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Randolfi, Sara <1985>. "I Moriscos dopo l'espulsione." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2751.
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Avendo già svolto e pubblicato uno studio sui moriscos , a partire dal primo editto di espulsione del 1492 fino a quello del 1609, ho scelto di proseguire su questa strada, affrontando di nuovo l’avventura di questo gruppo etnico, minoritario certamente numericamente, ma fondamentale per la Cattolicissima Spagna.
Il mio obiettivo è, come già per il primo studio, duplice: da un lato indagare, analizzare e studiare attraverso i documenti originali, reperiti direttamente a Madrid, la vicenda storica che ha caratterizzato la Spagna dal XV al XVIII secolo; dall’altro vorrei dimostrare quanto di emblematico ci sia anche oggi nella storia dei moriscos; quanto di noi, di un mondo in continua espansione e contrazione possiamo riconoscere nell’Europa moderna; quanto ciò che ci accomuna sia molto più forte di ciò che ci divide.
Scrivo oggi, a seguito degli spiacevoli venti di guerra che soffiano in tutto il mondo, partendo dal Medio Oriente; scrivo a dodici anni dall’11 settembre, quando le differenze fra Oriente e Occidente ci sembravano tanto acute da essere irrisolvibili; scrivo dopo la vittoria delle elezioni presidenziali statunitensi, quando Barak Obama ribadisce la fine dell’impegno americano e dei suoi alleati in Afghanistan e in Iraq, la fine della missione civilizzatrice in Medio Oriente; scrivo oggi, da Roma, nei pressi di due quartieri popolari, Tor Pignattara e Centocelle, dove le differenze culturali sono ormai una risorsa e non una difficoltà.
Scrivo e credo fortemente in ciò che sto dicendo perché la Storia, come i miei grandi maestri, il Prof. Fabrizio Dal Passo e il Prof. Antonio Trampus, mi hanno insegnato, ci sia di monito e non resti lettera morta.
Credo e scrivo di un gruppo etnico che ha tentato per secoli di essere riconosciuto, rispettato e soprattutto rappresentato, all’interno di una Spagna che non aveva cittadini, ma solo sudditi, che necessitava di un nemico che unisse la Penisola oltre le divisioni interne. Ebrei e Mori sono stati la prima ragione di unione apparente di una Spagna in evoluzione, ma che ben presto divennero una delle cause della disgregazione del tessuto socio – economico del Paese, infondo mai realmente costituito.
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Razzūq, Muḥammad. "al-Andalusīyūn wa-hijrātuhum ilá al-Maghrib khilāla al-qarnayn 16-17 /." al-Dār al-Bayḍāʼ : Afrīqiyā al-Sharq, 1989. http://catalog.hathitrust.org/api/volumes/oclc/23079460.html.
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Thesis (doctoral)--Kullīyat al-Ādāb wa-al-ʻUlūm al-Insānīyah, Rabat, 1987.Title on p. [4] of cover: Los moriscos y sus a marruecos. Includes bibliographical references (p 330-344) and indexes.
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Pérez, Boyero Enrique. "Moriscos y cristianos en los señoríos del Reino de Granada (1490-1568) /." Granada : Universidad, 1997. http://catalogue.bnf.fr/ark:/12148/cb37038633h.
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Soler, Estrela Alba. "La arquitectura de los despoblados moriscos en los valles de la Marina Alta." Doctoral thesis, Universitat Politècnica de València, 2009. http://hdl.handle.net/10251/6027.
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La tesis realiza el estudio arquitectónico de los núcleos de población de origen islámico y mudéjar, que quedaron abandonados tras la expulsión de los moriscos, en el ámbito geográfico de los Valles de la Marina Alta (Alicante). El método desarrollado se inscribe en la línea de los estudios e investigaciones relacionadas con el conocimiento para la conservación del patrimonio arquitectónico. A partir de una lectura arquitectónica basada en la observación directa de las edificaciones se realiza una planimetría completa del estado actual y un análisis arquitectónico-constructivo. El conjunto de la documentación elaborada para los distintos despoblados constituye un catálogo. Se ha estructurado mediante una ficha, que recoge la información organizada por campos y sirve de guía para el estudio normalizado. La lectura de los datos recogidos ha permitido analizar y conocer los sistemas y procesos constructivos empleados, en concreto la técnica del tapial, pudiendo definirse el sistema empleado: dimensiones, forma de colocación de los componentes principales, materiales, etc. También se ha dado importancia a la definición de los sistemas constructivos: muros, vanos, forjados, etc. El estudio minucioso permite interpretar las superposiciones de fases en el estado actual. Por otra parte se ha definido el espacio arquitectónico generado y la tipología resultante a varios niveles, desde el doméstico hasta el paisajístico en una gradación de escalas en función del menor o mayor nivel de agrupación existente considerando la casa, la aldea (garya), y el territorio. Se ha detectado la presencia de una serie de invariantes en el empleo de diversos tipos y tecnologías constructivas dentro de una tradición cultural musulmana-andalusí prolongada en época mudéjar y morisca.Soler Estrela, A. (2009). La arquitectura de los despoblados moriscos en los valles de la Marina Alta [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/6027
Palancia
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Oriol, Catena Francisco Barrios Aguilera Manuel. "La repoblación del Reino de Granada después de la expulsión de los moriscos /." Granada : Universidad de Granada, 1987. http://catalogue.bnf.fr/ark:/12148/cb374109043.
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Martínez-Almira, Maria Magdalena. "La política de los Austrias ante los moriscos en los Reinos de España e Indias." Doctoral thesis, Universidad de Alicante, 2015. http://hdl.handle.net/10045/86028.
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El paso de los moriscos a Indias a pesar de las medidas legales restrictivas y prohibitivas fue una evidencia a la luz de las denuncias y procesos incoados durante los siglos XVI y XVII. La estancia de los nuevos conversos en Tierra firme e islas del Mar Océano fue el resultado de una política real que adoleció de falta de rigor y de control efectivo por parte de los órganos reales y delegados competentes en esta materia. En definitiva, un proceso carente de coherencia normativa y de rigor en su aplicación, motivado todo ello por intereses personales, que hicieron por otro lado, de la prohibición permisividad; una actitud, esta última, que justifica a indiferencia hacia un contingente poblacional inmerso en el proceso de creación de un nuevo modelo social
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Heacock-Renaud, Jennifer Lynn. "Hidden transcripts of resistance: Moriscos and the gendered politics of survival in early modern Spain." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6128.
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In this dissertation, I analyze the strategies of resistance employed by Morisco narrators featured in three texts written and circulated in early modern Spain. As a diverse minority population of Muslim converts to Christianity, and their descendants, the Moriscos were constructed as a dangerous, sexually perverse Other whose bodies and cultural practices became targets of intense public scrutiny and surveillance. I argue that the narrators of the texts under study embed disguised, ambiguous forms of resistance in their public performances that challenge the system of blood purity that marks them as categorically inferior. The acts of writing and speaking, I propose, provide them with a space to reflect on their own complex, hybrid identities and to advocate for more flexible and inclusive definitions of Spanish subjecthood. The first text that I examine is Francisco Núñez Muley’s Memorial to the Royal Audiencia and Chancery Court of Granada, composed in 1567 as an attempt to negotiate renewed taxation in exchange for the protected status of Morisco cultural traditions. The second is Miguel de Luna’s Historia verdadera del Rey Don Rodrigo (1592, 1600), a pseudohistorical novel that rewrites the foundational Spanish legend of Rodrigo and La Cava, aiming to reverse positive depictions of the Vigisoths and negative depictions of Arabic leaders. I conclude with an analysis of the Morisco characters from Part II of Miguel de Cervantes’s Don Quijote (1615), showing how resistance of narrow definitions of Spanish citizenship persisted even after the systematic expulsion of the Moriscos.
My analysis draws on James C. Scott’s theory of public and hidden transcripts, which maintains that subordinate groups, even in the most controlled environments, have historically found ways to challenge their oppressors through veiled forms of resistance. To examine the tension between collective and individual Morisco identities within the texts, I unite Scott’s theory with the concept of intersectionality, looking to the ways in which lineage, religion and ethnicity collide with gender and class to facilitate and shape acts of resistance. I focus especially on how the narrators of the three texts engage questions of women’s sexuality to undermine oppressive discourses that masquerade as truth. I find that the revered figure of the virginal woman is a particularly potent symbol of resistance that the narrators develop to disrupt the normative parameters of Spanish subjecthood. In the process, they also open the paradigm of virginity to Morisco women, routinely stereotyped as hypersexual burdens to the empire, and create opportunities for these women to exert agency.
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Halavais, Mary Hoyt. "Like wheat to the miller : community, convivencia and the construction of Morisco identity in sixteenth century Aragon /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9804029.
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Ruiz, Bejarano Bárbara. "Praxis islámica de los musulmanes aragoneses a partir del corpus aljamiado-morisco y su confrontación con otras fuentes contemporáneas." Doctoral thesis, Universidad de Alicante, 2015. http://hdl.handle.net/10045/47947.
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Roland, Carla E. "Why can't they be more like us? : baptism and conversion in sixteenth-century Spain." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/27765.
