Relevant bibliographies by topics / Monument to Maria Christine

Academic literature on the topic 'Monument to Maria Christine'

Author: Grafiati
Published: 26 July 2024
Last updated: 28 July 2024

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Journal articles on the topic "Monument to Maria Christine"

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Zajec, Vlasta. "Skulpture Marije Pobjednice u gradovima tvrđavama na jugoistočnoj granici Habsburške Monarhije." Radovi Instituta za povijest umjetnosti, no. 47 (March 2024): 93–108. http://dx.doi.org/10.31664/ripu.2023.47.08.

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The paper analyses statues of Mary the Victorious (Maria victrix, Santa Maria de Victoria, Marija Zmagovalka, Maria vom Siege, Gyözedelmes Immaculata) in the fortified cities at the south-eastern frontier of the Habsburg Monarchy, highlighting some previously unidentified examples of this iconographic type in Petrovaradin and Alba Iulia. These cities were part of a comprehensive fortification system conceived by Eugene of Savoy following Habsburg victories over the Ottomans under his leadership. The paper examines comparative graphic, painterly, and sculptural works that may have influenced the authors of these sculptures. Notably, two altarpieces by Carlo Maratta (1625–1713), executed in the 1660s for the Franciscan church of S. Isidoro Agricola in Rome and the church of S. Agostino in Siena, emerge as highly influential in this context, with numerous artworks modelled upon them. The iconographic type of Mary the Victorious depicts the joint triumph of the Virgin Mary and her Child over Evil, with Christ piercing the personification of evil at their feet with a cross-shaped spear. This paper associates this specific iconographic choice with the origin of these artworks near the Habsburg-Ottoman frontier, interpreting it as an expression of Catholic and Habsburg triumphal rhetoric and propaganda. Some examples suggest probable Jesuit influence, as they were among the primary promoters of this iconographic type. In Osijek, a city of exceptional strategic importance on the south-eastern Habsburg-Ottoman frontier, the iconographic type of Mary the Victorious is represented by two examples. The earlier, more elaborate one, tentatively dated to the 1730s, originally adorned the city gate of Osijek’s fortress Tvrđa. In 1784, together with three other statues, it was placed on the outer perimeter of the Holy Trinity monument in the centre of Tvrđa. The second Osijek example is located in the Lower Town and dated by an inscription to 1757, when it was erected as a votive statue against the plague. Two public statues of Mary the Victorious are located in Petrovaradin, the second most important fortress on the south-eastern frontier of the Habsburg Monarchy. Unlike those from Osijek, the Petrovaradin statues are not free-standing, but inserted into the façade niches of public buildings in the suburbs of the Petrovaradin fortress. The polychromous wooden statue on the building of the Šajkaš Battalion stands out for its quality, with stylistic features pointing to the early decades of the 18th century. The second statue is located in the niche of the nearby Bridge Toll Office building. It is argued that the Jesuits or the Franciscans may have selected this iconographic type, as they were the key promoters of Mary the Victorious. The statues were probably commissioned to commemorate Mary’s role in the Christian victory over the Ottomans near Petrovaradin in 1716, as their locations suggest. Mary’s role as the saintly protector against the plague, which struck the area in 1738, should also be considered. In Alba Iulia, which was the easternmost point of Eugene’s chain of fortified cities, Mary the Victorious is the central statue on the side altar in the cathedral of St Michael, constructed around 1754. In conclusion, the paper presents two examples of sculptural and painterly depictions of Mary the Victorious in the wider frontier area (Požega, Valpovo), commissioned by the Jesuits or members of the Habsburg elite, since due to specific political circumstances, they emerge as key patrons of significant artworks in this region.
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Klyucheva, Maria. "Именная морфология в памятнике марийской письменности… «Начатки христианского учения...» (1839/1841). Падеж." Ural-Altaic Studies 45, no. 2 (2022): 34–57. http://dx.doi.org/10.37892/2500-2902-2022-45-2-34-57.

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This article continues the analysis of the Mari text of the book “The Beginnings of Christian doctrine ...”, published in Kazan in 1841. Previously (see [Klyucheva 2021]), the verb morphology (conjugation) in it was described. This work describes the noun morphology in “The Beginnings…” — the case system of nouns in the singular. In continuation of this work, we plan to consider the categories of number and possession. The case system in “The Beginnings…” includes all the 9 cases of the modern standard Mari (Meadow-Eastern) language and also abessive and ablative. The presence of the causative (case) with the indicator -lanen is questionable: it occurs in “The Beginnings…” in a single example with a pronoun. The analysis of noun morphology in “The Beginnings…” is made in comparison with the standard Mari (Meadow-Eastern) language and Meadow dialects. Its specificity lies primarily at the phonetic level: in the vocalism of unstressed syllables and the stress system. The system of vowels includes labial reduced u and ü. They are expressed in “The Beginnings…” by the letters о, у, ю, and are located on the border between the stem and the case affix (after labial vowels in the stem). In the standard language, only the non-labial reduced vowel ǝ̂ occurs in this position. Such vowel harmony in the language of “The Beginnings…” corresponds to the western subdialects of the Meadow dialect, especially the Volga subdialect. As regards the stress system, in “The Beginnings…” in the comitative, dative, ablative, partly in the lativе the stress is kept on the same syllable as in the nominative, while in the literary norm and in modern Meadow dialects all these case suffixes are under stress (only in the dative is the stress fluctuation allowed). This indicates changes in the system of stresses in the Meadow dialect since the creation of the monument. The article also shows examples of non-standard use of case forms (mainly inessive, accusative and genitive). They may reflect some poorly studied functions of cases in Meadow dialects. The results of the study of the case correlate with the previously obtained conclusions about the Volga dialect as the dialectal basis of this written monument. It reflects not only the modern, but also the historical features of this dialect.
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Arkæologisk Selskab, Jysk. "Anmeldelser 2014." Kuml 63, no. 63 (October 31, 2014): 331–91. http://dx.doi.org/10.7146/kuml.v63i63.24494.

