Relevant bibliographies by topics / MONUMENT INSCRIPTION

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'MONUMENT INSCRIPTION'

Author: Grafiati
Published: 11 September 2023

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Journal articles on the topic "MONUMENT INSCRIPTION"

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Gygax, Marc Domingo, and Werner Tietz. "‘He who of all mankind set up the most numerous trophies to Zeus’ The Inscribed Pillar of Xanthos reconsidered." Anatolian Studies 55 (December 2005): 89–98. http://dx.doi.org/10.1017/s0066154600000661.

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AbstractThe Inscribed Pillar of Xanthos remains one of the most enigmatic monuments of ancient Lycia. This article addresses the problem of the monument's authorship, but tries also to shed some light on the relative chronology of its inscriptions (a Greek epigram, a long inscription in Lycian A and a short Lycian B inscription), the relationship between the decorative sculptures of the monument and the content of the inscriptions, the political intention of the Lycian A text, and the significance of the Greek epigram for our understanding of the process of Greek acculturation. We argue that the Pillar results from the interventions of different individuals at different times and its overall design, therefore, does not represent a single and unified concept. Viewed from this perspective, several aspects of the monument, while apparently inconsistent at first glance, reveal their own ‘consistency’, which allows us to resolve the contradictions of previous interpretations.
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Laflı, Ergün, and Maurizio Buora. "The memory of Sulla in Ephesus." Cercetări Arheologice 30, no. 1 (June 30, 2023): 61–68. http://dx.doi.org/10.46535/ca.30.1.04.

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In this brief paper, we focus on the monument of C. Memmius and its inscription in Ephesus in western Turkey. C. Memmius was the grandson of Sulla and was mentioned in the inscription of this Ephesian monument as the epigraph of the dedicatee. After discussing the monument’s function, dating and inscription from different perspectives, in the concluding part, we refer to the positive memory of Sulla in Asia Minor, especially in Ephesus.
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Šačić Beća, Amra. "Klesarske greške na antičkim epigrafskim spomenicima sarajevske regije / Stonecutters’ mistakes in ancient epigraphicmonuments from the Sarajevo region." Journal of BATHINVS Association ACTA ILLYRICA / Godišnjak Udruženja BATHINVS ACTA ILLYRICA Online ISSN 2744-1318, no. 4 (December 23, 2020): 223–38. http://dx.doi.org/10.54524/2490-3930.2020.223.

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There are only a few epigraphic monuments discovered within the Sarajevo region. The text provides a table that clearly shows that, as expected, the majority of these monuments are of sepulchral character. In the research process, the focus was on the analysis of inscriptions with notable stonemasonry mistakes. Namely, four inscriptions contained elements that suggested stone-cutting mistakes. The analysis showed that three out of four inscriptions contained stonemasonry mistakes. On the other hand, the fourth monument, an instrumentum domesticum, contained no such mistake, although its mistake is the result of the contemporary test reconstruction. The monuments with inscription mistakes were discovered in different locations – Gradac between Pazarić and Hadžići (CIL III, 08375 = CIL III, 12749), Krivoglavci near Vogošća (AE 2006, 1022), and Ilidža (AE 2004, 1110 = AE 1980, 069). Following the analysis of the selected samples, it is unquestionable that there are quite many mistakes on a relatively small sample, as well as certain oversights in contemporary text reconstructions or readings. In the inscription from Gradac, the word filia was carved in accusative singular filiam instead of dative filiae. The second mistake on the same inscription was that the incorrect word diffunctam was carved instead of dative singular defunctae. On the other hand, in the inscription from Krivoglavci, the stonecutter replaced the number of years of the deceased with the number of months. Moreover, the letter D was carved instead of the letter T in the word et in the same inscription. In the third inscription, the stonecutter unnecessarily used the word con. It is evident that future research of ancient epigraphy should revise the readings of the monuments discovered in the inland of the Roman province of Dalmatia.
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Petridou, Georgia. "Artemidi to ichnos: divine feet and hereditary priesthood in Pisidian Pogla." Anatolian Studies 59 (December 2009): 81–93. http://dx.doi.org/10.1017/s0066154600000909.

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AbstractThis paper examines an unpublished dedicatory inscription to Artemis (Ephesia?), which was found in Pogla in Pisidia by S. Mitchell. The dedication seems to have accompanied a sculptured bare foot or a foot with a sandal, which has not survived. The inscription is set against a whole set of feet- and footwear-related monuments and dedicatory inscriptions from the nearby regions with special emphasis on similar dedications from Termessos. Moreover, the present paper examines the relationship between the Pogla dedication and another dedicatory monument in honour of Artemis Ephesia (in all likelihood from Cremna), which was first published and discussed by G.H.R Horsley in 1992.
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Mérai, Dóra. "Memories Carved in the Wall : A 16th-Century Type of Funerary Monuments in Transylvania." Hungarian Archaeology 10, no. 1 (2021): 41–49. http://dx.doi.org/10.36338/ha.2021.1.3.

