Relevant bibliographies by topics / Moral pictures

Academic literature on the topic 'Moral pictures'

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Published: 11 March 2023

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Journal articles on the topic "Moral pictures"

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Kavussanu, Maria, Adrian Willoughby, and Christopher Ring. "Moral Identity and Emotion in Athletes." Journal of Sport and Exercise Psychology 34, no. 6 (December 2012): 695–714. http://dx.doi.org/10.1123/jsep.34.6.695.

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The purpose of this study was to investigate the effects of moral identity on physiological responses to affective pictures, namely, the startle blink reflex and pain-related evoked potential. Male (n = 48) and female (n = 46) athletes participating in contact team sports were randomly assigned to either a moral identity group or a non-moral identity group and viewed a series of unpleasant, neutral, and pleasant sport-specific pictures. During picture viewing, a noxious electrocutaneous stimulus was delivered as the startle probe and the startle blink and pain-related evoked potential were measured. Upon completion of physiological measures, participants reviewed the pictures and rated them for valence and arousal. ANOVAs revealed that participants in the moral identity group displayed larger startle blinks and smaller pain-related potentials than did those in the non-moral identity group across all picture valence categories. However, the difference in the magnitude of startle blinks between the moral and non-moral identity groups was larger in response to unpleasant than pleasant and neutral pictures. Our findings suggest that moral identity affects physiological responses to sport-specific affective pictures, thereby providing objective evidence for the link between moral identity and emotion in athletes.
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Will, Paris, Elle Merritt, Rob Jenkins, and Alan Kingstone. "The Medusa effect reveals levels of mind perception in pictures." Proceedings of the National Academy of Sciences 118, no. 32 (August 5, 2021): e2106640118. http://dx.doi.org/10.1073/pnas.2106640118.

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Throughout our species history, humans have created pictures. The resulting picture record reveals an overwhelming preference for depicting things with minds. This preference suggests that pictures capture something of the mind that is significant to us, albeit at reduced potency. Here, we show that abstraction dims the perceived mind, even within the same picture. In a series of experiments, people were perceived as more real, and higher in both Agency (ability to do) and Experience (ability to feel), when they were presented as pictures than when they were presented as pictures of pictures. This pattern persisted across different tasks and even when comparators were matched for identity and image size. Viewers spontaneously discriminated between different levels of abstraction during eye tracking and were less willing to share money with a more abstracted person in a dictator game. Given that mind perception underpins moral judgement, our findings suggest that depicted persons will receive greater or lesser ethical consideration, depending on the level of abstraction.
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Wisneski, Daniel C., and Linda J. Skitka. "Moralization Through Moral Shock." Personality and Social Psychology Bulletin 43, no. 2 (November 21, 2016): 139–50. http://dx.doi.org/10.1177/0146167216676479.

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The current research tested whether exposure to disgusting images increases moral conviction and whether this happens in the presence of incidental disgust cues versus disgust cues relevant to the target of moralization. Across two studies, we exposed participants to one of the four sets of disgusting versus control images to test the moralization of abortion attitudes: pictures of aborted fetuses, animal abuse, non-harm related disgusting images, harm related disgusting images, or neutral pictures, at either sub- or supraliminal levels of awareness. Moral conviction about abortion increased (compared with control) only for participants exposed to abortion-related images at speeds slow enough to allow conscious awareness. Study 2 replicated this finding, and found that the relationship between attitudinally relevant disgust and moral conviction was mediated by disgust, and not anger or harm appraisals. Findings are discussed in terms of their relevance for intuitionist theories of morality and moral theories that emphasize harm.
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Umasankari, N., and Dr B.Muthukumar. "Biometrics Images Using Watermarking in an ICA." International Journal of Engineering & Technology 7, no. 4.10 (October 2, 2018): 780. http://dx.doi.org/10.14419/ijet.v7i4.10.26115.

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In this paper we use Digital watermarking for individuals all in all water stamping, customers of the substance are affirmed to perceive the watermark. It is the way of concealing the mystery information behind any two pictures. This paper contains procedure of DCT is the one of pressure method for concealing the pictures behind cover pictures and mystery picture and to expand the nature of the pictures of retina and fingerprint images determination utilizing MATLAB. The steganographic watermarking is the procedure, where content clients are uninformed of the nearness of watermark. The legitimacy procedure and controlled by a client and coordinated into a database give another measurement of security against extortion, distortion, and duplication. The Verification and security have been main problems perfect from the most punctual beginning stage of the PC age. As a result of moral programmers nowadays a vast gap in system security.
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Mercadillo, Roberto E., Fernando A. Barrios, and José Luis Díaz. "Definition of Compassion-Evoking Images in a Mexican Sample." Perceptual and Motor Skills 105, no. 2 (October 2007): 661–76. http://dx.doi.org/10.2466/pms.105.2.661-676.

