Journal articles on the topic 'MONECS project'
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Calcagno, Robert, and Gilles Bessero. "Monaco Explorations Ocean Decade Project." Marine Technology Society Journal 56, no. 3 (June 8, 2022): 124–25. http://dx.doi.org/10.4031/mtsj.56.3.16.
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Abstract Perpetuating the tradition initiated more than 100 years ago by Prince Albert Ist of Monaco to make people love, know, and protect the ocean, his great-great-grandson HSH Prince Albert II of Monaco puts the protection of the planet and particularly the ocean high on his agenda. Accordingly, he has instigated a flagship project for the Principality—Monaco Explorations—as a platform for his commitment to the knowledge, sustainable management, and protection of the ocean. The project was among the first set of international actions officially endorsed on World Ocean Day in June 2021 in response to the first call for actions of the UN Ocean Decade.The 10-year project comprises collaborative international expeditions combining scientific research, public outreach, and government cooperation through the transdisciplinary approach underpinned by sustainability science. It will investigate selected marine areas worldwide, starting with an expedition in the Western Indian Ocean in October and November 2022.
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Mrzyglod, Urszula, Marcin Skurczynski, and Joanna Adamska – Mieruszewska. "Raising Money on Crowdfunding Platforms: The Components of Success." JOURNAL OF INTERNATIONAL BUSINESS RESEARCH AND MARKETING 5, no. 1 (2019): 26–31. http://dx.doi.org/10.18775/jibrm.1849-8558.2015.51.3004.
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Crowdfunding differs significantly from standard business and personal financing since it allows those in need of funds to collect small contributions from the community of internet users. This unique feature makes crowdfinancing popular throughout the world and supports growth in terms of the number of financed projects and the volume of financing. Nonetheless, the percentage of projects fully financed on crowdfunding platforms is relatively low. This raises a question about the origins of successful financing. Based on a unique dataset of 1,543 projects, we investigated the attributes of projects on one of the largest crowdfunding platforms operating in Poland: PolakPotrafi.pl. This paper aims to determine the key drivers of successful crowdfinancing. Along with standard statistical measures, we conducted logistic regressions. We found that the longer a project’s duration and the higher funding goal per supporter are, the less likely the project is to be fully funded. In contrast, active communication by the project’s founder increases the chances of successful crowdfinancing. We also found that crowdfinancing is not geographically neutral: conducting a project in Poland’s capital is correlated with a higher probability of obtaining funds.
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Cacciotti, R. "Integrated knowledge-based tools for documenting and monitoring damages to built heritage." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W7 (August 11, 2015): 57–63. http://dx.doi.org/10.5194/isprsarchives-xl-5-w7-57-2015.
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The advancements of information technologies as applied to the most diverse fields of science define a breakthrough in the accessibility and processing of data for both expert and non-expert users. Nowadays it is possible to evidence an increasingly relevant research effort in the context of those domains, such as that of cultural heritage protection, in which knowledge mapping and sharing constitute critical prerequisites for accomplishing complex professional tasks. The aim of this paper is to outline the main results and outputs of the MONDIS research project. This project focusses on the development of integrated knowledge-based tools grounded on an ontological representation of the field of heritage conservation. The scope is to overcome the limitations of earlier databases by the application of modern semantic technologies able to integrate, organize and process useful information concerning damages to built heritage objects. In particular MONDIS addresses the need for supporting a diverse range of stakeholders (e.g. administrators, owners and professionals) in the documentation and monitoring of damages to historical constructions and in finding related remedies. The paper concentrates on the presentation of the following integrated knowledgebased components developed within the project: (I) MONDIS mobile application (plus desktop version), (II) MONDIS record explorer, (III) Ontomind profiles, (IV) knowledge matrix and (V) terminology editor. An example of practical application of the MONDIS integrated system is also provided and finally discussed.
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Keck, George, Nick VanderZwan, William Cheaks, and Katherine C. Heringhaus. "Generating Cost Savings through Effective Management of Infrastructure in the Public Right-of-Way." Transportation Research Record: Journal of the Transportation Research Board 2606, no. 1 (January 2017): 38–45. http://dx.doi.org/10.3141/2606-05.
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Cities face the challenge of managing work in the public way while minimizing street cuts and related traffic impacts associated with independent (nonconcurrent) renewal and maintenance programs. Stakeholders, including public officials, utilities, and residents, find the lack of coordination frustrating and a potential waste of taxpayer moneys. In 2012, Chicago, Illinois, Mayor Rahm Emanuel launched Building a New Chicago, a plan that introduced a record amount of infrastructure construction, with City of Chicago projects accounting for $7 billion over 10 years. The Chicago Department of Transportation (DOT), Division of Infrastructure Management, is responsible for the coordination, permitting, and construction inspection of all surface and subsurface work in the public way. At the time, Chicago DOT did not have in-house resources to handle the increased number of improvement projects. In addition, communication and coordination of projects often occurred in information silos with collaboration between private and public agencies that was based on interpersonal contacts. Chicago DOT addressed these challenges by implementing a project coordination office to provide program management services and review internal processes to improve coordination and to provide enhanced management of the public way. This development of process improvements and synergies resulted in savings of more than $73 million since 2012. Because of successful coordination efforts and resultant cost savings, Chicago has an annual goal of paving more than 300 mi (483 km) of residential and arterial streets by both public and private utilities. The coordination process from inception to closeout is outlined so that other municipalities—big and small— can use the methodologies.
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Toutain, Olivier, Alain Fayolle, Bernard Surlemont, Caroline Verzat, and Dominique-Anne Michel. "Un projet éditorial à la croisée des mondes." Entreprendre & Innover 27, no. 4 (2015): 5. http://dx.doi.org/10.3917/entin.027.0005.
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Bracchi, Paola. "Ri-leggere Tor Bella Monaca. Mappare le aree sensibili al mutamento: criticità urbane come potenzialità rigenerative." TERRITORIO, no. 63 (December 2012): 112–15. http://dx.doi.org/10.3280/tr2012-063022.
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Too big, fragmented, rundown and inaccessible. These and others are the reasons which the City of Rome used to justify the demolition of Tor Bella Monaca. A few questions should be asked here. Is it possible to turn the problems into potential for regenerating the neighbourhood? Is it possible to use a new description of Tor Bella Monaca to demonstrate that the project proposed by the City administration will not solve the problems identified? Strategic objectives for the regeneration project were formulated on the basis of the problems. These were permeability, connection and relationship. The map of the areas which can be changed is used as the key factor in the process. On the one hand it identifies the areas and spatial categories in which the strategic objectives are concretely addressed and on the other hand - thanks to a process of interpretation and abstraction - it is open to the determination of regenerative strategies.
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Šolak, Zdravko, Branislava Avramović, and Milutin Planojević. "Novi Sad's participation (Yugoslavia - Novi Sad) in the WHO MONICA project." Zdravstvena zastita 36, no. 1 (2007): 19–30. http://dx.doi.org/10.5937/zz0704019s.
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Westerkamp, Hildegard. "Linking soundscape composition and acoustic ecology." Organised Sound 7, no. 1 (April 2002): 51–56. http://dx.doi.org/10.1017/s1355771802001085.
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1. EXPLORING THE CONNECTIONThe term soundscape composition did not exist when I started composing with environmental sounds in the mid-1970s. Through a variety of fortunate circumstances and because of what the 1970s were in Vancouver and Canada - artistically inspiring and moneys were available for adventurous and culturally, socially, politically progressive projects - I had discovered that environmental sounds were the perfect compositional ‘language’ for me. I had learnt much while working with the World Soundscape Project at Simon Fraser University, about listening, about the properties of sound, about noise, the issues we face regarding the quality of the sound environment and much more. This in combination with learning to record and to work with analog technology in the sonic studio allowed me to speak with sound in a way I found irresistible. In addition, the start-up of Vancouver Co-operative Radio gave us the - at that time rare - opportunity to broadcast our work. It was a place where cultural exploration and political activism could meet. It was from within this exciting context of ecological concern for the soundscape and the availability of an alternate media outlet that my compositional work - now often called soundscape composition - emerged. And it came as a surprise to me, as I had never thought of composing nor of broadcasting as a professional choice in my life.
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Lee, Han Soo, Jae-Kyun Yoo, Dong-Hee Kim, Kyung-Chul Lee, Sung Wook Kang, and Dae Seop Moon. "Study on Risk Based Value for Money Assessment on Urban Rail Project." Journal of The Korean Society For Urban Railway 9, no. 4 (December 31, 2021): 1117–29. http://dx.doi.org/10.24284/jkosur.2021.12.9.4.1117.
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Nielsen, Greg M. "L’impasse Canada-Québec et le sort de Radio-Canada : l’autonomie culturelle ou la mort!" Cahiers de recherche sociologique, no. 25 (April 28, 2011): 181–212. http://dx.doi.org/10.7202/1002296ar.
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Cet article présente une critique comparative du système public de la radiodiffusion et de la rationalisation des « mondes vécus » canadien et québécois. Il propose une théorisation de la culture et de la politique de l’espace public basée sur la problématique de la reconnaissance de Taylor et sur la distinction des systèmes et des mondes vécus d’Habermas. La problématique concerne l’impasse politique entre le Canada et le Québec et le démantèlement possible de Radio-Canada. L’auteur aborde successivement l’histoire de la SRC et de la CBC du point de vue de la régulation des sociétés canadienne et québécoise et tente de justifier la proposition d’un Radio-Québec Global comme institution centrale pour le développement du projet de société dans un Québec souverain.
