Relevant bibliographies by topics / Moralistic

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Moralistic'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Moralistic"

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Jacobs, Bruce A., and Richard Wright. "Moralistic Street Robbery." Crime & Delinquency 54, no. 4 (December 20, 2007): 511–31. http://dx.doi.org/10.1177/0011128707307220.

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HILL, THOMAS E. "Kant's anti-moralistic strain." Theoria 44, no. 3 (February 11, 2008): 131–51. http://dx.doi.org/10.1111/j.1755-2567.1978.tb00173.x.

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Aitchison, Guy. "Are Human Rights Moralistic?" Human Rights Review 19, no. 1 (November 18, 2017): 23–43. http://dx.doi.org/10.1007/s12142-017-0480-4.

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George, Robert P., and Joel Feinberg. "Moralistic Liberalism and Legal Moralism." Michigan Law Review 88, no. 6 (May 1990): 1415. http://dx.doi.org/10.2307/1289320.

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KURZBAN, R., P. DESCIOLI, and E. OBRIEN. "Audience effects on moralistic punishment☆." Evolution and Human Behavior 28, no. 2 (March 2007): 75–84. http://dx.doi.org/10.1016/j.evolhumbehav.2006.06.001.

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Mieth, Laura, Raoul Bell, and Axel Buchner. "Facial Likability and Smiling Enhance Cooperation, but Have No Direct Effect on Moralistic Punishment." Experimental Psychology 63, no. 5 (September 2016): 263–77. http://dx.doi.org/10.1027/1618-3169/a000338.

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Abstract. The present study serves to test how positive and negative appearance-based expectations affect cooperation and punishment. Participants played a prisoner’s dilemma game with partners who either cooperated or defected. Then they were given a costly punishment option: They could spend money to decrease the payoffs of their partners. Aggregated over trials, participants spent more money for punishing the defection of likable-looking and smiling partners compared to punishing the defection of unlikable-looking and nonsmiling partners, but only because participants were more likely to cooperate with likable-looking and smiling partners, which provided the participants with more opportunities for moralistic punishment. When expressed as a conditional probability, moralistic punishment did not differ as a function of the partners’ facial likability. Smiling had no effect on the probability of moralistic punishment, but punishment was milder for smiling in comparison to nonsmiling partners.
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İŞGÖREN-, Taşkın. "On Moralistic Approaches in Mirza Jalil’s Dramas." Turkish Studies - Language and Literature Volume 15 Issue 2, Volume 15 Issue 2 (2020): 727–37. http://dx.doi.org/10.29228/turkishstudies.42757.

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Rushton, J. Philippe, and Arthur R. Jensen. "Wanted: More race realism, less moralistic fallacy." Psychology, Public Policy, and Law 11, no. 2 (2005): 328–36. http://dx.doi.org/10.1037/1076-8971.11.2.328.

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McGUIRE, MICHAEL T. "Moralistic Aggression and the Sense of Justice." American Behavioral Scientist 34, no. 3 (January 1991): 371–85. http://dx.doi.org/10.1177/0002764291034003007.

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Mead, Lawrence M. "US Welfare Reform: The Institutional Dimension." Social Policy and Society 2, no. 2 (April 2003): 123–31. http://dx.doi.org/10.1017/s1474746403001180.

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Making a success of welfare reform has as much to do with implementation as with policy design. The experience in Wisconsin and New York generalises too much of the US, with states divided into those successfully implementing work-based reform, those incapacitated by partisan divisions and those that have never seriously framed welfare policy. Three decisions are key: the degree of toughness, the amount of programme integration; and the locus of administrative control which are shaped by long standing differences in political culture, moralistic, individualistic and traditionalistic. States adopting a moralistic approach to policy administration generally achieve most success.
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Dissertations / Theses on the topic "Moralistic"

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Kenofer, Benjamin David Hershey. "Bringing Out The Feminist In Bernard Williams: Constructing An Anti-Moralistic Care Ethic." UNF Digital Commons, 2014. https://digitalcommons.unf.edu/etd/518.