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Graves for the deceased were usually cut into the floor of churches, created in churchyard cemeteries or in the newly established public cemeteries in Transylvania in the sixteenth century. Not all graves were marked with stone funerary monuments. Wooden memorials were presumably widespread, but no contemporary sources inform about these. Grave markers from the cemeteries are simple or coped headstones and coffin-shape stones, preserved for example in Cluj (Kolozsvár) and Târgu Mureş (Marosvásárhely). These gravestones display commemorative inscriptions and simple imagery. A funerary inscription recently discovered in Ocna Mureş (Marosújvár) was carved into an ashlar within the external buttress supporting the choir of the church. This stone bearing an inscription represents a specific type of funerary monument from early modern Transylvania, most examples of which are known from Cluj. The paper presents these stone memorials: who and why chose this form of commemorating the dead.
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Klonatos, Vasileios A. "The donor inscription of the Monastery of Lefkai (Euboea): new evidence for a μαρμαράριος of the middle byzantine period." Byzantinische Zeitschrift 114, no. 3 (September 1, 2021): 1205–17. http://dx.doi.org/10.1515/bz-2021-0059.

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Abstract The present article focuses on the dedicatory inscription of St Charalambos, the katholikon of the Lefkai monastery in the village of Avlonari in Euboea. The inscription dates back to the second building phase of the monument, between 1143-1180. Pantelis Zographos was the first researcher who dealt with the dedicatory inscription, making however fundamental mistakes. He was followed by Johannes Koder in 1973. All subsequent researchers adopted and followed Koder’s interpretation. On the basis of new information, an amendment and new reading of the inscription are proposed which lead to a new marble carver’s signature, that of Κοσμᾶς ὁ μαρμαράριος in the dedicatory inscription. Inscriptions with the name of a stone or marble carver from the Middle Byzantine period in Greece are, up to this point, extremely rare.
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Chase, Cynthia. "Monument and Inscription: Wordsworth's "Lines"." Diacritics 17, no. 4 (1987): 66. http://dx.doi.org/10.2307/465013.

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Dirkse, P., and H. I. M. Defoer. "Het grafmonument van Jan van Scorel." Oud Holland - Quarterly for Dutch Art History 100, no. 3-4 (1986): 171–96. http://dx.doi.org/10.1163/187501786x00430.

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AbstractJan van Scorel was the only one of the painters of note of the I6th ard I7th centuries to whom an imposing monument was erected. He owed this not to his fame as a painter, but to his capacity as Canon of the Chapter of St. Mary's, Utrecht, an office conferred on him by Pope Adriaen vl in I628. The monument was already lost during the first stage of the demolition of the church in I712 and was known only from descriptions by Arnold Buchelius, notably that in his Monumenta of I592 (Note I), while the inscriptions on it are also mentioned by Van Mander (Note 2). The description in Buchelius' Monumenta is accompanied by a rough sketch (Fig. I), in the centre of which appears an empty tondo, where there is said once to have been a portrait of Scorel by Antonie Mor, the surround of which was in Bentheim stone. One of the texts is said to have been carved on the wall, the others on the floor. Carel van Mander also speaks of a portrait of Scorel painted by Mor in I560, two years before his death, and records the inscription on it. It is generally agreed that the portrait is that by Mor now in the Society of Antiquaries in London (Fig.2, Note 5). This still bears part of the text cited by Van Mander, while examination by infrared reflectography in 1977 revealed a further part ofit, the remainder presumably appearing on the frame (Note 6) . This examination also reavealed the date 1559. In I984 three fragments of Namur stone were unearthed from the garden of the Old Catholic Almoner's House on Mariahoek (Fig.3) . The fragmentary inscriptions on these proved them to be part of Scorel's tombstone, namely two pieces from the left side and one from the top right corner (Fig. 4). This find also proved that the interpretations of Buchelius' description as a wall monument in the Italian style with a sarcophagus under the portrait (Notes 7, 8), were incorrect and that it actually comprised a combination of a wall monument in Bentheim stone and a tombstone in Namur stone. Carved on the latter in low relief is a sarcophagus with vases at the corners and pilaster legs, which has an inscription between garlands at the top and gadrooning below. The sarcophagus rests on a base with a long inscription between two pilasters decorated with grotesques and on either side a putto with an inverted torch. The find proves that Buchelius' drawing is only a rough sketch and certainly not correct in every detail and the same must be true oj the surround of the tondo.
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Fales, F. M., and R. Del Fabbro. "BACK TO SENNACHERIB'S AQUEDUCT AT JERWAN: A REASSESSMENT OF THE TEXTUAL EVIDENCE." Iraq 76 (December 2014): 65–98. http://dx.doi.org/10.1017/irq.2014.8.