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Søren H. Andersen: Tybrind Vig. Submerged Mesolithic settlements in Denmark(T. Douglas Price) Klaus Brandt (red.): Hollingstedt an der Trene. Ein Flusshafen der Wikingerzeit und des Mittelalters für den Transitverkehr zwischen Nord- und Ostsee(Hans Skov) Lisbeth Bredholt Christensen, Olav Hammer & David Warburton (red.): The Handbook of Religions in Ancient Europe(Morten Warmind) Andres S. Dobat: Kongens Borge. Rapport over undersøgelserne 7‑0(Silke Eisenschmidt) Oliver Grimm & Ulrich Schmölcke (red.): Hunting in Northern Europe until 0 AD. Old traditions and regional ­developments, continental sources and continental influences(Mads Dengsø Jessen) Beverley Hirschel, Babette Ludowici & Philipp Sulzer (red.): Individual and Individuality? Approaches towards an Archaeology of Personhood in the First Millenium AD(Rasmus Birch Iversen) Mette Høj (red.): Jacob Kornerup – maler, arkæolog og konservator(Hans Krongaard Kristensen) Connie Jantzen: Middelalderbyen Aarhus(Hans Krongaard Kristensen) Albrecht Jockenhövel (Hrsg.): Mittelalterliche Eisengewinnung im Märkischen Sauerland. Archäometallurgische Untersuchungen zu den Anfängen der Hochofentech‌nologie in Europa(Henriette Lyngstrøm) Niels Johannsen, Mads D. Jessen & Helle Juel Jensen (red.): Excavating the Mind: Cross-sections through Culture, Cognition and Materiality(Mette Løvschal) Axel Degn Johansson: Et liv med flint. En amatørarkæologs erindringer(Sven Thorsen) Hauke Jöns, Peter Schmid, Matthias D. Schön & Wolf Haio Zimmermann (red.): Herrenhöfe und die Hierarchie der Macht im Raum südlich und östlich der Nordsee von der Vorrömischen Eisenzeit bis zum frühen Mittelalter und zur Wikingerzeit(Andres S. Dobat) Maria Herlin Karnell (red.): Gotlands Bildstenar. Järnålderns gåtfulla budbärare(Christian Adamsen) Hans Krongaard Kristensen: Klostre i det middelalderlige Danmark(Martin W. Jürgensen) Hans Krongaard Kristensen: Børglum Domkirke og Kloster i middelalderen(Jes Wienberg) Nina Lau: Pilgramsdorf / Pielgrzymowo. Ein Fundplatz der römischen Kaiserzeit in Nordmasowien(Xenia Pauli Jensen) Lene Heidemann Lutz & Anne Birgitte Sørensen (red.): Med graveske gennem Sønderjylland. Arkæologi på naturgas- og motorvejstracé(Lars Krants) Lisbeth Pedersen (red.): Menneskers veje – kulturhistoriske essays i -året for Kalundborg Museum(Jesper Laursen) Kerstin Schierhold: Studien zur hessisch-westfälischen Megalithik. Forschungsstand und -perspektiven im europäischen Kontext(Anne Birgitte Gebauer) Mara-Julia Weber: From tech‌nology to tradition. Re-evaluating the Hamburgian-Magdalenian relationship(Felix Riede & Ditte Skov Jensen) Leslie Webster: The Franks Casket(Else Roesdahl) Joakim Wehlin: Östersjöns skeppssättningar. Monument och mötesplatser under yngre bronsålder(Lise Frost)
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Riccioni, Stefano. "Rewriting Antiquity, Renewing Rome. The Identity of the Eternal City through Visual Art, Monumental Inscriptions and the Mirabilia." Medieval Encounters 17, no. 4-5 (2011): 439–63. http://dx.doi.org/10.1163/157006711x598802.

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AbstractDuring the eleventh and twelfth centuries the Church began a process of renovation (renovatio) and the city of Rome was given new meanings. Antiquity is part of the identity of the Eternal City; the reuse or reframing of aspects of antiquity inevitably transformed the image of Rome. Public spaces, architecture and objects were given new Christian readings. Inscriptions, present both in sacred and secular settings, played an important role. A similar rewriting can also be found in travel literature and descriptions of the city, such as in the Mirabilia urbis Rome, where ancient monuments were re-interpreted to demonstrate the superiority of Christianity. Inscriptions were used as symbols of authority, as can be seen in the altar of the church of Santa Maria in Portico, in the papal thrones (San Clemente, Santa Maria in Cosmedin, San Lorenzo fuori le mura) and also in mosaics (San Clemente, Santa Maria in Trastevere). Inscriptions appeared on porticoed atriums built on new churches and added to older foundations, and they were used to renew ancient monuments and places. The Roman Commune used a similar strategy with civil buildings. The image of Rome was transformed through restoration and new construction that used spolia as meaningful objects, and inscriptions for their authoritative value.
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Caragli, Valeria, Elio Cunsolo, Young John Riddington, and Albert Mudry. "Four facets of Antonio Maria Valsalva: A man’s life in a work of art." Hearing Balance and Communication 22, no. 2 (April 2024): 52–56. http://dx.doi.org/10.4103/hbc.hbc_17_24.

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Abstract Antonio Maria Valsalva was a renowned anatomist, physiologist, and surgeon who made significant contributions to the field of science, particularly in otology. A monument dedicated to him is located on the wall of the Archiginnasio Palace in Bologna, indicating the high regard in which he was held by his peers. The aim of this study is to analyze the monument, revealing the hidden messages about the scientist. In our analysis of the monument dedicated to Valsalva, we also conducted research on Valsalva’s life and contributions to the field of science, with a focus on otology. Our study revealed that the fresco paints a comprehensive picture of Valsalva and his achievements as one of the leading figures in the history of medicine and otology. This is particularly conveyed by the four putti surrounding the fresco, which symbolize various aspects of Valsalva’s extraordinary career and impact on the field of science. The monument dedicated to Antonio Maria Valsalva serves as a lasting tribute to his legacy and contributions to the field of Science.
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Penny, D. Andrew. "Family matters and Foxe's Acts and Monuments." Historical Journal 39, no. 3 (September 1996): 599–618. http://dx.doi.org/10.1017/s0018246x00024456.