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In Spain, in 1501 the conversion of Muslims to Christianity was thought possible, hence the decreed baptisms; by the end of the century metanoia was deemed impossible. Similarly, religious otherness was thought to be surmountable; yet, it ultimately became indelible or racialized. These construction processes helped to discursively justify the expulsions of Christians, baptized descendants of Muslims, in the years 1609-1614. The importance of language in these justifications was arrived at through the study of referential language in texts, and a trans-Atlantic comparative approach. The discursive (re)construction and (re)inscription of otherness were traced through a variety of sixteenth-century ecclesial texts. Before these communities came to be named the so-called “moriscos” there were important changes in meaning and usage of other phrases and terms, such as “new Christian” and “newly converted.” The referential language was still in transition throughout the century and the processes are easily hidden by the historiographical premature and (over)use of the term “morisco.” Moreover, the full transition toward the racialized term “morisco” occurred closer to the eighteenth century and mostly across the Atlantic. The justifications rely on these communities being non-Christian and non-Spanish: suspect and alien. “Morisco” is not often a good metonymy. The fact that “moriscos” discursively came to be considered non-Spanish and non-Christian did not mean that there was actual discernible or insurmountable otherness. Therefore, a level of difference in the peninsula was posited through the study of referential language related to Amerindians before and after baptism: especially given that Amerindians remained “indios” after baptism—an indication that difference could be overcome in the peninsula. Furthermore, an analysis of the Sistema de Castas where “morisco” was used revealed that the proliferation of categories on both sides of the Atlantic was to prevent these communities from ever reaching the status of old Christian or Spanish.
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Hernandez, Eduardo Jose. "A MUSLIM FIFTH COLUMN: MORISCO RELIGION AND THE PERFORMANCE OF IDENTITY IN SIXTEENTH CENTURY SPAIN." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/372168.
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ReligionPh.D.
At the beginning of the sixteenth century, the Muslims of the newly conquered territory of Granada rebelled against their Catholic Castilian and Aragonese masters. The Muslims of Granada were subsequently given the choice of expulsion or conversion, with many choosing to remain and convert to Catholicism. Beginning with these initial conversions, the question of Morisco Muslim-ness is one that has historians for years. For many scholars, Morisco religiosity represents a form of syncretic religion that blends both the Catholic and the Muslim in specific instantiations of religious practice. For others, the Moriscos represent a crypto-Islamic community that practiced a form of taqiyya, or the Islamic practice allowing Muslims to conceal their religious affiliation under duress or the threat of death. What these analyses fail to take into account is the performative aspects of Morisco religious practice at the boundaries of Catholicism and Islam. This dissertation intends to look at Moriscos as a suspect community from the perspective of the Spanish state, but also from the vantage point of the Moriscos themselves, who attempted to navigate the boundaries of Catholicism as articulated in legislation, polemical texts, and inquisitorial trials, while framing their religious practice in terms of cultural preservation. Similarly, this dissertation will examine the methods employed by the Moriscos in their performance of an oppositional Muslim identity set in direct contrast to a developing Spanish nationalism. Performance here is being employed to investigate how Moriscos, who represented a “fifth column” for the nascent Spanish state, constructed fluid identities that fluctuated in response to the socio-cultural and/or political context.
Temple University--Theses
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Contrera, Ximena Isabel León. "O desterro dos naturais da terra. Escrita, cotidiano, profecias e revolta na expulsão dos mouriscos de Espanha (1492-1614)." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-06112018-100836/.
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Esta tese representa uma análise de variadas fontes sobre o problema mourisco especificamente no Reino de Granada ao longo do século XVI e começo do XVII quando se verifica a expulsão do grupo de origem muçulmana na Península Ibérica. A opção pela documentação principal recaiu na análise de crônicas da Guerra de Granada e Rebelião das Alpujarras (1568) e num tratado de cronista oficial sobre os mouriscos de Espanha (1606), incluindo também bandos, cartas, profecias e outros documentos oficiais e não oficiais da Coroa e dos próprios mouriscos, bem como algumas fontes inquisitoriais em especial de processos do reino granadino, ainda que, eventualmente, exista um olhar em indivíduos de outros reinos. O primeiro conjunto elaborado por cronistas não oficiais, para além de abordar os eventos relativos à revolta dos mouriscos, incluem documentos oficiais e manifestações de mouriscos e outras fontes. O trabalho dividido em cinco capítulos contempla uma discussão historiográfica sobre a questão mourisca, seguida de uma análise da documentação a respeito de seus costumes e cotidiano. O terceiro capítulo trata de profecias mouriscas que seriam um dos elementos para a explosão da revolta dos chamados naturais da terra. A seguir a tese aborda a segunda guerra de Granada (a primeira ocorreu a princípio do século XVI) conforme apresentada pelas crônicas de dois granadinos: um diplomata espanhol membro da importante família Mendoza (Diego Hurtado de Mendoza) e um soldado (Luis del Marmol Carvajal), também granadino, que atuou dos combates para subjugar os levantados. A parte final contempla um tratado do humanista jesuíta e cronista oficial, Pedro de Valência, que reflexiona e aconselha o rei Felipe III sobre os mouriscos. Esta parte se debruça ainda nos estertores da presença moura no território europeu da Monarquia Hispânica e da expulsão, valendo-se de fontes iconográficas e de escritos apologéticos da remoção dos mouriscos de Espanha.This thesis represents an analysis of several sources on the Moorish problem specifically in the Kingdom of Granada during the XVI century and beginning of the XVII when it is verified the expulsion of the group of Muslim origin in the Iberian Peninsula. The main documentation were some chronicles of the War of Granada and Rebellion of the Alpujarras (1568) and a treatise of an official chronicler on the Moors of Spain (1606), also including bandos, letters, prophecies and other official and unofficial documents of the Crown and of the Moors themselves, as well as some inquisitorial sources especially of processes of the kingdom of Granada, although eventually there is a look at individuals from other kingdoms. The first set prepared by unofficial chroniclers, besides addressing the events related to the Moorish revolt, include official documents and manifestations of Moorish and other sources. The work divided into five chapters contemplates a historiographical discussion on the Moorish question, followed by an analysis of the documentation regarding its customs and daily life. The third chapter deals with Moorish prophecies that would be one of the elements for the explosion of the revolt of the called naturales de la tierra (land\'s naturals). Then the thesis deals with the Second War of Granada (the first occurred in the early sixteenth century) as presented by the chronicles of two Grenadines: a Spanish diplomat member of the important Mendoza family (Diego Hurtado de Mendoza) and a soldier (Luis del Marmol Carvajal ), who took part in the fighting to subdue those raised. The final part includes a treatise of the Jesuit humanist and official chronicler, Pedro de Valencia, who reflects and advises King Felipe III on the Moors. This part is focused on the rushing of the Moorish presence in the European territory of the Spanish Monarchy and the expulsion, using iconographic sources and apologetic writings of the removal of the Moors from Spain.
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Busic, Jason David. "Saving the Lost Sheep: Mission and Culture in Pedro Guerra de Lorca’s Catecheses mystagogicae pro aduenis ex secta Mahometana: Ad Parochos, et Potestates (1586)." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1245900378.
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Ducharme, Bernard. "De la polémique au catéchisme : les méthodes d'évangélisation des morisques en Espagne (XVe-XVIe siècle)." Thèse, Montpellier 3, 2014. http://hdl.handle.net/1866/13598.
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Réalisé en co-tutelle avec l'Université Paul-Valéry-Montpellier III.Quels sont les liens entre le renforcement du pouvoir monarchique, d’évolution des méthodes de prédication et la persistance des identités religieuses minoritaires? Au XVIe siècle, les vieux chrétiens d’Espagne ont fait des efforts considérables pour convertir tous les infidèles à la foi catholique. Après avoir contraints les musulmans d’Espagne à se faire baptiser, ils tentèrent de les amener à adhérer « de cœur » à la foi catholique et à se comporter en bons chrétiens. Pour cela, ils eurent recours tant à la persécution qu’à la prédication. Si les historiens ont déjà bien étudié la persécution, notre connaissance des campagnes de prédication demeurait parcellaire. Cette thèse se propose d’y remédier en étudiant les méthodes d’évangélisation des Morisques valenciens entre 1492et 1570. Pour y parvenir, cette thèse étudie les manuels publiés pour soutenir l’effort missionnaire tout au long du siècle. Elle propose que les méthodes d’évangélisation des prédicateurs ont évolué d’une période privilégiant les arguments polémiques à une période mettant l’accent sur l’instruction catéchétique. Ce faisant, les méthodes employées ont mis davantage l’accent sur la responsabilité des Morisques dans le processus de leur propre conversion, plutôt que sur la responsabilité reposant sur le prédicateur de les convaincre d’adhérer au catholicisme. Nous avons ainsi constaté que le passage à ce que nous avons qualifié de « période catéchétique » correspond à l’augmentation en intensité des persécutions. En étudiant les campagnes de prédication dans le royaume de Valence, cette thèse reconstitue les situations où les manuels de polémique (les « antialcorans ») et les catéchismes étaient utilisés. Elle montre comment les méthodes des prédicateurs étaient déterminées par les cadres institutionnels établis. Le passage de la polémique au catéchisme a été guidé en partie par le contexte européen de la réforme, qui incitait à bannir la polémique religieuse en langue vernaculaire et à catéchiser les populations, et en partie par les enjeux sécuritaires qui faisaient craindre toute révolte des Morisques. Les prédicateurs furent ainsi incités à faire preuve le plus souvent de discrétion. Par ailleurs, les campagnes ont considérablement été handicapées par la contradiction qu’il y avait à considérer les Morisques à la fois comme des musulmans qu’il fallait convaincre, des nouveaux convertis qu’il fallait instruire et des mauvais chrétiens qui devraient être châtiés. En conclusion, la thèse propose une redéfinition du concept d’intégration qui soit adaptée à la réalité de l’histoire morisque et suggère des explications pour comprendre comment les dynamiques disciplinaires de la Monarchie catholique espagnole ont favorisé le repli des Morisques sur leur ethnicité.
