Dissertations / Theses on the topic 'Mondialisation des médias'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 39 dissertations / theses for your research on the topic 'Mondialisation des médias.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Pachecus, Caroline. "Médias, mondialisation et diversité culturelle : le cas de l'Afrique subsaharienne." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM5907.
To speak media under the angle of the cultural identities in a globalized context, it is to demonstrate that to pass on(to transmit) information of all kinds (information-news, information-knowledge, leisure activities, and advertising(publicity)), the media are also vehicles of culture. In this globalized environment, do not the public contents produced and spread(broadcasted) by the companies of media assure(do not insure) no trend(tendency) the standardization of the cultures towards the most powerful economic cultures?Our work consisted in observing and in analyzing this interdependent relation existing between the cultures, the media and the globalization, in cases of countries chosen in sub-Saharan Africa, to know how the media and the globalization, can be agents of the globalization of the cultures, or if elements of resistances and defenses of the cultural identities show themselves. The media were doubtless completely vectors of the westernization upon their arrival in sub-Saharan Africa. Nowadays, always prevails the employment(use) of the languages(tongues) of the colonizers in the written media.However, within the spoken media, the African languages are much more used.Concerning, the contents, we were able to observe that many western companies of media become established in sub-Saharan Africa by introducing western contents which have a significant cultural influence on the African receivers. The latter, introduce more African contents into their program to widen the audience, in a more and more competitive context. Africa arouses, a renewed interest, we hope for it promising
Renaud, Karine. "Enjeux juridiques et processus de mondialisation de la communication." Toulouse 1, 2004. http://www.theses.fr/2004TOU10045.
The globalisation of communications has become a paradigm for the legal organisation of communications,which raises the question of how law can adapt to this process. Indeed, through the development of satellite communications and the integration of networks, of which Internet is the best known, sounds, images and data are now transmitted beyond national borders. The hypothesis of convergence, due to the digitalisation of information, brings into question the legal and technical separation of communication activities. However, underlying this process, policies are clearly in favour of worldwide legal model based on the logic of the market and competition regulations. This research work is an investigation of the two aspects of the globalisation process : the reality of technical progress and the symbolic importance of the process, characterised by lobbying for deregulation and liberalisation to promote competition and free market mechanisms
Li, Shaojing. "L'internationalisation des médias audiovisuels chinois : des médias traditionnels aux nouveaux médias." Electronic Thesis or Diss., Université Grenoble Alpes, 2020. http://www.theses.fr/2020GRALL028.
La présence des médias audiovisuels chinois à l'échelle internationale s'accroit avec la monté en puissance de la Chine en terme tant économique que diplomatique depuis l'adhésion de la Chine à l'OMC en 2001. Suite à l'adoption officielle du concept du 'soft power' en 2007 et le lancement du ‘Plan de la revitalisation de l'industrie culturelle’ en 2009 dont les médias font partie, les attentions portées à ce phénomène s'intensifièrent non seulement au sein des milieux académiques, auprès des chercheurs sur les médias, la communication internationale, les relations internationales, politiques et géopolitiques etc. mais également dans la masse médias. La problématique de l'internationalisation des médias audiovisuels chinois fait ainsi l'objet de débats et d'analyses sous différentes optiques allant de la politique, l'économie, jusqu'à la culture mais souvent isolément.La présente recherche se penche sur cette même problématique avec l'ambition de traiter l'internationalisation des médias audiovisuels chinois en s'appuyant sur une approche intégrée et transversale tout en mettant en corrélation les multiples dimensions qu'évoque ce phénomène.Cette problématique principale peut être subdivisée en diverses questions que nous regroupons ci-dessous :-Premièrement, comment le secteur des médias audiovisuels en Chine s’est-il développé à partir du fondement de la République Populaire de Chine de 1949 jusqu’à nos jours ?-Deuxièmement, qui sont les acteurs s’étant engagés dans une stratégie d’internationalisation ou bien démontrant des tentatives à cet égard ?-Troisièmement, pourquoi s’internationalisent-ils ?-Quatrièmement, quelle sont les stratégies d’internationalisation mises en place par les acteurs du secteur des médias audiovisuels en Chine ?
Gervais, Roger. "Presse et mondialisation : étude comparée franco-canadienne." Toulouse 1, 2009. http://www.theses.fr/2009TOU10054.