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ABSTRACTThis essay maintains that John Foxe has been under-utilized as a source of early modern English social history. Accordingly, the mid-Tudor portions of the Acts and monuments of Foxe are examined with reference to such topics as the size of early modern families, the roles of spouses within marriage, the status of romantic love and marriage, and the treatment of children. In addition to these familiar categories, however, the essay also asks whether the protestant community of the Marian era was forming a coherent vision of the family as part of its strategy of survival, and whether the catholic authorities were aware of this and attempted to thwart its development. The possibility of a connection between the protestant emphasis on rediscovering the heart of the Christian gospel and a renewed emphasis on the biblical vision of family is raised, together with a discussion of the English reformers' concern that families not serve as hindrances in the advancement of the kingdom of God at that critical juncture in the life of the nation.
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Römer, Gerhard. "Christine Maria Grafinger: Die Ausleihe vatikanischer Handschriften und Druckwerke (1563-1700)." Bibliothek Forschung und Praxis 22, no. 3 (December 1, 1998): 365–68. http://dx.doi.org/10.1515/bfp-1998-220319.

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Sychenkova, Lidia A. "Christian Art in D.V. Aynalov’s Legacy of the Kazan Period." Observatory of Culture 19, no. 5 (November 14, 2022): 524–35. http://dx.doi.org/10.25281/2072-3156-2022-19-5-524-535.

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D.V. Aynalov (1862—1939), a Russian Byzantinist, art critic and historian of Russian art, during his years at Kazan University (1890—1903) studied the issues of ancient Christian culture. For the first time, the article involves Aynalov’s newly studied iconographic heritage, which allows describing the creative laboratory of the Byzantinist and his original method of analyzing monuments. The author finds that the development of a new research methodology was facilitated by the expansion of the empirical base, which, in addition to apocryphal texts, included Aynalov’s own drawings, and photographs of monuments made by order of the scientist. In the article, D.V. Aynalov’s lectures on “Ancient Christian Art” are introduced into scientific circulation for the first time, allowing to reveal the argumentation of the scientist’s main idea about the connection between the late Antique style and early Christian art. Aynalov made two important discoveries in the history of Christian art. The first discovery was that, using the example of the mosaics of the church of Santa Maria Maggiore, Aynalov managed to identify an important moment in the transformation of the image of the Virgin Mary into the image of the royal Virgin. The second discovery was the transformation of the symbolic image of Christ in the form of a lamb into the image in the form of a man, using the example of the mosaics of Albenga. The implementation of a comprehensive interpretation of Aynalov’s iconographic heritage in the context of his ideas allows us to understand the scientist’s system of evidence and reveal his original concept of the development of Christian art in the West and East. His research made a significant contribution to the new concept of the universal history of art, in which a special place belonged to Byzantium, and later to ancient Russian art. Aynalov’s works contributed a great deal to the development of the scientific base on Christian art, art history and Byzantine studies in Kazan. The republication of D.V. Aynalov’s legacy of the Kazan period is of interest for both modern Byzantine studies and the history of cultural studies.
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Young, James. "Reviewer Acknowledgements." International Journal of Social Science Studies 2, no. 4 (October 13, 2014): 135. http://dx.doi.org/10.11114/ijsss.v2i4.557.

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Anna Maria Mouza Aprinalistria Aprinalistria Begoña Montero-Fleta Christine Barrow Emanuel Boussios Gamal Ibraheem Ghadah AlMurshidi Jasmine Harvey Jianquan Cheng Kareen Tonsing Karim GASSEMI Ludmila Ribeiro Luigia Simona Sica Maja Gori Manzoor Khan Afridi Mariano D. Perelman Matthew Dabros Máximo Jaramillo Md. Twyeafur Rahman Mei-Se Chien Michael Brooks Mohd. Noor Mat Yazid MUTABAZI Placide Parveen Kaur Patricia Wiener Paulito Valeriano Hilario Raymond Chan Robert Costello Roberto Franzini Tibaldeo Yaghoob Foroutan Zitha Mokomane
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Grodziska, Karolina, and Maria Radziszewska. "Rękopisy i pamiątki po Marii Konopnickiej w zbiorach Biblioteki Naukowej PAU i PAN w Krakowie." Rocznik Biblioteki Naukowej PAU i PAN 67 (December 30, 2022): 27–36. http://dx.doi.org/10.4467/25440500rbn.22.003.17358.

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Manuscripts and keepsakes after Maria Konopnicka in the Scientific Library of the PAAS and the PAS in Cracow collection On the occasion of proclaiming Maria Konopnicka one of the patrons of the year 2022, the manuscripts and keepsakes after her gathered in the Scientific Library of PAAS and the PAS in Cracow will be presented. The collection contains the poetess’s 48 hand-written letters addressed to i.a. Teofil Lenartowicz, Stanislaw Tomkowicz and, also to Józef Tretiak and Adolf Pawiński, which until now remained unpublished. Apart from the correspondence, the Library collection includes also 23 shelf marks related to Maria Konopnicka. These are among others some writings regarding her literary activity as well as poems and their copies prepared by i.a. a famous painter, Bronislawa Rychter-Janowska. Worth to pay attention to are also three photographies of the poet included in the collection. The documentation of a monument designed by Janina Reichert-Toth, planned by the Lviv city authorities to commemorate Maria Konopnicka but which failed to be built due to the outbreak of World War II, has been preserved. The vast majority of works related to Konopnicka were donated to the Library, only some were purchased in antiquarian bookshops.
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Dissertations / Theses on the topic "Monument to Maria Christine"

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Levin, Maria-Christine Franziska Desirée [Verfasser]. "Rudolf Virchows physiologisch-chemische Untersuchungen / Maria-Christine Franziska Desirée Levin." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2021. http://d-nb.info/1234982102/34.

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Piepiorka, Christine [Verfasser], Eva-Maria [Gutachter] Warth, and Oliver [Gutachter] Fahle. "Lost in time & space / Christine Piepiorka ; Gutachter: Eva-Maria Warth, Oliver Fahle." Bochum : Ruhr-Universität Bochum, 2017. http://d-nb.info/1137380349/34.

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Flor, Pedro 1972. "O túmulo de D. João de Noronha e de D. Isabel de Sousa na Igreja de Santa Maria de Óbidos-um exemplo da tumulária renascentista em Portugal." Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 1998. http://dited.bn.pt:80/29848.