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Almarri, Khalid, and Halim Boussabaine. "Interdependency of Value for Money and Ex-Post Performance Indicators of Public Private Partnership Projects." Journal of Engineering, Project, and Production Management 7, no. 2 (July 31, 2017): 90–98. http://dx.doi.org/10.32738/jeppm.201707.0005.
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Suhrcke-Caballero, Gunther, and Katherine Gondeck-Cepeda. "Las intervenciones en el Palacio de La Moneda de los siglos XIX, XX y XXI. Los proyectos y sus arquitectos." Arquitecturas del Sur 40, no. 62 (July 31, 2022): 40–61. http://dx.doi.org/10.22320/07196466.2022.40.062.03.
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The Palacio de La Moneda, or La Moneda Palace, is the seat of the Presidency and the Executive Power of Chile, the Ministry of the Interior and Public Security, the General Secretariat of the Presidency, and the General Secretariat of the Government. It is one of the main historical and most important buildings in Chile in terms of its current representative function, as the Government Palace. Since its construction, in 1786, it has been the witness and star of the historical-political and social-urban evolution of the nation, of events that have been expressed in its own architectural metamorphosis and the evolution of the urban fabric. Designed by architect Joaquín Toesca, a disciple of Francesco Sabatini, a professional of the court of Carlos III, King of Spain (1759-1788), the Palace is the main example of Neoclassicism in Chile. It was inaugurated in 1805 as the Royal Mint of Santiago, to mint the kingdom's currency. After the independence of Chile, in 1845, the Seat of Government and Presidential Residence moved to the building. It is on this date that it adopts its representative function, and therefore, the moment where the first important modification of its floorplan took place, beginning a process of continuous evolution characterized by the dynamic transformation and permanent adaptation of its architecture, through successive interventions, functional updates, and its reconstruction after the 1973 air raid. The lack of an organized and detailed record of its permanent alterations makes it difficult to understand them from their current state and for possible future interventions. As a result, this article presents the most important and significant changes on the perception of the building, thus becoming the first organized record of contemporary interventions of La Moneda Palace.
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Fontanella, Elena. "Costruire sul costruito a Tor Bella Monaca: strategie di rigenerazione dello spazio edificato." TERRITORIO, no. 63 (December 2012): 104–6. http://dx.doi.org/10.3280/tr2012-063020.
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To rethink the Tor Bella Monaca neighbourhood with its current configuration as the starting point, without recourse to the demolition planned by the Rome City Council, is the horizon set for the planning research project carried out, part of which focuses on the formulation of regeneration strategies for built space. These strategies, which were identified through stratification, densification and rarefaction operations, reflect on the idea of modifying the existing situation and transforming it, with the aim of understanding how architectural and urban design can meet the challenge of ‘building on the built' today.
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Prokopowicz, Adam K. "The Value for Money for Transport Infrastructure Projects and Its Marketing Components – Conceptual Thoughts and Refl ections." Management and Business Administration. Central Europe 22, no. 4 (December 15, 2014): 179–93. http://dx.doi.org/10.7206/mba.ce.2084-3356.129.
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Seguy, Clarisse. "La destruction du temps par son exploitation industrielle." Radar, no. 7 (June 15, 2022): 27–34. http://dx.doi.org/10.57086/radar.460.
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Dans un présent instable conditionné par la société capitaliste et technologique actuelle, l’art interactif numérique à l’instar de la science-fiction, vient configurer des mondes et des temps possibles. La liaison entre le spectateur, l’œuvre et l’espace coupent et nouent, tissent des chemins et des conséquences dans le but de réapprendre à vivre le temps présent. L’évolution de l’art interactif jusqu’à cet instant est une série de pistes entrelacées pour expliquer la nécessité humaine de créer un nouvel espace, un cocon contemporain, comme nous présentent le collectif Meow Wolf avec leur projet Omega Mart.
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Valente, Ilaria. "Nuove misure urbane. Una ricerca progettuale per Tor Bella Monaca." TERRITORIO, no. 63 (December 2012): 73–76. http://dx.doi.org/10.3280/tr2012-063014.
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Distance becomes a problem in the regeneration of neighbourhoods built in the second half of the twentieth century both from the viewpoint of form and the use of spaces, where the measurements expand in the open intervals and in the shape of the built structures. The hypothesis formulated in the design research project on Tor Bella Monaca is that even those parts of the city built in the second half of the twentieth century can become consolidated, starting from their measurements and rhythms and from the broad intervals that created the basic design, but which must be transformed at the same time to respond to contemporary uses and needs. Remeasurement of the space is therefore a task of interpretation for architectural designers in order to recognise the intrinsic qualities of marginal urban housing designs to support redevelopment strategies which hinge on densification, subtraction, addition and infrastructures for the urban fabric, without trivialising the reconstitution of the proximity and the contact space in a historically anachronistic perspective.
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Gernet, Stéphanie. "Construire un avenir entre deux mondes : le projet des mineurs isolés étrangers en question." Adolescence T.31 3, no. 3 (2013): 633. http://dx.doi.org/10.3917/ado.085.0633.
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Bovati, Marco. "Strategie di rigenerazione architettonica e urbana sostenibile: il caso di Tor Bella Monaca." TERRITORIO, no. 63 (December 2012): 85–90. http://dx.doi.org/10.3280/tr2012-063017.
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Against the background of proposals to demolish and rebuild the Tor Bella Monaca neighbourhood in Rome and others to redevelop it, made in response to the idea of creating a clean slate, this paper highlights a set of energy and environmental strategies and the integration of these with the project proposed by the Milan Polytechnic research group for sustainable architectural and urban regeneration. Interpretation of the environmental features and the diffusion of the consequent actions is resulting in broad ranging methodological considerations applicable to similar cases, which regard the issues of demolition strategies, the enhancement of existing structures and ‘building on the built'. As a consequence tools should be acquired to assess longterm sustainability, in order to go beyond the narrow viewpoint of short-term advantages.
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Ostřížek, Jan. "Value for money drivers in PPP projects - impact on the czech VFM methodology." Acta Universitatis Bohemiae Meridionalis 14, no. 1 (October 2, 2012): 89–100. http://dx.doi.org/10.32725/acta.2011.010.
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Girel, Sylvia. "Lauris, un village à l’heure de l’art." Lien social et Politiques, no. 60 (January 12, 2009): 131–43. http://dx.doi.org/10.7202/019451ar.
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Résumé S’il est acquis que l’étude des publics et non-publics de l’art contemporain et l’évaluation des formes de médiation dans les lieux habituels d’exposition constituent un domaine de recherche bien exploré, ce sont toutefois de nombreux lieux qui échappent aux investigations parce qu’ils se situent à la marge des mondes de l’art. À partir d’un terrain original et expérimental – le projet de création d’un pôle d’arts visuels à vocation internationale à Lauris (dans le Luberon), un village de 3 200 habitants –, l’article propose d’étudier l’un de ces lieux en s’intéressant tout particulièrement aux rejets et résistances dont il a été l’objet et à leurs conséquences.
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Bert, Yahel, Yves Stassen, and Hafid Tabet. "Un retour d’expérience pour les ouvrages maritimes : l’urbanisation en mer à Monaco." E3S Web of Conferences 346 (2022): 04014. http://dx.doi.org/10.1051/e3sconf/202234604014.
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Le projet d’urbanisation en mer à Monaco est une référence technique récente dont nous présentons dans cet article les solutions techniques les plus innovantes, recherchées pour répondre tant aux conditions géologiques, géotechniques et océano-météorologiques difficiles du site qu’au cahier des charges très exigeant (durée de service des ouvrages supérieure à 100 ans, limitation très stricte de l’impact du projet sur l’écosystème environnant). Des solutions originales ont été développées pour la conception de l’infrastructure maritime constituant une extension en mer du territoire monégasque de 6 ha. L’ouvrage comporte une digue à talus en enrochements naturels devant être vibrocompactés à des profondeurs allant jusqu’à -50 m. Cette digue sert d’assise à une série de 18 caissons à paroi ajourée, de 10 000 t l’unité, en béton armé, préfabriqués au port de Marseille en coffrage glissant, dont le béton et le système d’armature ont fait l’objet d’études spécifiques pour la justification de la durabilité de la structure. Le remblai arrière, servant de sol rapporté, est posé sur des couches de sol sédimentaires partiellement purgées qui ont nécessité différents traitements afin d’éviter le risque de liquéfaction et de garantir le respect des objectifs de tassement à long terme (tassements maximums compris entre 1,5 et 9 cm selon les types de bâtiments et de fondations retenus).
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Ruppin, Virginie. "De l’art que l’on dit à l’art qui se fait. Étude menée dans des classes à projet artistique à l’école primaire." Revue des sciences de l’éducation 40, no. 3 (March 13, 2015): 489–512. http://dx.doi.org/10.7202/1029071ar.