The phenomena that are observed as homogenisation and differentiation are mostly perceived as being two contradictory forces where the presence of one is seen as cancelling out the presence of the other : humanity is either evolving towards greater resemblance, or toward greater individuality. Our thesis reunites social science authors who have contributed significantly on this subject. Our goal is to operationalize their discourse in a manner that would allow us to verify empirically their hypothesis. The analysis of more than 11 000 newspaper articles gathered from France and Canada allow us to conclude that there is a dual evolution in post-modernity where homogenisation and differentiation conjugate. Our thesis reminds readers of the importance of models that allow for the presence of multidimensional social phenomena as well as those models that take into consideration the incidence that historical-geo-political context can have on these phenomena
Bounagui, Abdessadek. "La mondialisation et la souveraineté étatique en matière de communication audiovisuelle et le rapport Nord-Sud." Toulouse 1, 2007. http://www.theses.fr/2007TOU10023.
Mbida, Mbida Rémy. "La diversité culturelle : l'autre nom de la communication ? : Les Enjeux communicationnels et culturels des organisations internationales." Paris 9, 2010. https://portail.bu.dauphine.fr/fileviewer/index.php?doc=2010PA090055.
Spiliotis, Konstantinos. "Société civile et société de l’information : Le mouvement de l’anti-mondialisation sur internet." Paris 9, 2007. https://portail.bu.dauphine.fr/fileviewer/index.php?doc=2007PA090008.
The action of the anti-globalization movement (also called in continental Europe alter-globalization movement) of a multiform civil society against neo-liberalism is possible in real spaces and into the Internet. The study of a large range of organizations (associations, social movements, revolutionary groups, religious organizations, etc. ) showed the development of this movement in the local, national, regional and global level. Alternative public spaces which are constantly created in cyberspace contribute to the development of virtual activism (direct action, civil disobedience, information war, etc. ) and of a network activism. The genealogy of public space from the Greek agora to the Internet reveals the state-civil society relationships. In the informational era, civil society tries to form real and virtual public spaces, in order to become an autonomous social sphere which foils every improper power of the state and the totalitarian influence of the market
Park, Bong Sung. "La culture européenne et la mondialisation des médias : Profits et dommages pour cette culture défiée par les systèmes planétaires d'information." Paris 2, 2004. http://www.theses.fr/2004PA020029.
Bazyomo, Emile Pierre. "Education aux médias au Burkina Faso : enjeux et perspectives pour une éducation à la citoyenneté." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00955866.
Salgues, Bruno. "Selon les types de contextes culturels, quelles sont les stratégies et quelles modélisations de l'appropriation des technologies de l'information et de la communication ? : le téléphone mobile est-il un dispositif issu d’une culture de la mondialisation." Paris 10, 2012. http://www.theses.fr/2012PA100113.
According to the cultural contexts types, which are strategic planning’s and which are modeling’s of the appropriation of communication and information technologies? Are mobile phone devices resulting from a culture from globalization? These two starting questions can be summarized by another: which is the reason of the success of cellular in spite of antagonisms and the cultural affiliations? It results from the fast report that we will specify later on, wl1o makes that more than three huma11 out of four on the world are mobile phone users. This product became totally global; either from West to East or from the South in North. The initial vision of technology is different from the current use. Adoption of innovation models are called into question and are characterized well by the relative advantage, compatibility complexity, experimentability, observability. The ambivalence of marketing concept in the case of the mobiles is an element specified in this thesis in parallel with the consumer behavior and its levels: needs, desires, waitings, requests. The cellular one creates new standards material, spiritual, intellectual and emotional such as for example the dependence. This object becomes, through the Agamben meaning, located inside globalization. It defines new behaviors, new uses and new power relations. The mobile phone is an element of the identity of each user
Bénistant, Alix. "De la naissance du « Miami sound » : logiques de transnationalisation et de territorialisation de l’industrie musicale latino." Electronic Thesis or Diss., Paris 8, 2016. http://www.theses.fr/2016PA080049.