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The aqueduct in limestone blocks at Jerwan in the present day Dohuk region of Iraqi Kurdistan is one of the most imposing monuments erected by the Assyrian king Sennacherib (704–681 b.c.) as part of his vast hydraulic program for Nineveh. This aqueduct, subject of a precise and innovative, albeit brief, investigation by Thorkild Jacobsen and Seton Lloyd in 1933, was re-examined in September 2012 by the two authors with an eye to the cuneiform texts engraved on the stone surfaces. The present study is aimed at a survey of the various specimens of royal inscriptions A–C, in their various occurrences and in relation to the architectural features of the monument; specifically, a new geographical analysis of inscription B is suggested. An updated contextual overview is provided of the approximately 200 inscribed blocks bearing so-called “inscription D”, benefitting from new collations. Finally, working hypotheses are presented on the probable place of origin of this text, and on the historical phase in which the puzzling placement of its written components could have taken place.
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Andres, Christopher R., Christophe Helmke, Shawn G. Morton, Gabriel D. Wrobel, and Jason J. González. "Contextualizing the Glyphic Texts of Tipan Chen Uitz, Cayo District, Belize." Latin American Antiquity 25, no. 1 (March 2014): 46–64. http://dx.doi.org/10.7183/1045-6635.25.1.46.

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The 2011 investigations of the Caves Branch Archaeological Survey at the large and recently documented Maya site of Tipan Chen Uitz resulted in the discovery of the site's first monument with a glyphic inscription. Prior to this discovery, the site's glyphic corpus was limited to a small collection of texts rendered on fragmentary ceramics. In this paper, we describe these sherds as well as the monument (Monument 1), report on their archaeological contexts, provide an epigraphic analysis of the texts, and consider these written sources relative to our growing understanding of Tipan and its place in the ancient political landscape. The discovery of Monument 1 is important, for it stands to contribute to sociopolitical reconstructions in this part of the central Maya Lowlands and has significant implications for the possible presence of other, as yet undiscovered, Late Classic period (A.D. 550-830) monuments at Tipan.
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Dissertations / Theses on the topic "MONUMENT INSCRIPTION"

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Haak, Abigail. "Defining monumental realities : a study of inscriptions as monuments in the urban landscapes of Ephesus and Aphrodisias." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439734.

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Lotfi, Abdeljaouad. "Inscriptions arabes des monuments islamiques des grandes villes de Tunisie : Monastir, Kairouan, Sfax, Sousse et Tunis." Aix-Marseille 1, 2001. http://www.theses.fr/2001AIX10030.

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Le corpus des inscriptions arabes des monuments islamiques des grandes villes de Tunisie, comprend 143 inscriptions, dont une cinquantaine constitut un matériel inédit. Elles proviennent de Monastir, Kairouan, Sfax, Sousse et Tunis et s'échelonnent sur une période de 8 siècles, entre l'année 181 / 797 et 919 / 1513. Leur diversité et leur richesse offrent un apport considérable à l'histoire de l'Ifrqiyya tunisienne. La présente thèse se propose d'étudier l'épigraphie monumentale de Tunisie en utilisant les dernières méthodes de la recherche dans ce domaine, et plus particulièrement de l'appui fourni par l'informatique. Cette thèse a, en effet, été entièrement réalisée à l'aide du logiciel Epimac qui permet une étude exhaustive de toutes les données qui concernent l'épigraphie.
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Giunta, Roberta. "Les inscriptions de la ville de Gazni (Afghanistan)." Aix-Marseille 1, 1999. http://www.theses.fr/1999AIX10061.

