." Biochemical Journal 330, no. 1 (February 15, 1998): 383–87. http://dx.doi.org/10.1042/bj3300383.

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Two different Cu2+-depleted derivatives of bovine serum amine oxidase (BSAO) have recently been prepared, which contain about 0.5 mol/dimer of phenylhydrazine-reactive topa quinone (TPQ) cofactor and, depending on the reagents used, about 0.2 or 0.7 residual Cu2+/dimer [Agostinelli, De Matteis, Sinibaldi, Mondovì and Morpurgo (1997) Biochem. J. 324, 497-501]. The benzylamine oxidase activity of both derivatives was < 5% and increased up to ≈ 20% on incorporation of Co2+, irrespective of the residual Cu2+ content, which was unaffected by the treatment according to atomic absorption and ESR spectroscopy. The residual Cu2+ ions appeared to be distributed one per dimer and to be bound to inactive subunits, whereas Co2+ was bound to active subunits. The change in the active site had an appreciable influence on the kinetic behaviour. With several amines, the kinetic parameters, Km and kc, measured for Co2+-BSAO were different from those for native BSAO. This excludes the possibility that the catalytic activity was due to residual Cu2+. Furthermore, Co2+ restored to nearly native level the intensity of the TPQ 480 nm band and the reactions with phenylhydrazine or benzylhydrazine, which had been slowed down or abolished, respectively, in Cu2+-depleted samples. The CD spectrum, measured for the derivative with low Cu2+ content, was compatible with Co2+ binding to the copper site. The amine oxidase activity of the Co2+ derivative, which cannot form a semiquinone radical as an intermediate of the catalytic reaction, strongly suggests that the Cu+-semiquinone is not an obligatory intermediate of BSAO catalytic pathway.

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Morpurgo, L., E. Agostinelli, O. Befani, and B. Mondovì. "Reactions of bovine serum amine oxidase with NN-diethyldithiocarbamate. Selective removal of one copper ion." Biochemical Journal 248, no. 3 (December 15, 1987): 865–70. http://dx.doi.org/10.1042/bj2480865.

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NN-Diethyldithiocarbamate (DDC) was able to bind, at 1.0 mM concentration, only about 50% the Cu(II) ions of bovine plasma amine oxidase. Under reducing conditions, this Cu(II) was removed with inactivation of the enzyme. Up to 90% activity could be recovered by treatment with excess Cu(II). The organic cofactor, sensitive to carbonyl reagents, was reduced in the half-Cu-depleted protein and no longer bound phenylhydrazine. The fully reacted protein, in the presence of 10 mM-DDC, lost 50% Cu(II) upon storage at -20 degrees C, but in this case the residual Cu(II) was in the DDC-bound form and the cofactor was in the oxidized state, as it could still bind phenylhydrazine. In the presence of DDC, the rate of reaction with phenylhydrazine was always low, even at 50% DDC saturation, and all derivatives showed identical modifications of the optical and e.p.r. spectra with respect to the phenylhydrazone of the native protein. It is concluded that the two Cu(II) ions are not equivalent, that removal of a single Cu(II) is sufficient to inhibit the re-oxidation of the organic cofactor, and that both Cu(II) ions are in some way involved in the reaction with phenylhydrazine. After reaction with DDC, the optical and e.p.r. spectra of 63Cu(II)-amine oxidase and of 63Cu(II)-carbonic anhydrase [Morpurgo, Desideri, Rigo, Viglino & Rotilio (1983) Biochim. Biophys. Acta 746, 168-175] are very similar and show distorted equatorial co-ordination to Cu(II) of two sulphur atoms and two magnetically equivalent nitrogen atoms.

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Yakovleva, Ekaterina E., Eugeny R. Bychkov, Maria M. Brusina, Levon B. Piotrovsky, and Petr D. Shabanov. "Pharmacological activity of new imidazole-4,5-dicarboxylic acid derivatives in dopaminergic transmission suppression ttests in mice and rats." Research Results in Pharmacology 6, no. 4 (December 7, 2020): 51–57. http://dx.doi.org/10.3897/rrpharmacology.6.57883.