This thesis focuses on the emergence of a Miami music industry specializing in the Latin music production, promotion and distribution. It shows how the Floridian city has progressively been established as a central location for a reified musical category, co-constructed by cultural industries, media and musicians in the early 1980s. This research in information and communication sciences is at the crossroads of critical political economy and Latino studies approaches. It aims at describing the mechanisms that are at work in the creation of new musical forms, within specific political and economic contexts; the re-appropriation and integration of these new aesthetics in the cultural industries processes; and their transmedia exploitation on multiple scales
El, Berrhouti Abderrahman. "Les Berbères marocains dans la tourmente de la mondialisation culturelle : cas de la population Amazigh du moyen atlas." Nice, 2010. http://www.theses.fr/2010NICE2011.
This research, as part of the debate on globalization and the process of dissolution of traditional cultures, in contact of modern media, is a contribution to the CIS. Through an interdisciplinary approach, interpreting the effects of globalization on the Amazigh tribes of the Middle Atlas, with their roots in history and their ability to adapt to the modern world is a good example for understanding this territory and beyond that the rural Berber. In fact, the groups have not evolved at the same rate each remaining immobile and others have been affected by the effects of globalization. Three vineyard areas have been studied, namely Laanoussar, Guigou and Kerrouchen to understand the transformations introduced by information technology and communication in these communities. Before the French Protectorate (1911/1956), the central authorities have never had the means to directly control the mountains nor the ability to frame the space community. Indeed, socio-spatial diversifications have been forged at different times and in different socio-political conditions. The period of the French Protectorate was decisive. In fact, this work reveals the mechanisms embedded in social and mental structures; it reveals the specific dynamics that leads not only to change but also to the resistance, and shows that the confrontation between permanence and change is in fact the juxtaposition of two systems, one modern and powerful, and the other traditional and ancestral. Thus, the study of vineyard areas reflects the diversity of practices and products, technology gaps; they induce heterogeneous and differentiated landscapes. They are expressed in strategies that reflect the multiplicity of family strategies that govern the operation of space and society. As perspectives on the evolution of Berber culture, this work opens up opportunities to conduct research on all the Moroccan and Berber communities in communication
Ramos, Santana Irma. "L'engagement associatif à l'ère de la mondialisation : pratiques sociales et Internet chez les militants d'ATTAC-54." Electronic Thesis or Diss., Metz, 2009. http://www.theses.fr/2009METZ027L.
The question, are there transnational social movements, find some answers from authors on social scientists, who propose a large range of responses. One of this raises the phenomenon of "globalization" that make this study particularly complex. The emergence of the movements against the neo-liberal "globalization", is one of the most important and most innovative political and social facts of the end of the XXth and of the beginning of the XXIth century on a international scale. The movements "anti-globalization" were capable of advancing the collective debate and of coordinating international actions of protest, with a great repercussion in the international public opinion. In this work we shall analyze the developement collective media dynamics, by taking as example the case of the association ATTAC-54. We try to illustrate the way the activists "anti-globalization" have create a space of discussion which transcends the national borders, having for consequence the emergence of an international civil society
Lecler, Romain. "Une mondialisation à domestiquer : sociologie d’une politique française des échanges audiovisuels internationaux (1984-2012)." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010326.
What is Globalization? We address this question by focusing on audiovisual flows worldwide, seen from the perspective of commercial exchanges and French public policies. From 2008 to 2012, several sites have been investigated such as the French administration, its diplomatic network abroad, public agencies and international markets. We argue that Globalization, far from being an economic force overhanging from abroad, is always something that has to be "brought home". First, it results from policies that aim at "taming" what exceeds the national frame (such as audiovisual contents broadcasted by satellite). Second, it always entails very "domestic" stakes. At first, we deal with the French administration, where a "foreign audiovisual policy'' has been launched in the 1980s, stirring up a sharp competition to be nominated at the head of new transnational public channels, and leading to the recruitment of diplomats specializing in this policy. Then, we assess the astonishing rise of international markets of movies and TV shows, describing how French sales agents, in the process of getting professional recognition, received a strong support from the French administration. This brings us to the thesis that export policies fundamentally shape Globalization by providing contradicting definitions of what it should be. ln France, the sales agents and the administration have been negotiating one built upon the principle of "cultural diversity", conveniently melting commercial, cultural and diplomatic stakes altogether, despite of the notion being deeply ambivalent
Rojanski, Vladimir. "Diversité culturelle et mondialisation : l'impact des règles du commerce international sur la politique audiovisuelle de l'Union européenne." Paris 8, 2009. http://www.theses.fr/2009PA083604.