What links are there amongst the reinforcement of monarchical power, the evolution in methods of preaching, and the persistence of minority religious identities? In the XIVth century, the old Christians of Spain made considerable efforts to convert infidels to the catholic faith. After having pressured the muslims of Spain into being baptized, they attempted to open their hearts to the catholic faith and to behave like good christians. In order to do this, they had recourse as much to persecution as to preaching. While persecution has been well studied by historians, our understanding of preaching remains fragmented. This thesis seeks to remedy this by studying methods of evangelizing Valencian Moors between 1492 and 1570. In order to do so, this thesis studies the published manuals used in support of missionary efforts over the course of the century. It suggests that the evangelizing methods of preachers evolved out of a period privileging polemical argumentation over catechetical instruction. The methods used thus focussed primarily on encouraging Moors to take responsibility for their own conversion, rather than placing responsibility with the preacher to convince them to embrace Catholicism. We therefore observe that the transition to what we call the “Catechetical period” corresponds to an increase in the intensity of persecution. In studying preaching campaigns in the kingdom of Valencia, this thesis reconstructs the contexts in which these polemical manuals (“antialcorans”) and Catechisms were utilized. It shows how preaching methods were shaped by their institutional contexts. The transition from polemics to Catechism was guided in part by European reforms that sought to banish religious polemics in the vernacular and to catechize populations, and in part by security concerns and fear that that the Moors would revolt. Preachers were thus encouraged to use discretion. However, these campaigns were considerably crippled by the contradictions that lay in considering Moors at once as Muslims to be converted, new converts in need of instruction, and bad Christians to be punished. The thesis concludes by proposing a redefinition of the concept of integration, adapted to the reality of Moorish history and offers explanations in order understand how the disciplinary dynamics of the Spanish Catholic Monarchy encouraged Moors to fallback on their ethnicity.
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Schroeder, Derek Rolf. "The moor we know Spanish identity in Miguel de Cervantes' "Don Quijote" /." Laramie, Wyo. : University of Wyoming, 2008. http://proquest.umi.com/pqdweb?did=1798966421&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.
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Franco, Llopis Francisco de Borja. "Espiritualidad, Reformas y Arte en Valencia (1545-1609)." Doctoral thesis, Universitat de Barcelona, 2009. http://hdl.handle.net/10803/2014.
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En esta tesis hemos intentado plantear un nuevo estudio de la pintura valenciana de los siglos XVI y XVII no atendiendo sólo a aspectos formales sino, sobre todo culturales, que conllevaron a un cambio de gusto y, con ello, de estilo. Para su análisis utilizamos fuentes de diversa índole como la literatura epistolar jesuítica, procesos inquisitoriales, libros de historia, crónica sobre la expulsión morisca, concilios y sínodos, etc. buscando con este abanico de información, realizar un estudio poliédrico de la complicada sociedad valenciana, marcada por la convivencia de dos grupos religiosos, esto es, moriscos y católicos, y con tímidas incursiones de herejes protestantes.Uno de los aspectos más interesantes de la investigación fue el estudio de las políticas sociales y religiosas que emplearon la imagen para la difusión de su ideología, por eso abordamos la defensa de la fe de los católicos ante los moriscos, que se resistían a abandonar sus dogmas, produjo un arte misional importante, que fue expandiéndose gracias a órdenes religiosas como los jesuitas. Todo ello influyó en la creación de una iconografía que osciló entre la devoción y la necesidad de conversión del mundo musulmán, principalmente, basada en 3 tipologías: los cristos crucificados y las cruces; la Eucaristía y la Virgen.
Pero no tratamos solo de la conformación de una imagen religiosa sino también de su destrucción, Por primera vez en la historiografía artística valenciana se utilizaron fuentes inquisitoriales (contrastadas con otras coetáneas) para marcar cuáles fueron los motivos de la destrucción, como se llevaron a cabo y qué consecuencias tuvo en la sociedad y arte valenciano de los siglos XVI y XVII, siendo por tanto esto, una aportación científica de bastante relevancia. Demostramos que así, estos grupos minoritarios consiguieron realizar una defensa de su identidad ante los dogmas impuestos.
Es decir, nuestra tesis ha sido planteada como un revisión de ideas expuestas en el pasado, añadiendo nuevos factores, como el morisco, que nos ayudaron a crear una nueva visión del arte y la cultura valenciana, mostrando fuentes inéditas y estudiando documentos que habían restado en el olvido. Los católicos mediante sus campañas misionales, los protestantes y moriscos con su rebeldía iconoclasta nos plantean una dicotomía interesantísima que tuvo el arte como piedra de toque, tanto por su finalidad didáctica como ideológica; idea que resume, en esencia, la intención de esta tesis doctoral.
From the mid 16th century to the beginning of the 17th century, there was an undoubtedly agitated period of social, political, financial and religious matters. Many slight ecclesiastic reformations were carried out in the Spanish territory, ahead of the Council of Trent (1545-1563), and parallel to -if not ahead of- Lutheran attacks. Art was an essential tool in indoctrinating and an excellent example of such instability. Adding to this was the endogenous factor to the diocese of Valencia: the problem of Moriscos. Different measures were applied to educate them and avoid final expulsion -which actually happened in 1609-. There were never enough measured to achieve the real conversion of Muslims. Art played once again an essential role in this framework. In this work, the diverse school schools of thought influencing art development in them late 16th and early 17th centuries will be analysed. It is in fact a social outlook of art in Valencia in the Modern period.
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Picherot, Émilie. "Le lieu, l’histoire, le sang : l’hispanité des musulmans d’Espagne dans les littératures arabe, espagnole et française (15ème – 17ème siècles)." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040227.
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L’hispanité des musulmans d’Espagne est au centre d’un débat récurrent sur l’identité collective des Espagnols. En faisant de la présence politique des musulmans une parenthèse historique de huit siècles, le romancero les exclut non seulement de l’espace péninsulaire mais aussi de l’hispanité elle-même, il annonce ainsi l’expulsion définitive des Morisques de 1609. Un autre discours est pourtant développé durant le siècle qui suit 1492 ; les littératures hispano-arabe et aljamiada mais aussi parfois castillane en témoignent. Le roman hispano-mauresque français, un siècle plus tard, reprend le personnage du musulman d’Espagne qui devient le support d’une hispanité fantasmée qui se définit par les contacts avec le monde arabo-musulman via la Méditerranée. Le Maure de Grenade est alors un modèle littéraire qui fournit à l’Europe une représentation positive du monde arabo-musulman. Idéalisé, tolérant et généreux, le Moro n’est plus simplement un Espagnol, il est le support d’une réflexion sur la mixité religieuse et sur l’attachement collectif au lieuThe Hispanic identity of Spanish Muslims is at the center of a recurring debate on the collective identity of Spaniards. By treating the political presence of the Muslims as a simple historical parenthesis which lasted for eight centuries, the Romancero excludes Spanish Muslims not only from the peninsula but also from Hispanic identity itself and heralds the final expulsion of the Moriscos in 1609. A different attitude was developed during the hundred years following 1492, as witnessed by the Hispano-Arabic and Aljamiada, but also sometimes the Castilian literature. The French Spanish-Moorish novel, a century later, redefines the character of the Spanish Muslim, which then becomes the basis for a fantasized Hispanic identity characterised by its contact with the Arab-Muslim world via the Mediterranean. The Moor of Granada becomes a literary model that provides Europe with a positive image of the Arab-Muslim world. Idealized, tolerant and generous, the Moro is no longer simply a Spaniard, but a pretext for reflecting on religious diversity and the link between a people and a place
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Tapia, Sánchez Serafín de. "La comunidad morisca de Ávila /." Salamanca : Ed. Universidad de Salamanca, 1991. http://catalogue.bnf.fr/ark:/12148/cb36663994v.
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Mosier, Lisa G. (Lisa Gayle). "The Morisco House in Granada : domestic space in cultural transition." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/33027.
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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2005.Includes bibliographical references (p. 48).
This paper examines issues of cultural, religious, and personal identity as reflected in domestic space, with the premise that expressions of the built environment evolve from concepts of self. These themes are particularly apparent in the case of residential architecture of the Moriscos, a cultural group of former Muslims forcibly converted to Christianity in 15th and 16th century Spain following the Reconquest. The Morisco houses of Granada from 1500-1570 reveal architectural forms resulting from acculturation as well as desires to protect identities and traditions in the midst of threat of cultural extinction. The architectural elements of these residences may be read as subversive attempts by a subordinated cultural group to conceal meaning from the dominant Christian population.
by Lisa G. Mosier.
