Journal articles on the topic 'Monuments Australia'
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1
Baguley, Margaret, Martin Kerby, and Nikki Andersen. "Counter memorials and counter monuments in Australia’s commemorative landscape: A systematic literature review." Historical Encounters: A journal of historical consciousness, historical cultures, and history education 8, no. 3 (December 22, 2021): 93–120. http://dx.doi.org/10.52289/hej8.308.
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Over the course of the last four decades there has been a growing interest in the development and impact of counter memorials and counter monuments. While counter memorial and monument practices have been explored in Europe and the United States, relatively little research has been conducted in the Australian context. This systematic literature review examines the current state of scholarship by exploring what form counter monuments and memorials have taken and what events they have focussed on. A total of 134 studies met the selection criteria and were included in the final review. The major factors identified that have impacted on the development of the counter memorial and monument genre in Australia are international and domestic influences, historical, political and social-cultural events in Australia, the socio-political agenda of various individuals or organisations, and the aesthetics of the counter memorials and monuments themselves. The review found that Australia has a diverse and active counter memorial and monument genre, with commemorative practices honouring Aboriginal and Torres Strait Islander peoples, women, victims of human made and natural disasters, the experiences of asylum seekers, and the histories and experiences of the lesbian, gay, bisexual, transgender and queer communities.
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Zernetska, O., and O. Myronchuk. "Historical Memory and Practices of Monumental Commemoration of World War I in Australia (Part 1)." Problems of World History, no. 12 (September 29, 2020): 208–24. http://dx.doi.org/10.46869/2707-6776-2020-12-11.
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The authors’ research attention is focused on the specifics of the Australian memorial practices dedicated to the World War I. The statement is substantiated that in the Australian context memorials and military monuments formed a special post-war and post-traumatic part of the visual memory of the first Australian global military conflict.
The features of the Australian memorial concept are clarified, the social function of the monuments and their important role in the psychological overcoming of the trauma and bitter losses experienced are noted. The multifaceted aspects of visualization of the monumental memory of the World War I in Australia are analyzed. Monuments and memorials are an important part of Australia’s visual heritage.
It is concluded that each Australian State has developed its own concept of memory, embodied in various types and nature of monuments. The main ones are analyzed in detail: Shrine of Remembrance in Melbourne (1928–1934); Australian War Memorial in Canberra (1941); Sydney Cenotaph (1927-1929) and Anzac Memorial in Sydney (1934); Desert Mounted Corps Memorial in Western Australia (1932); Victoria Memorials: Avenue of Honour and Victory Arch in Ballarat (1917-1919), Australian Ex-Prisoners of War Memorial (2004), Great Ocean Road – the longest nationwide memorial (1919-1932); Hobart War Memorial in the Australian State of Tasmania (1925), as well as Villers-Bretonneux Australian National Memorial in France dedicated to French-Australian cooperation during the World War I (1938).
The authors demonstrate an inseparable connection between the commemorative practices of Australia and the politics of national identity, explore the trends in the creation and development of memorial practices. It is noted that the overwhelming majority of memorial sites are based on the clearly expressed function of a place of memory, a place of mourning and commemoration. It was found that the representation of the memorial policy of the memory of Australia in the first post-war years was implemented at the beginning at the local level and was partially influenced by British memorial practices, transforming over time into a nationwide cultural resource.
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Zernetska, O., and O. Myronchuk. "Historical Memory and Practices of Monumental Commemoration of World War I in Australia (Part 2)." Problems of World History, no. 13 (March 18, 2021): 203–21. http://dx.doi.org/10.46869/2707-6776-2021-13-10.
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The authors’ research attention is focused on the specifics of the Australian memorial practices dedicated to the World War I. The statement is substantiated that in the Australian context memorials and military monuments formed a special post-war and post-traumatic part of the visual memory of the first Australian global military conflict.
The features of the Australian memorial concept are clarified, the social function of the monuments and their important role in the psychological overcoming of the trauma and bitter losses experienced are noted. The multifaceted aspects of visualization of the monumental memory of the World War I in Australia are analyzed. Monuments and memorials are an important part of Australia’s visual heritage.
It is concluded that each Australian State has developed its own concept of memory, embodied in various types and nature of monuments. The main ones are analyzed in detail: Shrine of Remembrance in Melbourne (1928–1934); Australian War Memorial in Canberra (1941); Sydney Cenotaph (1927-1929) and Anzac Memorial in Sydney (1934); Desert Mounted Corps Memorial in Western Australia (1932); Victoria Memorials: Avenue of Honour and Victory Arch in Ballarat (1917-1919), Australian Ex-Prisoners of War Memorial (2004), Great Ocean Road – the longest nationwide memorial (1919-1932); Hobart War Memorial in the Australian State of Tasmania (1925), as well as Villers-Bretonneux Australian National Memorial in France dedicated to French-Australian cooperation during the World War I (1938).
The authors demonstrate an inseparable connection between the commemorative practices of Australia and the politics of national identity, explore the trends in the creation and development of memorial practices. It is noted that the overwhelming majority of memorial sites are based on the clearly expressed function of a place of memory, a place of mourning and commemoration. It was found that the representation of the memorial policy of the memory of Australia in the first post-war years was implemented at the beginning at the local level and was partially influenced by British memorial practices, transforming over time into a nationwide cultural resource.
4
Baldassar, Loretta. "Migration Monuments in Italy and Australia: Contesting Histories and Transforming Identities." Modern Italy 11, no. 1 (February 2006): 43–62. http://dx.doi.org/10.1080/13532940500492241.
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Rather than focusing on how Italians share the neighbourhood with other groups, this paper examines some of the intra-group processes (i.e. relations between Italians themselves) that produced various monuments to Italian migration in Australia, Brazil and Italy. Through their distinct styles and formulations, the monuments reflect diverse and often competing elaborations of the migrant experience by different generations at local, national and transnational levels. The recent increase in the construction of such monuments in Australia is linked to the gradual disappearance of ‘visibly’ Italian neighbourhoods. These commemorations effectively transform Italian migrants into Australian pioneers and, thus, resolve moral and cultural ambiguities about belonging and identity by de-emphasizing difference (ethnic diversity) and concealing intergenerational tensions about appropriate ways of expressing Italianness. Similarly, the appearance of monuments in Italy is linked to an emergent ‘diasporic’ consciousness fuelled by Italian emigrants’ growing ability to travel to Italy, but also to the attempt to obscure potentially destabilizing dual identities by emphasizing (one, Italian) ‘homeland’.
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Deegan, Connor. "Why do public monuments play such an important role in memory wars?" Constellations 9, no. 1 (January 11, 2018): 20–33. http://dx.doi.org/10.29173/cons29343.
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In this paper I explore the role played by public monuments in the narration of national stories. I examine several monuments that have been built to promote various national narratives, with a particular focus on the South Australian National War Memorial, located in Adelaide, Australia. My analysis reveals that monuments have a dynamic capacity to embody simplified narratives of the past, and to shape collective memory accordingly. I contend that, owing to this capacity, monuments play a significant role in the narration of national stories. I also consider the power of monuments to serve vehicles for the promulgation of dissenting narrative strands. I ultimately argue that the prevalence of such strands reveals that many “memory wars” can never definitively be won—that is, that it is impossible to achieve homogeneity in history.
6
Strakosch, Elizabeth. "Counter-Monuments and Nation-Building in Australia." Peace Review 22, no. 3 (August 18, 2010): 268–75. http://dx.doi.org/10.1080/10402659.2010.502065.
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Stanley, Jessie. "Anti-monuments to the Immemorial. Exploring the how, why, and what next of our relationship to our environment." Journal of Public Space, Vol. 4 n. 3 (November 30, 2019): 155–70. http://dx.doi.org/10.32891/jps.v4i3.1227.