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There are different versions of the ethical approach known as “care ethics”, making care ethics more like a cluster of approaches rather than a singular one. Hence the question is not just whether care ethics is a suitable feminist ethic, but which version(s) of care ethics feminists should endorse. Considering which versions of care ethics are capable of recommending the sort of political activism that is required for progressive political change goes some distance in answering this question. The concern about whether care ethics can recommend the political activism needed for feminist aims arises because such activism exposes those the activist has intimate relationships with to various sorts of harm. I argue that when construed as an ethical theory that incorporates a decision procedure for generating correct conduct, care ethics recommends against the sorts of actions that are required of political activists and for the practical goals of feminists. Construed as an ethical framework that has the more modest concern of providing conceptual orientation and critical tools for interpreting and reflexively interrogating the ethical landscape, however, care ethics can overcome the challenge presented by political activism when including what Bernard Williams calls “ground projects” amongst its available tools. However, because feminist care theorists and others sympathetic with care ethics have criticized aspects of Williams’ account of ground projects, I first respond to these concerns in order to accommodate these criticisms and demonstrate that I am not importing something into care ethics as a framework that does not have a place there.
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Novick, Benjamin Zvi. "Ireland's revolutionary war? : nationalist propaganda, the Great War, and the construction of Irish identity." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312639.

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Stocks, Tiphanie N. "Daniel Defoe and the reform of the English nation an examination of his moralistic writings /." Morgantown, W. Va. : [West Virginia University Libraries], 2002. http://etd.wvu.edu/templates/showETD.cfm?recnum=2619.

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Gallard, Pierre-Yves. "Le style paradoxal des moralistes classiques : Montaigne, Pascal, La Rochefoucauld, La Bruyère." Thesis, Université Côte d'Azur (ComUE), 2016. http://www.theses.fr/2016AZUR2043.

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Notre travail interroge l’affinité entre une figure – le paradoxe – et le discours sur les mœurs, tel qu’il s’invente et se développe de Montaigne à La Bruyère : il étudie l’appropriation d’un fait de langue et sa requalification en fait de style. La confrontation des théories existantes sur le paradoxe aux exemples de notre corpus fait apparaître la gradualité de la figure, dont la configuration prototypique connaît des réalisations discursives de forme et d’étendue variables, et dont l’étude stylistique implique l’articulation des points de vue microstructural et macrostructural. En promouvant une approche englobante, continuiste et contextualisée des formes de l’écriture paradoxale, nous soulignons la dimension matricielle du paradoxe, sa propension à constituer, pour les textes que nous étudions, un principe générateur, une forme ordonnatrice : l’étymon d’un style. Nous défendons en effet l’idée selon laquelle le paradoxe constitue un lieu commun de la prose moraliste, c'est-à-dire la forme-sens dans laquelle se cristallisent une éthique et une esthétique, un rapport soupçonneux aux vérités admises et aux discours institués. L’examen des différents usages de la figure et des fonctions qui lui sont dévolues nous permet ainsi d’éclairer les soubassements épistémologiques de l’entreprise moraliste
Our work reflects upon the affinity between a figure of speech – the paradox – and the moral discourse, as it emerges and evolves from Montaigne to La Bruyère. We study the appropriation of a linguistic form and its revaluation as a stylistic trait. The comparative examination of the theoretical descriptions of the paradox, and their application to our corpus examples reveal the gradualness of the figure, and the variety of its discursive actualizations. By promoting a global, continuist and contextualized approach to the paradox, we stress out its functionality as well as its propensity to shape the reflection and the writing of the classical moralists
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Chaufour, Marie. "Le moraliste et les images : recherches sur l'expression emblématique chez Jean Baudoin (ca.1584 - 1650)." Thesis, Dijon, 2012. http://www.theses.fr/2012DIJOL038.