Saleck, Ahmedna Mohamed Oumar. "Les médias et le droit de la concurrence en Mauritanie." Thesis, Perpignan, 2017. http://www.theses.fr/2017PERP0023/document.
Identified as a political, social, cultural or economical actor, having an esential role in the world characterized by soaring globalisation, which is in a staggering peak, media seems to be naturally submitted to the competition law. However, when the question is analysed in a precised and refined way, this obviousness is not right anymore. Are the media really submited to the competition law ? At the same time is it possible to talk about the competition law specific to medias ? Relations between media and the competition law have been faced of several incidents in Mauritania. First of all, during the first incident, the relation between two institutions, it means media and the competition law were bland and dull because of State’s monopolization of all media’s means. Then, there was a partial opening of media to competition. Eventually, the recording of media by the competition law happened during the last incident. This work consists in demonstration of media’s submission to the competition law even though the mediatic product keeps being specific
Ramos, Santana Irma. "L'engagement associatif à l'ère de la mondialisation : pratiques sociales et Internet chez les militants d'ATTAC-54." Thesis, Metz, 2009. http://www.theses.fr/2009METZ027L/document.
The question, are there transnational social movements, find some answers from authors on social scientists, who propose a large range of responses. One of this raises the phenomenon of "globalization" that make this study particularly complex. The emergence of the movements against the neo-liberal "globalization", is one of the most important and most innovative political and social facts of the end of the XXth and of the beginning of the XXIth century on a international scale. The movements "anti-globalization" were capable of advancing the collective debate and of coordinating international actions of protest, with a great repercussion in the international public opinion. In this work we shall analyze the developement collective media dynamics, by taking as example the case of the association ATTAC-54. We try to illustrate the way the activists "anti-globalization" have create a space of discussion which transcends the national borders, having for consequence the emergence of an international civil society
Bénistant, Alix. "De la naissance du « Miami sound » : logiques de transnationalisation et de territorialisation de l’industrie musicale latino." Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080049.
This thesis focuses on the emergence of a Miami music industry specializing in the Latin music production, promotion and distribution. It shows how the Floridian city has progressively been established as a central location for a reified musical category, co-constructed by cultural industries, media and musicians in the early 1980s. This research in information and communication sciences is at the crossroads of critical political economy and Latino studies approaches. It aims at describing the mechanisms that are at work in the creation of new musical forms, within specific political and economic contexts; the re-appropriation and integration of these new aesthetics in the cultural industries processes; and their transmedia exploitation on multiple scales
Sahnoun, Nasr-Eddine. "Mondialisation, industries culturelles et culture kabyle : recherche sur l’influence des telenovelas sur la femme kabyle." Thesis, Nice, 2015. http://www.theses.fr/2015NICE2018.
This work is intended as an academic contribution on the subject of the evaluation of traditional societies (local) against the dynamics of cultural globalization (global) supported by information and communication devices. It is in the context of a debate on the cultural industries and their influences, as well as on the process of reconfiguration of traditional local identities and cultures in contact with the modern world stands for integration or not the world order. Between tradition and modernity, the meeting between the cultural industry and the so-called local cultures we often return to the dimension of global / local raised or imposed by globalization. This and beyond its hegemonic aspects involved in the emergence of a cultural and identity symbol of the hybridization process combinison between modern and non-modern based on dichotomies fascination / repulsion, loans / discharge integration / élimiation that deployed in ever precarious resolution arrangements. Transnational media streams appear likely as a major factor in the interior of the process where the question and understand if such dipositifs produce "cultural homogenization" or permetent conversely, «d 'enrich» cultures and local identities «external input»?
Iasi, Neto Sylvio. "Les terroirs télévisuels : les rapports entre les grands reportages de "Globo Rural" et la culture brésilienne, à l’heure de la mondialisation." Paris 8, 2014. http://octaviana.fr/document/18048043X#?c=0&m=0&s=0&cv=0.