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Müller, Vera Maria Christine [Verfasser]. "Der beatmungspflichtige Patient : Prävalenz von Depressionen, Angststörungen und Posttraumatischer Belastungsstörung / Vera Maria Christine Müller." Gießen : Universitätsbibliothek, 2019. http://d-nb.info/1189065983/34.

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Seidl, Maria Christine [Verfasser]. "Postmortale Endocannabinoidkonzentrationen in Liquor, Glaskörperflüssigkeit und Herzbeutelflüssigkeit unter Berücksichtigung der Todesumstände / Maria Christine Seidl." München : Verlag Dr. Hut, 2013. http://d-nb.info/1034003410/34.

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Hendriks, Christine Maria [Verfasser]. "Syntheses, Modifications and Biological Applications of Sulfoximines and Aromatic Pentafluorosulfanyl Compounds / Christine Maria Hendriks." München : Verlag Dr. Hut, 2016. http://d-nb.info/1117982076/34.

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Müller, Vera [Verfasser]. "Der beatmungspflichtige Patient : Prävalenz von Depressionen, Angststörungen und Posttraumatischer Belastungsstörung / Vera Maria Christine Müller." Gießen : Universitätsbibliothek, 2019. http://d-nb.info/1189065983/34.

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Padberg, Christine Maria [Verfasser]. "Molekulargenetische und epigenetische Analysen der rRNA-Genorte bei klassischen Hodgkin-Lymphomen / Christine Maria Padberg." Kiel : Universitätsbibliothek Kiel, 2009. http://d-nb.info/1019868007/34.

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Frech, Christine Maria [Verfasser]. "Psychosoziale Belastungen und körperliche Störungen bei Eltern von lebertransplantierten Kindern und Jugendlichen / Christine Maria Frech." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2011. http://d-nb.info/101076005X/34.

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Fischer, Maria-Christine [Verfasser], and Andrea [Akademischer Betreuer] Meyer-Lindenberg. "Evaluation von Progression und Begleiterkrankungen der Katarakt beim Hund / Maria-Christine Fischer ; Betreuer: Andrea Meyer-Lindenberg." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2016. http://d-nb.info/1142113779/34.

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Books on the topic "Monument to Maria Christine"

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Woelki, Rainer Maria Kardinal. Gedenkkirche Maria Regina Martyrum Berlin: Zum 50. Jahrestag der Weihe der Gedenkkirche Maria Regina Martyrum. Lindenberg i. Allgäu [Germany]: Kunstverlag Josef Fink, 2013.

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Thoma, Helga. Habsburgs letzte Herrscherin: Maria Christine : Erzherzogin von Österreich, Königin-Regentin von Spanien. Wien-Klosterneuburg: Edition Va Bene, 2003.

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1949-, Feig Erika, Feig Guido, and Westerwaldverein (Germany). Zweigverein Montabaur. Arbeitskreis Heimatgeschichte und Brauchtum., eds. Bilder Montabaurer Malerinnen: Erika Feig, Christine Lohmüller, Rita Metternich-Roos, Maria Thul-Kämmel. Montabaur: G. Feig, 1989.

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Urbano, Riccardo. Santa Maria Maggiore: Tra i più importanti monumenti gotico-francesi d'Abruzzo : Nicola da Guardiagrele, Croce processionale (1422) : quartiere Civitanova, Lanciano - CH. Lanciano]: Nuova Gutemberg edizioni, 2018.

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Erwin, Gatz, Weiland Albrecht, Tönnesmann Andreas, and Fischer Pace, Ursula Verena, 1944-, eds. Der Campo Santo Teutonico in Rom. Rom: Herder, 1988.

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Neusner, Jacob. The documentary foundation of rabbinic culture: Mopping up after debates with Gerald L. Bruns, S.J.D. Cohen, Arnold Maria Goldberg, Susan Handelman, Christine Hayes, James Kugel, Peter Schaefer, Eliezer Segal, E.P. Sanders, and Lawrence H. Schiffman. Atlanta, Ga: Scholars Press, 1995.

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Santa Maria di Devia sul Monte d'Elio: Un monumento garganico tra storia e cronaca, X-XXI secolo. Foggia: C. Grenzi, 2009.

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Suzuki, Mihoko. Antigone's Example: Early Modern Women's Political Writing in Times of Civil War from Christine de Pizan to Helen Maria Williams. Springer International Publishing AG, 2021.

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Koenig, Oliver, and Anna Schachner, eds. Hilfreiche Beziehungen gestalten. Psychosozial-Verlag, 2020. http://dx.doi.org/10.30820/9783837977356.

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In der ambulanten Begleitung von Menschen mit psychischen Erkrankungen ist eine reflektierte und strukturell unterstützte Beziehungsarbeit zentral. Die AutorInnen beleuchten, wie eine hilfreiche professionelle Beziehung in der Arbeit mit psychisch Erkrankten handlungspraktisch und konzeptionell umgesetzt werden kann, und sie zeigen auf, welche organisatorischen Strukturen dabei unterstützen. Betreuungsdynamik und Entwicklung von als hilfreich erlebten Beziehungen werden sowohl aus der Perspektive der KlientInnen als auch aus der Perspektive der MitarbeiterInnen in den Blick genommen. Hierauf basierend entwerfen die AutorInnen ein an der Praxis orientiertes theoretisches Modell der sensiblen Gestaltung gelingender und hilfreicher Beziehungen. Mit Beiträgen von Michaela Amering, Petra Derler, Christine Eggenhofer, Yvonne Kahl, Oliver Koenig, Gertraud Kremsner, Werner Lausecker, Robert Mittermair, Daniel Öhlinger, Stefan Prochazka, Anna Schachner, Maria Schernthaner, Reiner Schwalbe und Alain Topor
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Backes, Uwe, Alexander Gallus, Eckhard Jesse, and Tom Thieme, eds. Jahrbuch Extremismus & Demokratie (E & D). Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748911555.