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Comprendre les enjeux de l’entrée de l’art dans l’école d’aujourd’hui soulève les questions de ce que les enseignants disent, pensent et font lorsqu’ils s’engagent dans les pratiques artistiques. Une proposition d’identification de notre problème, inspirée de la théorie des cités et du thème de la justification, permet d’introduire, au coeur de l’apparent consensus dont l’art qui éduque est l’objet, la pluralité des mondes propre à notre temps. Ce texte présente une recherche menée initialement auprès de sept classes à projet artistique et culturel d’écoles primaires françaises, d’une trentaine d’élèves chacune, où dans chacune d’entre elles, des observations de situations et des entretiens d’enseignants ont été menés. Cet article expose les cas les plus représentatifs de notre étude. Les analyses révèlent l’existence d’une pluralité de valeurs et de principes de justice dans les pratiques pédagogiques effectives.
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Renoue, Marie, and Pascal Carlier. "Entre éthologie et sémiotique : Mondes animaux, compétences et accommodation." Semiotica 2018, no. 225 (November 6, 2018): 197–212. http://dx.doi.org/10.1515/sem-2015-0096.
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Résumé Notre projet est, depuis une dizaine d’années, de proposer une approche du comportement animal alternative à celle, quinquagénaire, ubiquitaire et féconde, inaugurée par Thomas A. Sebeok. Née de la rencontre entre l’éthologie cognitive et la sémiotique greimassienne, cette éthosémiotique, moins attentive à la communication, au « paradigme peircien » (Brier 2008), aux signes ou à une modélisation systématique et englobante (comme celle de la biosémiotique de Kull), essaie plutôt de rendre compte de la diversité et d’une altérité animale qui ne soit ni totalement hermétique ni réductrice ni hiérarchique (anthropotéléologique). À partir d’une reprise critique de la notion uexküllienne d’Umwelt, trop fixiste et close, et d’une sémiotisation des notions de compétences phylogénétiques et ontogénétiques, nous proposons de considérer des modèles alternatifs, en particulier : celui du phénoménologue Maurice Merleau-Ponty qui propose en 1942 de distinguer des formes de comportement animal à partir des degrés d’adhérence du sujet à son milieu et celui du psychologue Jean Piaget traitant d’accommodation et d’assimilation, deux notions-clés pour rendre compte de la perméabilité et de la variabilité des sujets animaux. Même si l’exemple final d’une inter-accommodation et intercompréhension possible entre l’homme et son chien peut apparaître comme une invitation ou une incitation à reprendre les derniers travaux de Sebeok sur la communication interspécifique, à croiser un regard déjà formé et une approche en cours d’élaboration, il faut néanmoins noter les difficultés terminologiques, donc conceptuelles et interprétatives que pose toute approche interdisciplinaire.
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L’Écuyer, Sylvia. "Le laboratoire musical de l’Université Simon Fraser : une entrevue avec Barry Truax1." Circuit 19, no. 3 (October 8, 2009): 48–57. http://dx.doi.org/10.7202/038257ar.
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Résumé Le Sonic Research Studio de l’Université Simon Fraser en Colombie-Britanique a été fondé en 1965 par R. Murray Schafer. Le professeur Barry Truax y est entré en 1973 pour travailler au World Soundscape Project. Il a par la suite participé à toutes les étapes de son développement et a même dessiné le studio actuel en collaboration avec Dave Murphy. Dans une conversation avec Sylvia L’Écuyer, il décrit l’approche unique adoptée par le studio à l’intérieur de la School for Contemporary Arts, une approche multidisciplinaire et mcluhanesque. Formé à McGill, Utrecht et Stockholm, Barry Truax met en perspective les différentes philosophies et les technologies adoptées en Europe et dans l’Est du continent nord-américain. Le studio de Simon Fraser d’aujourd’hui, muni d’un équipement analogique et numérique, riche des archives qui y sont pieusement conservées, garde pour lui le meilleur des deux mondes et joue un rôle essentiel de mentorat et de socialisation auprès des étudiants.
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Trexler, Adam. "Veiled Theory: The Transmutation of Anthropology in T. S. Eliot's Critical Method." Paragraph 29, no. 3 (November 2006): 77–94. http://dx.doi.org/10.3366/prg.2007.0007.
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While literary criticism is often seen as an unself-reflective forerunner to literary theory, this article argues that T.S. Eliot's theory of critical practice was a philosophically informed methodology of reading designed to create a disciplinary and institutional framework. To reconstruct this theory, it enriches theoretical methodology with intellectual and institutional history. Specifically, the article argues that Eliot's early critical theory depended on the paradigms of anthropology and occultism, developed during his philosophical investigation of anthropology and Leibniz. From this investigation, Eliot created an occult project that used spiritual monads as facts to progress toward the Absolute. The article goes on to argue that Eliot's methodology of reading was shaped by anthropology's and occultism's paradigms of non-academic, non-specialist reading societies that sought a super-historic position in human history through individual progress. The reconstruction of Eliot's intellectual and institutional framework for reading reveals a historical moment with sharp differences and surprising similarities to the present.
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Marontate, Jan. "Les rapports d’appartenance aux lieux de création et l’art contemporain en région périphérique : le cas de la Nouvelle-Écosse (1992-2002)." Sociologie et sociétés 34, no. 2 (April 29, 2004): 139–61. http://dx.doi.org/10.7202/008136ar.
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Résumé Ce texte examine trois initiatives de diffusion de l’art contemporain en Nouvelle-Écosse qui ont été entamées pendant les années 1990 afin de mieux comprendre la place des rapports d’appartenance à un territoire dans les pratiques des mondes de l’art en région périphérique. À un pôle, la Société des projets d’art contemporain organise des événements dont le but est de démontrer la nature « branchée » des Haligoniens (habitants d’Halifax) aux réseaux internationaux. À l’autre extrême, le Rallye des ateliers met en vedette les singularités de la région et ses caractéristiques locales, traitant ainsi le contexte rural et périphérique comme un atout. L’initiative appelée Artspots (le titre d’une série d’émissions télédiffusées et d’un projet de diffusion à partir d’un site Web) est fondée sur une stratégie mixte qui présente l’art contemporain dans un contexte local avec une visée nationale.
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Zuliani, Stefania. "Le Grand Musée. Altri sguardi sul Louvre." Storia della critica d'arte: annuario della S.I.S.C.A. 1 (2020): 399–406. http://dx.doi.org/10.48294/s2020.020.
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Beyond the much discussed but certainly meaningful experience of the opening in 2017 of the Abu Dhabi satellite museum, a controversial example of a global museum, the Louvre has not lost in the passage between the two centuries the ability to present itself as an updated museological research space. Proof of this is the series of exhibitions Parti pris (1990-1998) where, thanks to the direction of the “dissident” art historian Régis Michel, intellectuals of various backgrounds – Jacques Derrida, Peter Greenaway, Jean Starobinski, Hubert Damisch, Julia Kristeva – have reinterpreted the collections of the museum through exhibitions of an overtly subjective and undisciplined nature. So, the Parti pris project was, in Michel’s words, a “zone of freedom and break” in the heart of the institution, questioning not the prestige but rather its too rigid and monumental identity. This proposal was partly taken up by Jean-Marc Terrasse, director of the auditorium and cultural events of the Louvre from 2005 to 2014, with his “special invitations” for protagonists of international culture, to build alternative and eccentric narratives through history, works and spaces of the Louvre. This essay, which analyzes in particular the contribution of the nobel for literature J.M.G. Le Clézio, curator of the project Les musées sont des mondes (2011), highlights the critical value and the urgency of these exhibition proposals thanks to which the museum becomes the driving force of a reflection which, overcoming conventional disciplinary distinctions, is able to urge the public to new views and different aesthetic and ethical perspectives.
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Bruno, Francesca, Kouakou Kouassi, Marie-Rose Moro, and Dominique Bernard. "Réimaginer la rencontre : utilisation du concept de contre-transfert culturel au retour d’une expérience d’expatriation." Alterstice 6, no. 2 (July 25, 2017): 59–69. http://dx.doi.org/10.7202/1040632ar.
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Dans ce travail, l’intérêt du concept de contre-transfert culturel est mis en évidence à travers l’analyse d'une expérience d’expatriation en tant que psychologue dans une ONG locale au Cameroun. Pour cela, différents éléments du contre-transfert ont été distingués en fonction des types de rencontres : avec l’ONG d’une part, le groupe des destinataires de l’intervention d’autre part et avec chacun des participants rencontrés individuellement. L’analyse de la préparation de la mission, en matière de pré-contre-transfert, a permis d’apprécier le rôle important des motivations personnelles et d'autres éléments spécifiques. En outre, le vécu de cette expérience révèle des dynamiques transféro-contre-transférentielles liées aux mondes culturels, historiques et politiques de chacun pouvant modifier la rencontre. C’est par cette analyse approfondie que se révèle l’altérité, alors même qu’en situation d’expatriation les professionnels sont peu préparés à cette reconnaissance. En assemblant tous ces éléments, il est possible au professionnel, à son retour, d’intégrer l’intensité et la complexité d’une telle expérience dans son histoire personnelle et professionnelle et de les transmettre à tous ceux qui s’engagent dans un projet de solidarité internationale.
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Ardizzola, Paola, and Joanna Grądzka. "Renato Rizzi." VITRUVIO - International Journal of Architectural Technology and Sustainability 7, no. 2 (December 30, 2022): 4–19. http://dx.doi.org/10.4995/vitruvioijats.2022.19041.