This thesis explores the relationships between stories featured on television program Globo Rural and different dimensions of Brazilian culture. In a society marked by regional diversity and national unity, by the ubiquitous presence of television and by globalization, we analyze to what extent, and how, these journalistic works – which address rural issues – contribute to a process through which the Brazilian public composes and constantly re-composes a general view of the nation. A cultural, and symbolic, elaboration involving local, regional, national, and global spheres. Broadcast by Rede Globo, Brazil’s largest television network, the program offers an audiovisual journey through the territory covering agriculture and animal farming, science and ecology, the daily lives of families and the social problems, cultural manifestations and local traditions of the land. Our analysis is based on both production and reception. As the text unfolds, we address the socio-cultural environment of modern Brazil, present the profile of this journalistic product, and examine the methods underlying the preparation of major TV stories and their message-related characteristics: a polysemic narrative that reveals Brazil’s regional differences and also the encompassing nature of the country’s rural localities. Using two qualitative studies as starting points, we also analyze how those documentaries are received by 72 viewers: 53 living in Brazil and 19 (Brazilians) living in Africa. At the end of this itinerary, at once audiovisual and transcontinental, we show that those feature stories are incorporated into a cultural co-production process. A shared perception of imaginaries that arise from the clash – and from the merger – of messages and recipients, of subjectivity and contexts, of journalists’ encoding and viewers’ decoding
Hadjsalem, M. "Le paysage télévisuel au Moyen-Orient entre mondialisation et affirmation identitaire : étude des cas de la Turquie et des pays arabophones." Paris, INALCO, 2009. http://www.theses.fr/2009INAL0010.
This study is about the recently witnessed Middle Eastern mass media development highligted by the local television boom in this late postmodernist era. This two-case studies tackles the issue of the latest television developments which have been achieved in Turkey and the rest of the Arab world including the classical media pioneers such as Egypt or Lebanon, as well as, the newly emerging media hubs in Dubai and Qatar. In fact, this brand-new media boom experienced in both Turkey and the Arab countries dates back to the beginnings of the 1990's. As a matter of fact, the media industry in the region remained quite neglected for a long while except for Egypt where the television scene and the motion picture business were thriving and successfully hitting the rest of the Arab world. The real Arab mass media awakening started in the 1990's though, as this emerging industry came to light when it took a more global approach, defining itself as panarab rather than local. Undoubtedly, this major media development was basically shaped and planned-out as global thanks to the new satellite broadcasting devices which were adopted right from the outset by the leading television networks. In fact, satellite broadcasters were not only considered as a global device but also a widely and readily available electronic medium whose cost was progressively diminishing through the years making it within the reach of most Arab households. As a result, this rather swift television change is now, more than ever, redefining the concept of media expression as a whole in the region, thus, turning the landscape into unprecedented local media pluralism. Consequently, whether it is stated-owned or commercial, via broadcast, cable or satellite, television in the Middle East has become an accomplished fact stretching out on a larger scale from the Middle Eastern area reaching out to the rest of the Maghreb countries. This research is getting away from any political or ideological speech trying to demonstrate that this very media globalization is being used as a vector of intercultural mediation, establishing a vast multicultural dialogue between the East and the West
Chavez, Huitron Blanca Isabel. "Les télénovelas mexicaines : l'internationalisation d'un genre." Paris 13, 2011. http://scbd-sto.univ-paris13.fr/secure/ederasme_th_2011_chavez.pdf.
The telenovela it’s a television genre from Mexico and Latin America. This cultural product was first created as an answer for the likes of a very specific audience. Yet, telenovelas are exported successfully all around the world. What makes possible the internationalization of the telenovelas? The answer is to look for in multiple factors such as the commercial activities of the producers, the social representations of the audience and the telenovelas themselves. This work results from the reflection on the intersection of these factors
Ivanova, Tsvétélina. "Littérature et paysage mondial." Thesis, La Rochelle, 2017. http://www.theses.fr/2017LAROF002.
The doctoral thesis proposes to effectuate an analytical and comparative reading of the literary production that took place during the first and second modernist globalization in the Late modern period. According to the logic of the world economic evolution of Kondratiev wave, it would be the period of modern aesthetic and literary creation between 1850 and 1920, postmodern between 1950 and 1990, and hypermodern from 2000 onwards. In order to ascertain whether the modernist, post- and hyper- modernist, colonial and postcolonial novel could acquire the status of world literature (Weltliteratur) based on the dualistic unity of the capitalist world-system theory and on the idea of modern anti-modernism ; as Baudelaire defined it in 1863 in The Painter of Modern Life (Le peintre de la vie moderne). The thesis proposes to explain the antagonistic unity of the notion of world literature and to affirm it as a modern "total work of art" (Gesamtkunstwerk), through the parallel verification of the existence of a literary world landscape. The latter, also based on a dualistic approach - aesthetic /stylistic and phenomenological - would be the (anti)modernist product of the two periods of capitalist globalization
Marson, Vanessa. "La question culturelles États-Unis / Europe sur les enjeux audiovisuels : cadre juridique européen et exception française face à la puissance américaine : 1986-1994." Le Havre, 2004. http://www.theses.fr/2004LEHA0053.