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To assemble a calibrated set of compassion-eliciting visual stimuli, 60 clinically healthy Mexican volunteers (36 women, 24 men; M age = 27.5 yr., SD = 2.4) assessed 84 pictures selected from the International Affective Picture System catalogue using the dimensions of Valence, Arousal, and Dominance included in the Self-assessment Manikin scale and an additional dimension of Compassion. Pictures showing suffering in social contexts and expressions of sadness elicited similar responses of compassion. The highest compassion response was reported for pictures showing illness and pain. Men and women differed in the intensity but not the quality of the compassionate responses. Compassion included attributes of negative emotions such as displeasure. The quality of the emotional response was not different from that previously reported for samples in the USA, Spain, and Brazil. A set of 28 pictures was selected as high-compassion-evoking images and 28 as null-compassion controls suitable for studies designed to ascertain the neural substrates of this moral emotion.
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Burks, Deven. "Rigor or rhetoric: philosopher and public in dialogue." Perspectives 8, no. 1 (January 1, 2018): 4–13. http://dx.doi.org/10.2478/pipjp-2018-0001.

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AbstractLeiter (2016) charges public philosophy with being “neoliberal”. To understand that charge better, I define, in §1, three versions of public philosophy which might be concerned and two pictures of its practice targeted by Leiter. I also compare two deliberative sites wherein those pictures may play out. In §2, I sketch how Leiter’s two paradoxes for “neoliberal” public philosophy lead to a revised public philosophy. §3 questions the paradoxes’ empirical grounding and scope. Lastly, in §4, I assume Leiter’s picture and illustrate how philosophical dialogue, through appeal to personal self-image and “moral perceptions”, may still influence public discourse. I conclude that Leiter both over- and understates his case and that his conclusions require greater scrutiny.
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Cavrak, Sarah E., and Heather M. Kleider-Offutt. "Pictures Are Worth a Thousand Words and a Moral Decision or Two: Religious Symbols Prime Moral Judgments." International Journal for the Psychology of Religion 25, no. 3 (May 12, 2014): 173–92. http://dx.doi.org/10.1080/10508619.2014.921111.

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Budiarti, Risna, and Nani Ronsani Thamrin. "THE CHARACTERIZATION ANALYSIS OF ROB HALL IN EVEREST: NEVER LET GO FILM 2015." Indonesian EFL Journal 2, no. 1 (September 12, 2017): 71. http://dx.doi.org/10.25134/ieflj.v2i1.639.

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This research focuses on Rob Hall�s characterizations and moral values found in �Everest: Never Let Go� Film. The aims of this research are to find out Rob Hall�s characterizations portrayed in the Film Everest: Never Let Go and the moral values of the Film. The researcher used the theory about psychological analysis (based on Sigmund Freud in Schultz, 2005) to find out Rob characters through his words or sentences in script of Everest; Never Let Go Film and semiotics theory (based on Roland Barthes, 1968, 1990, 1991) to find out the characteristics of Rob Hall through pictures or signs which show his character in Film �Everest: Never Let Go� with print screen of each pictures or signs, and theory of moral value based on George and Uyanga (2014). Qualitative descriptive method was used by the researcher to find out the characteristic of Rob Hall in Everest: Never Let Go Film and the moral values of Rob Hall characterized in the Film. As result, the researcher found 6 characterizations of Rob Hall in Everest: Never Let Go Film, those are Honest, Sociable, Responsible, Assertive, Attentive, and Pessimistic. While, the moral values from this Film was that a leader should be able to support, keep, help, open, responsible, honest, assertive, wise attitude, sacrifice, and direct their team towards better.Keywords: Characterization Analysis, Rob Hall, Everest: Never Let Go Film, Pyschological Analysis, Semiotics, Moral Value
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Kholidun, Kholidun, and Lilik Channa. "ANALYSIS VALUE OF THE OFFICIAL TRAILER OF FILM “THE SANTRI” IN LIVING HADITH PERSPECTIVE." Jurnal Living Hadis 6, no. 2 (January 11, 2022): 217. http://dx.doi.org/10.14421/livinghadis.2021.2941.

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This study intends to observe moral values in the Official Trailer of the Film "The Santri". The type of this research is a qualitative descriptive study with the research subject, namely the Official Trailer of the Film "The Santri" produced by the Nahdlatul Ulama (PBNU) Board. Descriptive research is research that is obtained in the form of words, pictures from the official trailer of the film "The Santri" and not data in the form of numbers. Primary data collection procedures used using listening, taking notes, interviews, observation (field notes), and documentation. The research results that have been described, namely the Official Trailer of the film "The Santri" contain good moral values for all groups and all ages, including educational, cultural, moral values, strengthening personality, integrity, for the millennial generation in the perspective of Living Hadith. This film can be used as a reference and a means of moral education for children with the guidance of parents as well as for adolescents and can be used as a means of cultivating morals so that the positive values in the film can be digested by the children properly.
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Sadjadi, Bakhtiar, and Peyman Amanolahi Baharvand. "The Significance of Love and Selflessness in Iris Murdoch’s Moral Philosophy." Khazar Journal of Humanities and Social Sciences 22, no. 2 (July 2019): 83–92. http://dx.doi.org/10.5782/2223-2621.2019.22.2.83.