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Monuments typify human habitation of place, memorialising ideologies of the prevailing power from moments in time. In recent decades, their form has undergone a revolution. Along with their transformation from the heavy permanence of monumentality, to the temporality of anti-monumental form — subject matter has also diametrically shifted from representing the state, to representing the marginalised. My practice-based research explores further the anti-monuments’ potential for social activism — to expand memorialisation beyond a human-centric narrative, to acknowledge the immemorial forces that shape place over deep time. An iterative creative process informs the major body of site-responsive works Human/Nature undertaken as Artist in Residence at Kyneton Botanic Gardens in regional Victoria, Australia, presented at the Kyneton Contemporary Art Triennial 2018. Drawing on the site’s deep time environmental and ideological origins as transformative forces, I created a series of anti-monuments: activating public space as an experimental laboratory to explore and discover the how, why, and what next of our relationship to our environment.
8
Baker, Sarah, and Alison Huber. "Locating the canon in Tamworth: historical narratives, cultural memory and Australia's ‘Country Music Capital’." Popular Music 32, no. 2 (May 2013): 223–40. http://dx.doi.org/10.1017/s0261143013000081.
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AbstractThis article concerns the regional city of Tamworth, New South Wales, Australia, a place that prides itself on its reputation as Australia's home of country music. We consider the ongoing memorialisation of country music in Tamworth, and how the processes associated with the project of articulating country music's past work to create and maintain something that can be recognised (and experienced) as a dominant narrative or an Australian country music ‘canon’. Outlining a number of instances in which the canon is produced and experienced (including in performances, rolls of honour and monuments built around the city), the article explores the ways in which this narrativisation of Australia's country music history contributes to a certain kind of memory of the genre's past.
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Lennon, Jane L. "Lisanne Gibson and Joanna Besley, Monumental Queensland: Signposts on a Cultural Landscape." International Journal of Cultural Property 13, no. 1 (February 2006): 121–23. http://dx.doi.org/10.1017/s0940739106000051.
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Lisanne Gibson and Joanna Besley, Monumental Queensland: Signposts on a Cultural Landscape. Pp. 268. $49.95. St Lucia, Queensland: University of Queensland Press, 2004.By surveying and documenting outdoor cultural objects, the authors of this book seek to inform communities about the significance of their public art objects and to provide a starting point for people to value such artworks as expressing what is unique about their experience and understanding of Queensland, Australia (p. 7). However, this begs the question of public value. People in colonial times (nineteenth century) gave private subscriptions to have public monuments and memorials erected, and currently, Queensland has a Public Art Agency whose enabling legislation makes it mandatory for all public works projects to fund public art works associated with and integral to new construction, as part of the “Art Built-In” program. Queenslanders clearly like monuments!
10
MARTIN, SUSAN K. "Monuments in the garden: the garden cemetery in Australia." Postcolonial Studies 7, no. 3 (November 2004): 333–52. http://dx.doi.org/10.1080/1368879042000311115.
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Bedford, Alison, Richard Gehrmann, Martin Kerby, and Margaret Baguley. "Conflict and the Australian commemorative landscape." Historical Encounters: A journal of historical consciousness, historical cultures, and history education 8, no. 3 (December 22, 2021): 13–26. http://dx.doi.org/10.52289/hej8.302.
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Australian war memorials have changed over time to reflect community sentiments and altered expectations for how a memorial should look and what it should commemorate. The monolith or cenotaph popular after the Great War has given way to other forms of contemporary memorialisation including civic, counter or anti-memorials or monuments. Contemporary memorials and monuments now also attempt to capture the voices of marginalised groups affected by trauma or conflict. In contrast, Great War memorials were often exclusionary, sexist and driven by a nation building agenda. Both the visibility and contestability of how a country such as Australia pursues public commemoration offers rich insights into the increasingly widespread efforts to construct an inclusive identity which moves beyond the cult of the warrior and the positioning of war as central to the life of the nation.
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Yeats, Christine. "Should They Stay or Should They Go?:." Public History Review 28 (June 22, 2021): 152–56. http://dx.doi.org/10.5130/phrj.v28i0.7512.
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This contribution considers the current debates about the place of monuments, such as the statue of Captain Cook in Hyde Park, which reached a recent high point during the Black Lives Matter protests across Australia in mid 2020. While removing contentious statues from public view may address concerns about their unwanted presence, we must ensure that the contested history they embody is not also erased from society’s memory. We need to develop an acceptable framework for dealing with such monuments within their historical context. Ultimately, there is no single answer to the question: should the vestiges of flawed historical narratives stay or go? It depends on the circumstances of each case. But some things are clear. There is a need for Australia to redress historical and current wrongs against First Nations people.
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Hayward, Sandra F. "Colonial Expressions of Identity in Funerals, Cemeteries, and Funerary Monuments of Nineteenth-Century Perth, Western Australia." Genealogy 2, no. 3 (July 18, 2018): 23. http://dx.doi.org/10.3390/genealogy2030023.
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A general cemetery was established in 1829–1830 for the town of Perth, Western Australia, and during the rest of the nineteenth century, other cemeteries were added to the complex to cater for various Christian denominations as well as for Chinese and Jewish communities. In all, seven contiguous cemeteries were used over the colonial period in Perth. By 1899, when the cemetery complex was closed, approximately ten thousand people were buried there. The deceased or their bereaved loved ones chose funerals, epitaphs, burial locations, and funerary monuments to express social, ethnic, religious, familial, and gendered identity. These expressions of identity provide more information than just birth and death dates for genealogists and family historians as to what was important to the deceased and their family. In the first half of the nineteenth century, identities were dominantly related to family, whereas later in the century, identities included religion, ethnicity, and achievements within the colony of Western Australia. Some expressions of identity in Perth contrast with those found in other Australian colonies, especially in regard to the use and types of religious crosses in the Christian denominations.
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Orlova, T. "Development of Public History in Australia." Problems of World History, no. 15 (September 14, 2021): 193–208. http://dx.doi.org/10.46869/2707-6776-2021-15-10.
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The present article is aimed at demonstrating the importance of new for Ukrainian historiography direction of public history, for the country’s development and for strengthening its stance at the international arena. Australia is taken for an example, as it has turned from once remote Terra Incognita into one of the leading nations of the modern world. It is emphasized that, regardless of attainments, the identity issue is still as urgent as to other countries in the conditions of a global crisis. The sources of the public history trend are revealed, explained are the factors conducive to its spread planet-wise, attention is brought to the fact that this trend has become a natural result of developments in the science of history in the Western civilization, encompassing countries of Europe, the Americas, and Australia. The latter, being a ramification of the Western civilization branch, has adopted the guidelines outlined by American scholars, driven by pragmatic considerations.
Steps are determined in the institutionalization of the said direction, a characteristic is given to the activities of the Australian Center of Public History at Sydney Technology University, of the journal “Public History Survey”, as well as to the specifics of their work in the digital era under the motto: “History for the public, about the public, together with the public”. The same motto is leading the historians working with local and family history, cooperating with the State in the field of commemoration, placing great importance on museums, memorials, monuments. Considering national holidays, particular attention is given to the National Day of Apology, reflecting the complications of Australian history. Like American public history, the Australian one began to give much attention to those groups of population that were previously omitted by the focus of research, namely, the aborigines.
A conclusion is made regarding the importance of history in general and public history in particular for the implementation of the national identity policy – an important token of the nation’s stable and successful progress.
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Mytum, Harold. "COMMEMORATION AND IMPROVEMENT: PARRAMATTA ST JOHN’S CEMETERY, NEW SOUTH WALES, IN ITS CONTEXT 1788−c 1840." Antiquaries Journal 100 (July 2, 2020): 374–407. http://dx.doi.org/10.1017/s0003581520000281.