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Full Professor in Architectural Design at the Instituto Universitario di Architettura (IUAV) in Venice, he carries out an intense intellectual activity by connecting teaching, theory, research, and practice. Prize of the Italian Presidency of the Republic for architecture 2017, he has delivered seminars and lectures in some of the main universities including Harvard, UIC Chicago, ETH, etc. From 1984 to 1992 he collaborated with Peter Eisenman, New York, on the projects Romeo and Juliet, Verona (1986, Stone Lion, III Architecture Biennale of Venice), La Villette Park, Paris (1986), Monte Paschi, Siena (1988), etc. Among the main international projects: Great Egyptian Museum, Cairo (2002, third prize); MOMA Warsaw (2007, Honorable Mention); John Paul II Center, Krakow (2007, special mention); Torre della Ricerca, Padua (2008, fourth prize, in collaboration with Peter Eisenman); Museum of Judaism, Ferrara (2010, Special Mention). Main projects completed: Ghiaie Sports Area, Trento (1984-1998); Fortunato Depero Museum of Futurism, Rovereto (1992-2008); Gdańsk Shakespearean Theater (2004-2013). His projects are published in the main international magazines such as Casabella, Domus, Architectural Review, Detail, and have been exhibited at the Venice Biennale (1984, 1985, 1996, 2002, 2010 and 2016), Triennale di Milano, Accademia di San Luca, etc. Awards: Fritz Höger, Berlin, 2017; Architizer A, Belgium, 2016; Iconic Award, Monaco DB, 2015; Gold Medal, Milan, 2015, 2009; Golden Compass, Milan, 2015, 2011; Council of Europe, Landscape Award, 2009. Some significant publications: Il Cosmo della Bildung, Mimesis 2016; Unexpected Parma, MUP 2013; The Daìmon of Architecture, Mimesis 2014; John Hejduk, Incarnatio, Marsilio 2010; The Divine of the Landscape, Marsilio 2008; John Hejduk BRONX, Manual in verse, Mimesis 2020. He recently founded in Venice the Nuova Scuola Architettura, a free school that focuses on the urgency of a new (heretical) gaze at Architecture, a necessity which derives from the cultural abyss of our time. The Accademia Nazionale di San Luca in Rome is currently paying a tribute to his oeuvre in a grand exhibition of gypsum models and maquettes titled “eden-eden. Renato Rizzi”, which can be visited until March third, 2023.
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Terry, Jacob, Jeffrey M. Casello, and Chris Bachmann. "Origin Revenue Sources for Infrastructure Funding." Transportation Research Record: Journal of the Transportation Research Board 2606, no. 1 (January 2017): 96–105. http://dx.doi.org/10.3141/2606-13.
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Cities require well-funded public infrastructure to function efficiently, but knowledge of public finance mechanisms among residents and decision makers may be deficient. This paper presents a thorough investigation of infrastructure funding flows to increase understanding, to catalyze further investigation in other jurisdictions, and to identify best practices. By using data from Waterloo, Ontario, Canada, funding was mapped for the four tiers of government—federal, provincial, regional, and municipal—contributing to infrastructure. The results demonstrate that significant opacity exists around municipal reserve funds and intergovernmental transfers because insufficient recording is associated with the origin revenues of these funds: where moneys first enter the government cycle. To compare across infrastructure systems, funding from each tier was used to find an average revenue share and estimated per capita funding per source for the water system and three transportation systems: auto, transit, and active transportation. Water infrastructure was funded through six origin revenue sources, with user fees and development charges funding 95% of expenditures. For transportation infrastructure, the auto system was funded through 16 origin revenue sources, transit through 13, and active transportation through seven. The auto and active transportation systems were 75% funded through mixtures of property tax, user fees, and development charges. The transit system received significant contributions from nonregional revenue sources because of capital projects developed in the study period. Active transportation, water, and parking expenditures are shown to use effective revenue sources, while transit and other auto expenditures used less effective sources because of the wide range of origin revenue sources.
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Viscardi-Murray, Lorraine. "The Constitution of the Alter Ego in Husserl's Transcendental Phenomenology." Research in Phenomenology 15, no. 1 (1985): 177–91. http://dx.doi.org/10.1163/156916485x00113.
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AbstractThis paper explores Husserl's phenomenological description of the constitution of the alter ego within the sphere of transcendental subjectivity. It is important at the start to point out that the Other plays a crucial role in securing the intersubjective nature of the experienced world. Although Husserl goes on in the "Fifth Cartesian Meditation" to consider the constitution of an objective world common to all subjects and the establishment of a community of monads, my primary focus in this paper will be the examination of the initial steps whereby the sense, "other ego," is constituted by the transcendental ego. My main task, then, will be to examine the reduction to the sphere of ownness, the appresentative transfer of sense from ego to alter ego, and the criterion of harmonious behavior. My primary criticisms will center around certain difficulties inherent in the attempt to uncover a primordial sphere of ownness and problems that arise from a shift in concern from the life-world (everyday) attitude to the attitude following the performance of the epoché. Part I of the paper will consist of a general discussion of Husserl's phenomenological project, Part II will be a detailed study of the alter ego, and Part III a general statement of problems and objections.
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Hirstein, Edern. "Le voyage de Flohr (1780-1783) : à la croisée des mondes, des identités et des souvenirs." Source(s) – Arts, Civilisation et Histoire de l’Europe, no. 6 (October 19, 2022): 51–66. http://dx.doi.org/10.57086/sources.349.
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Le voyage de Flohr (1780-1783) : à la croisée des mondes, des identités et des souvenirs — Manuscrit inédit rapportant d’importants événements, la Description du voyage de l’acclamé régiment Royal-Deux-Ponts en Amérique sur terre et sur mer de 1780 à 1784 offre un regard original sur la relation entre individu et voyage au XVIIIe siècle. Georg Daniel Flohr, son auteur, jeune soldat d’origine modeste, a produit une œuvre qui met en lumière une pratique inhabituelle exprimant le rapport des « anonymes » au dépaysement et à la mobilité. Le voyage de Flohr et son écriture sont deux moments distincts, qui marquent deux étapes dans le processus d’individuation de l’auteur. Membre d’un régiment caractérisé par sa germanité, l’empreinte de l’auteur est très légère au sein de son texte. Elle s’affirme en fait aux marges de son projet littéraire destiné à la relation d’une aventure collective. Ce texte, redécouvert récemment, offre nombre d’extraits fleuris permettant d’exposer certains mécanismes spécifiques de ce processus d’individuation, qui de prime abord, n’a rien d’évident. Le présent article prend en compte les ambiguïtés du récit, mais aussi son exotisme et sa candeur, pour mettre en évidence la prise de conscience de soi via l’écriture, grâce aux souvenirs.
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Saleri, Renato, and Stéphanie Mailleur. "Restituer la morphologie des villes portuaires antiques : de l’image 2D à la 3D." SHS Web of Conferences 147 (2022): 05002. http://dx.doi.org/10.1051/shsconf/202214705002.
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Les champs disciplinaires de l’historien et de l’archéologue nous éclairent aujourd’hui de manière extrêmement documentée sur la « réalité » urbaine, architecturale et sociale des mondes disparus. Cependant, la plupart de ces travaux ne prêtent aux outils numériques de modélisation et de représentation de l’espace qu’un rôle « d’artiste éclairé » auquel on demande – au moment où l’on range les outils dévolus au relevé et à la fouille – d’illustrer les hypothèses retenues par ces éminents spécialistes de l’histoire. En effet, le processus de synthèse intervenant lors de la restitution finale de l’espace anthropique – mobilisant souvent des dispositifs techniques complexes et très spécialisés – entre en scène presque toujours en « bout de course » alors que l’harmonisation des apports scientifiques issus des disciplines afférentes au contexte de l’étude ont déjà en quelque sorte « figé » le panorama des hypothèses envisageables, notamment dans la restitution de la morphologie urbaine ou de la représentation de l’architecture vernaculaire. En prenant appui sur un vaste corpus iconographique représentant les espaces portuaires de la période impériale romaine et tirant parti de l’expérience menée autour du port de Portus, ce projet de recherche, financé par le Labex IMU, essaiera tout au long de son existence de briser ce tabou.
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A., Smith, and Wood Gerard. "arget Cost Contracts and The Development of Collaborative Behaviours and Value for Money in The UK Construction Industry." JOURNAL OF INTERNATIONAL BUSINESS RESEARCH AND MARKETING 4, no. 4 (2019): 7–15. http://dx.doi.org/10.18775/jibrm.1849-8558.2015.44.3001.
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TCCs are seen to be a procurement model capable of achieving value for money through aligning the objectives of the parties to reduce costs. The use of Target Cost Contracts (TCCs) within the UK construction industry has increased dramatically over the past few years. TCCs have been employed successfully on recent large scale projects such as Heathrow Terminal 5, Crossrail Procurement Strategy and the 2012 Olympic Games and Paralympic Games Infrastructure. Due to the success of TCCs over recent years, many clients are now turning to them in a bid to obtain value for money. However, it seems that they do not always drive parties to minimise costs and provide value for money. This research paper investigates the extent to which TCCs promote collaborative behaviours and provide value for money within the UK construction industry. More particularly, the research explores the following: which projects TCCs should be used on and how the maturity of the design when agreeing the target cost can affect value for money; how setting both the target cost and the pain/gain mechanism can affect the incentivisation of the contractor to minimise costs; the extent to which TCCs promote collaboration between the contractor, client and supply chain; and what is required to manage a TCC post-contract to ensure that incentivisation is maintained. It has become apparent from the research that TCCs are complex procurement models which require extensive consideration and management to ensure parties are incentivised to minimise costs. The research reveals that although TCCs can promote collaborative behaviours and provide value for money, there is a prerequisite to doing so: developing and managing the TCC correctly to ensure that the objectives of the parties are aligned.