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As a distinguished philosopher and novelist in the second half of the twentieth century, Iris Murdoch addressed the significance of ethics in her framework of thought. Murdoch’s moral philosophy was widely acknowledged as a challenge to the prevailing ethical traditions which, she asserted, had failed to present an accurate picture of morality. As a philosopher and literary figure, Murdoch maintained that not only moral philosophy but also literature should depict perceptible pictures of man’s morality. The purpose of this paper is to closely explore Murdoch’s perspective towards the weight of love in moral philosophy. Since she was concerned with ethical issues and man’s confrontation with ethical questions in a world in which religious values and beliefs had been shattered, Murdoch deployed literature to convey the concepts she advocated in her moral philosophy. She contended that literature was capable of sustaining and improving man’s morality. Murdoch was a prolific novelist and playwright authoring 26 novels and 6 plays in which she developed and reflected her philosophical arguments through the portrayal of her intended ethical behavior. This tendency is mostly highlighted in The Flight from the Enchanter (1956), and The Severed Head (1961) in which Murdoch resorts to Plato’s theory of Forms and his idea of the Good to combat the conventional moral philosophy of the twentieth century. Based on the findings of this article, Murdoch intends to depict the significance of freedom and love as the prerequisites of morality in any philosophical system.
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Dissertations / Theses on the topic "Moral pictures"

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Carbonaro, Joseph. "Enabling church members to evaluate the moral content of feature films." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Yang, Julianne Qiuling Ma, and 楊秋凌. "Towards a cinema of contemplation: Roy Andersson's aesthetics and ethics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50162810.

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Considered one of Northern Europe’s most renowned art film directors to date, Swedish filmmaker Roy Andersson has been hailed by critics and art cinemagoers alike for his unconventional visual and narrative style. Marked by his use of long, static shots filmed in wide-angle and deep focus, Andersson’s “tableau aesthetic” is intimately linked to his idea that films, like other art forms, can have an important function in contemporary society: to provoke social and moral awareness in its audience. Aiming to counter what he considers a “fear of seriousness” and a dearth of critical contemplation in modern society and media, Andersson uses his films and his distinct tableau aesthetic to explore the key social, political and philosophical issues of our times: the human condition, the problems of modernity, and the lingering legacy of past historical traumas. This dissertation presents a study of Andersson’s aesthetic and thematic concerns. The central thesis is that his films continue and innovate key stylistic and ideological tendencies associated with modernist painting and theatre. The introductory chapter serves to justify why Andersson’s work represents a “modernist structure of feeling.” Besides giving an overview of the key ideas, themes and stylistic techniques that mark his films, the introduction explains the humanistic philosophy that is central to not only his aesthetic and thematic concerns, but also his approach to filmmaking itself. The topics that emerge from this introduction – including the function of Andersson’s distinct tableau aesthetic, the thematic richness of his films, and his position within contemporary Nordic cinema and global art cinema – serve as points of departure for the thesis proper. Chapter 1 focuses on Andersson’s tableau aesthetic, its relationship to his overall tableaux narrative structure, and the influences of pictorial arts and earlier cinematic trends on his style. The chapter discusses the director’s justification for the tableau aesthetic and narrative structure, and what it may tell us about the limits of conventional narrative cinema, and cinema’s relationship to the other arts. Chapters 2-4 explore three of the central themes in Andersson’s work: the human condition, the critique of modernity, and the lingering legacy of past historical traumas. Chapter 2 focuses on the human condition as a theme in You, the Living (Du Levande, 2007) and compares the film thematically and stylistically to the Theatre of the Absurd. Chapter 3 analyzes Songs from the Second Floor (Sånger från andra våningen, 2000) and its critique of the Swedish welfare state, modern institutions and ideologies. Meanwhile, Chapter 4 looks at the changing ways that Andersson has artistically rendered the topic of historical traumas during the course of his career. In the concluding chapter, Andersson and his films are discussed within the wider contexts of the Swedish film industry and global art cinema. This dissertation, then, has a two-fold aim: to illuminate the thematic and stylistic richness of Andersson’s much under-researched films, while also critically exploring how his films may move us towards a cinema of contemplation.
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Comparative Literature
Master
Master of Philosophy
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Lee, Shuk-man, and 李淑敏. "From cold war politics to moral regulation : film censorship in colonial Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/197504.