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La thèse est consacrée à l’expression emblématique chez Jean Baudoin (1584-1650). D’abord Lecteur de Marguerite de Valois, Marie de Médicis l’envoya en Angleterre afin de traduire l’Arcadie de la Comtesse de Pembroke en 1624. Il fit partie de la maison du cardinal de Richelieu et fut un protégé du chancelier Séguier. Dès 1634, il rejoignit les premiers membres de l’Académie française et participa à la rédaction de ses statuts. À cet auteur et traducteur très abondant, on attribue quatre-vingt six ouvrages, dont la plupart sont des traductions significatives pour l’orientation qu’il donne à son oeuvre : les Discours politiques sur l’oeuvre de Tacite de Scipio Ammirato (1618), La Sagesse Mysterieuse des Anciens de Francis Bacon, la Mythologie de Natale Conti (1627) ou encore les Monita et Exempla politica de Juste Lipse (1606 et 1650). La tradition iconographique est essentielle chez Jean Baudoin, ainsi que l’explication symbolique. Le Recueil d’Emblemes divers, publié pour la première fois à Paris en 1638-1639 est l’objet principal de la recherche ici entreprise. Ce recueil d’emblèmes est une oeuvre de l’invention de Jean Baudoin qui a toutefois été fortement influencé, dans sa rédaction, par ses traductions antérieures. Deux autres ouvrages traduits par Baudoin sont indispensables à l’étude approfondie du Recueil d’Emblemes divers : l’adaptation de l’Iconologia de Cesare Ripa (première partie, 1636-1637 ; première et seconde parties, 1644) et la traduction des Fables d’Esope Phrygien (1631). Ce travail se propose d’aborder dans un premier temps la façon dont Baudoin n’a eu de cesse de mettre sa personne et son oeuvre au service du renforcement et de l’affirmation de la monarchie française et de l’édification morale du lecteur. Dans un second temps, nous nous proposons d’étudier les connexions entre ces trois ouvrages majeurs qui permettent de comprendre la portée de l’expression emblématique chez Jean Baudoin, à travers trois axes majeurs. Le renouvellement de la forme emblématique ; la création d’un vocabulaire allégorique qui avait pour fin la codification de la représentation du pouvoir et de la figure royale et une étude des gravures, de leur fonctionnement dans le texte et des mécanismes de leur production
This dissertation is about the emblematical expression in the work of Jean Baudoin. At first Marguerite de Valois’s lecturer, he was sent to England by Marie de Médicis in order to translate L’Arcadie de la Comtesse de Pembroke, in 1624. Baudoin belonged to the House of the Cardinal de Richelieu and was one of chancelier Séguier’s protégés. As soon as 1634, hejoined the first members of the Académie française and took part in the writing of its statutes. Eighty six pieces of work are attributed to this prolific author and translator, most of which are translations significant of the orientation he gave to his work: the “Discours politiques” on Tacite’s work by Scipio Ammirato (1618), La Sagesse Mystérieuse des Anciens by Francis Bacon (1619), Mythologie by Natale Conti (1627) or Monita et Exempla politica by Justus Lipsus (1606 & 1650). The iconographical tradition is paramount in Jean Baudoin’s work, as well as the emblematical expression. The Recueil d’Emblemes divers, first published in Paris in 1638-1639 is the focus of the present dissertation. This collection of emblems was designed by Jean Baudoin, but he was largely influenced in its writing by previous translations. Two other pieces of work translated by Baudoin are essential to the thorough study of the Recueil d’Emblemes divers: the adaptation of Cesare Ripa’s Iconologia (First part 1636-1637, First and second part 1644) and the translation of Esope Phrygien’s Fables in 1631. The present work will first focus on how Baudoin constantly put himself and his work at the service of the reinforcement and affirmation of the French monarchy and of the moral edification of the reader. Then, we will study the connections between these three major works which enable to understand the importance of emblematical expression in Jean Baudoin. To do so, three main aspects will be studied: the renewal of the emblematical form/ genre, the creation of an allegorical vocabulary whose aim was the codification of the representation of power and monarchy, and a study of engraving, of it functioning in the text and of its production processes
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Benoît, Jean-Louis. "Tocqueville moraliste." Caen, 2002. http://www.theses.fr/2002CAEN1347.

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Instruire la démocratie, ranimer [. . . ] ses croyances, purifier ses mœurs, régler ses mouvements, substituer [. . . ] la science des affaires à son inexpérience, la connaissance de ses vrais intérêts à ses aveugles instincts, adapter son gouvernement aux temps et aux lieux ; le modifier selon les circonstances et les hommes : tel est le premier devoir imposé de nos jours à ceux qui dirigent la société. Il faut une science politique nouvelle à un monde nouveau. "Dès l'introduction de la première Démocratie, Tocqueville donne à son œuvre une perspective et une finalité morales. L'ensemble de son œuvre confirme que ses textes comme son action font de lui l'un de nos grands moralistes, moraliste et politique, moraliste du politique. Son admiration va d'abord au renversement des valeurs opéré par le christianisme originel puis à l'humanisme de la renaissance et à l'universalisme des Lumières qui, pour lui, reprennent les valeurs de l'évangile. Assuré qu'il n'existe qu'une seule humanité, il lutte pour l'abolition de l'esclavage, dénonce le génocide des Indiens et le racialisme gobinien.
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Guion, Béatrice. "Pierre Nicole, moraliste /." Paris : H. Champion, 2002. http://catalogue.bnf.fr/ark:/12148/cb38943264c.

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Coste, Claude. "Roland Barthes moraliste /." Villeneuve d'Ascq, France : Presses universitaires du Septentrion, 1998. http://www.uqtr.ca/biblio/notice/tablemat/03-2233516TM.html.