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Parramatta was the second British settlement established in mainland Australia, and for a time was the largest. Its burial ground and monuments, the oldest surviving British cemetery in mainland Australia, provides important evidence for the aspirations, attitudes and practices within this fledgling community. It reveals the role of improvement concepts and practices in popular as well as governmental culture, representing an experiment in secular control over burial decades before the urban non-denominational cemetery first appears in England. The primary chronological focus here is from the foundation of settlement in 1788 to c 1840, by which time free settlers as well as emancipists had transformed Parramatta from a convict settlement into a colonial town.
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Moreton-Robinson, Aileen. "Monuments, Place Names and Black Lives Matter: Memorialising Captain James Cook." Legalities 2, no. 1 (March 2022): 67–81. http://dx.doi.org/10.3366/legal.2022.0029.
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In this article I consider how the body of the historical figure Captain James Cook is available for consumption and commemoration every day on Indigenous lands connected by the Pacific Ocean. Consuming Cook’s memorialised body is a discursive form of cannibalism. As I have argued elsewhere, the complex relations between objects and people by which national identity, relationships and values are expressed do so within an order of things discursively configured through the possessive logics of patriarchal white sovereignty. These racialised and gendered possessive logics circulate sets of meanings and presuppositions as part of vernacular knowledge, decision making and socially produced conventions fortifying institutional structures such as the law. As is illustrated, statues, monuments and place names tied to Captain James Cook are things imbued with meaning in everyday life. As public secrets, they stand as tangible and intangible evidence of the continuing colonial legacy of white possession and Indigenous dispossession; the knowing what not to know. Evidence that signifies dead white male bodies will be remembered and dead Indigenous bodies will be forgotten. This signification is transferred onto which living bodies matter in Australia.
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Gabaccia, Donna R. "Global Geography of ‘Little Italy’: Italian Neighbourhoods in Comparative Perspective." Modern Italy 11, no. 1 (February 2006): 9–24. http://dx.doi.org/10.1080/13532940500489510.
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Between 1870 and 1970 the migration of 26 million people from Italy produced an uneven geography of Little Italies worldwide. Migrants initially clustered residentially in many lands, and their festivals, businesses, monuments and practices of everyday life also attracted negative commentary everywhere. But neighbourhoods labelled as Little Italies came to exist almost exclusively in North America and Australia. Comparison of Italy's migrants in the three most important former ‘settler colonies’ of the British Empire (the USA, Canada, Australia) to other world regions suggests why this was the case. Little Italies were, to a considerable extent, the product of what Robert F. Harney termed the Italo-phobia of the English-speaking world. English-speakers’ understandings of race and their history of anti-Catholicism helped to create an ideological foundation for fixing foreignness upon urban spaces occupied by immigrants who seemed racially different from the earlier Anglo-Celtic and northern European settlers.
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Brand, J., A. Wain, A. V. Rode, S. Madden, P. L. King, and L. Rapp. "Femtosecond pulse laser cleaning of spray paint from heritage stone surfaces." Optics Express 30, no. 17 (August 10, 2022): 31122. http://dx.doi.org/10.1364/oe.468750.
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We explore the use of femtosecond laser pulses to clean a variety of colors of spray paint from the Moruya granite, a stone with high heritage value that is widely used for monuments and sculptures in Sydney and New South Wales (Australia). The efficiency of the cleaning treatment and the effects on the stone substrate are evaluated using optical microscopy, optical profilometry, Raman spectroscopy, energy-dispersive X-ray spectroscopy, and colorimetry. We demonstrate that femtosecond laser cleans granite without damaging it and without discoloration when the laser fluence is set below the damage threshold of the stone.
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Saladžinskas, Sigitas Vladas, and Kristina Vaisvalavičienė. "Professional Activities (1930–1981) of Latvian-Born Lithuanian Architect and Engineer Karolis Reisonas (1894–1981) in Kaunas, Panevėžys and Adelaide Cities." History of Engineering Sciences and Institutions of Higher Education 3 (October 15, 2019): 35–51. http://dx.doi.org/10.7250/hesihe.2019.003.
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The article introduces the professional activities of Latvian-born Lithuanian architect and engineer Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) in the second half of his life – from 1930 in Kaunas, Panevėžys and Adelaide cities – and his role in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern 20th-century interwar Lithuanian architecture and together with other famous Lithuanian architects formed a special style of Kaunas modern architecture in interwar period. K. Reisonas is the author or co-author of representative buildings in Šiauliai, Kaunas and other Lithuanian cities, as well as in Riga and Adelaide cities. Architect and engineer K. Reisonas worked as Šiauliai City Engineer and Head of Municipal Construction Department (1922–1930), Director of Šiauliai Vocational School (1926), Consultant of Lithuanian Chamber of Agriculture (1927–1928), Head of Construction Department of Kaunas Municipality (1930– 1938), Panevėžys City Engineer (1940) and Burgomaster (1941–1944). From 1949, the Reisonas family lived in Adelaide city, Australia. To his projects three monuments of independence were built in Lithuania – Monument of Independence in Šiauliai city, Podium of the Freedom Monument of Kaunas city and Roman Catholic Christ’s Resurrection Church in Kaunas city. Fourteen of buildings in Lithuania (in Kaunas and Šiauliai cities) designed by him are included in the list of cultural values of Lithuania. Early K. Reisonas’ projects are characterized by historism, elements of eclecticism and «brick style», later projects are characterized by austere rationalism, functionalism, adaptation to urban construction and cultural and historical context.
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Hannibal, Joseph T., S. Kramar, and B. J. Cooper. "Worldwide examples of global heritage stones: an introduction." Geological Society, London, Special Publications 486, no. 1 (2020): 1–6. http://dx.doi.org/10.1144/sp486-2020-84.
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AbstractHeritage stones are stones that have special significance in human culture. The papers in this volume discuss a wide variety of such stones, including stones from Europe, Asia, North and South America, Africa and Australia. Igneous (basalt, porphyry and a variety of granites), sedimentary (sandstone, limestone) and metamorphic (marble, quartzite, gneiss, slate, soapstone) stones are featured. These stones have been used over long periods of time for a wide range of uses, including monuments, buildings of architectural note, columns, roofing, tiling and lithography. A number of papers in this book provide information that is essential for eventual approval of stones as a Global Heritage Stone Resource or a group of stones as a Global Heritage Stone Province.
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Wellington, Jennifer. "War Trophies, War Memorabilia, and the Iconography of Victory in the British Empire." Journal of Contemporary History 54, no. 4 (September 5, 2019): 737–58. http://dx.doi.org/10.1177/0022009419864159.
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Cultural efforts to mobilise populations behind the war in Britain and its Dominions, Canada and Australia – especially through the exhibition of war trophies – solidified after the Armistice into state-supported institutions creating and promoting a culture of victory. This culture was most pronounced, and most centralised, in Australia. Wartime propaganda institutions grew into national war museums which effectively froze the victorious national war effort, and the moment of triumph, in three-dimensional form. The institutions, and the people who ran them, did not demobilise with the peace. These museums used substantially the same objects and techniques they had used in wartime to support the war effort to create a postwar narrative in which victory established a clear (and martial) national identity, and also justified the war itself. At the same time, the narrative of a British imperial victory was used to create claims of unity which denied the reality of divisions in society. Trophies wrested from wartime enemies were used as pride-inducing objects to fundraise for peace, and fashioned into war memorials that were at once sites of mourning and monuments celebrating military dominance. Visions of postwar peace and progress could not be disentangled from victory and the violence that enabled it.
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Kerby, Martin, Margaret Baguley, Alison Bedford, and Richard Gehrmann. "If these stones could speak: War memorials and contested memory." Historical Encounters: A journal of historical consciousness, historical cultures, and history education 8, no. 3 (December 22, 2021): 1–12. http://dx.doi.org/10.52289/hej8.301.