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Through the case of film censorship in Hong Kong from the late 1940s to the 1970s, this thesis explores the local impact of the international Cold War. It argues that Cold War politics shaped the nature of local policy. The first chapter investigates the reasons for the rise of film censorship in the late 1940s and the 1950s. It argues that three levels of Cold War tensions led the Hong Kong government to focus on political censorship. Tensions within the British Empire, between the Hong Kong government and foreign governments, and those between local communists and the Hong Kong government led censors to target communist films, foreign governments’ official films, and films echoing local political events. Among these films, those from China remained the primary target. During the period of political censorship, the Hong Kong government ignored the needs of local viewers and focused on reacting to external forces. The second chapter examines how in the 1960s local communists launched two campaigns against the suppression of Chinese films. It argues that the campaigns in 1965 and 1967 showed the influence of the Cold War, as these communists threatened the Hong Kong government that continued suppression of Chinese films would worsen Sino--‐‑British relations. It explains why the 1965 campaign succeeded in forcing the government to adjust its policy towards Chinese films but the one in 1967 did not. Since the late 1960s, Cold War tensions had been easing, particularly between China and Britain. The importance of political censorship and the external aspects of film censorship in Hong Kong started to diminish. Setting the stage for the localisation of film censorship in the 1970s, Chapter Three explores another duty of film censors in the 1960s, to examine sex and violence. By studying the debates about film classification and the censorship of the local film Death Valley (Duanhungu 斷魂⾕谷), this chapter argues that the government did not understand the goals of moral censorship even after examining films for more than twenty years. And it still did not sincerely engage with the Chinese population. The final chapter, on the 1970s, shows how the easing Cold War tensions directed the Hong Kong government to focus on moral censorship of films that was in accordance with the other social policies such as fighting prostitution and violent crime. Localisation of film censorship was followed by comprehensive reforms. The 1970s witnessed the government’s first serious attempt to engage the Chinese public in censoring films.
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History
Master
Master of Philosophy
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Lai, Wai-ting Thomas, and 黎偉廷. "Wagering love between desire and discipline: a study of sexual power in Eric Rohmer's Six moral tales." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46848836.

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Lau, Tsz-wan Christal, and 劉芷韻. "Ethics in the production of Hong Kong movies." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39559105.

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Hull, Thomas William Allan. "Selling Moral Panic: Social Scientific Criticism of Movies and Comic Books for Children, 1925-1955." Case Western Reserve University School of Graduate Studies / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=case1263949945.

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羅樂. "摩登"閨秀": 早期中國電影的儒家道德美學與現代性= Modern guixiu: Confucian moral aesthetics and Chinese modernity in early Chinese." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/466.

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在30年代主流文化界和知識界繼續熱誠地、全然地追求現代性時，一些現代傾向（modernist）的文化知識份子在電影和其他媒體中更多元地實踐着五四時期菁英知識份子的"全盤反傳統主義"(Totalistic Antitraditionalism)，他們將這種熱情訴諸于積極塑造以新興的知識女性為代表的中國"新女性"身上。 然而，在對電影這樣新興舶來品的媒介使用和對西方一些基本"電影語言"（cinematography）的效仿中，某些源于儒家的中國核心傳統價值和審美觀念，被有意識或無意識地挪用到電影人物形塑和審美韻味的建構中。這樣，不僅傳統經典的"儒家閨秀"藉着當代知識女性的新身份被重新包裝和再現，一些極具中國美學特色的電影處理技巧也在其中雛形漸現。更重要地，傳統閨秀的美學特點解釋了新的受教育女性謂之"新"的原由。本文（1）將從"美德"這一概念的傳承和模糊性入手，追溯禮教、道德之于傳統人物建構的意義和時代困境；（2）通過淺論閨秀人物與儒家美學思想的關係，以梳理多重道德審美的層次，並提煉"節"、"止"、 "制"的傳統美學建構機理；（3）通過提煉的這套可以參照施行的電影分析途徑，分析相關電影並蒐集分析證據；（4）借用銀幕內外的實踐策略來梳理和回應"傳統與現代"不同層次的矛盾衝突、協作重構，最後不僅可以進一步探究以30年代電影人為代表的人物思想矛盾，還可以辨析中國現代性的駁雜深刻之處。 In the 1930s when dominant intellectuals were cordially and overtly aspiring over modernity, a bunch of modernist intellectuals diversely practiced Totalistic Antitraditionalism inherited from MFM (May Fourth Movement) elite, on silver screen and other media. The educated women are both mediated representatives of Chinese "new" women and bearers of modernists' passion and dreams. Nevertheless, while accessing the film (as exotic and "new" medium then) and imitating western cinematography, some traditional core values and aesthetic ideologies rooted in Confucianism are consciously or unconsciously appropriated in constructing characteristic and auratic aesthetics on silver screen. Hence, not only the classic Confucian guixiu has been repacked and represented with new identity as contemporary educated women, but also some Chinese aesthetical patterns have emerged in film. More importantly, the aesthetics embedded in classic guixiu explain why new educated women are representatives of the "new". This paper (1) starts with the inheritance and ambiguity of the concept "meide (virtue)", before deploying how conventional Li (rites) and Daode (moral) contribute to both constructive significance and chronic dilemma of characters. (2) By virtue of analyzing classic guixiu and Confucius aesthetics, it is further enacted how moral aesthetics are enriched with multiple layers. Moreover, a type of constructive mechanism related to abridge (jie), stop (zhi) and restraint (zhi) is generalized. (3) Then, it deduced some framework that could be approached to filmic analysis as well as collecting data. (4) Lastly, the question about "traditional and modern" will be echoed with on and off screen strategic practices, in terms of contradiction, conflict, collaboration and reconstitution on different levels. Thus, not only the rooted dilemma in the 1930s could be revealed by means of analyzing contradictions of filmic people, but also the hybridity, heterogeneous and profundity of Chinese modernity could be further indicated.
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Dantas, Bianca Salles 1977. "O cinema animalista : a imagem em/no movimento pelos animais." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285230.