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Le matériel épigraphique présenté provient de la ville de Gazni, en Afghanistan. Collecté par l'équipe de la mission archéologique italienne entre les années 1957 et 1966, il était resté longtemps inexploité. Cette documentation, s'échelonnant entre les 4ème-9ème / 10ème-15ème siècles, comprend soixante-treize monuments funéraires, dont treize datés, neuf plaques dites à "mihrab" et sept fragments architectoniques. La plupart de ces documents appartient à la période des dominations gaznawide (366-583 / 977-1187) et guride (env. 250-612 / 864-1215), en Afghanistan. L'étude a été divisée en trois volumes : le premier comprend i le catalogue des documents funéraires et civils, le deuxième est consacré à l'étude du matériel inventorié et le troisième comporte 440 planches relatives aux photographies, aux dessins et aux alphabets. Deux grands tableaux dépliables sont contenus dans la pochette ajoutée à la fin de ce troisième volume. Les monuments funéraires offrent une typologie intéressante: ils se composent de deux ou de plusieurs éléments superposés en formant une sorte de pyramide tronquée, assez élevée. A quelques exceptions près, chacun des éléments d'un tombeau est susceptible de comporter des bandeaux épigraphiques qui, dans la plupart des cas, apparaissent indépendants les uns des autres. Le nom du défunt, lorsqu'il est signalé, est presque toujours gravé sur l'élément le plus haut. Le formulaire funéraire est assez stéréotypé et peut comporter la basmala, la sahada, des invocations implorant la miséricorde et le pardon de Dieu sur le défunt, le nom du défunt, la date de son décès, des versets coraniques et des sentences religieuses. Les styles de graphie adoptés sont le coufique et le cursif qui, souvent, coexistent sur un même document. Le coufique présente quatre variantes principales et, à partir de la deuxième moitié du 5ème / 11ème siècle, atteignit un haut degré de perfection artistique. Le cursif fait probablement, ici, sa première apparition dans l'épigraphie monumentale. L'étude des plaques à mihrab et celle des fragments architectoniques, datés d'après des références historiques, a fourni des indications précieuses pour la connaissance de l'histoire et des goûts artistiques de l'époque et elle nous a également aidé à dater les nombreux documents dépourvus de date.
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Löhr, Christoph. "Griechische Familienweihungen : Untersuchungen einer Repräsentationsform von ihren Anfängen bis zum Ende des 4. Jhs. v.Chr. /." Rahden/Westfalen : M. Leidorf, 2000. http://catalogue.bnf.fr/ark:/12148/cb39276180m.

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Jarray, Fathi. "Inscriptions des monuments de la Régence de Tunis à l'époque ottomane : étude épigraphique et historique." Aix-Marseille 1, 2007. http://www.theses.fr/2007AIX10048.

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Depuis 1574, la Tunisie devint une régence ottomane annexée à la Sublime Porte. Nonobstant la diversité des sources de cette époque, plusieurs questions sont encore obscures. En étudiant les inscriptions des monuments, cette thèse traite certaines questions relatives à l'histoire moderne de la Tunisie. A côté de l'inventaire, cette étude comprend une synthèse dans laquelle nous avons étudié les apports de ces inscriptions dans l'histoire, une deuxième partie consacrée aux illustrations et un dictionnaire des racines des mots cités dans les inscriptions. Cette recherche répond à plusieurs questions à l'instar de l'échec de l'ottomanisation. Le classement des inscriptions dégage les périodes de crise et de prospérité ainsi que la contribution des Ottomans et des notables dans les activités architecturales et l'urbanisation des villes de la régence. L'étude onomastique montre bien l'ouverture et la diversité de la société ainsi que la richesse du répertoire des titres et des fonctions.
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Handley, Mark Allen. "The early medieval inscriptions of Britain, Gaul and Spain : studies in function and culture." Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/251472.

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Laabi, Rim. "Le monumental et l'ornemental : poi͏̈étique de l'oeuvre comme interférence des mémoires." Paris 1, 2004. http://www.theses.fr/2004PA010585.

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Notre aventure théorique et plastique, guidée par les notions du "monumental" et de "l'ornemental" nous a conduit vers l'exploration d'une poi͏̈étique de l'oeuvre comme interférence des mémoires. Le "monumental" serait cette intériorité obscure et sans fond ou plus précisément une "immensité intime" tramant des mémoires confuses à la fois proches et lointaines, et de ce fait, inaccessibles et envahissantes, suscitant un désir de dépassement ou d'accessibilité. Quant à "l'ornemental", il constituerait l'expression d'une accentuation de cette inaccessibilité, et paradoxalement, la clé d'une intériorité. "L'ornemental" me semble manifester un lieu d'apparence formé d'un réseau de lueurs charmeuses, éclairant le chemin de la découverte d'une apparition ou d'une profondeur cachée. Vivre "l'ornemental" traduirait également l'expérience d'un jeu de séduction continuel nous maintenant au seuil d'un abîme insondable. En effet, dans le réseau "ornemental", les lueurs s'entremêlent, brouillent les pistes et entraînent ainsi une parade labyrinthique et infinie. "L'ornemental" serait cet artifice captivant, sinueux et entremêlé, nourrissant l'espoir d'atteindre des profondeurs occultes. L'entrecroisement du "monumental" et de "l'ornemental" finirait par constituer le leurre de l'accessible engendrant le désir indéfectible et grandissant de rendre visible l'invisible. L'aventure artistique "monumentale" et "ornementale" se définirait ainsi comme l'expression d'un voyage de l'apparence à l'apparition et inversement, vers l'interminable orée d'un secret. Cette réflexion est le résultat de notre parcours de recherche s'appuyant sur l'hypothèse suivante : Le "monumental" et "l'ornemental" trouveraient leur point de croisement dans la notion d'inscription. L'art serait cette inscription qui fait"trou" ou " trou de mémoire ", laissant place aux réinventions.
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Van, Heems Gilles Thuillier Jean-Paul. "Les Inscriptions funéraires étrusques élaboration, fixation et diffusion des formulaires dans la production épigraphique funéraire de langue étrusque /." Lyon : Université Lumière Lyon 2, 2006. http://demeter.univ-lyon2.fr/sdx/theses/lyon2/2006/vanheems_g.