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This article explores how war memorials engage with the contested nature of public sculpture and commemoration across historical, political, aesthetic and social contexts. It opens with an analysis of the Australian commemorative landscape and the proliferation of Great War Memorials constructed after 1918 and their ‘war imagining’ that positioned it as a national coming of age. The impact of foundational memorial design is explored through a number of memorials and monuments which have used traditional symbolism synonymous with the conservative ideological and aesthetic framework adopted during the inter-war years. The authors then analyse international developments over the same period, including Great War memorials in Europe, to determine the extent of their impact on Australian memorial and monument design. This analysis is juxtaposed with contemporary memorial design which gradually echoed increasing disillusionment with war and the adoption of abstract designs which moved away from a didactic presentation of information to memorials and monuments which encouraged the viewer’s interpretation. The increase of anti- or counter-war memorials is then examined in the context of voices which were often excluded in mainstream historical documentation and engage with the concept of absence. The selection of memorials also provides an important contribution in relation to the ideological and aesthetic contribution of war memorials and monuments and the extent of their relevance in contemporary society.
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Saladžinsks, Sigits Vlads, and Kristina Vaisvalavičiene. "Latviešu izcelsmes Lietuvas arhitekts un inženieris Kārlis Reisons (1894–1981) un viņa profesionālā darbība Šauļos." Inženierzinātņu un augstskolu vēsture 2 (November 1, 2018): 97–113. http://dx.doi.org/10.7250/iav.2018.008.
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Raksts iepazīstina ar Latvijā mazzināma latviešu izcelsmes Lietuvas arhitekta un inženiera Kārļa Reisona (Karolis Reisonas; 1894–1981) dzīvi un profesionālo darbību Šauļos, kā arī aktualizē svarīgākās arhitekta daiļrades mantojuma iezīmes un viņa darbu nozīmi Lietuvas arhitektūras vēsturē. K. Reisons bija viens no spilgtākajiem 20. gadsimta starp-karu perioda Lietuvas modernās arhitektūras radītājiem. K. Reisons ir reprezentatīvu celtņu Lietuvas pilsētās, kā arī Rīgā un Adelaidā (Austrālija) autors vai līdzautors. Rīgas reālskolas (1913) un Sanktpēterburgas civilinženieru institūta (1920) absolvents K. Reisons strādāja par Šauļu pilsētas inženieri un pašvaldības Būvniecības nodaļas vadītāju (1922–1930), Šauļu būvniecības desmitnieku1 kursu (1925), vēlāk arī Šauļu arodskolas direktoru (1926), Lietuvas Lauksaimniecības kameras konsultantu (1927–1928). 14 no viņa projektētām celtnēm Kauņā un Šauļos ir iekļautas Lietuvas Kultūras vērtību reģistrā. Agrīniem K. Reisona projektiem raksturīgs historisms ar eklektisma elementiem un tā sauktais «ķieģeļu stils». Vēlākie projekti iezīmējas ar modernajai arhitektūrai raksturīgu askētisko racionālismu, funkcionālismu un piemērošanos pilsētbūvniecības un kultūrvēsturiskajam kontekstam. Pēc Otrā pasaules kara viņš ar ģimeni emigrēja uz Vāciju, vēlāk – uz Adelaidu, piedalījies Adelaidas lietuviešu kopienas dzīvē. The article introduces the professional activities of Latvian-born Lithuanian architect and engineer Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) in the second half of his life – from 1930 in Kaunas, Panevėžys and Adelaide cities – and his role in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern 20th-century interwar Lithuanian architecture and together with other famous Lithuanian architects formed a special style of Kaunas modern architecture in interwar period. K. Reisonas is the author or co-author of representative buildings in Šiauliai, Kaunas and other Lithuanian cities, as well as in Riga and Adelaide cities. Architect and engineer K. Reisonas worked as Šiauliai City Engineer and Head of Municipal Construction Department (1922–1930), Director of Šiauliai Vocational School (1926), Consultant of Lithuanian Chamber of Agriculture (1927–1928), Head of Construction Department of Kaunas Municipality (1930–1938), Panevėžys City Engineer (1940) and Burgomaster (1941–1944). From 1949, the Reisonas family lived in Adelaide city, Australia. To his projects three monuments of independence were built in Lithuania – Monument of Independence in Šiauliai city, Podium of the Freedom Monument of Kaunas city and Roman Catholic Christ’s Resurrection Church in Kaunas city. Fourteen of buildings in Lithuania (in Kaunas and Šiauliai cities) designed by him are included in the list of cultural values of Lithuania. Early K. Reisonas’ projects are characterized by historism, elements of eclecticism and «brick style», later projects are characterized by austere rationalism, functionalism, adaptation to urban construction and cultural and historical context.
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Saladžinsks, Sigits Vlads, and Kristina Vaisvalavičiene. "Latviešu izcelsmes Lietuvas arhitekta un inženiera Kārļa Reisona (1894–1981) darbība (1930–1981) Kauņā, Panevēžā un Adelaidā." Inženierzinātņu un augstskolu vēsture 3 (October 15, 2019): 34–49. http://dx.doi.org/10.7250/iav.2019.003.
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Raksts iepazīstina ar latviešu izcelsmes Lietuvas arhitekta un inženiera Kārļa Reisona (Karolis Reisonas; 1894–1981) profesionālo darbību mūža otrajā pusē – no 1930. gada Kauņā, Panevēžā un Adelaidā – un viņa darbu nozīmi Lietuvas arhitektūras vēsturē. K. Reisons bija viens no spilgtākajiem 20. gadsimta starpkaru perioda Lietuvas modernās arhitektūras radītājiem, kopā ar citiem slaveniem Lietuvas arhitektiem veidoja īpašo starpkaru perioda Kauņas modernās arhitektūras stilu. K. Reisons ir reprezentatīvu celtņu Šauļos, Kauņā un citās Lietuvas pilsētās, kā arī Rīgā un Adelaidā autors vai līdzautors. Arhitekts un inženieris K. Reisons strādāja par Šauļu pilsētas inženieri un pašvaldības Būvniecības nodaļas vadītāju (1922–1930), Šauļu arodskolas direktoru (1926), Lietuvas Lauksaimniecības kameras konsultantu (1927–1928), Kauņas pašvaldības Būvniecības nodaļas vadītāju (1930–1938), Panevēžas inženieri (1940) un birģermeistaru (1941–1944). No 1949. gada Reisonu ģimene dzīvoja Adelaidā, Austrālijā. Pēc viņa projektiem Lietuvā uzcelti trīs neatkarības pieminekļi – Šauļu Neatkarības piemineklis, Kauņas Brīvības pieminekļa postaments un Kauņas Romas katoļu Kristus Augšāmcelšanās baznīca. 14 no viņa projektētām celtnēm Kauņā un Šauļos ir iekļautas Lietuvas nekustamo kultūras vērtību sarakstā. Agrīniem K. Reisona projektiem raksturīgs historisms, eklektisma elementi, «ķieģeļu stils», vēlākie projekti iezīmējas ar modernismam raksturīgu askētisko racionālismu, funkcionālismu, piemērošanos pie pilsētbūvnieciskā un kultūrvēsturiskā konteksta. The article introduces the professional activities of Latvian-born Lithuanian architect and engineer Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) in the second half of his life – from 1930 in Kaunas, Panevėžys and Adelaide cities – and his role in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern 20th-century interwar Lithuanian architecture and together with other famous Lithuanian architects formed a special style of Kaunas modern architecture in interwar period. K. Reisonas is the author or co-author of representative buildings in Šiauliai, Kaunas and other Lithuanian cities, as well as in Riga and Adelaide cities. Architect and engineer K. Reisonas worked as Šiauliai City Engineer and Head of Municipal Construction Department (1922–1930), Director of Šiauliai Vocational School (1926), Consultant of Lithuanian Chamber of Agriculture (1927–1928), Head of Construction Department of Kaunas Municipality (1930–1938), Panevėžys City Engineer (1940) and Burgomaster (1941–1944). From 1949, the Reisonas family lived in Adelaide city, Australia. To his projects three monuments of independence were built in Lithuania – Monument of Independence in Šiauliai city, Podium of the Freedom Monument of Kaunas city and Roman Catholic Christ’s Resurrection Church in Kaunas city. Fourteen of buildings in Lithuania (in Kaunas and Šiauliai cities) designed by him are included in the list of cultural values of Lithuania. Early K. Reisonas’ projects are characterized by historism, elements of eclecticism and «brick style», later projects are characterized by austere rationalism, functionalism, adaptation to urban construction and cultural and historical context.