Since World War two, the United States have emerged as the key global power, promoting trade and investment activities and mass media throughout the world. In this global context, the american audiovisual industry has spread to Europe appearing as a cultural and economic threat. During the last multilateral agreements on global flows of audiovisual services (1986-1994), the issue of trade en culture generated much transatlantic debate. Those proceedings make us aware of the discrepancy between american television and european individual law. This work is concerned with demonstrating that cultural industry an mass culture stand in sharp contrast to exception and cultural diversity
Favre, Guillaume. "Des rencontres dans la mondialisation : réseaux et apprentissages dans un salon de distribution de programmes de télévision en Afrique sub-saharienne." Thesis, Paris 9, 2014. http://www.theses.fr/2014PA090045/document.
In this dissertation, we analyze the social construction of a market of TV programs in Sub-Saharan Africa. Based on the study of a trade fair where buyers (TV channels, distribution intermediaries) and sellers of TV programs (studios, distributors and independent producers) can meet, negotiate, discuss, and close deals, we try to understand how this event participates in the transformation of the ways in which TV programs were “exchanged” in Africa and in the integration of the African TV programs market into the global one. TV programs distribution at the global level has long been considered to be a market. But until recently in Sub-Saharan Africa, TV channels used to acquire programs “for free” through diverse ways. Political, economic and technical evolutions have slowly transformed this sector into a market. The trade fair under examination in this research plays a central role in this evolution because it is the first to bring together the microcosm of this industry. We studied this event for three years and ran three surveys in order to collect social network data and analyze informal information exchange networks between attendees of the events. We study how trade fairs attendees learn from each other and define, select and share market values, norms and rules
Clairval-Milhaud, Cécile. "Les chaînes satellitaires paneuropéennes." Paris 2, 2010. http://www.theses.fr/2010PA020078.
Kurzac-Souali, Anne-Claire. "Les médinas marocaines : une requalification sélective : élites, patrimoine et mondialisation au Maroc." Paris 4, 2006. http://www.theses.fr/2006PA040225.
The Moroccan medinas are not museums neither are they the impoverished, crumbling inner-cities that we were led to believe up until a couple of decades ago. These ancient, archetypal urban webs are above all else social, economic and residential centres that adapt to changes whilst faced with the delicate and demanding management of their architectural heritage. The majority of medinas is classified as UNESCO World Heritage Sites (Marrakech, Essaouira, Fès) and have been developed by tourism. They are now seen and imagined in a different light and are newly esteemed at the heart of contemporary Moroccan towns. The riad phenomenon has encouraged the re-establishment of certain areas of the medinas at a grass roots level whilst at the same time being instrumental in deep changes within the ancient web of medinas. The main object is to reconsider the study of the strongly characterised medinas by analysing the magnitude of their heritage, their present day realities, their mobility and the actors in these new urban developments from a geographical perspective
Yun, Ji-Young. "Nouveaux réseaux de communication dans la construction du lien socio-politique en Europe." Paris 5, 2001. http://www.theses.fr/2000PA05H089.
Rouland, Betty. "Migrations, mondialisation, santé : Almería, province globale ?" Rouen, 2014. http://www.theses.fr/2014ROUEL029.