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Dexheimer, Dagmar. "Oberitalische Grabaltäre : ein Beitrag zur Sepulkralkunst der römischen Kaiserzeit /." Oxford : British Archaeological Reports, 1998. http://catalogue.bnf.fr/ark:/12148/cb370798098.

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Breuer, Christine. "Reliefs und Epigramme griechischer Privatgrabmäler : Zeugnisse bürgerlichen Selbstverständnisses vom 4. bis 2. Jahrhundert v. Chr. /." Köln ; Weimar ; Wien : Böhlau, 1995. http://catalogue.bnf.fr/ark:/12148/cb393020269.

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Texte remanié de: Dissertation--Philosophische Fakultät--Universität zu Köln, 1993. Titre de soutenance : Reliefs und Epigramme griechischer Privatgrabmäler vom vierten bis zweiten Jahrhundert als Zeugnisse bürgerlichen Selbstverständnisses.
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Books on the topic "MONUMENT INSCRIPTION"

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Lang, Burton. Beechridge Presbyterian Cemetery: Monument inscription list. Howick, Quebec: B. Lang, 2002.

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Lang, Burton. St-Matthew's Episcopal (Edwardstown Anglican) Cemetery, St-Chrysostôme, Quebec: Monument inscription listing. Howick, Quebec: B. Lang, 2002.

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Lang, Burton. St. Paul's Presbyterian (United) Church, Ormstown, Quebec: Old burying ground, monument inscription list. Howick, Quebec: Burton Lang, 2002.

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Farrell, Stuart. Monumental inscriptions. [S.l.]: Fife Family History Society, 2000.

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Farrell, Stuart. Monumental inscriptions. [S.l.]: Fife Family History Society, 2001.

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Bonthrone, Mark. Monumental inscriptions. [S.l.]: Fife Family History Society, 2001.

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Society, Derbyshire Family History, ed. Monumental inscriptions. (Derby): (Derbyshire Family History Society), 1989.

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Society, Nottinghamshire Family History, ed. Monumental inscriptions. Nottingham: Nottinghamshire Family History Society, 2000.

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St. Thomas (Church : Melling). Monumental inscriptions. Liverpool: Liverpool and SW Lancashire Family History Society, 1990.

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Society, Nottinghamshire Family History, ed. Monumental inscriptions. Nottingham: Nottinghamshire Family History Society, 1994.

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Book chapters on the topic "MONUMENT INSCRIPTION"

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Shaw, Paul. "Poggio Bracciolini, an Inscription in Terranuova, and the Monument to Carlo Marsuppini: A Theory." In Atti, 149–62. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.11.

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The strangest Renaissance inscription is the dedication plaque of Poggio Bracciolini in the church of S. Maria in Terranuova Bracciolini. Over the course of eighteen lines, its letters morph from Florentine sans serif capitals to Imperial Roman capitals. The author theorizes that the gradual change was the result of Poggio Bracciolini coaching an untutored lettercutter in the subtle differences between the two styles of letters. Furthermore, there is a visual link between the letters of the Terranuova inscription and those of the inscription on the monument to Carlo Marsuppini in S. Croce that suggests Poggio played a role in its design.
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Knight, Kathryn B., Larry L. St. Clair, and John S. Gardner. "Lichen Biodeterioration at Inscription Rock, El Morro National Monument, Ramah, New Mexico, USA." In Biodeterioration of Stone Surfaces, 129–63. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-1-4020-2845-8_9.

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Spickermann, Wolfgang. "Monumental Inscriptions." In A Companion to the Archaeology of Religion in the Ancient World, 412–24. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886809.ch31.