S.M.
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BELLONI, BENEDETTA. "Islam aureo: evoluzione della figura del morisco nel teatro spagnolo dei Secoli d'Oro." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1297.
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La tesi si propone di analizzare il personaggio del morisco nel teatro spagnolo dei Secoli d’Oro. Scopo dello studio è dimostrare che la figura affiora come riflesso dell’immagine stereotipizzata del cristiano nuevo de moro, costruita dai membri della comunità cristiano-vieja. Il primo capitolo è incentrato sull’esposizione delle circostanze storiche che hanno contribuito a determinare, tra i secoli XVI e XVII, la cuestión morisca, identificandone i punti primari a livello socio-politico, geografico ed economico. Allo stesso modo, si intende presentare il protagonista della ricerca, l’individuo ispano-musulmano, contestualizzandolo da un punto di vista religioso, culturale e sociale. Il secondo capitolo comprende lo studio della rappresentazione deformata del soggetto morisco. L’analisi dei meccanismi di stereotipizzazione, messi in atto dalla classe dominante, evidenzia l’effettività di un progetto di discriminazione e marginalizzazione nei confronti degli appartenenti alla minoranza. Al fine di verificare se gli stessi processi si consolidino anche nel discorso letterario dell’epoca, il terzo capitolo della ricerca intende rintracciare la figura all’interno del teatro spagnolo rinascimentale e barocco ed esaminarne l’evoluzione. Nell’ambito del teatro della seconda metà del secolo XVI, l’analisi si sofferma sulle modalità di raffigurazione del personaggio nella produzione di tre significativi autori dell’epoca, Diego Sánchez de Badajoz, Juan Timoneda e Lope de Rueda. In un secondo momento, l’attenzione si focalizza sull’osservazione del ruolo che ricopre la figura all’interno di un corpus di nove commedie di Lope de Vega, esaminando nello specifico quattro aspetti del procedimento comico di cui sembra essersi servito il Fénix per ribadire la categorizzazione sociale anche a livello letterario.The dissertation focuses on the analysis of the character of the morisco in the Spanish Golden Age theatre. The aim of the study is to demonstrate that the figure emerges as a reflection of the stereotyped cristiano nuevo de moro image constructed by the members of the cristiano viejo community. The first chapter concentrates on the description of the historical circumstances that have contributed to determine, between the 16th and 17th centuries, the cuestión morisca, identifying its main aspects from a socio-political, geographical and economic points of view. Meanwhile, the protagonist of our research, the Hispano-Muslim individual, is also examined from a religious, cultural and social perspectives. The second chapter provides the study of the deformed representation of the morisco subject. The analysis of the social stereotyping mechanisms reveals the efficiency of a discriminating scheme arranged by the ruling class towards the historical morisco figure. In order to verify whether the same processes are also enclosed in the literary discourse of the time, the third chapter aims to detect the figure in the Spanish Renaissance and Baroque theatre and to examine its evolution. Firstly, the analysis focuses on how the character is represented in the production of three main authors of the second half of the 16th century, Diego Sánchez de Badajoz, Juan Timoneda and Lope de Rueda. Afterwards, the attention concentrates on the observation of the role that covers the figure of the morisco in a corpus of nine plays written by Lope de Vega, especially on four aspects of the comic procedure which seem to have served to the author to reaffirm the social categorization also on the literary level.
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BELLONI, BENEDETTA. "Islam aureo: evoluzione della figura del morisco nel teatro spagnolo dei Secoli d'Oro." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1297.
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La tesi si propone di analizzare il personaggio del morisco nel teatro spagnolo dei Secoli d’Oro. Scopo dello studio è dimostrare che la figura affiora come riflesso dell’immagine stereotipizzata del cristiano nuevo de moro, costruita dai membri della comunità cristiano-vieja. Il primo capitolo è incentrato sull’esposizione delle circostanze storiche che hanno contribuito a determinare, tra i secoli XVI e XVII, la cuestión morisca, identificandone i punti primari a livello socio-politico, geografico ed economico. Allo stesso modo, si intende presentare il protagonista della ricerca, l’individuo ispano-musulmano, contestualizzandolo da un punto di vista religioso, culturale e sociale. Il secondo capitolo comprende lo studio della rappresentazione deformata del soggetto morisco. L’analisi dei meccanismi di stereotipizzazione, messi in atto dalla classe dominante, evidenzia l’effettività di un progetto di discriminazione e marginalizzazione nei confronti degli appartenenti alla minoranza. Al fine di verificare se gli stessi processi si consolidino anche nel discorso letterario dell’epoca, il terzo capitolo della ricerca intende rintracciare la figura all’interno del teatro spagnolo rinascimentale e barocco ed esaminarne l’evoluzione. Nell’ambito del teatro della seconda metà del secolo XVI, l’analisi si sofferma sulle modalità di raffigurazione del personaggio nella produzione di tre significativi autori dell’epoca, Diego Sánchez de Badajoz, Juan Timoneda e Lope de Rueda. In un secondo momento, l’attenzione si focalizza sull’osservazione del ruolo che ricopre la figura all’interno di un corpus di nove commedie di Lope de Vega, esaminando nello specifico quattro aspetti del procedimento comico di cui sembra essersi servito il Fénix per ribadire la categorizzazione sociale anche a livello letterario.The dissertation focuses on the analysis of the character of the morisco in the Spanish Golden Age theatre. The aim of the study is to demonstrate that the figure emerges as a reflection of the stereotyped cristiano nuevo de moro image constructed by the members of the cristiano viejo community. The first chapter concentrates on the description of the historical circumstances that have contributed to determine, between the 16th and 17th centuries, the cuestión morisca, identifying its main aspects from a socio-political, geographical and economic points of view. Meanwhile, the protagonist of our research, the Hispano-Muslim individual, is also examined from a religious, cultural and social perspectives. The second chapter provides the study of the deformed representation of the morisco subject. The analysis of the social stereotyping mechanisms reveals the efficiency of a discriminating scheme arranged by the ruling class towards the historical morisco figure. In order to verify whether the same processes are also enclosed in the literary discourse of the time, the third chapter aims to detect the figure in the Spanish Renaissance and Baroque theatre and to examine its evolution. Firstly, the analysis focuses on how the character is represented in the production of three main authors of the second half of the 16th century, Diego Sánchez de Badajoz, Juan Timoneda and Lope de Rueda. Afterwards, the attention concentrates on the observation of the role that covers the figure of the morisco in a corpus of nine plays written by Lope de Vega, especially on four aspects of the comic procedure which seem to have served to the author to reaffirm the social categorization also on the literary level.
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Couser, Kristie. "Exhibiting Berthe Morisot after the Advent of Feminist Art History." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/484.
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Feminist art historians reassessed French Impressionist Berthe Morisot (1841-1895) throughout the late twentieth and early twenty-first century, a period in which her work coincidentally received steady exposure in major museum exhibitions. This thesis examines how the feminist art historical project intersects with exhibitions that give prominence to Morisot’s work. Critical reviews by Morisot scholars argue that more frequent display of the artist’s work has not correlated to nuanced interpretation. Moreover, prominent feminist scholars and museum theorists maintain that curators virtually exclude their contributions. Attending to these recurrent concerns, this thesis charts shifts in emphases and inquiry in writing centered on Morisot to survey the extent to which curators convey new constructions of her artistic, social, and historical identities. This analysis will observe how distinct exhibition forms—the retrospective, the Impressionism blockbuster, and the gendered “women Impressionists” show—may frame Morisot’s work differently according to their organizing principles.
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Mukhopadhyay, Susmita. "The Novels of Toni Morison : rewriting black women`s history." Thesis, University of North Bengal, 2008. http://hdl.handle.net/123456789/1496.
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Granero, Alba Lara. "Qué importa el mar." Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/6173.
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I have been exposed since childhood to the conflictive relationship between Moroccans and Spaniards in Spain. My friend Hajar was teased in school for being Muslim and foreigner. In this text I wonder about the social reasons behind this being so. During my time in Iowa City, I read texts, from 1492 to 1650, related to the “morisco issue” – a term coined to refer to all discussion, political or religious, concerning those Muslims who converted to Christianity. Although the particular era is believed to be one of tolerance, my personal experiences and research show how moriscos were never truly accepted in Imperial Spain. Qué importa el mar, a book written in Spanish, is a partially autobiographical project on which I explore Spanish history and the consequences it has on my identity as a Spaniard, and the identity of Spain as country.
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Psaltopoulos, Brigitte. "L'écriture de José Manuel Fajardo : entre roman d'aventure et roman historique." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2021/document.