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Orain, Arnaud, Jean-Luc Chappey, and Antoine Lilti. "Usages de l’absent: La figure de Lapérouse et la Révolution française." Annales. Histoire, Sciences Sociales 76, no. 1 (March 2021): 47–82. http://dx.doi.org/10.1017/ahss.2021.55.
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Usages de l’absent: La figure de Lapérouse et la Révolution françaiseAlors que l’on est en France sans nouvelles de Monsieur de Lapérouse et de son expédition autour du monde depuis 1788 (le mystère de sa disparition ne sera connu qu’à la fin des années 1820), l’illustre navigateur devient, sous la Révolution, une figure publique instable, ouverte à toutes les appropriations et apte à de multiples usages politiques, scientifiques et philosophiques. En s’appuyant sur l’étude d’un corpus de sources manuscrites et imprimées méconnues (fictions, mémoires, décrets, journaux français et anglais, correspondances), cet article montre que cette présence/absence n’a rien d’anecdotique. La figure de Lapérouse tient noués trois héritages de l’Ancien Régime : l’idéal d’une société ordonnée autour de figures glorieuses ; le projet d’expansion impériale qui nourrit la rivalité avec l’Angleterre ; la science des Lumières et son horizon cosmopolite. Leur rencontre culmine dans le thème du héros civilisateur sous le Directoire, qui unit les mondes et élargit les sphères du savoir au service du rayonnement de la nation, forme idéalisée que prend le rêve impérial français. Cette étude fait du personnage de Lapérouse un outil heuristique pour comprendre comment ces trois héritages ont été investis, subsumés puis redéfinis par la Révolution française. Partout la figure du héros révèle la présence, si difficile à répudier, de l’Ancien Régime au cœur de la modernité politique.
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Ribard, Dinah. "Le travail intellectuel: travail et philosophie, XVIIe-XIXe siècle." Annales. Histoire, Sciences Sociales 65, no. 3 (June 2010): 713–42. http://dx.doi.org/10.1017/s039526490004083x.
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RésuméL’histoire du travail, y compris lorsqu’elle s’intéresse aux élaborations écrites des travailleurs sur leur expérience ou lorsqu’elle réfléchit à la production du concept de travail, et l’histoire des professions intellectuelles, des savoirs ou des disciplines, qui tend à être une histoire du travail intellectuel, ne se rencontrent guère. Le propos de cet article est de réduire cet écart entre deux usages historiens du même terme – travail – en faisant jouer ensemble des sources sur la mise en œuvre politique et réglementaire du travail intellectuel comme travail, sur la transformation de la pensée du travail vécu comme travail intellectuel, et sur la production de formes de travail intellectuel qui se donnent pour objet le travail des autres, voulu le plus simple possible. Des tailleurs qui produisent dans les années 1830 une « science des tailleurs » bien plus strictement professionnelle que celle que propose le plus ancien livre de patrons encore lu par eux (1670), l’association dans les années 1770 d’un marchand de vernis et d’un avocat auteur d’un projet de mont-de-piété dans un même travail intellectuel sur le travail des autres, des règlements royaux et des recueils commentés de documents issus des mondes artisans datant du XVIIIe siècle: ces sources, prises ensemble, montrent la socialisation des processus de structuration par le travail de la société française entre fin de l’Ancien Régime et début du XIXe siècle.
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Devés, Magalí. "Arte y antifascismo en la revista Monde (1928-1935)." Políticas de la Memoria, no. 17 (December 31, 2017): 135–47. http://dx.doi.org/10.47195/17.56.
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ResumenEl presente artículo procura abordar el proyecto político cultural gestado desde las pá- ginas de Monde. Hebdomadaire d’information littéraire, artistique, scientifique, éco- nomique et sociale (1928-1935), con el objetivo de demostrar que su propuesta estéti- co-ideológica anticipa lo que Nicole Rancine ha denominado como “realismo multiforme”, una estética que se despliega en el clima de ebullición cultural que acompaña el triunfo del Frente Popular y que actúo como una barrera para el ingreso del realismo socialista en Francia. En ese sentido, las imágenes gráficas de Monde emergen como el resultado de un programa visual que debe interpretarse a través del insistente rechazo de Barbusse a las presiones e intentos de supeditar la revista a una línea estética dictaminada desde Moscú.
Palabras claveRevistas culturales de izquierda – Redes intelectuales – Cultura de izquierda
AbstractThis article proposes to approach the political and cultural project gestated from the pages of Monde. Hebdomadaire d’information littéraire, artistique, scientifique, économique et sociale (1928-1935). The objective is show that aesthetic and ideological proposes anticipates what has been termed for Nicole Racine as “multiforme realism”, an aesthetic that unfolds in boiling cultural climate that accompanies the triumph of the Popular Front and act as a barrier to the entry of Socialist Realism in France. In that sense, Monde’s graphic images emerge as the result of a visual program to be interpreted throu- gh the insistent rejection of Barbusse to pressure and attempt to make the magazine an aesthetic dictated from Moscow.
Key WordsLe ist Cultura Magazines – Intellectual networks – Le Culture
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Sacco, Viva, Veronica Testolini, José Maria Martin Civantos, and Peter M. Day. "Islamic Ceramics and Rural Economy in the Trapani Mountains during the 11th century." Journal of Islamic Archaeology 7, no. 1 (November 7, 2020): 39–77. http://dx.doi.org/10.1558/jia.18273.
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Located in the Trapani Mountains of North-West Sicily, the hilltop site of Pizzo Monaco hasformed the focus of systematic excavation and an innovative, integrated study of the totalceramic assemblage, as part of the MEMOLA FP7 project. The date, provenance and productiontechnology of the varied types of pottery are investigated by macroscopic, morphological anddecorative analysis, in combination with petrography and scanning electron microscopy in orderto assess social, technological and economic ties of this rural site and its environs with the earlyIslamic capital of Sicily at Palermo, the wider island and North Africa. Local production of cookingvessels is compared with glazed and plain storage pottery, serving and consumption vesselsfrom Palermo, in a region where the new relationship between coastal centre and nearby mountaineconomies was being forged. Correlation of the properties of the pottery assemblage withthe unusual architecture suggests the storage of a repeated ceramic set, perhaps on a householdbasis, in a site which may be a fortified storage facility, rather than sustaining more permanentoccupation. The typological study provides new information on the range of ceramics circulatingin Sicily during the mid-11th century CE, revealing the full spectrum of ceramics consumedat this time. This approach contrasts with work that privileges a view of simple transmissionof glazing technologies across the Islamic Mediterranean. Indeed a comparison of productionsequences in the crafting of similar glazed bowls at Palermo demonstrates the co-existence ofdifferent communities of practice and cautions against over-simplified reconstructions of thetransmission of glazing technologies in the early medieval Mediterranean. The range of potteryavailable from a variety of sources highlights the consumption choices made by these communitiesin the medieval period.
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Lardon, Sylvie. "Les trois vi-e-s des territoires ruraux : voyage en France ou ailleurs." Revue Organisations & territoires 29, no. 1 (May 12, 2020): 149–63. http://dx.doi.org/10.1522/revueot.v29n1.1134.
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Les territoires ruraux changent : ils nouent de nouvelles relations avec le monde urbain. La planètes’urbanise : elle est le siège de nombreux flux. Ces dynamiques, qui s’étendent sur de larges espaces, occultent celles qui se déroulent à proximité, à faible densité, dans les territoires où pourtant on assiste à un foisonnement d’initiatives. Or, ce sont des territoires vivants qui transforment le monde en articulant l’urbain et le rural, en assumant une solidarité réciproque, en dépassant les limites et les frontières. Pour accompagner ces dynamiques de changement, l’ingénierie territoriale se doit de favoriser l’interterritorialité, l’intégration des échelles et des mondes ainsi que la reconnaissance des innovations sociales et territoriales. Plus encore, elle doit impliquer l’ensemble des acteurs qui sont partie prenante pour donner vie aux territoires en se construisant une vision partagée du territoire et en mettant en oeuvre des actions collectives, en les ancrant dans le territoire et en les rendant visibles et sensibles. Ce cadre conceptuel d’une ingénierie territoriale pour, par et avec les territoires ruraux est issu d’une recherche partenariale en cours avec le territoire du Grand Clermont et du parc naturel régional Livradois-Forez, en région Auvergne- Rhône-Alpes, en France, qui « invente les territoires de demain » autour de son projet alimentaire territorial. Il y a là de nouvelles pistes à explorer qui remettent en cause les procédés traditionnels de production scientifique et de construction de l’action. La rigueur des itinéraires méthodologiques construits et la diversité assumée des dispositifs permettent de monter en généricité. L’imagination valorise cette diversité et produit le futur des territoires.
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Richet, Denis, and Marie-Claude Lapeyre. "Les barricades à Paris, le 12 mai 1588." Annales. Histoire, Sciences Sociales 45, no. 2 (April 1990): 383–95. http://dx.doi.org/10.3406/ahess.1990.278841.