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Das Jahrbuch „Extremismus & Demokratie“ fördert die wissenschaftliche Beschäftigung mit dem Problemkreis des politischen Extremismus in seinen verschiedenen Ausprägungen. Es versteht sich als Diskussionsforum, Nachschlagewerk und Orientierungshilfe zugleich. Der 32. Band dokumentiert, kommentiert und analysiert umfassend die Entwicklung im Berichtsjahr 2019. Aktuelle Schwerpunkte bilden u. a. die Auseinandersetzung mit dem Hufeisenmodell und dem Gebot der Äquidistanz, die linkspopulistische Bewegung #aufstehen, die Autonomiebestrebungen in Schottland, der Islamische Staat, die linksextremistische Interventionistische Linke, eine aktuelle Untersuchung der rechtsextremistischen und rechtsterroristischen Akteure in Deutschland sowie eine Ursachsenanalyse der Radikalisierung von Islamisten. Neben Analysen, Daten und Dokumenten findet sich ein umfassender Literaturteil mit Rezensionen der wichtigsten Publikationen zu Fragen von Extremismus und Demokratie in Geschichte und Gegenwart. Mit Beiträgen von Alexander Akel, Uwe Backes, Dirk Baehr, Manuel Becker, Harald Bergsdorf , Klaus von Beyme, Evelyn Bokler-Völkel, Marcel Boldorf, Wilfried von Bredow, Stefan Breuer, Hubertus Buchstein, Juliane Clegg, Philipp Currle, Frank Decker, Norman Domeier, Jost Dülffer, Kristin Eichhorn, Alexander Gallus, Phillipp Gassert, Michael Gehler, Birgit Glorius, Stefan Goertz, Sebastian Gräfe, Bernd Greiner, Katrin Groh, Florian Grotz, Thomas Grumke, Anna-Maria Haase, Jens Hacke, Stephan Hilsberg, Kai Hirschmann, Lukas Hämisch, Thomas Jäger, Helge F. Jani, Hans-Gerd Jaschke, Eckhard Jesse, Ralph Jessen, Thomas Kern, Ilko-Sascha Kowalczuk, Wolfgang Kraushaar, Jakob Kullik, Jürgen P. Lang, Oliver W. Lembcke, Sebastian Liebold, Josefa Loebell, Tom Mannewitz, Miroslav Mareš, Julian Meinelt, Tilman Mayer, Reinhard Mehring, Lazaros Miliopoulos, Werner Müller, Helmut Müller-Enbergs, Herfried Münkler, Beate Neuss, Paul Nolte, Robert Chr. van Ooyen, Torsten Oppelland, Isabelle-Christine Panreck, Anton Pelinka, Armin Pfahl-Traughber, Gert Pickel, Jürgen Plöhn, Kim C. Priemel, Robert Radu, Claudia Ritzi, Gabriel Rolfes, Philp Rosin, Martin Sabrow, Kurt Schilde, Christine Schirrmacher, Mike Schmeitzner, Brigitte Seebacher, Daniel Siemens, Grit Straßenberger, Martina Steber, Roland Sturm, Tom Thieme, Hendrik Thoß, Margarete Tiessen, Heike Tuchscheerer, Daniela Weber, Manès Weisskircher, Bernd Jürgen Wendt, Nikolaus Werz, Gerhard Wettig, Benedikt Wintgens, Sandra Wirth und Samuel Zeitlin.
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Book chapters on the topic "Monument to Maria Christine"

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Kinney, Dale. "Managed Memory in S. Maria in Trastevere." In Monuments & Memory: Christian Cult Buildings and Constructions of the Past, 337–47. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.acsha-eb.4.2018029.

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van Asperen, Hanneke. "And They Were Always in the Temple: The Pilgrims’ Experience at S. Maria Rotonda." In Monuments & Memory: Christian Cult Buildings and Constructions of the Past, 85–93. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.acsha-eb.4.2018008.

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Claussen, Peter Cornelius. "Nikolaus IV. als Erneuerer von S. Giovanni in Laterano und S. Maria Maggiore in Rom." In Monuments & Memory: Christian Cult Buildings and Constructions of the Past, 53–67. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.acsha-eb.4.2018006.

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Shaw, Paul. "Poggio Bracciolini, an Inscription in Terranuova, and the Monument to Carlo Marsuppini: A Theory." In Atti, 149–62. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.11.

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The strangest Renaissance inscription is the dedication plaque of Poggio Bracciolini in the church of S. Maria in Terranuova Bracciolini. Over the course of eighteen lines, its letters morph from Florentine sans serif capitals to Imperial Roman capitals. The author theorizes that the gradual change was the result of Poggio Bracciolini coaching an untutored lettercutter in the subtle differences between the two styles of letters. Furthermore, there is a visual link between the letters of the Terranuova inscription and those of the inscription on the monument to Carlo Marsuppini in S. Croce that suggests Poggio played a role in its design.
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Trapè, Roberta. "Australians’ Literatures and Cultures in Tuscany." In Biblioteca di Studi di Filologia Moderna, 129–43. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-597-4.11.

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Italy has been the destination of a lifetime for an endless stream of travellers and since the start of Australian travel to Italy, Tuscany has always had a special and persistent attraction for Australian writers and artists. The connection between Italy and Australia will be explored here highlighting two periods in which Tuscany, and particularly Florence and Prato, became active and lively hubs for the reflection and study of the relationship between Australia and Italy. I will refer to a conference organised by Gaetano Prampolini and Marie Christine Hubert in 1989 at the University of Florence, “An Antipodean Connection: Australian Writers, Artists and Travellers in Tuscany”, and to the first decade of the 21st century when Anna Maria Pagliaro was Director of the Monash Prato Centre (2005-2008).
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Cavezzali, Donatella, and Dora Catalano. "New Seismic Micro-Reinforcement Applied to the Conservation of a Gothic Stone Monument in the Abbey of St. Maria della Strada, Matrice, Italy." In 10th International Symposium on the Conservation of Monuments in the Mediterranean Basin, 385–92. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78093-1_41.

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Stollberg-Rilinger, Barbara. "Alter Ego Marie Christine." In Maria Theresia, 761–68. Verlag C.H.BECK oHG, 2019. http://dx.doi.org/10.17104/9783406741142-761.

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Heilbron, J. L. "Exeunt." In The Incomparable Monsignor, 239–53. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192856654.003.0010.