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Cette thèse présente l’analyse de la trilogie de José Manuel Fajardo (1957) constituée par les trois romans, Carta del fin del mundo (1996), El Converso (1998) et Mi nombre es Jamaica (2010). Ces trois œuvres font partie du sous-genre, roman istorique d’aventures. À travers l‘étude du temps, de l’espace et des personnages, ce travail de recherche a pour objectif de délimiter la part de l’histoire et de l’aventure au sein de ces trois œuvres qui renvoient à des périodes marquantes de l’histoire de l’Espagne (la conquête, le Siècle d’or). Les nombreuses références à l’expulsion des Morisques ou à la diaspora sépharade témoignent de la volonté de l’auteur de faire œuvre d’historien en sauvant de l’oubli certains pans de l’histoire d’Espagne délaissés par l’Histoire officielle. Cette récupération historique va de pair avec une fictionnalisation de cette matière historique (la découverte de l’Amérique, la piraterie au XVIIe siècle, dans les Caraïbes et en méditerranée) qui permet à l’auteur de créer de l’aventure. Cette aventure est vécue par les héros comme une quête identitaire qui les conduit, à travers la traversée d’innombrables espaces, vers leur Terre promise ; ce qui leur confère une indéniable épaisseur humaineThis thesis introduces the trilogy by José Manuel Fajardo (1957) composed of Carta del fin del mundo (1996), El Converso (1998) and Mi nombre es Jamaica (2010).These three works are part of the historical adventure novel sub-genre. Focusing on time, space and characters, this research work is aimed at making a distinction between history and adventure in these three works that refer to significant periods in the history of Spain (the conquest, the Golden Age). The numerous references to the expulsion of the Moriscos or the Sephardic diaspora show the author's willingness to work as a historian by saving fromoblivion some parts of Spanish history neglected by official history. This historical exploitation goes hand in hand with fictionalizing the historical matter _such as the discovery of America or piracy in the seventeenth century in the Caribbean and the Mediterranean seas_ which makes it possible for the author to create adventure. This adventure is experienced by the heroes as a search for identity that leads them, through the crossing of countless spaces, to their promised land; whichgives them potent human depth
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Ferri, carreres Natividad. "Les minorités, l'espace et le droit : Indiens et Morisques dans la configuration territoriale de l'Empire Ibérique." Thesis, Normandie, 2017. http://www.theses.fr/2017NORMC022/document.
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Comment un monarque agit-il pour exercer son pouvoir sur deux territoires éloignés géographiquement, mais tous deux peuplés par des minorités juridiques ? Cette thèse a pour objectif de mener une étude comparative sur la manière dont la Monarchie Hispanique a exercé le contrôle politique, et notamment le contrôle de la mobilité spatiale, sur la minorité morisque du royaume de Valence et sur la minorité indienne péruvienne au cours du XVIe siècle.Notre recherche met l’accent sur l’importance du contrôle de la mobilité spatiale de ces minorités comme un moyen pour mettre en application des objectifs spécifiques au bon fonctionnement de la gouvernance de chaque territoire. De l’analyse de ces objectifs, réalisé en grande partie à partir de l’ordre juridique de l’époque, il découle que les Morisques et les Indiens ont été l’objet d’un traitement différencié, motivé par le contexte politique, social ou économique qui prévalait dans chaque espace géographique. Toutefois, notre travail met en évidence la volonté de déplacer ces minorités pour les éloigner des côtes ou les regrouper dans des villages séparés, afin de les confiner et de les isoler. Paradoxalement, nous avons également observé, à la suite de la mise en place d’un tel contrôle, l’apparition d’effets non prévus, tels que les fuites et d’autres formes de résistanceHow does a monarch exercise his power over two geographically distant territories, both populated by juridical minorities? This thesis intends to carry out a comparative study of the way in which the Hispanic Monarchy exercised political control, and in particular territorial mobility control, over the Morisco minority in the Kingdom of Valencia and the Peruvian Indian minority during the 16th century.This research will show the important role of controlling the territorial mobility of those minorities as the monarchical instrument for reaching its political, social and economic goals in each territory. The analysis of these objectives, based in large part on the legislative rulings of that era, infers that the Moriscos and the Peruvian Indians endured a differentiated control due to the political, social and economic context that prevailed in each of the territories they occupied. Nevertheless, this work reveals the will of the monarchical power in displacing and alienating these minorities from the coasts or grouping them in distant villages, in order to better confine and control them. Paradoxically, it is found that such control ends in creating “undesirable” effects, such as escapes and other forms of resistance
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Brisville-Fertin, Olivier. "Le discours aljamiado et sa communauté." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSEN034.
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Les manuscrits aljamiados ont essentiellement été perçus comme un moyen de résistance des minorités crypto-musulmanes face à l’évangélisation et à l’Inquisition du XVIe siècle hispanique. Or l’émergence de ce phénomène dès la période mudéjare implique un contexte distinct et incite à considérer cette romancisation comme le produit d’une évolution socioculturelle longue et comme un processus de renégociation et de réaffirmation des cadres de l’aljama. Notre hypothèse initiale est ainsi d’envisager la production aljamiada comme un discours régulateur et configurateur des communautés tagarines en tant que matrice ethnoculturelle de leur identité. Il s’agit dès lors d’appréhender les motivations, les usages et les effets escomptés de cette production discursive au sein d’une minorité religieuse en évolution. Comment le discours aljamiado permettait-il aux communautés islamiques de se configurer et de perdurer dans l’Aragon des XIVIe-XVIIe siècles ? Comment contribuait-il à « faire communauté » ? Notre approche sociale, linguistique et pragmatique impose une contextualisation approfondie : l’aljamiado émerge parce qu’il y a une aljama et pour que cette communauté se perpétue en conservant les préceptes et normes de l’islam, comme tradition discursive relayée, appliquée et adaptée par les alfaquis. L’aljamiado, produit de l’activité de la communauté de pratique et de discours de ces lettrés, est l’élaboration d’un canon islamique traditionnel en roman qui continue à être diffusé et donc (ré)élaboré durant la clandestinité morisque. Fondé sur la traduction littérale, l’aljamiado est une variété de la scripturalité au cœur des domaines cultu(r)els. Actualisé en discours lors d’activités communautaires, il modelait les cadres de la communauté tout en transmettant les valeurs de l’identité ethnique, comme ressources signifiantes pour ses membresThe Aljamiado manuscripts have essentially been regarded as a means to thwart evangelisation and to resist Inquisition in the hands of the Hispanic 16th century’s crypto-Muslim. However, the emergence of that writing phenomenon as early as the Mudéjar period implies a distinct context: as the resulting product of a long socio-cultural evolution, this romancisation is a process of renegotiation and reaffirmation of the frameworks of the aljama. Our initial hypothesis is thus to consider Aljamiado production both as a discourse that regulates and configures the Tagarine communities and as an ethnocultural matrix of their identity. It is therefore a question of understanding the motives, uses, and expected effects of this discursive production within an evolving religious minority. How did the Aljamiado discourse allow Islamic communities to form and survive in Aragon from the fourteenth to the seventeenth century? How did it contribute to form a community? This social, linguistic, and pragmatic approach requires a thorough contextualization: Aljamiado emerges because an aljama does exist and so that this community can perpetuate itself by keeping the precepts and norms of Islam, as a discursive tradition relayed, applied, and adapted by the alfaquís. As the product of these scholars’ community of practice and of discourse, Aljamiado texts are the elaboration of a traditional Islamic canon in Romance that continued to be spread and therefore (re)elaborated during the Morisco clandestine period. Based on literal translation process, Aljamiado is a variety of scripturality at the heart of the cultural domains. Actualized or enacted as a discourse in communal literacy-events, it shaped the community frameworks, transmitting the values of ethnic identity as a meaningful resource for its members
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Amaz, Jacques. "Auguste Morisot (Seurre 1857 - Bruxelles 1951) : la vie et l'oeuvre figuré d'un artiste lyonnais." Lyon 2, 1993. http://www.theses.fr/1993LYO20030.
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Auguste Morisot (1857-1951) est essentiellement un paysagiste qui s'inscrit dans la tradition de la peinture lyonnaise de la fin du XIXe siècle. Le symbolisme tardif et la méfiance à l'égard de la sphère artistique parisienne dont il fait preuve le maintiennent à l'écart des grands courants novateurs internationaux. Cependant l'importance d’Auguste Morisot mérite d'être réévaluée car son œuvre, très diversifié, est de qualité et le personnage est un témoin privilégié de la vie artistique lyonnaise puisqu'il fut pendant presque quarante ans professeur à l'Ecole des Beaux-arts de LyonAuguste Morisot (1857-1951) is mainly a landscape-painter who fits in the lyonese tradition of painting at the end of the xix century the late symbolism and the distrust of the parisian artistic sphere of which he gives proof, keep him apart from the big innovating and international movements. In the meantime, the importance of Auguste Morisot deserves to be reevaluated because his very diversified work is of quality and because the person is a privileged witness of the lyonese artistic life, as he was almost forty years professor at the Lyonese Fine Arts'school
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Leib, Robert Samuel. "Being in Place: On Unity and Body in Aristotle." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1240233361.
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Thesis (M.A.)--Kent State University, 2009.Title from PDF t.p. (viewed Jan. 12, 2010). Advisor: Gina Zavota. Keywords: Aristotle, ancient physics, place, unity, Benjamin Morison. Includes bibliographical references (p. 129-132).