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Ce texte est le dernier que nous ait donné Denis Richet, quelques mois avant sa mort, survenue brusquement en septembre dernier. Il témoigne du projet qui l'animait : comprendre les ruptures du tissu politique et social de la France moderne. Comme tel il témoigne d'une attitude, que Denis Richet a su enseigner : « Aimer l'histoire pour elle-même… ». Sa chaleur nous manque.Isoler le fait-barricades de l'histoire générale de Paris est une nécessité et une gageure. Les barricades ne sont pas comme un élément chimiquement pur ; elles supposent une convergence de données historiques qu'il serait fastidieux de rappeler. Je note seulement que la Commune de 1871 a joué un grand rôle dans l'intérêt porté au 12 mai 1588. Dans la Revue des Deux Mondes, dès septembre 1871, A. Maury publiait un article sur «La commune de Paris de 1588». Et Paul Robiquet, en écrivant de 1884 à 1904 ses trois volumes de l'Histoire municipale de Paris, qui demeure la meilleure synthèse accessible, ne manque pas de faire allusion, avec une certaine prudence, au printemps tragique de 1871. Il est, à mon sens, intéressant de constater que l'historiographie actuelle — disons : trentenaire — de la journée du 12 mai 1588 s'est enrichie grâce à des recherches menées par des historiens français et non français. En Union Soviétique, à Lvow plus précisément, en cette partie de la Biélorussie naguère polonaise, où le professeur Lozinsky a mené un travail d'autant plus exemplaire qu'il n'a jamais pu bénéficier du contact direct avec les archives parisiennes; en Israël, où Elie Barnavi, après un long séjour en France, a pu éclairer l'histoire de la Ligue ; aux États-Unis, grâce aux recherches des professeurs Salmon et Ascoli; en France même, les recherches de Robert Descimon ont largement déblayé le terrain.
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Zaoui, Pierre. "L’iconodulie cinématographique ou la nouvelle offrande du monde (à propos de Cinéma 1 et 2 de Gilles Deleuze)." Cinémas 16, no. 2-3 (March 22, 2007): 180–207. http://dx.doi.org/10.7202/014620ar.
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Résumé En deçà ou au-delà des pouvoirs de fascination ou de capture anesthésiante propres aux mauvais films, d’où provient la puissance singulière des images cinématographiques, capables d’offrir « le » monde, entendu comme ouverture sur un dehors qui serait à la fois extérieur à notre expérience quotidienne et pourtant doté de sens, donc perceptible et descriptible ? Comment, entre tous les arts de l’image, le cinéma parvient-il à nous libérer des images toutes faites, des clichés, pour nous rendre à un tel dehors ? Ces questions constituent le fil directeur que l’on peut trouver au double ouvrage, L’image-mouvement et L’image-temps, que Gilles Deleuze a consacré au cinéma : montrer comment l’histoire du grand cinéma, et non simplement tel ou tel film, peut articuler un projet-de-monde d’inspiration phénoménologique et une « manière de faire des mondes » d’inspiration plus analytique ; autrement dit, montrer combien le cinéma peut nous éveiller à l’unité du monde tout en le reconstruisant techniquement et à la manière propre de son réalisateur dans chaque film singulier. Pour donner au fil conducteur traversant l’ouvrage de Deleuze toute son extension, il nous faut toutefois voir à quoi il se rattache. D’abord, en montrant en quoi la cinéphilie moderne peut effectivement être considérée comme une nouvelle « iconodulie », au sens byzantin du terme : une sauvegarde du monde par l’image. Ensuite, en montrant de quelle manière, chez Deleuze, un tel monde, étrangement donné et fabriqué à la fois, un et multiple, en vient de lui-même à changer de sens, en particulier en se constituant non plus à partir de l’espace mais du temps, non plus à partir des choses mais des signes, non plus à partir des communautés nationales mais des devenirs minoritaires. Enfin, en montrant que le cinéma est par conséquent justiciable de bien davantage que d’une nouvelle esthétique : d’une nouvelle ontologie, d’une nouvelle pédagogie et d’une nouvelle politique.
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Bane, T. A., J. C. Bertels, K. M. Polkoff, M. Rubessa, and M. B. Wheeler. "188 The Effect of Vitamin B12 on the Differentiation of Adipose-Derived Stem Cells into Osteoblasts." Reproduction, Fertility and Development 30, no. 1 (2018): 234. http://dx.doi.org/10.1071/rdv30n1ab188.
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Large bone defects present a tremendous challenge to the treating surgeon. Tissue engineering using scaffolds of various sizes and shapes that contain stem cells and other osteoinductive molecules offer a potential solution to this difficult problem. The aim of this project was to evaluate if the osteogenic medium infused with vitamin B12 influences the differentiation of adipose-derived stem cells (ASC) into osteoblasts. Vitamin B12 has been shown to have a stimulatory effect on osteoclastogenesis in vitro (Vaes et al. 2009 Calcified Tissue Int. 84, 413-422). Our hypothesis was that the presence of vitamin B12 in the osteogenic medium would positively influence the number of osteoblastic nodules formed. Swine ASC were isolated as described (Monaco et al. 2009 Open Tissue Eng. Regen. Med. J. 2, 20-33). The ASC were divided in 8 different treatments: 8 concentrations of vitamin B12 in the osteogenic medium (0.1, 0.2, 1, 2, 10, and 20 μM) plus 2 control treatments (osteogenic medium without vitamin B12 and a negative control, DMEM). The medium was changed twice a week for 4 weeks. The experiment was replicated 6 times. At the end of the culture period, cells were stained with Alizarin Red and Von Kossa stains. In each well, we counted the nodules and then divided them in 2 categories: formed and forming nodules. Data was analysed using the generalized linear model (GLM) procedure in SPSS (IBM/SPSS, Armonk, NY, USA). Bonferroni’s post hoc test was used to perform statistical multiple comparison. The α-level was set at 0.01. The results showed that the concentration of 20 μM vitamin B12 was detrimental for nodule formation. Table 1 illustrates the number of formed and forming nodules in addition to their standard deviation. There was no positive effect on nodule formation when different concentrations of vitamin B12 were added to the osteogenic medium. More experiments need to be conducted to determine if vitamin B12 can act synergistically with other vitamins to produce a significant role in ASC differentiation into osteoblasts. This preliminary experiment is the first step towards the analysis of the behaviour of ASC on scaffolds with vitamin B12 incorporated into their matrix. Table 1.The average number of formed and forming osteoblast nodules compared between treatment groups (SD in parentheses)
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Bane, T. A., J. C. Bertels, K. M. Polkoff, M. Rubessa, and M. B. Wheeler. "189 The Effect of Vitamin K on the Differentiation of Adipose-Derived Stem Cells into Osteoblasts." Reproduction, Fertility and Development 30, no. 1 (2018): 234. http://dx.doi.org/10.1071/rdv30n1ab189.
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Tissue engineering offers a viable alternative to bone grafts in repairing large bone defects. This involves using scaffolds of various sizes and shapes that contain stem cells and other osteoinductive molecules. The aim of this project was to evaluate the effects of vitamin K in osteogenic medium and its effect on the differentiation of adipose-derived stem cells (ASC) into osteoblasts. Vitamin K has been shown to increase bone mineral density by acting as a coenzyme in the γ-carboxylation of osteocalcin, a protein involved in bone mineralization (Weber 2001 Nutrition 11–12, 1024). Our hypothesis was that the presence of vitamin K in the osteogenic medium would positively influence the number of osteoblastic nodules formed. Swine ASC were isolated as described (Monaco et al. 2009 Open Tissue Eng. Regen. Med. J. 2, 20–33). The ASC were divided into 7 different treatments: 5 concentrations of vitamin K in the osteogenic medium (10, 50 100, 500, 1000 nM) plus 2 control treatments (osteogenic medium without vitamin K and a negative control, DMEM). The media was changed twice a week for 4 weeks. The experiment was replicated 6 times. At the end of the culture period, cells were stained with Alizarin Red S and Von Kossa. In each well, we counted the nodules and then divided them in 2 categories: formed and forming nodules. Data were analysed by analysis of variance using the generalized linear model (GLM) procedure of SPSS (IBM/SPSS, Armonk, NY, USA); the least significant difference (l.s.d.) post hoc test was used to perform statistical multiple comparison, and the α-level was set at 0.05. The results showed (in Table 1) that there was no positive effect on nodule formation when vitamin K was added to the medium; however, when 1000 nM vitamin K was added, nodule formation decreased. More experiments need to be conducted to determine if vitamin K can act synergistically with other vitamins to produce a significant role in ASC differentiation into osteoblasts. This preliminary experiment is the first step towards the analysis of the behaviour of ASC on scaffolds with vitamin K incorporated into their matrix. Table 1.The average number of formed and forming osteoblast nodules compared between treatment groups (SD in parentheses)
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Bane, T., L. Siegel, J. Bertels, K. Ratz, M. Rubessa, and M. Wheeler. "208 The effect of copper on the differentiation of adipose-derived stem cells into osteoblasts." Reproduction, Fertility and Development 31, no. 1 (2019): 229. http://dx.doi.org/10.1071/rdv31n1ab208.