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Abstract This chapter disposes of the actors and describes several monuments to them that still reward inspection. Consideration of these monuments, which include part of the Vatican museums, makes a fitting conclusion to the book, for, as Bianchini rightly insisted, historians ought not to omit the proofs and delights afforded by depiction of artifacts illustrative of the times they write about. The monuments described include tombs of Maria Clementina, Queen Christina, and Pope Alexander VIII in St Peters and testimonials to Bianchini in Rome and Verona. Among other actors exiting the scene, Wogan remained the most colorful; his later military adventures in Spanish service earned him the governorship of Don Quixote’s province of La Mancha and his literary productions attracted the attention and admiration of Jonathan Swift.
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Widrich, Mechtild. "Monument to the Empress Maria-Theresia, Vienna, Austria." In Breaking the Bronze Ceiling, 126–30. Fordham University Press, 2024. http://dx.doi.org/10.2307/jj.12865306.14.

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Widrich, Mechtild. "Monument to the Empress Maria-Theresia, Vienna, Austria." In Breaking the Bronze Ceiling, 126–30. Fordham University Press, 2024. http://dx.doi.org/10.1515/9781531506414-011.

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Conference papers on the topic "Monument to Maria Christine"

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Roascio, Stefano, Luigi Oliva, and Francesca Romana Paolillo. "SANTA MARIA NOVA (VIA APPIA ANTICA, ROME), II – XX A.D. ARCHAEOLOGY OF ARCHITECTURE OF A LONGLIFE BUILDING." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12530.

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The historical complex of Santa Maria Nova, located in the heart of the Parco Archeologico dell'Appia Antica in Rome, is a real monumental "palimpsest" that has been developed from the Second century A.D. until the last restorations, which have transformed it into an exhibition center of the via Appia Antica, within an archaeological, monumental and landscape context unique in the world. The contribution aims to illustrate the analysis, conducted through the methodologies of the archaeology of architecture, which has identified the various building phases that make up the monument as it has reached us to date, and studied the transformations of volumes and interior spaces due to changes in the intended use occurred over the centuries.
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dos Santos, Camila, and Andreia Machado Oliveir. "Zonas de Ação da Comunicação em Arte e Tecnologia - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g142.

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Zonas de Ação Comunicativa em Arte e Tecnologia – ZACAT, é uma pesquisa de mestrado desenvolvida no âmbito do Programa de Pós-Graduação em Artes Visuais da Universidade Federal de Santa Maria (PPGART-UFSM), dentro da área de concentração de Arte Contemporânea e linha de pesquisa Arte e Tecnologia, sob a orientadora da Dra. Andrea Machado Oliveira. ZACAT é um conjunto de poéticas sonoras e visuais, que consiste numa investigação sobre práticas comunicacionais artísticas de caráter ativista. Em primeiro lugar, através de estratégias e propostas diversificadas para diferentes interlocutores vividos em 2019, em diferentes espaços da cidade de Santa Maria — ruas, museus, galerias de arte, universidade, escola, redes sociais, espaço das ondas de rádio. Posteriormente, devido ao cenário mundial apresentado desde 2020, com a pandemia de COVID-19, a poética passa por transformações significativas. Além das estratégias artísticas e comunicacionais passarem por mudanças de abordagem, o espaço Santa Maria desloca-se para o do Clube Naturista Colina do Sol (CNCS), localizado no município de Taquara, também no Rio Grande do Sul — não urbanizado e imerso no meio selvagem, com menos interferência da ação humana, o que proporciona outras formas de escuta e conexão, além da relação com o corpo, comunicação e tecnologia, como o uso de plataformas on-line de realidade virtual para compartilhar o trabalho realizado. Para abordar a construção desta pesquisa, são utilizados estudos sobre metodologia da pesquisadora e artista plástica Sandra Rey (1953). Como fundamentação teórica, faz-se referência à ideia de micropolítica, conceito que remete aos filósofos Michel Foucault (1926-1984) e Gilles Deleuze (1925-1995), e à crítica de arte Suely Rolnik (1948). As práticas artísticas ativistas baseiam-se nas experiências de coletivos brasileiros da década de 1990 até a atualidade, conforme visto na historiografia do Art Ativismo dos anos 1950, com filósofos autonomistas italianos como Giorgio Agamben (1942) e Franco Berardi (1949). Para apoiar a noção de Arte e Comunicação, partimos de autores como Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello e Giselle Beiguelman. O conceito de dispositivo surge da investigação teórica e é um mediador das práticas artísticas, tendo como referência Agamben, Foucault, Vilém Flusser (1920-1991) e Gilbert Simondon (1924-1989). Desde performances, passando por instalações, áudios, vídeos e experiências interativas presenciais ou via redes virtuais, esta pesquisa busca dar visibilidade à micropolítica cotidiana, com suas memórias, afetos, impulsos de vida formalizados ou efêmeros em momentos de encontro.
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Caballero, Andrés. "V. Eusa’s Intervention in the 2nd Expansion of Pamplona: The artistic transformation of a technical model." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5996.

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V. Eusa’s Intervention in the 2nd Expansion of Pamplona: The artistic transformation of a technical model. Andrés Caballero Lobera Departamento de Arquitectura. Escuela Técnica Superior de Arquitectura de San Sebastián. Universidad del País Vasco (UPV/EHU) Pza. Oñati, 2, 20018 Donostia. E-mail: ander.caballero@ehu.eus Keywords (3-5): Eusa; Pamplona; Ensanche; Sitte; Propileos. Conference topics: City transformations.It is inevitable to be disappointed when we consciously compare today’s city with yesterday’s. Territorial occupancy was an arduous task which confronted man and nature. It was a collective act, the cultural manifestation of a society that aspired to artistically represent itself in the cities it built, both in buildings and public spaces. The city of the past, so conceived, successfully raised through time, and even today we can appreciate, in the human affection it brings about, the plastic value of its buildings and the ambient quality of its public spaces. Currently the contemporary city is just incapable of meeting a profound spiritual demand if it does not pursues a practical goal. In the Ensanche, one of its most renowned examples, the idea of the city imposes a restriction to the artistic or monumental value of the historic city in favour of a technical efficiency that facilitates the economic and administrative management of the new city. The unidentified reticular mesh so characteristic of the urban morphology of the Ensanche evinces the distortion of the hippodamian model which in past ages and also throughout time probed its validity to provide magnificent examples of cities thought and built also from artistic principles. In the late example of the 2nd Ensanche of Pamplona, we attend to the solitary labour of an architect such as Victor Eusa Razquin, who knew how to transform with his buildings the “technical” uniformity of the Ensanche by transforming, qualifying and enriching it with the incrustation of architectural episodes of elevated artistic value. References COLLINS, George R. y Christiane C. Camillo Sitte y el nacimiento del urbanismo moderno. Barcelona: Editorial Gustavo Gili, 1980. LYNCH, Kevin. La imagen de la ciudad. Barcelona: Gustavo Gili, 1998. ORDEIG CORSINI, José María. Diseño y normativa en la ordenación urbana de Pamplona (1770-1960). Pamplona: Dpto. de Educación y Cultura. Dirección General de Cultura - Institución Príncipe de Viana, 1992. SICA, Paolo. Historia del urbanismo, siglo XIX. Madrid: I.E.A.L. 1981. SITTE, Camilo. “Introduction” en, L’art de batir les villes. L’urbanisme selon ses fondements artistiques. Paris: Livre et communication, 1990.
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dos Santos, Camila, and Andreia Machado Oliveira. "Communication Action Zones in Art and Technology - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.