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Perceval, José Marí́a. "Todos son uno : arquetipos, xenofobia y racismo : la imagen del morisco en la Monarquí́a Españ̃ola durante los siglos XVI y XVII /." Almerí́a : Instituto de estudios almerienses, 1997. http://catalogue.bnf.fr/ark:/12148/cb377091109.
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Sowerby, Tracey A. "A brave knight and learned gentleman : the careers of Sir Richard Morison (c.1513-1556)." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424685.
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Garay, Martín Policarp. "La baronia de Serra, Ria i Armell des de l'expulsió morisca fins a la dissolució senyorívola." Doctoral thesis, Universitat Jaume I, 2016. http://hdl.handle.net/10803/392695.
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La baronía de Serra fue la primera en ser repoblada tras la expulsión morisca. La Tesis analiza el proceso repoblador, prosopografía de linajes, inmigración vizcaína, evolución demográfica, distribución de tierras y casas, aprovechamientos agrarios, producciones, tributos señoriales, diezmos, vida social, patrimonio... Los Folch de Cardona/Duques de Montellano, pleitearon por conservar esta posesión contra los duques de Cardona/Segorbe. El malestar de los vasallos culminó en 1839 con la interposición de una demanda popular para reversión de la baronía a la Corona, demanda que prosperó por la disposición y concesiones de la duquesa de Montellano en su testamento de 1837. Filiberto Mahy, completó la liquidación de bienes privativos sin que los vecinos de Serra soportaran gravosas cargas, como sucedió en otros lugares. En 1835 fue anexionada al término de Serra la desamortizada Cartuja de Portaceli.Serra was the first barony to be populated after the Moorish expulsion. This thesis analyses the repopulating process, prosopography of lineages, Viscain immigration, demographic evolution, distribution of lands and houses, agrarian exploitations, tributes, tithes, social life, heritage... The Folch de Cardona family, later Montellano dukes, litigated against the Cardona/Segorbe dukes to maintain the property. The discomfort of the vassals culminated in 1839 with interposition of a popular demand for the reversal of the barony to the Crown, demand which prospered thanks to the goodwill and concessions made by the Montellano duchess in her testament in 1837. Philibert Mahy completed the liquidation of separate properties without Serra’s neighbours having to bear any burdensome charges, as happened in many other cases. In 1835, the disentailed Charterhouse of Portaceli district was annexed to Serra’s.
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Needham, Linda. "The modernity of Berthe Morisot : deconstructing feminising and feminism in relation to Morisot's non-domestic images." Thesis, University of Birmingham, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680092.
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Dippel, Andrea. "Von Paris an den Ärmenkanal : der Städter am Strand bei Manet, Monet, Morisot, Degas und Renoir /." Köln, 1996. http://catalogue.bnf.fr/ark:/12148/cb39093032t.
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Silva, Daniel Rodrigo Barreto. "O conceito de inércia adicional do escoamento em torno de cilindro circular em oscilação forçada." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/3/3152/tde-11072014-111759/.
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Um corpo imerso em movimento arbitrário interage com o fluido ao redor. As partículas fluidas próximas ao corpo exercem certa resistência inercial quando o corpo acelera ou desacelera, devido ao acoplamento dinâmico entre corpo e fluido. Este trabalho resolve as equações de Navier-Stokes, discretizadas pelo método dos elementos finitos, usando o programa de código aberto (LGPL) FreeFem++, e avalia as forças do escoamento que agem sobre um cilindro circular, o qual oscila harmonicamente em um fluido em repouso para números de Keulegan-Carpenter (KC) entre 0,5 e 10, mantendo o parâmetro da frequência constante e igual a 35. Os números de KC selecionados visam entender os conceitos de inércia adicional em fluido viscoso, desde em escoamentos simples até em escoamento mais complexos. O escoamento é bidimensional, laminar e não estacionário. A força em linha com o movimento é então decomposta, conforme equação de Morison, como a soma de uma força inercial e outra de arrasto. Os resultados possuem boa aderência com trabalhos analíticos, experimentais e numéricos anteriores disponíveis na literatura. A dinâmica do escoamento induzido pelo cilindro em movimento harmônico é rica. Para baixo KC, o escoamento é simétrico e estável. Para valores intermediários de KC, a camada limite descola da superfície do cilindro e vórtices são emitidos a cada meio-ciclo. Para elevado KC, certa assimetria se desenvolve e vórtices são emitidos obliquamente a cada meio-ciclo.An immersed body in arbitrary motion interacts with the surrounding fluid. The fluid particles close to the body impart their inertial resistance when the body accelerates or decelerates, due to the dynamic coupling between body and fluid. This work solves the incompressible Navier-Stokes equation, discretized by the finite element method, using the open source (LGPL) software FreeFem++, and evaluates the flow forces that act on a circular cylinder which oscillates harmonically in a resting fluid for Keulegan- Carpenter (KC) number between 0.5 and 10, with a constant frequency parameter equal to 35. The selected KC numbers aims to understand the concepts of added inertia in viscous fluid, from simpler to more complex flows. The flow is two dimensional, laminar and unsteady. The in-line force is then decomposed, according to Morison equation, as a sum of an inertial force and a drag force. The results agree with former analytical, experimental and numerical works available in the literature. The dynamics of the flow induced by the harmonically moving cylinder is rich. For low KC, the flow is symmetric and stable. For intermediate KC, the boundary layer detaches from the cylinder surface and vortices are shed at each half cycle. For higher KC, certain asymmetry develops and vortices are shed obliquely at each half cycle.
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Boutrois, Valérie. "Roman, histoire et alchimie au XVIIème siècle. Traduction et étude de la Peruviana de Claude-Barthélemy Morisot." Thesis, Reims, 2015. http://www.theses.fr/2015REIML006.
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Ce travail présente la première traduction française, assortie de notes et précédée d’une introduction détaillée, d’un roman à clef néo-latin intitulé Peruviana (1644), qui transpose au Pérou les intrigues politiques et sentimentales du Royaume de France au temps de Louis XIII. Son auteur, Claude-Barthélemy Morisot (12 avril 1592 - 22 octobre 1661), était un parlementaire dijonnais appartenant à un cercle de “libertins érudits” de la République des Lettres de la première moitié du XVIIème siècle, auteur d’ouvrages savants et de cet unique roman.L’étude en trois parties servant d’introduction offre d’abord une contextualisation de cette fiction romanesque et de son auteur, livrant les premières clefs nécessaires à la lecture ; puis une analyse narratologique aborde les enjeux littéraires et l’exploitation des sources, notamment antiques : la confrontation des référents et de la structuration de l’intrigue met en évidence la double portée, stéganographique et politique, de ce roman, que la fin de l’étude tentera d’élucider. Il apparaîtra alors que l’auteur, par le jeu de l’analogie et de la métaphore que permet le principe du roman à clef, a envisagé son œuvre comme une utopie où les mécanismes historiques, entrant en concordance avec ceux du Cosmos, pourraient être appréhendés et harmonisés par l’application d’un art bienveillant, prenant en compte tous les aspects et tous les états de la matière sociale afin de guider celle-ci vers un accomplissement proche de l’idéal. Cette lecture alchimique révèle que tout le roman est une métaphore de l’Œuvre, dont l’artisan serait le Poète, mettant au service de l’humanité à venir ce fruit de sa sagesseThis dissertation is the first translation of a Neo-Latin roman à clef entitled Peruviana (1644) which transposes to Peru the political and sentimental intrigues that took place in France under Louis XIII. This edition is accompanied with notes and preceded by a detailed introduction. The author of Peruviana, Claude-Barthélemy Morisot (April 12, 1592 – October 22, 1661), was a native of Dijon and belonged to a group of libertine scholars from the Republic of Letters during the first half of the 17th century. He is the author of several scholarly works, but Peruviana is his only novel.The first part of the introduction provides contextual elements about the narrative and its author, while also giving some of the keys to read the novel. The second part consists of a narratological analysis which deals with its literary issues and the use of sources – especially classical literature ; the confrontation between the referents and the structure of the plot highlights the steganographic and political dimension of this novel, a point on which third part of this study sheds light.It then becomes clear that thanks to the use of analogy and metaphor – which are characteristic devices of romans à clefs – the author conceived his work as a utopia in which the historical mechanisms reflecting those of the Cosmos might be apprehended and harmonized through a benevolent art that would take into account all the aspects and states of the social Materia(l) in order to lead it to an (almost) ideal fulfilment. This alchemical reading reveals that the entire novel is a metaphor of the Magnum Opus, whose architect would be the Poet offering the product of his wisdom to the future of mankind
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Evans, Sarah Patricia. "Figures for a melancholy mind, absorption and allegory in Edouard Manet's images of Berthe Morisot and Victorine Meurent." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30213.pdf.
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Nicod, Luc Paul Maurice. "The political thought of Richard Morison : a study in the use of ancient and medieval sources in Renaissance England." Thesis, London School of Economics and Political Science (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314179.
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馬, 賢鎬, Hyun-Ho MA, 法美 水谷, Norimi MIZUTANI, 周. 江口, and Shu EGUCHI. "礫浜斜面上の流速場と漂砂移動機構に関する研究." 土木学会, 2005. http://hdl.handle.net/2237/8607.