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Large bone defects present a tremendous challenge to the treating surgeon. Tissue engineering using scaffolds of various sizes and shapes that contain stem cells and other osteoinductive molecules offer a potential solution to this difficult problem. The aim of this project was to evaluate whether osteogenic medium infused with copper influences the differentiation of adipose-derived stem cells (ASC) into osteoblasts. Copper is a key cofactor for lysyl oxidase, an enzyme involved in producing a collagen matrix through which bone can grow. Lysyl oxidase expression is up-regulated in bone marrow stromal cells (Khosravi et al. 2014 PLoS One 9, e100669). Our hypothesis was that the presence of copper in the osteogenic medium would positively influence the number of osteoblastic nodules formed. Swine ASC were isolated as described (Monaco et al. 2009 Open Tissue Eng. Regen. Med. J. 2, 20-33). The ASC were divided in 7 different treatments: 5 concentrations of copper in the osteogenic medium (0.1, 1, 10, 50, and 100 µM) plus 2 control treatments (osteogenic medium without copper and a negative control, DMEM). The medium was changed twice a week for 4 weeks. The experiment was replicated 6 times. At the end of the culture period, cells were stained with Alizarin Red S and Von Kossa stains. In each well, we counted the total number of nodules that were either formed or forming. Data were analysed using the generalized linear model (GLM) procedure (SPSS Inc./IBM Corp., Armonk, NY). The least significant difference (l.s.d.) post hoc test was used to perform statistical multiple comparison. The α-level was set at 0.05. The results showed that more nodules were formed in the 0.1 and 1 µM copper groups compared with the osteogenic control, but there was no statistical difference between those 2 treatments. Table 1 illustrates the total number of formed and forming nodules in addition to their standard deviation. There was a positive effect on nodule formation when copper concentrations of 0.1 and 1 µM were added to the osteogenic medium. In contrast, copper concentrations of 50 and 100 µM had a cytotoxic effect. These results confirm that low concentrations of copper have a positive effect on osteogenesis. This preliminary experiment is the first step towards the analysis of the behaviour of ASC on scaffolds with copper incorporated into their matrix. Table 1.The average number (standard deviations in parentheses) of total formed and forming osteoblast nodules compared between treatment groups
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Bertels, J. C., M. Rubessa, S. R. Schreiber, and M. B. Wheeler. "197 THE EFFECT OF ZINC ON THE DIFFERENTIATION OF ADIPOSE-DERIVED STEM CELLS INTO OSTEOBLASTS." Reproduction, Fertility and Development 29, no. 1 (2017): 207. http://dx.doi.org/10.1071/rdv29n1ab197.
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The aim of this project was to evaluate the effects of zinc in osteogenic media and its effect on the differentiation of adipose-derived stem cells (ASC) into osteoblasts. Zinc has a stimulatory effect on bone formation and mineralization in vivo and vitro (Seo et al. 2010 Nutr. Res. Pract. 4, 356–361). Our hypothesis was that the presence of zinc in the osteogenic media would positively influence both the speed of formation and the number of osteoblastic nodules formed. Swine ASC were isolated as described (Monaco et al. 2009 Open Tissue Eng. Regen. Med. J. 2, 20–33). The ASC were divided in 8 different treatments: 6 different concentrations of zinc in the osteogenic medium (8, 4, 0.8, 0.4, 0.08, and 0.04 mM) plus 2 control treatments (osteogenic medium without zinc and a negative control, DMEM). The media was changed twice a week for 4 weeks. The experiment was replicated 4 times. At the end of the culture period, cells were stained with Alizarin Red S. In each well, we counted the nodules and divided them in 2 categories: formed and forming nodules. The second evaluation that we did was to evaluate the diameter of the largest nodules (2/well) in each group. Data were analysed by ANOVA using the Generalized Linear Model procedure (SPSS, IBM Corp., Armonk, NY, USA). Bonferroni’s post-hoc test was used to perform statistical multiple comparison. The α-level was set at 0.05. The results showed that the doses of zinc of both 4 and 8 mM were toxic to the whole cell populations in this treatment, which was indicated by cell death, whereas the concentrations of 0.8 and 0.4 mM were not cytotoxic but no nodules formed. Here we report the results that are greater than zero in Table 1. There is a positive effect on nodule formation when the zinc is added to the media. It is clear that the total number of nodules is different between the 0.08 mM zinc group and the control (P < 0.003). When we evaluated nodule diameter we found a direct correlation between the zinc concentration and the diameter of the nodules: 292.7 (±136.6) v. 366.8 (±218.7) v. 423.7 (±267.7) µm for the control, 0.04 mM zinc, and 0.08 mM zinc, respectively. The largest nodule was found in the 0.08 mM zinc treatment at 886.6 µm. These results confirmed the positive effect of this mineral on bone formation. This preliminary experiment is the first step towards the analysis of the behaviour of ASC on scaffolds with zinc incorporated into their matrix. Table 1. The average number (SD in parentheses) of formed and forming osteoblast nodules compared between treatment groups
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Zacharias, Carlos Renato. "Storm after the calm!" International Journal of High Dilution Research - ISSN 1982-6206 10, no. 35 (December 23, 2021): 65. http://dx.doi.org/10.51910/ijhdr.v10i35.434.
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To work with or to research on subjects related to Homeopathy and High Dilutions was never a monotonous activity! At all moment skeptics and believers are discussing about clinical and experimental proofs to validate the phenomenon behind the high dilutions. Independently how structured are their reasoning, and which part is attacking, the counterpart can always neutralize the discussion using the same antidote: the intrinsic uncertain provided by statistical methods, converging to an endless technical tie. For recent examples, we can cite the UK Parliament discussion, the attempt of collective suicide by skeptics and the Belgium KCE report. I agree they had consequences, but not enough to stop the polemics or this scenario. Behind and beyond all these discussion there is an important consensus: no one knows how a HD acts or even whether it really works or whether we are dealing with experimental artifacts! Each side has its beliefs and answers. However, we can extract an ironical consequence from that: the fight between the practitioners and politicians, believers and skeptics, is the motivation and the fuel for the researchers!! What a beautiful opportunity to challenge with a potentially new phenomenon!
The mind storming we are submitted should be taken as the basal state, a cyclical behavior own of this field. Cycles will repeat no matter the Science might be able to bring new theories, models, experiments, concepts, etc, about HD, to explain it or to refuse such hypothetical phenomenon!
Storms are cyclical and the winds can take us to new possibilities! And the calm period is very useful to repair or even redesign our structures and skills, preparing us to the next storm! But not to eliminate them!
I consider we are living a calm period, on which we should take a deep breath and relax to observe where the winds have brought us, what new possibilities we have, what challenges we must deal with!
This current IJHDR’s issue and the next one will be an invitation to a break to meditation. IJHDR will publish the scientific contributions submitted to the GIRI (Groupe International de Recherche sur l’Infinitesimal) Symposia. The GIRI was created in 1986 aiming to bring together pharmacologists, biologists, physicians, chemists, physicists and other professionals to keep in touch, to exchange experiences and develop joint research projects about the biological effects of high dilutions, Homeopathy included.
In the current issue, IJHDR will publish 17 contributions presented on 2010 (Monaco) and in the next issues, more than 50 contributions submitted to the XXV GIRI Symposium (September 2011, Brazil). This way, IJHDR exerts its mission as a vehicle to share open access high quality information about research in HD.
Enjoy the calm, because new storms are coming!
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Dierickx, Laurence. "Information automatisée et nouveaux acteurs des processus journalistiques." Sur le journalisme, About journalism, Sobre jornalismo 8, no. 2 (December 20, 2019): 154–67. http://dx.doi.org/10.25200/slj.v8.n2.2019.408.
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FR. Le développement des technologies d’automatisation de la production d’informations dévoile, sur la scène médiatique, de nouveaux acteurs qui ne sont pas traditionnellement liés au monde du journalisme. On retrouve, parmi ceux-ci, des sociétés technologiques où sont employés des linguistes et des informaticiens. Bien qu’elles ne considèrent pas « faire acte » de journalisme, elles participent néanmoins à une chaîne de production éditoriale, jusqu’alors dévolue aux seuls professionnels de l’information. Cela implique de nouvelles formes de collaboration où vont cohabiter des agents sociaux aux cultures professionnelles différentes : à la rationalité de la technologie, sera opposée la subjectivité du journalisme. Mais il ne s’agirait pas de réduire un processus automatisé à une technologie qui se bornerait à transformer des entrants (des données) en extrants (des textes ou toute autre forme de représentation visuelle). Ce processus participe à une logique éditoriale traditionnelle, caractérisée par une succession de choix. Cet article vise à une meilleure compréhension de cette dynamique, à travers une étude de cas réalisée dans le cadre de la conception d’un système d’automatisation visant à soutenir les routines quotidiennes de journalistes attachés au service boursier d’un média belge francophone. Dans ses principaux enseignements, cette expérience témoigne de la nécessité d’un profil qui soit à la fois technique et journalistique, dès lors qu’il facilite les échanges entre les mondes du journalisme et de la technique. L’implication active des journalistes dès les premières heures du projet va apparaître comme un préalable, dès lors qu’ils disposent de l’expertise du domaine d’application et des compétences éditoriales qui forgeront l’artefact dont on ne peut considérer qu’il soit d’abord technologique. Pour les agents sociaux du monde de la technique, cela implique un changement de paradigme : il s’agit désormais d’admettre qu’ils participent à un processus éditorial qui suppose, tout au moins, de développer une « pensée journalistique ».