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Communication Action Zones in Art and Technology, in portuguese Zonas de Ações Comunicacionais em Arte e Tecnologia – ZACAT – is a master's research developed in Brazil, made before and during the SARS-CoV-2 virus pandemic, which causes the New Coronavirus disease. This artistic and academic work includes a set of sound and visual poetics based on an investigation of artistic communicational practices of an activist character, with the mediation of several questions about the current Brazilian history. Firstly, through diversified strategies and proposals for different interlocutors, with experiments in 2019, in different spaces in the city of Santa Maria, state of Rio Grande do Sul - streets, museums, art galleries, university, school, social networks, radio wave space. Subsequently, as a result of the world scenario presented from 2020, with the COVID-19 pandemic, the poetic undergoes significant transformations. In addition to the artistic and communicational strategies undergoing changes in approach, the Santa Maria space moves to that of the Clube Naturista Colina do Sol (CNCS), a naturist community located in the municipality of Taquara, also in Rio Grande do Sul. Not urbanized and immersed with the wild environment the least interfered by human action, which provides other forms of listening and connection, in addition to the relationship with the body, communication and technology, such as the use of online virtual reality platforms to share the work carried out. To approach the construction of this research, studies on methodology by the researcher and artist Sandra Rey (1953) are used. As a theoretical foundation, reference is made to the idea of micropolitics, a concept that refers to philosophers Michel Foucault (1926-1984) and Gilles Deleuze (1925-1995) and to art critic Suely Rolnik (1948). Activist artistic practices are based on the experiences of Brazilian collectives from the 1990’s to the present, as seen under the historiography of Art Activism from the 1950’s, with Italian autonomist philosophers such as Giorgio Agamben (1942) and Franco Berardi (1949). To support the notion of Art and Communication, authors such as Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello and Giselle Beiguelman are based on. The concept of device emerges from theoretical research and mediates artistic practices, having as reference Agamben, Foucault, Vilém Flusser (1920-1991) and Gilbert Simondon (1924-1989). From performances, through installations, through audio, video and face-to-face interactivity experiments or via virtual networks, this research seeks to give visibility to everyday micropolitics, with their memories, affections, formalized or ephemeral life impulses in moments of encounters. And how the artistic works can unfold in different contexts, in front of different audiences and under challenging conditions in terms of a larger historical context.
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dos Santos, Camila, and Andreia Machado Oliveir. "Zonas de acción comunicativa en el arte y la tecnología - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g141.

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Zonas de Acción de Comunicación en Arte y Tecnología (ZACAT) es una investigación de maestría desarrollada dentro del Programa de Posgrado en Artes Visuales de la Universidade Federal de Santa Maria (PPGART-UFSM), dentro del área de concentración de Arte Contemporáneo y de investigación en Arte y Tecnología, bajo la supervisión de la Dra. Andrea Machado Oliveira. ZACAT es un conjunto de poéticas sonoras y visuales que consiste en una investigación sobre prácticas comunicacionales artísticas de carácter activista. En primer lugar, a través de estrategias y propuestas diversificadas para diferentes interlocutores experimentadas en 2019 en diferentes espacios de la ciudad de Santa María —calles, museos, galerías de arte, universidad, escuela, redes sociales, espacios de ondas de radio—. Posteriormente, debido al escenario mundial presentado desde 2020, con la pandemia del virus SARS-CoV-2, que provocó la enfermedad del Nuevo Coronavirus, COVID-19, la poética sufrió transformaciones significativas. Además de las estrategias artísticas y comunicacionales que experimentaron cambios de enfoque, el espacio de Santa María se trasladó al del Clube Naturista Colina do Sol (CNCS), ubicado en el municipio de Taquara, también en Rio Grande do Sul. Se trata de un espacio no urbanizado, inmerso en un medio salvaje y menos interferido por la acción humana, lo que proporciona otras formas de escucha y conexión, además de la relación con el cuerpo, la comunicación y la tecnología, así como el uso de plataformas de realidad virtual online para compartir el trabajo llevado a cabo. Para abordar la construcción de esta investigación se utilizan los estudios sobre metodología de la investigadora y artista Sandra Rey (1953). Como fundamento teórico se hace referencia a la idea de micropolítica, concepto que remite a los filósofos Michel Foucault (1926-1984) y Gilles Deleuze (1925-1995) y a la crítica de arte Suely Rolnik (1948). Las prácticas artísticas activistas se basan en las experiencias de los colectivos brasileños desde la década de 1990 hasta la actualidad, como se ve en la historiografía del Activismo Artístico de la década de 1950, con filósofos autonomistas italianos como Giorgio Agamben (1942) y Franco Berardi (1949). Para apoyar la noción de Arte y Comunicación partimos de autores como Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello y Giselle Beiguelman. El concepto de dispositivo surge de la investigación teórica y es un mediador de las prácticas artísticas, teniendo como referencia a Agamben, Foucault, Vilém Flusser (1920-1991) y Gilbert Simondon (1924-1989). Desde performances, pasando por instalaciones, audio, video y experiencias interactivas en persona o vía redes virtuales, esta investigación busca dar visibilidad a la micropolítica cotidiana, con sus recuerdos, afectos e impulsos de vida formalizados o efímeros en momentos de encuentros.
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Montoya, Catalina, Lina María Escobar-Ocampo, and Claudia María Vélez-Venegas. "Marinilla´s cultural landscape and spacial characterization (Colombia)." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6201.