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Soheil, Mehr Azar. "Significance of Inscriptions." In The Concept of Monument in Achaemenid Empire, 138–61. New York : Routledge, 2019. | Based loosely on the author’s thesis (doctoral—Universitáa degli studi di Roma “La Sapienza”, 2000) under the title: Persepolis : il concetto di monumento nell’impero achemenide.: Routledge, 2018. http://dx.doi.org/10.4324/9781315165639-5.

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Richardson, John T. E. "Introduction." In The Legibility of Serif and Sans Serif Typefaces, 1–10. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-90984-0_1.

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AbstractThis chapter describes the origins of serif and sans serif typefaces in ancient inscriptions and especially in those dating from ancient Rome. Serif inscriptions evolved during the Middle Ages and were used as the basis for the first printed typefaces. Sans serif inscriptions were used in England during the eighteenth century on monuments and public buildings. Both were increasingly used in printing from 1820 until the present day. This chapter also describes the application of systematic review to the issue of the legibility of serif and sans serif typefaces.
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Morita, Naoto, Ryunosuke Inoue, Masashi Yamada, Takatoshi Naka, Atsuko Kanematsu, Shinya Miyazaki, and Junichi Hasegawa. "Inscription Segmentation Using Synthetic Inscription Images for Text Detection at Stone Monuments." In Document Analysis and Recognition – ICDAR 2021 Workshops, 167–81. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-86198-8_13.

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Sfikas, Giorgos, Angelos P. Giotis, George Retsinas, and Christophoros Nikou. "Quaternion Generative Adversarial Networks for Inscription Detection in Byzantine Monuments." In Pattern Recognition. ICPR International Workshops and Challenges, 171–84. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-68787-8_12.

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Harrak, Amir. "Commemorating Church History in the Ottoman Era: Monumental Inscriptions and Art." In The Christian Heritage of Iraq, edited by John Watt, Sidney H. Griffith, Florence Jullien, Sebastian P. Brock, Suha Rassam, Wassilios Klein, Alexei Savchenko, et al., 165–86. Piscataway, NJ, USA: Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463217136-016.

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Treffort, Cécile. "Mémoires de chœurs. Monuments funéraires, inscriptions mémorielles et cérémonies commémoratives à l’époque romane." In Culture et société médiévales, 219–32. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.csm-eb.3.347.

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"A monumental inscription: The transcultural heritage of Swift’s epitaph." In Moment to Monument, 51–70. transcript-Verlag, 2008. http://dx.doi.org/10.14361/9783839409626-004.

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Conference papers on the topic "MONUMENT INSCRIPTION"

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Kvítková, Zuzana, Zdenka Petrů, Petr Houška, and Lucie Macáková. "Impact of the Inscription of the Cultural Landscape on the Unesco List on Tourism Destination." In XXV. mezinárodní kolokvium o regionálních vědách. Brno: Masaryk University Press, 2022. http://dx.doi.org/10.5817/cz.muni.p280-0068-2022-46.

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The site inscription on the UNESCO list of cultural and natural heritage is important for tourism destination development. It is associated with several positive and negative impacts on sustainable destination development. The paper aims to evaluate the impacts and potential effects of the registration of the cultural landscape of the Kladruby nad Labem National Stud Farm on the monument as such, its surroundings, and related subjects in the destination. Quantitative methods such as the number of visitors, tourism density and intensity were used to assess the impacts and sustainability. A qualitative method of structured interviews with various stakeholders was used to evaluate the potential influence and perception of the inscription on the UNESCO list. The observation method was also used. The research showed that the inscription on the UNESCO list had an impact on the visitors´ growth and its year-on-year growth (except in 2020). Tourism indexes of density and intensity pointed to the possibility of destination congestion. The structured interviews showed that the inscription has a rather positive effect on the monument itself, as well as the municipality, destination, and tourism within the region. Results confirm that the positive effects are associated primarily with the ability of the monument itself to regulate its attendance.
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Newton, B. Talon, and Shari A. Kelley. "Continuous soil-moisture measurements to assess fracture flow in Inscription Rock at El Morro National Monument, New Mexico: Implications for the deterioration of inscriptions." In 71st Annual Fall Field Conference. New Mexico Geological Society, 2021. http://dx.doi.org/10.56577/ffc-71.291.

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Kopár, Lilla. "The Rise and Fall of Anglo-Saxon Runic Stone Monuments: Runic Inscriptions and the Development of Sculpture in Early Medieval England." In The Eighth International Symposium on Runes and Runic Inscriptions. Department of Scandinavian Languages, Uppsala University, 2021. http://dx.doi.org/10.33063/diva-438873.

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Kuz'menko, Yury K. "POETRY IN THE INSCRIPTIONS IN YOUNGER RUNES." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.24.