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Steynor, Jeffrey Robert. "Minimising the lifetime carbon and energy intensities of the Oyster wave energy converter." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/17959.
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Converting energy from ocean waves is an exciting concept aimed at reducing our dependency on fossil fuels. Ocean energy devices must convert the large forces and relatively small movements from ocean waves into electrical power with a minimum carbon and energy intensity in order to be economically viable. The research herein focuses on the Oyster, a flap-type pitching wave energy converter developed by Aquamarine Power. A device that has the minimal carbon or energy intensity is not necessarily the most mechanically efficient. A commercially viable wave energy converter should have a competitive cost of energy and be as carbon negative as possible. In order to expedite the route to commercialisation, successive designs should iterate towards a minimum lifetime cost of energy. The sheer complexity of wave energy converter systems makes for a vast optimisation problem to determine the system parameters that exhibit the minimum carbon and energy intensities. This thesis presents a study of the oscillating flap-type wave energy converter to determine the trends between design parameters, total power output and carbon and energy throughput. The minimum carbon and energy intensities have been shown to be strongly dependent on minimising maintenance requirements. In order to determine the design criterion a range of flap widths and system pressures are investigated and their effect on component service lives assessed. The results are then converted to lifetime carbon and energy intensities for a direct comparison. To achieve this, fundamental research on the maintenance requirements of critical components such as the hinge bearings and hydraulic power system is required. A hydrodynamic model describes the dynamic response and links the system energy inputs to its modelled energy output. This work is intended to help guide developers of flap-type wave energy converters towards commercialisation. It enhances the understanding of the routes to failure and service life predictions, providing avenues to balance service lives to optimise maintenance and maximise uptime. This will assist in the development of more energy efficient wave energy converters over their lifetime. This information will better enable the marine energy sector to offset our fossil fuel dependence, ultimately reducing our impact on the environment and leading to a ‘greener’ future.
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Turkcelik, Evrim. "Muslim And Jewish." Master's thesis, METU, 2003. http://etd.lib.metu.edu.tr/upload/12604945/index.pdf.
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In 1492, the Catholic Monarchs Isabel and Ferdinand conquered Granada, the last Muslim Kingdom in Spain, issued the edict of expulsion of Jews and charged Christopher Columbus to find out a western route to Indies who by coincidence discovered America. These three momentous events led to construction of Spanish national unity and of the Spanish world empire. In this study, what we are looking for is the impact of the first two events, the conquest of Granada and the expulsion of the Jews, on the formation of the Spanish national unity and the Spanish nationhood vis-à-vis Jews and Muslims in its historical context. In this study, the concept of nation-building would be employed not in economic but in political, religious and cultural terms. This study, by using the historical analysis method, found that centuries-long Muslim and Jewish presence in Spain and the Spaniards&rsquo
fight for exterminating this religious, cultural and political pluralism led to the formation of unitary Catholic state and society in Spain in the period under consideration.
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Carlsson, Patrik, and Nina Lindekrantz. "Den enda olycka som finns i världen är de vita : En studie i symboler och intertextualitet i Toni Morissons Älskade." Thesis, Högskolan Kristianstad, Sektionen för Lärarutbildning, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-867.
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Syftet med den här studien är att ta reda på hur symboler och intertextualitet kan tolkas i romanen Älskade, skriven av Toni Morrison. Metoden som använts har varit närläsning, där texten har granskats ingående för att finna symboler. Även en läslogg har upprättats, där reflektioner angående symbolerna och intertextualitet nedtecknats. Utifrån detta och med hjälp av passande litteratur har symbolerna tolkats i de sammanhang de dyker upp i. Symbolerna har även förknippats med romanens karaktärer för att få fram deras personlighet. Resultatet av detta visar att två teman har hittats: förtryckta känslor och längtan efter något annat. Teman som förknippas med den situation som slavarna levde under, när romanens handling utspelar sig i 1800-talets Amerika, då slaveriet var mycket utbrett i Södern. Nutid i romanen är 1874, med analepser som sträcker sig upp till 25 år tillbaka i tiden. Intertextualiteter som har framkommit har tolkats från författarnas egna litterära bagage. Det som framkommer är att det är mycket i romanen som ekar från andra romaner och filmer. Omvänt är det också en del som tyder på att andra texter och filmer är influerade av Älskade. Detta medför att romanen sätts in i ett större perspektiv.
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Haziot, Judith. "Le rôle de la facture apparente en peinture : Berthe Morisot, Vincent Van Gogh et Francis Bacon, au prisme des sciences cognitives." Thesis, Amiens, 2016. http://www.theses.fr/2016AMIE0036.
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Y a-t-il un rapport entre l'effet provoqué par une image et sa texture? L'illusionnisme pictural issu de la Renaissance, fondé sur la perspective linéaire, avait cherché à effacer toute trace de la facture en peinture. La présence du corps de l'artiste dans cette facture devenue apparente n'apporte-t-elle pas une émotion plus immédiate? Cette thèse montre que les découvertes des sciences cognitives sur la perception ont été pressenties par des peintres des XIX et XXe siècles, en particulier B. Morisot, V. Van Gogh, et F. Bacon qui ont bouleversé les habitudes du regard. Ces artistes se sont rendus compte qu'une image parcellaire, gardant sa facture visible, ne nuisait pas à la réception de celle-ci, au contraire. Van Gogh et Bacon ont fait remarquer qu'une telle manière de représenter, favorisant les "imperfections", laissant la matière apparente, produisait sur le spectateur un effet plus immédiat et plus fort qu'une autre à l'aspect fini, maîtrisé rationnellement du début à la fin. Sera analysée la démarche de ces peintres qui vont vers une prise de conscience fort intéressante au regard des sciences cognitives. Une étude anatomique et psycho-physiologique de la vision montre d'étonnantes passerelles avec les intuitions de ces peintres. La trace du geste donne des informations motrices que le cerveau peut capter. Le flou, l'inachevé appellent notre perception à combler les vides, car le cerveau ne cesse de scénariser, à l'origine pour sa sauvegarde, à partir de ce qui n'est que probable, incertain. Les surfaces où la texture est très apparente nous font pénétrer au cœur du processus de fabrication de l'œuvre, et aux conditions de possibilité de la créativitéIs there a connection between the effect produced by an image and its texture? The pictorial illusionism of the Renaissance, based on linear perspective, attempted to erase all traces of the facture in paintings. But it seems that the presence of the artist’s body in the facture of the work provokes a more immediate emotion drawn from the origins of perception. This thesis will show that discoveries in cognitive sciences on perception were anticipated by painters of the XIX and XXth centuries, especially B. Morisot, V. Van Gogh, and F. Bacon, who contributed to change the habits of seeing. Those artists found out that an incomplete image, which keeps the trace of its facture, doesn’t hinder its understanding, but does quite the contrary. Van Gogh and Bacon noticed that such a way to represent things, leaving imperfections and visible matter, produces on the spectator a more immediate and stronger effect than an image rationally mastered from the beginning to the end. The approach of each of those artists will be analysed ; they had very interesting intuitions regarding recent discoveries in cognitive sciences. Recent results from anatomical and psycho-physiological studies on the mechanisms of vision show astonishing links with the intuitions of the artists. The trace of the gesture gives motor information that the brain can grasp. Our perception completes the gaps of unfinished visual information, because our brain, originally develop for our survival, is used to build scenarios from what is only probable, uncertain. Surfaces where the texture is visible allow us to get inside the process of materially manufacturing the work, and to the conditional options of creativity
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Haziot, Judith. "Le rôle de la facture apparente en peinture : Berthe Morisot, Vincent Van Gogh et Francis Bacon, au prisme des sciences cognitives." Electronic Thesis or Diss., Amiens, 2016. http://www.theses.fr/2016AMIE0036.