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EN. The development of news automation technologies is uncovering new actors on the media scene who have not traditionally been linked to the world of journalism. Among these are technology companies employing linguists and computer scientists. Although they do not consider themselves as “producing journalism,” these companies do participate actively in an editorial production chain that was hitherto the purview of news professionals. This implies new forms of collaboration between different professional cultures; where the rationality of technology is opposed to the subjectivity of journalism. An automated process cannot be reduced to the transformation of input (data) into output (texts or any other form of visual representation), however. This process relies on traditional editorial logic, characterized by a succession of choices. This paper aims to better understand this dynamic by way of a case study conducted within French-speaking Belgian media, where an automated system was designed to support the daily routines of stock market journalists. The main lesson gleaned from this experiment was the need for a profile defined by both the journalistic and the technical fields, as it is meant to facilitate exchanges between these two worlds. The active involvement of journalists from the very beginning of any such project appears to be vital, as long as they have an expertise in the field it will be applied and the editorial skills to shape the program, which cannot be considered primarily technological. For social agents involved in the world of technology, this calls for a paradigm shift in which they accept that their participation in this new editorial process implies, at minimum, the development of a form of (automated) “journalistic thinking.”
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PT. O desenvolvimento de tecnologias de automação de notícias está revelando novos atores no cenário da mídia, que não estão tradicionalmente ligados ao mundo do jornalismo. Entre eles, existem empresas tecnológicas onde linguistas e cientistas da computação são empregados. Embora não se considerem fazendo jornalismo, essas empresas participam ativamente de uma cadeia editorial de produção, que até então era confiada aos profissionais da informação. Isso implica novas formas de colaboração onde coexistem diferentes culturas profissionais: a racionalidade da tecnologia será então oposta à subjetividade do jornalismo. No entanto, qualquer processo automatizado não pode ser reduzido à transformação de entradas (dados) em saídas (textos ou qualquer outra forma de representação visual). Esse processo se apóia em uma lógica editorial tradicional, caracterizada por uma sucessão de escolhas. Este artigo objetiva uma melhor compreensão dessa dinâmica, por meio de um estudo de caso realizado na mídia belga de língua francesa, onde um sistema automatizado foi projetado para apoiar as rotinas diárias de jornalistas ligados a um serviço do mercado de ações. Em suas principais lições, essa experiência atesta a necessidade de um perfil fundamentado tanto no campo jornalístico quanto no técnico, pois facilitará o intercâmbio entre os mundos do jornalismo e da tecnologia. O envolvimento ativo de jornalistas desde as primeiras horas do projeto aparecerá como um pré-requisito, pois eles têm o conhecimento deste domínio de aplicação, bem como as habilidades editoriais que forjarão um artefato que não pode ser considerado puramente tecnológico. Para os agentes sociais envolvidos no mundo da tecnologia, supõe uma mudança de paradigma ao admitir que o envolvimento deles em um processo editorial que implica, pelo menos, desenvolver uma forma de "pensamento jornalístico".
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Tixier, Florian. "Concurrences et coopérations pour la production de l’information européenne." Sur le journalisme, About journalism, Sobre jornalismo 8, no. 1 (June 15, 2019): 40–53. http://dx.doi.org/10.25200/slj.v8.n1.2019.382.
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FR. Dans le contexte de crises à répétition et de remise en question du projet politique communautaire, cet article s’intéresse au rôle des acteurs du monde de l’information européenne dans la mise en récit et la légitimation de l’Europe dans les médias. Plus particulièrement, on étudiera ici les processus de production de l’in- formation politique à l’occasion de la réunion du Conseil européen. En appliquant le concept de monde social (Becker, 1983) à l’information européenne, nous avons analysé les interactions entre acteurs et les conventions qui régissent ce « microcosme coupé du monde ». Dans cet espace régi par ses propres normes et dont l’accès est fortement contrôlé, les journalistes sont les médiateurs de l’Europe politique à destination des citoyens. Ils se retrouvent ainsi entre l’Europe et l’Etat-nation, dans un jeu de concurrence informationnelle entre acteurs politiques communautaires et nationaux. Nous avons montré que c’est dans les interactions entre acteurs (à la fois de concurrence et de coopération) que se jouent les processus de mise en forme et de légitimation de l’Europe politique dans et par les médias. C’est également dans ces interactions que l’on peut observer l’émergence de certaines pratiques transnationales de production de l’information européenne. Les données présentées dans cet article ont été récoltées lors d’une enquête de terrain de plusieurs années réalisée dans le cadre d’une thèse de doctorat sur les mondes sociaux transnationaux du journalisme européen. Cette contribution se base en particulier sur le récit détaillé d’une observation participante réalisée lors du Conseil européen du 9 et 10 mars 2017, ainsi que sur des entre- tiens réalisés avec des journalistes et des communicants et sur un corpus de documents récoltés lors de l’observation et dans le cadre de mes recherches (articles publiés par des journalistes, notes d’information, communiqués de presse).
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EN. In the context of repeated crises and questioning of the EU’s political viability, this article focuses on the role of European newsmakers in narrative creation and legitimisation of Europe in media. In particular, this paper will examine the political news production process at the European Council summit. By applying the concept of the social world (Becker, 1983) to European news, we analysed the interactions between actors, and the conventions that govern this “microcosm cut off from the world.” In this realm governed by its own standards and with highly controlled access, journalists serve as intermediaries between political Europe and its citizens. In this role, they find themselves caught in a news competition game between the EU and national poli- tical players. We show that it is in the interactions between actors (both competitive and cooperative) that the processes of shaping and legitimising political Europe in and through the media are played out. It is also in these interactions that we can observe the emergence of certain transnational practices in the production of European news. The data presented in this study was collected during a multi-year field survey carried out as part of a doctoral thesis on the transnational social worlds of European journalism. This paper is based on the detailed account of a participant observation at the European Council summit on March 9 and 10, 2017, as well as interviews with journalists and newscasters and a corpus of documents collected during the observation and in the course of the author’s research (articles published by journalists, information notes and press releases).
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PT. No contexto de crises repetidas e do questionamento do projeto político comu- nitário europeu, este artigo centra-se no papel dos atores do mundo da infor- mação europeia na narrativa e na legitimação da Europa nos meios de comunicação. Mais particularmente, vamos estudar aqui os processos de produção de informação política por ocasião da reunião do Conselho Europeu. Aplicando o conceito de mundo social (Becker, 1983) à informação europeia, analisamos as interações entre os atores e as convenções que regem esse « microcosmo distante do mundo real ». Neste espaço, regido por seus próprios padrões e cujo acesso é fortemente controlado, os jornalistas são os mediadores da Europa política para os cidadãos. Encontram-se assim entre a Europa e o Estado-nação, num jogo de concorrência informacional entre atores políticos comunitários e nacionais. Mostramos que é nas interações entre os atores (tanto da concorrência quanto da cooperação) que os processos de formação e legitimação da Europa política na e pela mídia se desenrolam. É também nestas interações que se pode observar a emergência de certas práticas transnacionais de produção do noticiário sobre a Europa. Os dados apresentados neste artigo foram coletados durante uma pesquisa de campo de vários anos conduzida como parte de uma tese de doutorado sobre os mundos sociais transnacionais do jornalismo europeu. Esta contribuição baseia-se, em especial, na descrição detalhada de uma observa- ção dos participantes realizada no Conselho Europeu de 9 e 10 de março de 2017, bem como em entrevistas com jornalistas e comunicadores e num conjunto de documentos recolhidos durante a observação e como parte da minha pesquisa (artigos publicados por jornalistas, notas informativas, comunicados de imprensa).
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Stock, Mathis. "Mondes du tourisme : un projet scientifique renouvelé." Mondes du tourisme, no. 15 (June 1, 2019). http://dx.doi.org/10.4000/tourisme.2291.
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Heyer, Paul. "Live from the Met: Medium Theory and Digital Broadcast Cinema." Canadian Journal of Communication 33, no. 4 (October 23, 2008). http://dx.doi.org/10.22230/cjc.2008v33n4a2090.
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Abstract: Beginning with the 2006-07 season, the New York Metropolitan Opera began broadcasting live performances into select movie theatres around the world. This article explores the phenomenon using an approach known as medium theory. It draws from the work of three analysts in that tradition who have focused on the performing and recording arts: Edmund Carpenter, John Ellis, and James Monaco. The author coins the term “digital broadcast cinema” (DBC) to refer to the virtual experience of seeing a live opera on a big screen in high definition. The Met’s project is assessed with respect to the conventions that govern theatre, broadcast television, and cinema, and with reference to how it both enhances and compromises the traditional concert-going experience.Résumé : Lors de la saison 2006-2007, le Metropolitan Opera de New York a commencé à diffuser des représentations en direct dans certaines salles de cinéma autour du monde. Cet article explore le phénomène au moyen d’une approche communément appelée la théorie des médias. Celle-ci se fonde sur l’oeuvre de trois analystes spécialisés dans les arts du spectacle et de l’enregistrement : Edmund Carpenter, John Ellis, et James Monaco. L’auteur formule l’expression « cinéma numérique radiodiffusée » pour décrire l’expérience virtuelle de voir un opéra présenté au grand écran en direct et en haute définition. L’auteur évalue ce projet du Met par rapport aux conventions propres au théâtre, à la télévision grand public et au cinéma et aux manières dont le projet parvient à améliorer et à empirer l’expérience traditionnelle d’assister à un concert.