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Orientador: Fernão Vitor Pessoa de Almeida Ramos
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-26T08:43:59Z (GMT). No. of bitstreams: 1 Dantas_BiancaSalles_M.pdf: 20978659 bytes, checksum: 9a6eaf8e810d8dfeeffa77e3c17e999d (MD5) Previous issue date: 2014
Resumo: A presente dissertação tem por objetivo mapear e analisar como se configura o que aqui denominamos como cinema animalista e as relações com o movimento social que o originou. Traçaremos o seu desenvolvimento em paralelo ao avanço do movimento social desdobrado na Inglaterra a partir da década de 1970, detalhando a produção cinematográfica a fim de compreender como e com base em quais instrumentos esta produção cultural militante se formou e se configura hoje. Tendo em vista seu horizonte histórico, traçaremos uma linha progressiva em relacionamento com o movimento social nos Estados Unidos, em alguns países da Europa, e no Brasil. Investiremos na análise dos aspectos estilísticos, autorais e políticos no interesse de verificar se tais narrativas estão de fato propondo mudanças de paradigma, encorajando o pensamento contra-hegemônico e desafiando o especismo. Finalizamos o trabalho apresentando uma base de dados da produção cinematográfica animalista, oferecendo filmografia, sinopses e outras informações relevantes obtidas durante o processo de pesquisa
Abstract: This dissertation aims to map and analyze the shape of what is called here as animal rights cinema and its relationships with the social movement originated it. We shall trace its development in parallel with the expansion of the social movement emerged in England in the 1970s, detailing its filmmaking in order to understand how and based on what instruments this activist cultural production was formed and takes shape today. Considering its historical horizon, we shall draw a progressive thinking in relationship with the characteristics of the development of the social movement itself in the United States, some countries of Europe, and in Brazil. We shall emphasize an analysis based in stylistic, authorship and political aspects, verifying if these narratives are in fact proposing paradigm shifts, encouraging counter-hegemonic thinking and challenging speciesism. We end this work by presenting a database of animal cause filmmaking, offering filmography, synopses and other relevant information obtained during the research process
Mestrado
Multimeios
Mestra em Multimeios
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Jones, Nicola C. "Perspective Taking and Relative Clause Comprehension: A Cross-Modal Picture Priming Study." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1671.

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Fourteen young adults participated in a cross-modal picture priming study. Perspective shift processing, in four types of relative clause sentences and in control sentences, was assessed using reaction times. Predictions were: 1) the easier the perspective shifts, the faster the reaction times and 2) subject relative clauses would reveal a priming effect versus attenuated or no priming in object relative clauses due to difficulty following perspective. A priming effect was observed for 1- switch relative clause sentences and for control sentences, while no priming effect was observed for 0 switch, 1+ switch, or 2 switch sentences. Results suggest that variations in local syntactic constructions and word order facilitated relative clause processing. Violations of semantic expectations and noun-noun-verb distance in following perspective can both contribute to the complexity of relative clause processing.
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Zeng, Hainan. "Hybridity, Fluidity and Ingmar Bergman's Alternative Moral Picture : The ideological value of Fanny and Alexander (1983)." Thesis, Stockholms universitet, Filmvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-169627.

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Bergman has claimed that he does not have any ideological intention behind his films. He has also been generally criticized for his bourgeois outlook and lack of ideology. Among the vast amount of Bergman studies as well, the ideological aspect of Bergman’s films has been an under-researched area. This thesis will focus on the five-hour television version of Fanny and Alexander (Ingmar Bergman, 1983) and investigate the interrelationship between the formal features of narrative, character, music and their ideological functions, utilizing ideological and formalist approaches. The premise of this study is: films are cultural products that implicitly or explicitly carry ideological messages. Bergman’s films are no exception. Through the blend of contradictory elements in narrative and the representation of fluid subjectivity, Bergman’s cinematic vision provides an “alternative moral picture”, an expression coined by Hector Rodriguez, and functions as ideology critique. This thesis intends to shed more light on the ideological value embedded in Bergman’s films in general, and Fanny and Alexander in particular, and contribute to a comprehensive field of Bergman research.
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Books on the topic "Moral pictures"

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Espinosa, Julio García. La doble moral del cine. San Antonio de los Baños: Escuela Internacional de Cine y TV, 1995.

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Espinosa, Julio García. La doble moral del cine. San Antonio de los Baños, Cuba: E.I.C.T.V., 1996.

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1920-, Rohmer Éric, Rohmer Éric 1920-, Rohmer Éric 1920-, Rohmer Éric 1920-, Rohmer Éric 1920-, Rohmer Éric 1920-, Rohmer Éric 1920-, and Andrew Geoff 1954-, eds. On the Six moral tales. [New York: Viking, 2006.