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Merrillees, R. S. "Greece and the Australian Classical connection." Annual of the British School at Athens 94 (November 1999): 457–73. http://dx.doi.org/10.1017/s006824540000068x.
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The study of ancient Greek and Latin in Australia and New Zealand, especially at Sydney Church of England Grammar School in New South Wales, produced this century a number of leading scholars who made a major contribution to the study of Old World archaeology in Europe and Australia this century. Among them were V. G. Childe, T. J. Dunbabin, J. R. Stewart and A. D. Trendall. In developing their respective fields of expertise, all spent some time in Greece, as students, excavators, research workers and soldiers, and had formative links with the British School at Athens. Australia's debt to the Classics is reflected not only in the life-long attachment to their legacy, and to Greece, by the former Prime Minister, the Hon. E. G. Whitlam, but in the perpetuation of their influence in such Colonial and modern structures as the monument of Lysicrates in Sydney's Botanic Gardens and the National Library and new Parliament House in Canberra, and in an official poster illustrating multiculturalism in Australia. Despite their role in shaping Australia's European history, the teaching of Classics is under threat as never before, and the late Enoch Powell, at one time Professor of Ancient Greek at the University of Sydney, has stigmatised the obscurantism which threatens to impoverish if not undermine Western civilisation by closing access to knowledge of our Classical past.
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Poropat, Stephen F., Matt A. White, Tim Ziegler, Adele H. Pentland, Samantha L. Rigby, Ruairidh J. Duncan, Trish Sloan, and David A. Elliott. "A diverse Late Cretaceous vertebrate tracksite from the Winton Formation of Queensland, Australia." PeerJ 9 (June 17, 2021): e11544. http://dx.doi.org/10.7717/peerj.11544.
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The Upper Cretaceous ‘upper’ Winton Formation of Queensland, Australia is world famous for hosting Dinosaur Stampede National Monument at Lark Quarry Conservation Park, a somewhat controversial tracksite that preserves thousands of tridactyl dinosaur tracks attributed to ornithopods and theropods. Herein, we describe the Snake Creek Tracksite, a new vertebrate ichnoassemblage from the ‘upper’ Winton Formation, originally situated on Karoola Station but now relocated to the Australian Age of Dinosaurs Museum of Natural History. This site preserves the first sauropod tracks reported from eastern Australia, a small number of theropod and ornithopod tracks, the first fossilised crocodyliform and ?turtle tracks reported from Australia, and possible lungfish and actinopterygian feeding traces. The sauropod trackways are wide-gauge, with manus tracks bearing an ungual impression on digit I, and anteriorly tapered pes tracks with straight or concave forward posterior margins. These tracks support the hypothesis that at least one sauropod taxon from the ‘upper’ Winton Formation retained a pollex claw (previously hypothesised for Diamantinasaurus matildae based on body fossils). Many of the crocodyliform trackways indicate underwater walking. The Snake Creek Tracksite reconciles the sauropod-, crocodyliform-, turtle-, and lungfish-dominated body fossil record of the ‘upper’ Winton Formation with its heretofore ornithopod- and theropod-dominated ichnofossil record.
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Cooper, Rae. "The ‘New’ Industrial Relations and International Economic Crisis: Australia in 2009." Journal of Industrial Relations 52, no. 3 (June 2010): 261–74. http://dx.doi.org/10.1177/0022185610365623.
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While the sphere of industrial relations was overshadowed by the global financial crisis, 2009 was a year of immense change in the regulation of work and workplaces. Many provisions of the Rudd government’s Fair Work Act 2009, including the new collective bargaining regime, came into effect. Unions and employer organizations were preoccupied with the monumental process of award modernization throughout 2009. The AIRC has ceased to exist and it, along with a number of other regulatory bodies, has been subsumed into the new institution Fair Work Australia. The remaining key provisions of the Fair Work Act 2009, including the NES and modern awards, are effective on January 1 2010. This article analyses the early days of the operation of this ‘new’ Australian industrial relations.
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White, Matt A., Alex G. Cook, and Steven J. Rumbold. "A methodology of theropod print replication utilising the pedal reconstruction of Australovenator and a simulated paleo-sediment." PeerJ 5 (June 6, 2017): e3427. http://dx.doi.org/10.7717/peerj.3427.
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Distinguishing the difference between theropod and ornithopod footprints has proved a difficult task due to their similarities. Herein our aim was to produce a method where a skeleton could be more closely matched to actual fossilised footprints. The reconstructed pes of the Australian Megaraptoran Australovenator wintonensis was utilised for this footprint reconstruction. It was 3-D printed in life size, molded and cast to produce a flexible theropod foot for footprint creation. The Dinosaur Stampede National Monument, Lark Quarry, Queensland, Australia was used as our case study to compare fossilised dinosaur footprints with our reconstructed theropod prints. The footprints were created in a sediment that resembled the paleo-sediments of Lark Quarry prior to being traversed by dinosaurs. Measurements of our Australovenator prints with two distinctly different print types at Lark Quarry revealed similarities with one distinct trackway which has been the center of recent debate. These footprints consist of 11 consecutive footprints and show distinct similarities in both size and proportions to our Australovenator footprints.
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Cvoro, Uros. "Monument to anti-monumentality: the space of the National Museum Australia." Museum and Society 4, no. 3 (April 9, 2015): 116–28. http://dx.doi.org/10.29311/mas.v4i3.83.
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This article explores the space of the National Museum Australia as a complex interplay between different spatial levels, and the way in which this interplay enables the NMA to foreground internal tensions architecturally. I am also interested in the way these internal tensions contribute towards creating representations of spaces as politically charged. I argue that the space of the NMA should be read as riven with tension between monumental space and what I refer to as protean monumental space. The tension between the monumental and the protean monumental is always already entailed within the spatial practice and spatial representation of producing the NMA’s space. This tension is internal and central to the museum itself, yet it is a tension that leads to a production of a ‘third space’ that is already predicated by the other two, or is revealed by the experiencing body of the museum visitor.
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Belmessous, Saliha. "Commemorating French colonialism in Australia: on the Lapérouse monument in Sydney." History Australia 17, no. 3 (July 2, 2020): 471–88. http://dx.doi.org/10.1080/14490854.2020.1796499.
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Ivanova, Elena A. "Past, Present and Future of Libraries in the Mirror of Rumyantsev Readings — 2019." Bibliotekovedenie [Library and Information Science (Russia)] 68, no. 4 (August 27, 2019): 435–47. http://dx.doi.org/10.25281/0869-608x-2019-68-4-435-447.