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Although the corpus of poetic inscriptions in younger runes has in the main been established in early Scandinavian scholarship, the structure and formulaic character of inscriptions have not yet been subjected to detailed research. In the paper, the structure of poetic runic texts has been described in the light of the hypothesis of the isochrony of bars, admitting an occasional lengthening of short syllables and shortening of long syllables. The formulaic structure is most clearly seen in the younger runic inscriptions on memorial stones. The formula is based on a constant alliterating pair (cf., for example, standa ‘to stand’ — steinn ‘stone’), whose elements occupy different short lines, cf. Hēr mun standa / steinn nær brautu ‘Here will stand a stone by the road.’ The varyable parts of the formula occupy the beginning of the first short line and the end of the second short one. Hēr mun can be replaced by prosodically equivalent and semantically similar combinations Nū skal, Hēr skal, Æ mun, and nær brautu ‘by the road’ can be replaced by the prosodically equivalent and semantically similar viðr bryggju ‘by the bridge’, ą bjargi ‘on the mountain’, miþli byja ’between villages’, at merki ‘as a monument’, at Ingjald ‘after Ingvald’. The paper also addreses some other most common formulas based on alliterating pairs. Refs 24.
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Grisoni, Michela Marisa. "The struggle for Stone-dry walling: the ambition to protect both processes and products." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15264.

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Quoting from the inscription into the Intangible Cultural Heritage List (2018), the art of dry-stone walling concerns “the know-how” related to making stone constructions that explains the interest towards the product process as well as the product itself. The protection of the ability in stones selection and their placement, without mortar or dry soil at most, has moved the attention from walls to walling too. As a result, the idea of authenticity should be rediscussed to preserve not only some existing monuments and amazing landscape, but a living heritage and a sustainable land use. A risk occurs in some coastal areas, both maritime or front lake, and in the valleys, of the Alps or the Apennines. These places are the most sensitive to residential and receptive exploitation; as a result, an aesthetic landscape perception is taking advantage against its structural conception and the authentic art construction for dwelling (buildings), farming (terraced arrangements) or husbandry (cow-walls). The awareness of the role of dry building for the consolidation of the slopes, the protection of the mountain and the harmonious relationship between environments and species the inscription would preserve, is misunderstood. In Italy some evident ambiguities are occurring into practice and local behaviours. Although the inscription has invited preservation program, the governance of the art of terraced arrangement seems often reduced to a picturesque disposal; misunderstood if not betrayed in its authenticity both as a product and as a process. Some case studies are proposed to point out this slipped issue, considering the Lake of Como as an elective observation area. By the presentation of some real examples, both virtuous and critical, a discussion and comparison with other contexts, both national and international, should eventually be favoured.
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Тишкин, Алексей А., and Николай Н. Серегин. "Turkic enclosures of the Mongolian Altai: new data on the traditions of the ritual practices of nomads in the Early Middle Ages." In Hadak útján. A népvándorláskor kutatóinak XXIX. konferenciája. Budapest, 2019. november 15–16. 29th. Bölcsészettudományi Kutatóközpont Magyar Őstörténeti Kutatócsoport, 2022. http://dx.doi.org/10.55722/arpad.kiad.2021.4.1_04.

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From 2007 to 2015, the Buyant Russian­Mongolian archaeological expedition conducted in the territory of the Mongolian Altai targeted the research of ritual structures of the Turkic time (6th–8th cc. AD), which in scientific literature are called enclosures because of the square or rectangular shape of the base structure in the form of installed stone slabs. During the fieldwork, several hundreds of these monuments were discovered. The largest concentration was recorded in the northern part of the mountain range. 27 Turkic enclosures have been excavated in the Mongolian Altai during the years of work of Buyant expedition and their relative chronology is discussed in this paper. We outline the evolution of the tradition of the constructions of Turkic enclosures through different historical periods. We discuss their purpose on the basis of their structural design and associated material finds. Of particular importance are the stone sculptures and the Turkic inscriptions discovered alongside the enclosures. We propose the use of natural science dating methods and the decoding of the found texts for further research into these early medieval enclosures.
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Fuentes, O., and G. Pincon. "PARIETAL AND MOBILE ART OF ROC-AUX-SORCIERS ROCK SHELTER (MIDDLE MAGDALENIAN, VIENNE, FRANCE)." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.15-16.