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Wikrén, Maria. "Att förmedla eller förnöja? : En diskursanalytisk studie av debatten kring förekomsten av moraliska budskap i holländsk 1600-talskonst." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-91088.

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Uppsatsen undersöker den konstvetenskapliga diskussionen angående  rimligheten i att läsa in moraliska budskap i holländsk genrekonst från 1600-talet. Detta görs utifrån en diskursanalytisk metod med fokus på textanalys. De texter som behandlas är skrivna av konsthistoriker under 1980- och 1990-talet och belyser tolkningsfrågan ur olika synvinklar.
This thesis investigates the art historical debate about whether or not it is reasonable to assume the presence of moralistic messages in Dutch seventeenth-century genre art. The study is conducted according to a discourse analytical method with emphasis on textual analysis. The texts chosen for analysis were written during the 1980s and 1990s by art historians who advocate different standpoints.
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Riocreux, Ingrid. "La négation dans le fragment moraliste (La Rochefoucauld, Pascal, Vauvenargues, Chamfort)." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040154.

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Fait de langue omniprésent et multiforme (impliquant des données morpho-syntaxiques et lexicales), la négation constitue véritablement un stylème de la moralistique classique. Focalisation, incidence, forclusion, négation uniceptive, implicite, préfixale, lexématique, problèmes de polarité et de scalarité : le statut central de la négation permet de saisir un positionnement énonciatif commun aux quatre auteurs du corpus autant qu’une prise de position philosophique spécifique à chacun d’eux. L’ambiguïté pragmatique communément associée à la négation est levée, dès lors que l’on admet la possibilité d’une lecture à plusieurs niveaux : la négation descriptive correspond à la représentation traditionnelle du discours moraliste comme une parole solitaire, isolée entre deux blancs typographiques. Mais précisément, lorsqu’on considère cette parole comme un discours adressé, la dimension polémique de la négation apparaît pleinement, plus précisément sa portée contre-doxique et métalinguistique. Les moralistes dénoncent le caractère faussé du discours commun ; ils conçoivent la négation comme un moyen de rompre le lien de référentialité abusif établi par celui-ci entre des concepts moraux et des comportements qui n’ont de vertueux que l’apparence. De l’héritage apophatique, sensible chez Pascal, jusqu’au prénihilisme chamfortien, en passant par l’anthropologie négative de La Rochefoucauld et l’immanentisme anti-artificialiste de la morale chez Vauvenargues, la négation offre une grille de lecture nouvelle pour étudier l’évolution du genre moraliste
Based on quantitative data, this study shows how essential negation is in the understanding of moralistique as a literary genre that can be identified as such through precise formal elements. I examine many aspects of negation, including the questions of scope, internal and external negations, restricted negation, forclusion, implicit negation, prefixal and lexematic negation and polarity scales. Not only is negation a linguistic scheme (involving various morpho-syntactic as well as lexical patterns) but it also works as a stylistic device which the moralists make a constant and specific use of. Whereas it is commonly held that negation is pragmatically ambiguous, I argue that, in focusing on the moralist as a spectator of society, the critiques have implicitly considered negation to be mostly descriptive. While correct, this interpretation should be qualified. The main aspect of the moralists’ negation rests in its polemical power. The moralists intend to rectify a biased use of words resulting from a false conception of moral values. Therefore, these writers do not say what things are as much as what they are not. From Pascal’s apophatic views, through La Rochefoucauld’s negative anthropology and Vauvenargues’ refusal of artificial morality, to Chamfort’s prenihilistic philosophy, negation appears as a new way to get a better understanding of the evolution of moralistique
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Books on the topic "Moralistic"

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Pedeliski, Theodore. Interest groups in North Dakota: Constituency coupling in a moralistic political culture. Grand Forks, N.D: University of North Dakota, Bureau of Governmental Affairs, 1987.

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Schulz-Buschhaus, Ulrich. Moralistik und Poetik. Hamburg: Lit, 1997.

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1952-, Papàsogli Benedetta, and Piqué Barbara, eds. I moralisti classici. Roma: Laterza, 2008.

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Kruse, Margot. Beiträge zur französischen Moralistik. Berlin: Walter De Gruyter, 2003.

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Kablitz, Andreas, Bernhard König, and Margot Kruse. Beiträge zur französischen Moralistik. Edited by Joachim Küpper. Berlin, New York: Walter de Gruyter, 2003. http://dx.doi.org/10.1515/9783110201734.