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International scientific and practical conference “Rumyantsev readings — 2019” was held on April 23—24 in the Russian State Library. The conference covered a wide range of issues: “Libraries and museums in the context of history”; “History of the Russian State Library”; “Disclosure of universal and specialized collections of libraries: forms and methods”; “Future of libraries: evaluations, studies, forecasts”; “Libraries as centres of information-bibliographic activities”; “Library collections and library-information services in the age of electronic communications”; “Professional development of library staff: demands of time. Library as educational centre”; “International cooperation of libraries. Library as a platform for intercultural dialogue”. The conference was attended by specialists from libraries, museums, archives, universities and research institutes, representatives of professional associations and organizations from various regions of Russia and from Australia, Belarus, Kazakhstan, Latvia, the United States of America, Tajikistan and Ukraine. Among the sections and round tables of “Rumyantsev readings” were both traditional, held within the framework of the conference on annual basis, and timed to the memorable dates and visits of foreign colleagues of the year. In 2019, the following sections were held: “Art editions in the collections of libraries: issues of study, preservation and promotion”, “Library classification systems”, “Rare and valuable books, book monuments and collections”, “Manuscript sources in the collections of libraries”, “Specialized collections in libraries”, “Collectors, researchers, keepers. Libraries in the context of history”, “Continuing education as a competence resource of library staff”, “Theory and practice of librarianship development at the present stage”, “Library digitalization: trends, problems, prospects”, “Effective library management: problems and solutions. (Pre-session meeting of the 32nd Section of the Russian Library Association on library management and marketing)”. Seminar from the series “Role of science in the development of libraries (theoretical and practical aspects)” “N.M. Sikorsky: scientist, organizer of book science and librarianship. To the 100th birth anniversary” took place. There were organized Round tables: “The new National standard for bibliographic description GOST R 7.0.100—2018 in the modern information environment”, “Library terminology in the context of digital space”, “Cooperation of libraries of the CIS countries: strategic directions”, “Flagship projects that shape the future of libraries”. The growing number of participants, the breadth of topics, the steady interest of specialists in traditional sections and the annual organization of new events in the form and content of the “Rumyantsev readings” allow the conference to stay among the largest scientific and practical events of library research in the country. The search for new topics and the introduction of topical issues on the agenda contribute to both activation of historical research and the search for ways of innovative development and intercultural interaction.
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Rogers, Philippa. "Heritage Report: The Australian Railway Monument and Rail Journeys Museum." Labour History, no. 90 (2006): 229. http://dx.doi.org/10.2307/27516127.
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Antonello, Alessandro. "Monumental geo-politics: ocean, land and Captain Cook in interwar Australia." History Australia 18, no. 4 (October 2, 2021): 753–67. http://dx.doi.org/10.1080/14490854.2021.1991812.
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Keyser, James D. "Australian Apocalypse: The Story of Australia's Greatest Cultural Monument. Robert G. Bednarik." Journal of Anthropological Research 64, no. 4 (December 2008): 622–23. http://dx.doi.org/10.1086/jar.64.4.20371326.
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Mason, Robert, and Rebecca Damjanovic. "The start of it all? Heritage, labour and the environment in regional Queensland." Queensland Review 25, no. 2 (December 2018): 208–21. http://dx.doi.org/10.1017/qre.2018.24.
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AbstractThe Great Shearers’ Strike of 1891 transformed Australian politics and created the context for the election of the first ‘labourist’ government in the world. This nationally significant history is reflected in Barcaldine’s central heritage precinct, with a large monument to the Tree of Knowledge and spacious Australian Workers Heritage Centre. The Centre was established as the ‘National Monument’ to working men and women when it was opened by Prime Minister Bob Hawke in 1991. The Centre is one of a number of industrial museums in the Central West, and exists alongside the Stockman’s Hall of Fame in nearby Longreach. The recent increase in tourism by Grey Nomads has resulted in a more concerted effort to formulate a clear heritage discourse in Barcaldine, one that draws on the town’s labour heritage. This increased emphasis on the heritage of the Great Shearers’ Strike has further politicised an already fraught heritage, and distanced the community from its local heritage spaces and stories. This article reflects on long-standing narratives relating to the local environment as a means to articulate contested heritage discourses, situate the significant labour history and reinforce the local community’s engagement in its heritage.
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Medway, David G. "The contribution of Thomas Pennant (1726–1798), Welsh naturalist, to the Australian ornithology of Cook's first voyage (1768–1771)." Archives of Natural History 38, no. 2 (October 2011): 278–86. http://dx.doi.org/10.3366/anh.2011.0034.
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Thomas Pennant – Welsh traveller, antiquary, naturalist, and author – visited Joseph Banks in September 1771 shortly after Banks returned from his voyage around the world (1768–1771) with James Cook. It was almost certainly on the occasion of this visit that Pennant was given access to manuscript descriptions of various birds and other animals that had been met with on the voyage, saw the specimens Banks had brought back to England, and was given some of them. Among the Pennant papers in the National Library of Wales is a collection of descriptions in Pennant's handwriting that relate to birds met with by Banks on Cook's voyage. These descriptions may be only part of what was once a more extensive collection in that regard. Of especial interest and importance among them are those of 13 Australian landbird species. Some years later, Pennant must have noticed that John Latham, in his monumental A general synopsis of birds (1781–1785), had not described some species that Pennant possessed specimens or descriptions of, or that Latham's information about some of those he described was deficient in certain respects. Pennant communicated descriptions and notes on those birds to Latham, most notably in relation to several landbirds that had been collected in eastern Australia by Banks in the course of his voyage with Cook. It is apparent from the sources discussed in this paper that Banks took more specimens of Australian birds back to England from the first Cook voyage than has previously been realised. It is a strange quirk of history that, today, more evidence in that regard is available from Pennant, who did not go on the voyage, than from Banks who did.
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Sukop, Ivo. "Zooplankton and zoobenthos of national natural monument Pastvisko (Pasture land)." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 52, no. 4 (2004): 149–58. http://dx.doi.org/10.11118/actaun200452040149.
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In the year 2002 the seasonal dynamic of zooplankton and zoobenthos in six localities of the national natural monument Pastvisko was observed. The localities belong to the lower Podyjí region, wetlands of international importance. This area was included to Ramsar convention in 1993. Pastvisko is a significant ornithological locality. Besides of birds are represented here also rare water plants as arrowhead (Sagittaria sagittifolia), bladderwort (Utricularia australis), water meal (Wolffia arrhiza), rare water invertebrates for example leech (Hirudo medicinalis), dragonfly (Epitheca bimaculata), water beetle (Hydrophilus piceus). The aim of the study was to evaluace the species composition of zooplankton and zoobenthos and a seasonal dynamic of these animal communities. Zooplankton samples were collected by water net (mesh 45 μm), zoobenthos samples were collected by sieve (mesh 0.5 mm).
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Littleton, Judith, and Harry Allen. "Monumental landscapes and the agency of the dead along the Murray River, Australia." World Archaeology 52, no. 1 (January 1, 2020): 120–32. http://dx.doi.org/10.1080/00438243.2019.1740106.
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Solovieva, Vera V. "Phytodiversity of the Irgiz Floodplain nature monument." Samara Journal of Science 9, no. 3 (November 20, 2020): 129–36. http://dx.doi.org/10.17816/snv202093121.