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Y a-t-il un rapport entre l'effet provoqué par une image et sa texture? L'illusionnisme pictural issu de la Renaissance, fondé sur la perspective linéaire, avait cherché à effacer toute trace de la facture en peinture. La présence du corps de l'artiste dans cette facture devenue apparente n'apporte-t-elle pas une émotion plus immédiate? Cette thèse montre que les découvertes des sciences cognitives sur la perception ont été pressenties par des peintres des XIX et XXe siècles, en particulier B. Morisot, V. Van Gogh, et F. Bacon qui ont bouleversé les habitudes du regard. Ces artistes se sont rendus compte qu'une image parcellaire, gardant sa facture visible, ne nuisait pas à la réception de celle-ci, au contraire. Van Gogh et Bacon ont fait remarquer qu'une telle manière de représenter, favorisant les "imperfections", laissant la matière apparente, produisait sur le spectateur un effet plus immédiat et plus fort qu'une autre à l'aspect fini, maîtrisé rationnellement du début à la fin. Sera analysée la démarche de ces peintres qui vont vers une prise de conscience fort intéressante au regard des sciences cognitives. Une étude anatomique et psycho-physiologique de la vision montre d'étonnantes passerelles avec les intuitions de ces peintres. La trace du geste donne des informations motrices que le cerveau peut capter. Le flou, l'inachevé appellent notre perception à combler les vides, car le cerveau ne cesse de scénariser, à l'origine pour sa sauvegarde, à partir de ce qui n'est que probable, incertain. Les surfaces où la texture est très apparente nous font pénétrer au cœur du processus de fabrication de l'œuvre, et aux conditions de possibilité de la créativitéIs there a connection between the effect produced by an image and its texture? The pictorial illusionism of the Renaissance, based on linear perspective, attempted to erase all traces of the facture in paintings. But it seems that the presence of the artist’s body in the facture of the work provokes a more immediate emotion drawn from the origins of perception. This thesis will show that discoveries in cognitive sciences on perception were anticipated by painters of the XIX and XXth centuries, especially B. Morisot, V. Van Gogh, and F. Bacon, who contributed to change the habits of seeing. Those artists found out that an incomplete image, which keeps the trace of its facture, doesn’t hinder its understanding, but does quite the contrary. Van Gogh and Bacon noticed that such a way to represent things, leaving imperfections and visible matter, produces on the spectator a more immediate and stronger effect than an image rationally mastered from the beginning to the end. The approach of each of those artists will be analysed ; they had very interesting intuitions regarding recent discoveries in cognitive sciences. Recent results from anatomical and psycho-physiological studies on the mechanisms of vision show astonishing links with the intuitions of the artists. The trace of the gesture gives motor information that the brain can grasp. Our perception completes the gaps of unfinished visual information, because our brain, originally develop for our survival, is used to build scenarios from what is only probable, uncertain. Surfaces where the texture is visible allow us to get inside the process of materially manufacturing the work, and to the conditional options of creativity
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Simpalean, Adrian Raul. "Experimental Investigations of Core-Loc Armour Units." Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/38745.
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In the present study, the influence of geometric scale, unit orientation (alternatively, flow direction), and the dimensionless Reynolds and Keulegan-Carpenter quantities on the hydrodynamic loading of Core-Loc armour units is explored through a series of physical modelling tests under unsteady and oscillatory flow conditions.
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Bhinder, Majid. "3D non-linear numerical hydrodynamic modelling of floating wave energy converters." Ecole centrale de Nantes, 2013. http://www.theses.fr/2013ECDN0028.
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Dans cette thèse, on cherche à quantifier l’impact des effets d’origine visqueuse sur la dynamique et la production d’énergie des systèmes houlomoteurs. A l’heure actuelle, l’état de l’art pour évaluer la production d’énergie des houlomoteurs repose sur des approches en théorie linéarisée des écoulements potentiels (codes BEM) car la CFD (Computational Fluid Dynamics) est encore trop coûteuse en terme de temps de calcul. Cependant, l’approche potentielle est limité par les hypothèses de linéarité sur laquelle elle repose. Ces limitations doivent être comprises et des améliorations apportées. En particulier, une piste d’amélioration est l’ajout de correction visqueuse via l’ajout de terme quadratique à la Morison dans l’équation du mouvement. Cette correction dépend d’un coefficient de trainée qui doit être estimé avant de pouvoir réaliser la simulation. Une possibilité est d’interpoler la valeur de ce coefficient à partir des données expérimentales que l’on peut trouver dans la littérature, ou bien utiliser la CFD. Dans ce travail, on s’est intéressé à la faisabilité de cette seconde approche. Deux houlomoteurs académiques ont été modélisés. Le premier est une bouée pilonnante de forme cylindrique, à bouchains vifs. Le second est un volet oscillant en cavalement. Des calculs CFD des efforts exercés sur ces géométries ont été réalisés dans un écoulement oscillant. L’effort mesuré est lissé conformément à la formule de Morison en utilisant la méthode des moindres carrés pour déterminer les coefficients de trainée et de masse d’eau ajoutée. Ensuite, le coefficient de trainée est implémentée dans l’équation du mouvement du houlomoteur correspondant. L’absorption d’énergie avec et sans la prise en compte des effets visqueux est alors évaluée, qui met en évidence l’importance de leur prise en compteThe impact of the viscous and vortex forces in the context of floating wave energy devices has been studied in this work. At present the state of the art tools to assess the efficiency of the WECs (Wave Energy Converters) comprise the BEM (boundary element method) codes based on the potential linear approach whereas CFD (computational fluid dynamics) is still considered to be computationally expensive. However the former has its limits regarding linearity restrictions and hence needs further inspections and improvements. A possibility for improvement is to account for viscous damping via additional Morison-like quadratic damping term. The intensity of this additional damping term depends on a coefficient which needs to be estimated prior to the calculations. One can interpolate this coefficient from the many previously published experimental results or imagine using CFD. In this study, the applicability of the latter option is investigated for WEC application. Two generic devices such as a heaving cylinder with sharp corners and a surging flap type WEC are considered. CFD computations of the forces on the buoy in an oscillatory flow are performed. This CFD-force is then fitted by the Morison’s equation using least square approach, which gives estimation of the viscous damping coefficient. This coefficient is implemented in the equation of motion of the WEC. The energy absorption with and without taking into account the viscous damping is then derived, which shows the importance of its appropriate modelling
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DEBARRE, ROMAIN. "Stratigraphie genetique d'un systeme fluvio-lacustre (formation de morisson, jurassique superieur, utah, u. S. A. ) : variations du niveau de base, elements architecturaux et modeles de facies." Rennes 1, 2000. http://www.theses.fr/2000REN10070.
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La connaissance du comportement stratigraphique des systemes fluviatiles constitue un enjeu majeur de la geologie en domaine continental. Les principales difficultes resultent (1) de la diversite des systemes fluviatiles, (2) de la definition du niveau de base et (3) de la caracterisation des sequences de depots dans ces environnements sedimentaires heterogenes. Nous proposons dans cette these une interpretation sedimentologique nouvelle et un premier modele stratigraphique de la formation de morrison (jurassique superieur, utah), formation consideree comme un systeme fluviatile de reference. L'etude sedimentologique de cinq affleurements d'echelle kilometrique, repartis sur 200 km le long du profil de depot, revele des depots atypique tres eloignee des modeles de facies fluviatiles. La description d'elements architecturaux, briques elementaires de l'enregistrement sedimentaire, abouti a la definition d'un systeme de depots majoritairement lacustre et alimente par des systemes fluviatiles ephemeres. Dans un contexte climatique et tectonique tres different de celui que nous connaissons aujourd'hui, l'existence d'un niveau de base geomorphologique lacustre permet une approche relativement classique de la stratigraphie ou la profondeur du lac defini globalement le rapport potentiel d'accommodation / flux sedimentaire. Le taux de preservation que nous definissons et la succession verticale d'elements architecturaux resultent de la variation dans le temps de l'accommodation. L'analyse proposee conduit a un schema de correlation regionale et a la definition de regles predictives de l'architecture stratigraphique. Au-dela de cette etude, il faut peut etre reconsiderer certaines formations geologiques dont l'origine fluviatile a ete attribuee par comparaison aux modeles de facies actuels.
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水谷, 法美, Norimi MIZUTANI, 東秀 許, and Dong-Soo HUR. "潜堤上の構造物に作用する波力とその算定法に関する研究." 土木学会, 2000. http://hdl.handle.net/2237/8652.
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Ehresmann, Hackmann Erin E. "Variations on a Theme: Berthe Morisot’s Reinterpretation of the “Woman at the Piano” Motif in Her Images of Girls at the Piano, 1888–1892." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1306498264.
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Divaret, Lise. "U-RANS Simulation of fluid forces exerted upon an oscillating tube array." Thesis, KTH, Farkost och flyg, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-32747.
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The aim of this master thesis is to characterize the fluid forces applied to a fuel assembly inthe core of a nuclear power plant in case of seism. The forces are studied with a simplifiedtwo-dimensional model constituted of an array of 3 by 3 infinite cylinders oscillating in aclosed box. The axial flow of water, which convects the heat in the core of a nuclear powerplant, is also taken into account. The velocity of the axial flow reaches 4m/s in the middle ofthe assembly and modifies the forces features when the cylinders move laterally.The seism is modeled as a lateral displacement with high amplitude (several cylinderdiameters) and low frequencies (below 20 Hz). In order to study the effects of the amplitudeand of the frequency of the displacement, the displacement taken is a sine function withboth controlled amplitude and frequency. Four degrees of freedom of the system will bestudied: the amplitude of the displacement, its frequency, the axial velocity amplitude andthe confinement (due to the closed box).The fluid forces exerted on the cylinders can be seen as a combination of three terms: anadded mass, related to the acceleration of cylinders, a drift force, related to the damping ofthe fluid and a force due to the interaction of the cylinder with residual vortices. The firsttwo components will be characterized through the Morison expansion, and their evolutionwith the variation of the degree of freedom of the system will be quantified. The effect ofthe interaction with the residual vortices will be observed in the plots of the forces vs. timebut also in the velocity and vorticity map of the fluid.The fluid forces are calculated with the CFD code Code_Saturne, which uses a second orderaccurate finite volume method. Unsteady Reynolds Averaged Navier Stokes simulations arerealized with a k-epsilon turbulence model. The Arbitrary Lagrange Euler model is used todescribe the structure displacement. The domain is meshed with hexahedra with thesoftware gmsh [1] and the flow is visualized with Paraview [2]. The modeling techniquesused for the simulations are described in the first part of this master thesis.