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Moral spectatorship: Technologies of voice and affect in postwar representations of the child. Durham: Duke University Press, 2008.

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Cinema and evil: Moral complexities and the "dangerous" film. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2013.

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Stone, Alan A. Movies and the moral adventure of life. Cambridge, MA: MIT Press, 2007.

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Stone, Alan A. Movies and the moral adventure of life. Cambridge, MA: MIT Press, 2008.

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Kowalski, Dean A. Moral theory at the movies: An introduction to ethics. Lanham: Rowman & Littlefield Publishers, 2012.

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Malone, Peter. Can movies be a moral compass? London: St Pauls, 2005.

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The moral premise: Harnessing virtue & vice for box office success. Studio City, CA: Michael Wiese Productions, 2006.

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Book chapters on the topic "Moral pictures"

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Evans, Dorinda. "4. Swedenborg and Enigmatic Pictures." In William Rimmer, 81–116. Cambridge, UK: Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0304.04.

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Rimmer was a non-denominational Christian who typically did not attend church, but, rather, he developed his own religious ideas. These included an acceptance of Emanuel Swedenborg's anti-Catholicism and a belief in much of Swedenborg's accounts of visits to celestial spheres. A number of Rimmer's works of art, such as Victory and Interior: Before the Picture, are explored here for the first time within the context of Swedenborg's writings. As an independently minded artist, he benefited from his own theological exploration. As his paintings of Horses at a Fountain and The Gamblers, Plunderers of Castile (or his drawing of Job's despair with a prominent role given to Elihu) showed, he went beyond the Bible to use relatively esoteric sources. Frequently there is a complex moral message in his work that is not immediately apparent but always depends upon visual clues.
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Pahl, Kerstin Maria. "Feeling Political Through Pictures: Portrayals of US Presidents, 1796–2020." In Feeling Political, 121–58. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89858-8_5.

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AbstractThis chapter looks at media as decisive in political communication. In focusing on portrayals of American presidents it explores both the set-up of a new template—the ‘statesman-like’ style—and discusses how institutions connect with and shape the populace. Through careful emotion management, curated portrayals of politicians address the population, direct political opinion, promote certain types of leaders, convey moral values, and bolster narratives. Analysing the painted portraits of three American presidents, George Washington, Franklin D. Roosevelt, and Barack Obama, the chapter shows how these images not only depict emotional styles as a sort of code of conduct for the incumbent, but also spur emotions by fostering either support or, conversely, disaffection. Presidential portraits project notions of belonging by making their subjects both relatable and exceptional.
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Kalm, Sara, and Anna Meeuwisse. "The Moral Dimension of Countermovements: The Case of Anti-Feminism." In Nonprofit and Civil Society Studies, 291–314. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98798-5_13.

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AbstractThe aim of the chapter is to develop an analytical framework for studying the moral dimension of countermovements, which despite obvious significance for movement mobilization is rarely considered in countermovement theory. We argue that Axel Honneth’s theory of recognition can be used to develop an analytical framework that allows for grasping not only the moral dimension of struggles between social movements and countermovements but also moral divisions within countermovements. According to Honneth, social struggles stem from perceived misrecognition in relation to a set of moral meta-values that form the basis of legitimate claims in Western society: love, equality, and achievement. These meta-values can be understood differently in concrete areas of political struggle, and activists from different camps tend to make quite different interpretations. With this approach, it is possible to analyze countermovements’ moral claims in relation to social movements’ societal values and norms, and whether and how different strands within a countermovement make different types of moral claims.We demonstrate the usefulness of the analytical framework by applying it to the division between feminism and anti-feminism and the division between varieties of anti-feminism (the Christian Right movement, the mythopoetic men’s movement, the men’s rights movement, and the manosphere). What emerges is a picture of the interrelationship between feminism and anti-feminism that is more complex than the common designation of progressive versus reactionary movements. It is clear that the different strands of anti-feminism relate morally in partly different ways to feminism. They all react against what is understood as misrecognition of men as a result of feminism, but the types of moral claims and their specific emphasis on them vary.
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Evans, Dorinda. "3. Self-Expression in Flight and Pursuit." In William Rimmer, 51–80. Cambridge, UK: Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0304.03.

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A chapter is devoted to this painting not only because of its quality but also the fact that its subject matter has long been in public dispute. Part of the problem is that Rimmer has been misunderstood as more secular and more oriented toward contemporary subject matter than he actually was. He painted from himself and from his own feelings, which were often concerned with the moral and spiritual. Much of his work is so personal as to be quite enigmatic in meaning, but this picture, showing a man fleeing his conscience, can be understood through his writings ("Stephen and Phillip," a fictitious narrative), patterns in his work, his illness, and a drawing by him with a subject re-identified as a man and his conscience. Flight and Pursuit is related to similar allegorical works on moral themes, such as Dying Centaur.
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Neumann, Lisa. "Life as an Object of Art: Moral Corruption and Dehumanization in Oscar Wilde’s The Picture of Dorian Gray." In Göttinger Schriften zur Englischen Philologie, 13–49. Göttingen: Göttingen University Press, 2022. http://dx.doi.org/10.17875/gup2022-1917.