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The Bolshoy Irgiz River is 375 km long and has a catchment area of 24 thousand km, including the Orenburg Region and the Samara Region. The flora contains 64 species of plants: 14 belong to the class of monocotyledons (Liliopsida) and 48 belong to the class of dicotyledons (Magnoliopsida), the most numerous families by the number of species are Lamiaceae (5), Cyperaceae (5), Potamogetonaceae (5), Polygonaceae (4), Poaceae (4). The ecological spectrum of the flora is represented by hydrophytes (20 species), helophytes (8), hygrohelophytes (5), hygrophytes (19) and mesophytes (12). These are mainly broad-area species of the Eurasian (23), Holarctic (23) and pluriregional (11) ranges. There are only 7 species of plants with narrow range borders. In economic terms the flora consists of 28 species of medicinal plants, as well as forage (23), tanning (15), food (14), dye (13), honey (12), ornamental (11) and poisonous (8) plants. Vegetation is represented by 17 formations and is represented by the coastal-aquatic vegetation type and two subtypes: coastal and aquatic vegetation. The first subtype contains formations: Phragmiteta australis, Typheta angustifolitae, Scirpeta lacustris, Sagittarieta sagittifoliae, Persicarieta amphibii, Alismateta plantago-aquaticae. The second subtype contains: Nymphaeeta candidae, Nuphareta luteae, Potameta lucentis, Potameta perfoliati, Potameta crispus, Lemneta minori, Salvinieta natantis, Hydrocharieta morsus-ranae, Spirodeleta polyrhizi, Lemneta trisulcae, Ceratophylleta demersi. Coastal plant communities are characterized by a 23-tier structure, a high degree of projective coverage, and a relatively high abundance of species (from 15 to 26). Water phytocoenoses are poor in species composition, have a spotty character of overgrowth and 12 tiered structure. The Irgiz Floodplain nature monument requires compliance with the stipulated protection measures in order to preserve the habitat of rare plant populations Nuhar luteum L., Nymphaea candida J. et C. Presl., Salvinia natans L. (All.), Cicuta virosa L., Najas major All. Descriptions of phytocenoses were carried out according to the generally accepted method of geobotanical research in the summer of 2018, while tiering, abundance, projective cover and vitality were noted as well as all species included in plant communities were registered.
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Hoffman, Sheila K., Aya Tanaka, Bai Xue, Ni Na Camellia Ng, Mingyuan Jiang, Ashleigh McLarin, Sandra Kearney, Riria Hotere-Barnes, and Sumi Kim. "Exhibition Reviews." Museum Worlds 9, no. 1 (July 1, 2021): 175–207. http://dx.doi.org/10.3167/armw.2021.090114.
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Museum of Russian Icons, Clinton, Massachusetts by Sheila K. HoffmanLocal Cultures Assisting Revitalization: 10 Years Since the Great East Japan Earthquake, National Museum of Ethology (Minpaku), Osaka by Aya TanakaTianjin Museum of Finance, Tianjin by Bai XueVegetation and Universe: The Collection of Flower and Bird Paintings, Zhejiang Provincial Museum, Hangzhou by Ni Na Camellia NgThree Kingdoms: Unveiling the Story, Tokyo National Museum and Kyushu National Museum, Japan, and China Millennium Monument, Nanshan Museum, Wuzhong Museum, and Chengdu Wuhou Shrine, People’s Republic of China by Mingyuan JiangTempest, Tasmanian Museum and Art Gallery, Hobart by Ashleigh McLarinWonders from the South Australian Museum, South Australian Museum, Adelaide by Sandra KearneyBrett Graham, Tai Moana, Tai Tangata, Govett Brewster Art Gallery, New Plymouth by Riria Hotere-BarnesThe “Inbetweenness” of the Korean Gallery at the Musée Guimet, Paris by Sumi Kim
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Wild, J. P. "The beginnings of radio astronomy in Australia." Publications of the Astronomical Society of Australia 7, no. 1 (1987): 95–102. http://dx.doi.org/10.1017/s1323358000021937.
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My lecture this evening is dedicated to my late friend and fellow astronomer, Harley Wood, who died on 26 June 1984 at the age of 72. It is a fine thing that the ASA has decided to give the name of Harley Wood to an annual public lecture at the time of the society’s Annual General Meeting. For besides making a monumental contribution to the astrometry of the southern skies, Harley became a leader, a kind of organizer and father figure, among Australian astronomers. He played a leading part in the formation of this society and was its foundation President. He will also be specially remembered by a small group of us, about half a dozen, who met regularly in the charming old building of Sydney Observatory to plan the 1973 IAU General Assembly held in Sydney, the first time ever in Australia. Harley chaired not only the local organizing committee, but the ladies’ committee too. My wife still recalls the gentle, but firm way in which Harley once admonished her for addressing a remark across the table without going through the Chair. Harley was totally approachable and totally positive at all times: you could always count on his support for any sensible initiative. He had many friends and no enemies that I have heard of. And unlike so many of his profession, there was no hint of the egotist or the prima donna. I count it a privilege to have been his contemporary and colleague.
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Smith, Jonathan. "GENDER, ROYALTY, AND SEXUALITY IN JOHN GOULD'SBIRDS OF AUSTRALIA." Victorian Literature and Culture 35, no. 2 (June 29, 2007): 569–87. http://dx.doi.org/10.1017/s1060150307051649.
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WHEN THE BRITISH ORNITHOLOGISTand bird illustrator John Gould launched his monumental publication onThe Birds of Australialate in 1840, the cover of the serial parts bore the image of the lyre bird (Menura superba) and a prominent dedication, “by permission,” to the young and recently-married Queen Victoria (Correspondence2: 213; see Figure 4). A few months later, issuing the part with the plate and descriptive text for the lyre bird, Gould declaredMenura superba“an emblem for Australia among its birds” (Birds of Australiavol. 3, plate 14; see Figure 5). This visual juxtaposition of Victoria and the lyre bird also reflected an association between them in Gould's mind, the lyre bird serving as emblem not only for the Australian colonies but also for their Queen. The association became more explicit and was extended to include Victoria's Consort in the decades that followed, for althoughThe Birds of Australiawas completed in 1848, Gould issued irregular supplemental installments during the 1850s and 60s and published a two-volumeHandbook to the Birds of Australiain 1865. One of the first discoveries Gould announced and figured in theSupplementwas a new species of lyre bird, which he namedMenura albertiin 1850 to acknowledge Prince Albert's “personal virtues” and “liberal support.” In 1862, in a tribute likely inspired by the recent death of the Prince, Gould dividedMenura superbainto two species and christened the newly-created oneMenura victoriae, thereby providing his grieving queen with an avian namesake to accompany Albert's.
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Lindsey, Kiera. "'Remember Aesi':." Public History Review 28 (June 22, 2021): 46–71. http://dx.doi.org/10.5130/phrj.v28i0.7760.
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In this article I draw upon a definition of ‘dialogical memorial’ offered by Brad West to offer an experimental artist's brief that outlines the various ways that a contemporary monument to the colonial artist, Adelaide Eliza Scott Ironside (1831-1867), could ‘talk back’ to the nineteenth-century statues of her contemporaries, and ‘converse’ with more recent acts of history making. In contrast to the familiar figure of the individual hero, which we associate with the statuary of her age, I suggest a group monument that acknowledges the intimate intergenerational female network which shaped Aesi's life and also ‘re-presents’ – a term coined by the historian Greg Dening – several native born and convict women from the Georgian, Regency and Victorian eras who influenced her life. Instead of elevating Aesi upon a plinth, I recommend grounding this group monument on Gadigal country and planting around it many of the Australian Wildflowers she painted in ways that draw attention to the millennia-old Indigenous uses of the same plants. And finally, by situating Aesi’s monument in the Outer Domain (behind the New South Wales Art Gallery in Sydney’s Botanic Gardens and to the east of the Yurong Pennisula, near Woolloomooloo Bay), in an area where she once boldly assumed centre stage before a large male audience in a flamboyant moment of her own theatrical history-making, I argue that this memorial will have the capcity to speak for itself in ways that challenge the underepresentation of colonial women in Sydney's statuary, abd, as West suggests, do much to ‘alter the stage on which Sydney's colonial history 'is narrated and performed’.
[i] Greg Dening, Performances, Melbourne University Press, Melbourne, 1992, p37.
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Shelemetieva, Tetiana, and Serhii Bulatov. "Activities of Tourist Information Centers: World Experience and Domestic Practice." Herald of the Economic Sciences of Ukraine, no. 2(37) (December 23, 2019): 205–11. http://dx.doi.org/10.37405/1729-7206.2019.2(37).205-211.