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Objective: To study the antiparkinsonian activity of new 1,2-substituted imidazole-4,5-dicarboxylic acids in dopaminergic transmission suppression tests in mice and rats. Materials and methods: On a model of reserpine extrapyramidal disorders, the derivatives of imidazole-dicarboxylic acids (IEM2258, IEM2248, IEM2247) were injected into the lateral brain ventricles of the mice 30 minutes after injecting reserpine at the doses of 0.1–0.5 mmol. Locomotor activity was analyzed in the Open-field test 2 hours later. In the catalepsy model, the studied agents were injected, using a pre-implanted cannula, with a simultaneous intraperitoneal injection of haloperidol. The severity of catalepsy was assessed with the Morpurgo method. Amantadine was used as a comparator drug in all the tests. Results: It was shown that IEM2258 significantly increased the main indicators of locomotor activity in the Open-field test at all the studied doses. The value of the antiparkinsonian effect of IEM2258 at doses of 0.4–0.5 mmol significantly exceeded that of amantadine. The antiparkinsonian effect of IEM2247 was maximally expressed and was significantly different from those in the control and comparator group at doses of 0.2 and 0.3 mmol. For all the experimental groups, a significant decrease in the manifestations of catalepsy in comparison with control indexes was determined. Discussion: The results made it possible to suggest the involvement of imidazole-4,5-dicarboxylic acids derivatives in the process of experimental improvement of dopaminergic neuromodulation and efficiency in animals. Conclusion: The data showed a significant dose-dependent antiparkinsonian activity of new imidazole-4,5-dicarboxylic acid derivatives, which makes it promising to develop these agents and to further search for effective and safe antiparkinsonian drugs in this pharmacological class. Graphical abstract

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MCCULLAGH, MATTHEW. "(J.H.W.) Penney (ed.) Indo-European Perspectives. Studies in Honour of Anna Morpurgo Davies. Pp. xx + 598, ills, pl. Oxford: Oxford University Press, 2004. Cased, £80. ISBN: 978-0-19-925892-5." Classical Review 57, no. 2 (September 3, 2007): 265–67. http://dx.doi.org/10.1017/s0009840x07000017.

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40

Morpurgo, A. F., J. P. Heida, T. M. Klapwijk, B. J. van Wees, and G. Borghs. "Morpurgoet al.Reply:." Physical Review Letters 83, no. 8 (August 23, 1999): 1701. http://dx.doi.org/10.1103/physrevlett.83.1701.

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Mackert, Michael. "Giulio Lepschy (ed.),History of linguistics. Vol. III. Renaissance and early modern linguistics. London: Longman, 1998. Pp. xxiii+263. Giulio Lepschy (ed.),History of linguistics. Vol. IV. Nineteenth-century linguistics, by Anna Morpurgo Davies. London: Longman, 1998. Pp. xxvi+434." Journal of Linguistics 35, no. 3 (November 1999): 579–655. http://dx.doi.org/10.1017/s0022226799267746.

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42

Nakassis, Dimitri. "Linear B - (Y.) Duhoux, (A.) Morpurgo Davies (edd.) A Companion to Linear B. Mycenaean Greek Texts and their World. Volume 1. (Bibliothèque des Cahiers de l'Institut de Linguistique de Louvain 120.) Pp. xii + 448, ills, maps. Louvain-la-Neuve, Paris and Dudley, MA: Éditions Peeters, 2008. Paper, €55. ISBN: 978-90-429-1848-1; 978-2-87723-955-4." Classical Review 59, no. 2 (September 15, 2009): 327–29. http://dx.doi.org/10.1017/s0009840x09000018.

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43

Mufty, Lana Ibrahim, and Widad Sabir Shakir. "LINGUISTIC PRESENTATION OF YOUNG ADULTS’ SUFFERING IN MORPURGO’S: KING OF THE CLOUD FORESTS AND THE WRECK OF THE ZANZIBAR." مجلة کلية الاداب.جامعة المنصورة 54, no. 54 (January 1, 2014): 49–59. http://dx.doi.org/10.21608/artman.2014.150577.

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44

"Filosofia della natura nella Schola Salernitana del secolo XII. Piero Morpurgo." Isis 84, no. 1 (March 1993): 138–39. http://dx.doi.org/10.1086/356392.

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Younger, John G. "Book Review of A Companion to Linear B: Mycenaean Greek Texts and Their World. Vol. 1, edited by Yves Duhoux and Anna Morpurgo Davies." American Journal of Archaeology 113, no. 4 (October 2009). http://dx.doi.org/10.3764/ajaonline1134.younger.

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Younger, John G. "Book Review of A Companion to Linear B: Mycenaean Greek Texts and Their World. Vol. 2, edited by Yves Duhoux and Anna Morpurgo Davies." American Journal of Archaeology 116, no. 3 (July 2012). http://dx.doi.org/10.3764/ajaonline1163.younger.

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Younger, John G. "Book Review of A Companion to Linear B: Mycenaean Greek Texts and Their World. Vol. 3, edited by Yves Duhoux and Anna Morpurgo Davies." American Journal of Archaeology 119, no. 3 (July 2015). http://dx.doi.org/10.3764/ajaonline1193.younger2.

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