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Newbould, M.-C. "“Whose Pictur'd Morals Charm the Mind / And Through the Eye Correct the Heart” 1." In Neo-Georgian Fiction, 61–79. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003000679-5.

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"Moral Thinking." In Pictures, Quotations, and Distinctions, 245–60. Catholic University of America Press, 2022. http://dx.doi.org/10.2307/j.ctv2cw0sg6.17.

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"What Is Moral Action?" In Pictures, Quotations, and Distinctions, 261–76. Catholic University of America Press, 2022. http://dx.doi.org/10.2307/j.ctv2cw0sg6.18.

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"From “World-Pictures” to “Cultures”." In Integrity and Moral Relativism, 155–79. BRILL, 1992. http://dx.doi.org/10.1163/9789004451643_008.

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Dean, Richard. "Some Big Pictures." In The Value of Humanity in Kant's Moral Theory, 244–61. Oxford University Press, 2006. http://dx.doi.org/10.1093/0199285721.003.0012.

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Conference papers on the topic "Moral pictures"

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Zhao, Yu. "Analysis on the Moral Education Value of Picture Books." In 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211220.121.

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Anisimova, Elena Y., and Iraida E. Kantserova. "RELIGIOUS TOURISM AS A PERSPECTIVE TYPE OF TOURISM OF THE ULYANOVSK REGION AND A MEANS OF SPIRITUAL AND MORAL EDUCATION OF SCHOOLCHILDREN." In Treshnikov readings – 2021 Modern geographical global picture and technology of geographic education. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2021. http://dx.doi.org/10.33065/978-5-907216-08-2-2021-94-95.

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Marini, Tria, and Rukiyati. "A Picture Story Book Based on Minangkabau Culture for Religion and Moral Early Childhood." In Proceedings of the 2nd International Conference on Social Science and Character Educations (ICoSSCE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200130.057.

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Vakhrusheva, T. I. "POST-MORTAL ESTABLISHMENT OF THE CAUSES OF INTERNAL DEATH OF DOUBLE FRUITS IN A MALE." In DIGEST OF ARTICLES ALL-RUSSIAN (NATIONAL) SCIENTIFIC AND PRACTICAL CONFERENCE "CURRENT ISSUES OF VETERINARY MEDICINE: EDUCATION, SCIENCE, PRACTICE", DEDICATED TO THE 190TH ANNIVERSARY FROM THE BIRTH OF A.P. Stepanova. Publishing house of RGAU - MSHA, 2021. http://dx.doi.org/10.26897/978-5-9675-1853-9-2021-31.

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The article describes a case of intrauterine death of twin fetuses in a multiple pregnancy in a mare, presents the results of postmortal diagnostics with the establishment of the causes of miscarriage, studies the picture of changes in organs and tissues, reveals cause-and-effect relationships between pathological processes and the mechanism of death.
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Liang, Frank Z., Richard L. Williams, and Wade Hezeltine. "Board Deflection/Strain Instead of Acceleration Measurements for Circuit Board FE Shock Model Validation." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-80093.

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Modal method and direct time integration analyses are two common FE approaches to simulate circuit board shock response. When using these methods, the model validation depends on comparing the simulated result with either frequency or time domain response. In the past, modal test and analysis has been the final model validation step for using modal method. We believe a shock simulation model should be revalidated following the modal validation, since the modal parameters are global measurements and the second level interconnect (SLI) reliability in shock is more related to its local board bending condition. A revalidation can be done by comparing model simulation acceleration with direct acceleration measurements on the circuit board. However, the board level acceleration may not provide an accurate picture of board level deflection or strain, leading to an incorrect conclusion of the SLI stress predicted by a model. This paper compares the application of acceleration validation method and the method using board deflection and board strain time history to achieve model validation.
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Kiose, Maria, Anastasia Rzheshevskaya, and Anna Izmalkova. "Gaze behavior in single-page monomodal and cross-modal switches as affected by Event construal." In Dialogue. RSUH, 2022. http://dx.doi.org/10.28995/2075-7182-2022-21-1078-1088.

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This paper proposes Event-modelling Framework (EMF) to explore the systemic Event construal effects onto gaze. In two eye tracking experiments examining monomodal and cross-modal switches with a total number of 898 gaze probes of Text and Picture Areas of Interest (AOIs), we investigated gaze behavior variations produced by Event construal registered in 61 parameters of Referent, Event Frame and Perspective construal. 5 non-aliased gaze metrics served to assess the significance of Event construal effects and scale them. The results contribute to the research field of ergonomic optimization in visual and reading tasks.
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Painchaud, Yves, Paul LeBel, Michel A. Duguay, and Richard J. Black. "Time-resolved measurements of modal spatial profiles in optical fibers." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oam.1990.thkk1.