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The article substantiates the need to create tourist information centers in Ukraine as one of the important tools of information support for the development of modern tourism and the promotion of a national tourism product. The success of the tourism industry in Ukraine in the context of the formation of a global information space is largely determined by the effectiveness of information support for the tourism sector. It is noted that an important task of the policy of local authorities in tourism management is to improve the information support of this process, since without advertising and information that attracts consumers of certain services, the development of tourist and recreational activities is impossible. The activity of the TIC is extremely important for destinations with a significant share of independent tourists, because, in this case, they are the main centers for the provision of information services. The essence of the concept of “tourist information center” is revealed and its main tasks are defined. It was noted that the tourist information center is an important tool of the tourist infrastructure, with the help of which tourists and other tourism entities have the opportunity to receive complete tourist information and advisory services on tourism activities in the area and beyond. The TIC can provide information support to the system of state regulation and tourism management in the region, since it is necessary to constantly update the regulatory and informational and analytical framework that provides effective management of the development of tourism and resorts. The following goals of creating tourist information centers in Ukraine are proposed: promoting the development of domestic tourism; providing information to local and foreign tourists and tourist organizations; promoting cooperation between tourism organizations of the city; conducting trainings and seminars for specialists in the field of tourism; development of tourist opportunities of the city; attracting more tourists to the area; improving the competitive advantages of the area by improving the tourism infrastructure; replenishment of the local budget due to taxation of tourism business entities; rational use of tourist and recreational resources of the area; attracting investment in the tourism business; creating a positive international image and popularizing tourist areas. The world experience of organizational and economic aspects of the activity of tourist information centers is investigated. In the developed tourist countries of the world, an extensive modern network of tourist infrastructure institutions, which includes information centers, is successfully operating. Such establishments allow tourists to receive the necessary tourist information and advisory services on tourist destinations. In the USA, each state has its own tourist information centers. The “Hospitality Center” is a recreation area, including a center for visitors, they are funded by local taxes included in each bed. In South America, the most active tourist information centers operate in Peru. Free centers provide tourist information and assistance for domestic and foreign tourists. Information includes monuments and recommended itineraries. In Australia, most visitor centers are run by local or state authorities, and in some cases by the Tourism Operators Association on behalf of the government. These information centers provide services such as housing selection and booking tours (automobile, air, bus, rail). They are the first link in acquaintance of a visitor with a city or region. The practice of the work of tourist information centers in Ukraine is considered and a list of them is compiled. It is noted that today tourist information centers have been created in most regions of Ukraine and in small cities of the Western region of Ukraine. Keywords tourist information center, world experience, domestic practice, creation goals, objectives, activity results.
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Haft, Adele. "John Ogilby, Post-Roads, and the “Unmapped Savanna of Dumb Shades”: Maps and Mapping in Kenneth Slessor’s Poetic Sequence The Atlas, Part Two." Cartographic Perspectives, no. 72 (June 1, 2012): 27–66. http://dx.doi.org/10.14714/cp72.424.
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Written by the acclaimed Australian poet Kenneth Slessor, “Post-roads” is the second poem of his sequence The Atlas and of his collection Cuckooz Contrey (1932), in which it debuted. Like the other four Atlas poems, “Post-roads” begins with a quote from a prominent seventeenth-century map-maker; in this case, John Ogilby (1600–1676)—the celebrated British publisher, surveyor, and cartographer. Slessor not only transformed Ogilby’s work (and portrait) into poetic images, but made Ogilby’s “tireless ghost” the central character of his poem. This article, part of the first full-scale examination of Slessor’s ambitious but poorly understood sequence, begins by reproducing the poem and tracing the poem’s development in Slessor’s poetry notebook. To reconstruct his creative process, it details the poet’s debt to the ephemeral catalogue of atlases and maps in which he discovered his title, epigraph, central character, and a possible source for the colorfully named coaches and carriages that conveyed passengers not only throughout London and Britain beginning in the early seventeenth century, but also throughout Australia from around 1800 to 1920. After comparing poet and cartographer, we consider the poem’s relationship to two of Ogilby’s atlases: the monumental Britannia (1675) and the posthumous, if far more accessible Traveller’s Guide (1699, 1712). Both reveal how Ogilby—even from the grave—helped passengers like the poem’s “yawning Fares” trace their routes. Finally, after offering reasons for Slessor’s choice of “Guildford” out of all the place-names along the roads through England and Wales, and proposing literary inspirations for “Post-roads,” the paper returns to Slessor’s hero/artist.
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Wettenhall, Roger. "Decolonizing through integration: Australia’s off-shore island territories." Island Studies Journal 11, no. 2 (2016): 715–28. http://dx.doi.org/10.24043/isj.376.
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Australia’s three small off-shore island territories – Norfolk Island in the Pacific Ocean and Christmas Island and the Cocos (Keeling) Islands Group in the Indian Ocean – can be seen as monuments to 19th century British-style colonization, though their early paths to development took very different courses. Their transition to the status of external territories of the Australian Commonwealth in the 20th century – early in the case of Norfolk and later in the cases of Christmas and Cocos – put them on a common path in which serious tensions emerged between local populations which sought autonomous governance and the Commonwealth government which wanted to impose governmental systems similar to those applying to mainstream Australians. This article explores the issues involved, and seeks to relate the governmental history of the three island territories to the exploration of island jurisdictions developed in island studies research.
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Taylor, William, and Daniela Simon. "Monument to Happiness in a New Land: the politics of national identity in the Italian Club of Western Australia." Fabrications 12, no. 2 (December 2002): 35–49. http://dx.doi.org/10.1080/10331867.2002.10525168.
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Roger, Erin, Patrick Tegart, Rebekah Dowsett, Michael A. Kinsela, Mitchell D. Harley, and Geetha Ortac. "Maximising the potential for citizen science in New South Wales." Australian Zoologist 40, no. 3 (January 2020): 449–61. http://dx.doi.org/10.7882/az.2019.023.
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Citizen science is growing rapidly in Australia and globally, and presents valuable opportunities to engage with the community and amplify scientific research. The recent growth in citizen science is largely attributed to technology and has resulted in citizen science now recognised as having the potential to augment and enhance traditional scientific research and monitoring. Citizen science can deliver a level of spatial granularity often not possible with conventional research. This, coupled with its potential to engage the public meaningfully in science, uniquely positions citizen science to monitor and thereby effect genuine scientific outcomes. However, the rapid growth in citizen science has also resulted in some data and information challenges that need to be overcome. Here we present a general overview of citizen science and some of the opportunities and challenges associated with its rapid growth, with a focus on Australia. We use case studies of successful citizen science projects in New South Wales to demonstrate its potential across areas such as cost efficiency and scalability. Overall, these examples show how citizen science has the potential to provide a monumental shift in our ability to monitor the environment while simultaneously increasing understanding and trust in science within the broader community.
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Schmid, Rudolf, and Anthony E. Orchard. "The Monumental Flora of Australia Rolls on: 21 Volumes to Date, Plus One as a Second Edition." Taxon 48, no. 3 (August 1999): 627. http://dx.doi.org/10.2307/1224604.
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Steijlen, Fridus. "Remembrance of Dutch War Dead in Southeast Asia, 1942-1945." Public History Review 16 (November 8, 2009): 64–77. http://dx.doi.org/10.5130/phrj.v16i0.1052.
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Recognition of the war experience in Southeast Asia in the Netherlands was not easy. The Indisch community, those who had to leave the Netherlands East Indies after decolonization, did not feel that their war experience was accepted. Following the story of one man, a former POW, this article shows how unorthodox ways of protesting were used to command respect and acknowledgement. The arena for these actions was not only the Indisch monument in the Netherlands, but also the War cemetery in Thailand. The former Dutch POW ended up in a dispute with the Australian caretaker of that cemetery over the specific location of a camp. Both men, however, were motivated by the same urge to find the exact locations of camps along the Burma railway. The story of this POW shows how important official recognition is on a personal level.