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Guseĭnov, A. A. Velikie moralisty. Moskva: Izd-vo "Respublika", 1995.

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Benoît, Jean-Louis. Tocqueville moraliste. Paris: Honoré Champion Éditeur, 2004.

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Gomes, Rogério. O moralista. Lisboa: Fonte da Palavra, 2011.

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Pierre Nicole, moraliste. Paris: H. Champion, 2002.

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Guion, Béatrice. Pierre Nicole, moraliste. Paris: Champion, 2002.

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Book chapters on the topic "Moralistic"

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Foresman, Galen. "Moralistic Fallacy." In Bad Arguments, 371–73. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781119165811.ch90.

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Cederström, Carl. "Happiness, a moralistic fantasy." In Critical Happiness Studies, 23–34. Abingdon, Oxon; New York, NY: Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9780203730119-2.

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Wang, Keping. "A Moralistic View of Poetry." In Chinese Culture of Intelligence, 277–301. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3173-2_13.

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Novick, Ben. "Propaganda I: Advanced Nationalist Propaganda and Moralistic Revolution, 1914–18." In The Irish Revolution, 1913–1923, 34–52. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-0-230-62938-7_3.

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Glassman, Ronald M. "The Prophets: Moralistic Monotheism, Social Justice, and the Doomsday Theodicy." In The Origins of Democracy in Tribes, City-States and Nation-States, 675–89. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51695-0_62.

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Zimmer, Robert. "Moralistik." In Schopenhauer-Handbuch, 207–9. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-04559-1_15.

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Shimazu, Itaru. "The Most Successful and Moralistic Merchant at the Dawn of Japanese Capitalism. Shibusawa and His Confucianism." In Ethical Economy, 191–98. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04351-3_12.

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Payr, Fabian. "Moral und Moralisten." In Von Menschen und Mensch*innen, 115–24. Wiesbaden: Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-33127-6_16.

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"Moralistic Aggression." In Encyclopedia of Evolutionary Psychological Science, 5241. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-19650-3_303275.

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"Moralistic Punishment." In Encyclopedia of Evolutionary Psychological Science, 5241. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-19650-3_303276.

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Conference papers on the topic "Moralistic"

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Cruz Fuerte, Almudena. "El valor discursivo del vestuario y su plasticidad concomitante en la filmografía de Ulrike Ottiger: Ticket of No Return." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.8987.

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La presente propuesta de comunicación gira entorno al indumento como generador de polisemias en la obra de Ulrike Ottinger. A través del vestuario de su obra Ticket of No Return (1979)queremos defender la siguiente hipótesis: la relevancia del vestido como elemento analítico y constructor en las plasticidades contemporáneas. La extensa filmografía de esta cineasta feminista y experimental así lo ejemplifica y da fiel muestra de cómo la vestimenta aporta un lenguaje capaz de simbolizar la metonimia del discurso audiovisual. En Ticket of No Return Ottinger transita, como lo volverá a hacer en otras de sus obras, por la idea del estado capitalista (como entelequia controladora-paternalista), por el culto al alcohol (como la embriaguez narcótica implícita en la sociedad de consumo) y por la noción del viaje (como el origen de la procesión). Y estos tres pilares se construyen ampliamente gracias al vestuario ideado y confeccionado por Tabea Blumenshein, protagonista a su vez de la cinta y que da vida a She, una alcohólica transeúnte del Berlín proto-neoliberal. La suntuosa artificialidad del vestuario de Blumenshein contrapone la silueta onto-capistalista que Dior acuñara en la década de los 50 como New Look, decálogo del sometimiento femenino a unas formas patriarcales y moralizantes, frente a un mordaz decadentismo propulsado por el exceso y la autodestrucción de una advenediza época de sensacionalistas, moralistas, depravad@s y ególatras desquiciad@s. En conclusión, Ticket of No Returnsupone un excelente ejemplo para despejar la [n] propuesta por el congreso, es decir, para visibilizar la capacidad semiótica del traje, su locuacidad visual y su capacidad constructora. Con ello pretendemos dignificar al vestuario, integrándolo en el discurso crítico, académico y artístico, revindicando a su vez su lugar en las producciones audiovisuales, las artes escénicas y el arte performativo.
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Reports on the topic "Moralistic"

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Renard, Isabelle. La Representation de la Femme Aristocrate en Periode Post-revolutionnaire: Balzac Moraliste Chretien et Apologiste de la Passion. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7020.

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