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The rock shelter of the Roc-aux-Sorciers at Angles-sur-lAnglin (Vienne, France) is one of the archaeological reference sites for the Upper Paleolithic. The sculpted, painted and engraved frieze was gradually brought to light in its archaeological context by Susanne Cassou de Saint-Mathurin and Dorothy Garrod from 1949 onwards (Saint-Mathurin, Garrod, 1950). A wealth of archaeological material was discovered alongside the parietal art, comprising numerous works of portable art, tools made of animal bone, jewellery, etc. It was very rapidly observed that the portable art and the parietal art shared the same graphic and thematic conventions. For example, images of female bodies are rendered in high relief, in a monumental way, but also in the form of small statuettes. Our research has demonstrated the undeniable intra-site links between the portable art and the parietal art (Pinon, 2012). Here we propose to broaden this analysis within a well-identified culture of the Middle Magdalenian known as the Magdalenian of Lussac-Angles spearpoints. At the time of the discovery of the Magdalenian site of La Marche in 1937 (Vienne) (Lwoff, Pricard, 1940), some similarities had been identified between this site and that of Le Roc-aux-Sorciers, where the discoveries dated back to 1927 (Rousseau, 1933). These similarities are also perceptible in shared techniques (Chehmana, Beyries, 2010), as well as in the production of objects in hard organic materials such as the Lussac-Angles spearpoints (Pinon, 1988), the jewellery in fossil mammoth ivory (Dujardin, Pinon, 2000), the engraved horse incisors (Mazire, 2009) and the figurative art (Bourdier et al., 2016 Fuentes, 2016). We propose to further explore the links between these two sites through the analysis of the dynamic processes of reworking images. In particular we examine the engraved plaquettes of La Marche and the parietal art of Le Roc-aux-Sorciers to bring these links into perspective. This could shed light on some common ways of seeing the world in this Magdalenian group. Bourdier, C., Pinon, G., Bosselin, B. (2016). Norme et individualit au Rocaux-Sorciers (Vienne, France): approches des mains du registre animalier au travers de la forme. In M. Groenen, M.-Ch. Groenen (Eds.), Style, Techniques and Graphic expression in Rock Art (pp. 1735). BAR S2787. Chehmana, L., Beyries, S. (2010). Lindustrie lithique du Roc-aux-Sorciers (collection Rousseau). In J. Buisson-Catil, J. Primault (Eds.), Prhistoire entre Электронная библиотека ИА РАН: https://www.archaeolog.ru/ru/el-bib 16 Vienne et Charente. Hommes et socit du Palolithique (pp. 453460). Association des publications Chauvinoises, mmoire XXXVIII. Dujardin, V., Pinon, G. (2000). Le Magdalnien dans la Vienne et la Charente. In G. Pion (Dir.), Le Palolithique suprieur rcent: nouvelles donnes sur le peuplement et lenvironnement (pp. 213222). Actes de la table ronde de Chambry, 12-13 mars 1999, Mmoire de la Socit prhistorique franaise 28. Fuentes, O. (2016). The social dimension of human depiction in Magdalenian rock art (16,500 cal. BP 12.000 Cal. BP): the case of the Roc-aux-Sorciers rockshelter. Quaternary International, 430, 97113. https://doi.org/10.1016/ j.quaint.2016.06.023 Pericard, L., Lwoff, S. (1940). La Marche. Commune de Lussac-les-Chteaux (Vienne). Premier atelier de Magdalnien III dalles graves mobiles. Bulletin de la Socit Prhistorique franaise, 37(79), 155180. Pinon, G. (1988). Fiche sagaie de Lussac-Angles. In H. Camps Fabrer (Dir.), Fiches typologiques de lindustrie osseuse prhistorique. Commission de nomenclature sur lindustrie de los prhistorique. Cahier I: sagaies (fiche 3bis). Universit de Provence. Pinon, G. (2012). Art mobilier et art parital du Roc-aux-Sorciers (Angles-surlAnglin, Vienne, France): disparits ou sens communs In J. Clottes (Ed.), Lart plistocne dans le monde / Pleistocene art of the world / Arte pleistoceno en el mundo (pp. 15491558). Bulletin Socit Prhistorique Arige-Pyrnes. Mazire, G. (2009). Les incisives de chevaux graves. In G. Pinon (Dir.), Le Roc-aux-Sorciers: art et parure du Magdalnien. Runion des Muses Nationaux. http://www.catalogue-roc-aux-sorciers.fr Rousseau, L. (1933). Le Magdalnien dans la Vienne. Dcouverte et fouille dun gisement du Magdalnien, Angles-sur-lAnglin (Vienne). Bulletin de la Socit Prhistorique franaise, 30, 239256. Saint-Mathurin (de), S., Garrod, D. (1950). Une frise sculpte du Magdalnien ancien dcouverte Angles-sur-lAnglin, dans la Vienne. Acadmie des Inscriptions et Belles Lettres, 94(2), 123128.
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