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Marinilla´s cultural landscape and spacial characterization (Colombia). Catalina Montoya Arenas¹, Lina María Escobar Ocampo¹, Claudia Maria Venegas Velez¹ ¹Facultad de Arquitectura, UPB. Circular 1 N°70-01 Medellin, Colombia. E-mail: catalina.montoyaarenas@upb.edu.co, lina.escobar@upb.edu.co, claudia.ve7@gmail.com Keywords (3-5): Cultural landscape, social management, heritage, spacial transformations, tourism Conference topics and scale: Stages in territorial configuration The historic center of Marinilla, National Monument since 1959, is located sixty minutes from Medellin at San Nicolas Valley. It has exceptional landscape conditions, highly productive lands, and a large percentage of the water reserve that supplies the region and the country, giving the territory an economic center character since the colony. These physical values make part of collective imagination as a recreation area and an opportunity for development in the 1960s, according to the construction of large national infrastructure works. At the same time, it was object of armed conflict in the 1980s and 1990s, and more recently, directly related to the spatial dynamics of the region: unplanned urban expansion, changes in land use and vegetation cover, with effects on the cultural landscape. In a post-conflict situation, the economic strategies of different actors trust on tourism as a social-spatial management strategy to improve the territory. However, the identity of rurality shows spatial imbalances without recognizing elements of historical construction whose legacies must be revealed to ensure equitable development. To do this, we propose an approach from the cultural landscape in a revision of the historical, symbolic and relational transformation through five systems (anthropic, productive, political, symbolic and spatial), analyzing competitiveness, tourism, landscape and social management, in different scales and during three historical moments. References (100 words) Busquets, J., and Cortina, A. (2009). Gestión del paisaje: Manual de protección, gestión y ordenación del paisaje. Ariel, Barcelona. Sierra, P. A. (2003). Periferias y nueva ciudad: el problema del paisaje en los procesos de dispersión urbana. Universidad de Sevilla. Barrera, S. (2014). Consideraciones teóricas para el análisis del paisaje. La Metodología de Los eventos relacionales. Perspectivas sobre el paisaje. Varón, D. C. Z. (2015). El derecho al paisaje en Colombia.: Consideraciones para la definición de su contenido, alcance y límites. U. Externado de Colombia. Olmo, R. M. (2008). El paisaje, patrimonio y recurso para el desarrollo territorial sostenible. Conocimiento y acción pública. Arbor, 184(729).
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Reports on the topic "Monument to Maria Christine"

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Ziesler, Pamela, and Claire Spalding. Statistical abstract: 2021. National Park Service, May 2022. http://dx.doi.org/10.36967/nrds-2293345.

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In 2021, recreation visits to National Park Service (NPS) sites rebounded from the COVID-19 pandemic-driven low visitation of 2020 and climbed to 297,115,406 recreation visits. This is an increase of 60 million recreation visits (+25.3%) from 2020 and a decrease of 30 million recreation visits (-9.3%) from 2019. Recreation visitor hours were 1,356,657,749 – a 28.6% increase from 2020 and a 5.1% decrease from 2019. Total overnight stays followed a similar pattern with 12,745,455 overnight stays – up 4.7 million (+58.5%) from 2020 and down 1.1 million (-8%) from 2019. Five parks were added to the reporting system in 2021: Alagnak Wild River in Alaska, Camp Nelson National Monument in Kentucky, Medgar and Myrlie Evers Home National Monument in Mississippi, Tule Springs Fossil Beds National Monument in Nevada, and World War I Memorial in Washington, D.C. These parks were responsible for over 629,000 recreation visits in 2021. Factors influencing visits to National Park System units in 2021 include: continuing closures and limited capacities due to COVID-19 mitigation at some parks, temporary closures for wildland fires in 2021 (eleven parks), severe regional smoke/haze from ongoing wildland fires throughout the summer and early autumn affecting parks in the western half and northern tier of states in the continental U.S., two hurricanes in 2021 – both in August – impacted visitation: Hurricane Henri caused temporary closures of some parks in the northeast and Hurricane Ida caused temporary closures of parks along the Gulf Coast and generated some heavy flooding in the northeast, hurricanes and wildland fires in previous years resulting in lingering closures, most notably Hurricanes Irma and Maria in 2017, the Carr and Woolsey Fires in 2018, Hurricane Dorian in 2019, the Caldwell, Cameron Peak, East Troublesome, and Woodward Fires in 2020, and Hurricane Sally in 2020. Forty-four parks set a record for recreation visits in 2021 and 6 parks broke a record they set in 2020. See Appendix A for a list of record parks. The number of reporting units with over 10 million recreation visits was the same as in recent years (3 parks) and 73 parks had over 1 million recreation visits. Twenty-five percent of total recreation visits occurred in the top 8 parks and fifty percent of total visitation occurred in the top 25 parks. Several parks passed annual visitation milestones including Capulin Volcano NM which passed 100,000 annual recreation visits for the first time, Big Bend NP and Devils Tower NM which each passed 500,000 annual recreation visits for the first time, and Zion NP which passed 5 million visits for the first time. Other parks passed milestones for accumulated recreation visits including Hamilton Grange NMEM (1968-2021) and Palo Alto Battlefield NHP (2003-2021) each passing 1 million total recreation visits, Voyageurs NP (1976-2021) passing 10 million total recreation visits, and Hot Springs NP (1904-2021) passing 100 million total recreation visits. Population center designations were updated in 2021 to reflect overlap of park boundaries with statistical areas from the 2020 U.S. Census. Many population center changes reflect increases in local population as indicated by parks changing from rural to outlying or from outlying to suburban. Other changes reflect increasing complexity in population density as parks changed from a single designation, such as rural or suburban, to a mixed designation. See the Definitions section for population center definitions and Table B.1 for previous and updated population center designations by park. In the pages that follow, a series of tables and figures display visitor use data for calendar year 2021. By documenting these visits across the National Park System, the NPS Statistical Abstract offers a historical record of visitor use in parks and provides NPS staff and partners with a useful tool for effective management and planning. In 2021, 394 of 423 NPS units...
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