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Picosecond pulses of visible light from a mode-locked dye laser are injected into a 600-m fiber designed to be monomode at 1300 nm. Up to seven modes are excited and can be time resolved at the fiber output by an ultrafast photodiode and a sampling oscilloscope. A computer-controlled XY micropositioner is used to make the photodiode scan the far field spatial power profile of each time-resolved mode. The photodiode has a sensitive area that is small compared to the mode size. By plotting the peak power of each time-resolved mode as a function of x and y, we obtain a picture of a mode in flight. This permits unambiguous identification of each mode. The time position of each mode is measured relative to the fundamental mode as the dye laser is tuned over the 560–605 nm spectral range. The group-velocity dispersion curves thus obtained are used to model the refractive- index profile of the optical fiber through its effect on waveguide dispersion. The method is sensitive enough to show the presence of a dip at core center for one of the fibers studied and to pin down the core diameter with submicrometer accuracy.
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Moroz, Leonid, Leonid Romanenko, Roman Kochurov, and Evgen Kashtanov. "Prediction of Structural Supports Influence on Rotating Machinery Dynamics." In ASME Turbo Expo 2017: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/gt2017-63035.

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Rotor lifetime and safety primarily depend on the level of rotor vibration. In order to avoid unwanted consequences for the plant due to rotor damage and to meet the highest requirements of design reliability, accurate rotor dynamic predictions are mandatory. Having the correct rotor model is a critical issue in dynamics prediction. Often research activities are focused only on the rotor-bearing system analysis. However, generally, the whole system, which includes the rotor, bearings, casing and structural supports should be considered. Special attention should be paid to the influence of structural supports which reveals when the rotor is supported by ball bearings because of low damping and high bearing stiffness. The approach presented in this paper allows us to simulate the influence of structural supports on rotor dynamics response and as a result, the full picture of rotor-bearing-support system resonances can be analyzed to avoid potential problems. The methodology is based on support vibrations modal reduction technics. According to the approach, the natural frequencies and their mode shapes should be calculated for the separate support structure applying a three-dimensional finite element model and the relative displacements at bearing location points are measured. Supports’ normalized modal characteristics (modal mass and modal stiffness) for each vibration mode should then be imported in a rotor dynamics algorithm for rotor unbalance response analysis. The approach allows for simulation of different types of support structures such as bearing pedestals, steel foundations, tabletop-type foundation, frame and pipe supports of arbitrary geometry, and so on. Validation based on the Jeffcott rotor model is presented. The current methodology has been applied to a single-stage compressor’s rotor-bearing-support system which was manufactured and commissioned. The results of the simulations are discussed.
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Feng, Xiachong, Xiaocheng Feng, and Bing Qin. "A Survey on Dialogue Summarization: Recent Advances and New Frontiers." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. California: International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/764.

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Dialogue summarization aims to condense the original dialogue into a shorter version covering salient information, which is a crucial way to reduce dialogue data overload. Recently, the promising achievements in both dialogue systems and natural language generation techniques drastically lead this task to a new landscape, which results in significant research attentions. However, there still remains a lack of a comprehensive survey for this task. To this end, we take the first step and present a thorough review of this research field carefully and widely. In detail, we systematically organize the current works according to the characteristics of each domain, covering meeting, chat, email thread, customer service and medical dialogue. Additionally, we provide an overview of publicly available research datasets as well as organize two leaderboards under unified metrics. Furthermore, we discuss some future directions, including faithfulness, multi-modal, multi-domain and multi-lingual dialogue summarization, and give our thoughts respectively. We hope that this first survey of dialogue summarization can provide the community with a quick access and a general picture to this task and motivate future researches.
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Kruntcheva, Mariana R. "Passive Noise Reduction in an Automotive Compartment." In ASME 2008 Noise Control and Acoustics Division Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/ncad2008-73073.

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Fuel economy, international competition and socioeconomic factors have forced manufacturers to develop lighter automotive vehicles. However, such vehicles are typically more susceptible to noise and vibration problems. The internal sound field in the passenger compartment is affected significantly by the acoustic modal characteristics of the cavity, by the dynamic behaviour of the surrounding structure, and by the nature of the coupling of these two dynamic systems. The purpose of this research is to develop and analyse a new vibroacoustic model containing the main compartment cavity and the luggage compartment cavity. Special attention is placed on the effect of a double walled partition between the main compartment cavity and the luggage compartment. The system is studied using ANSYS finite element (FE) code. The modelling involved shell finite elements for the structure and three-dimensional (3D) acoustic elements for the cavities. The 3D FE modal analysis produced results visualizing the complex picture of acoustic-structure coupling in the lower frequency range (30–200 Hz). It was found that strong coupling between the thin walled structure and the acoustic enclosures exists in the vicinity of any acoustic resonance. The key noise reduction principle examined is the passive application of a characteristic impedance mismatch. Using an FE model, numerical simulations are conducted to study the effect of various design parameters on acoustic transmission. The results show that at least 8 dB reductions in sound pressure level may be achieved with a modest level of vacuum in the double partition between the main cabin and the luggage compartment cavity.
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