This research aims at analyzing contemporary logics, dynamics and impacts of globalization in the province of Almeria (Andalusia, Spain). The region has become globalized following the recent development of intensive greenhouse agriculture and a transformation of the tertiary sector (services, tourism). The adoption of the neoliberal economic model has led to a historic bifurcation of the regional spatial system. Almeria is now considered as “paradigmatic” for the Spanish context at the beginning of the twenty-first century (Sanchez Picón and Aznar Sanchez, 2002). Special consideration is given to two key issues: international migrants as “actors in context” of globalization (Assayag, 2007) and health as “indicator” revealing inequalities. Opening up to the outside world within a short time frame and located at the southern “gates” of Europe, the province has become a migratory intersection that attracts heterogeneous kinds of migration ((il)legal labour migration, migration of pensioners, etc. ). In this light, the analysis is based on a comparative study of the conditions of living of the four main migrant groups settled in the province (Moroccan, Romanian, British, West African). It examines the links between the place of residence in the province, the place of origin and the transit phase. The methodological centerpiece of this investigation is a normalized and spatialized qualitative survey amongst 464 migrants. In addition, participatory research and collaboration with the Red Cross of Almeria has allowed for making visible “unofficial” populations. The fine-scaled typology of the places of residence of migrants as well as of the migratory and health contexts shows how the (hyper) differentiation of local places in Almeria is intrinsically linked to the origin of the individuals. Politico-administrative boundaries thereby mobilize, move and reorganize: the local socio-economic disparities are a mirror of global inequalities. As such, the province of Almeria offers a heuristic space for studying processes of multiscalar geographic differentiation of the contemporary world. In light of these sociospatial and sanitary challenges, the province can be approached as a model of a “glocal region”
Zamaria, Gilles. "Santé et droit : les experts médico-judiciaires." Paris 8, 2000. http://www.theses.fr/2000PA081859.
Choi, Ji Sun. "Les chaînes de télévision internationales d'information à vocation de "diplomatie publique"." Thesis, Paris 2, 2015. http://www.theses.fr/2015PA020012.
This research aims to understand the role of international 24-hour TV news channels in the era of globalization: the tension and balance between the role of the international news channel for public diplomacy and the respect for journalistic principles; the role of international news channels for the global public space in the transnationalised world. In order to answer these questions, we analysed their missions announced by the selected channels (CNN International, France 24, BBC World News, NHK World TV, Arirang TV and Al-Jazeera English) and their media content with a constructivist perspective. The results show that the channels implicitly realize their role for public diplomacy and explicitly emphasize the journalistic principles. Finally, we found that international news channels work as an international communications infrastructure phenomenally with dual goal and a dual identity. In addition, the result shows that the international 24-hour TV news channels try to play a role as international public sphere through participatory and interactive programs
Rostirolla, Daria. "Configurations affectives en situation de mondialisation : une étude à partir d'une consultation clinique." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0039.
In the context of global flows of people, local social and health services are confronted to different forms of complex and unprecedented suffering. Immigrants’ mental health needs have triggered numerous debates in the last decades, in particular concerning the articulation between anthropology and psychology. Their experience remained invisible and unexplored in research on healthcare access or in relation to the psychiatric disorders they cope with. Through different historical contexts, different approaches to construe the relationship to the Other have suggested different healthcare approaches for immigrants specifically. Today, these different analytical propositions seem unable to capture the plural dimension of contemporary immigrant suffering, and threaten to limit their understanding to preconceived categories. This leads to a need for redefining theoretical models and clinical strategies.This study describes the complexity of human suffering. It is grounded in an ethnography of everyday practice at a mental healthcare clinic. It relies on a sociographic and narrative approach which has allowed to take into consideration a maximum of biographic information on subjects, and which has enriched our clinical listening skills. This careful, open and person-centered form of listening unveiled a number of dimensions that are rarely taken into account in the description of globalization-related forms of suffering. Such dimensions reveal a constellation of affective, political, economic and social variables, which we have decided to conceptualize as “affective configurations”. We have carried out an in-depth analysis of new forms of being-in-the-world for contemporary subjects. We thus shifted the focus on the subject as an actor of multiple and changing therapeutic itineraries within immigration trajectories. This approach is located at the intersection between clinical medical anthropology and subject-centered clinic. It both gives access to the subjects’ experiences and acknowledges their existence and unique needs – while until then, they had remained invisible through a focus on their otherness, particularly in the context of mental health. Finally, we attempt to contribute to developing competent psychosocial services for globalization-related forms of suffering
Ahmadi, Ali. "L'image médiatique de l'identité iranienne contemporaine à travers le discours des télévisions arabes et occidentales." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20101.
This thesis examines the representation of contemporary Iran through the discourse of Arab and Western news channels. The study of news channels is an excellent opportunity to analyze the different representations of the Other by studying how these chains build different representations of identities through a reducing stereotypes and ideological contrast between "us" and "them ". The problem of this research is based on the comparative analysis of the discourse of transnational television channels (BBC, CNN, France 24, as Western channels and Al-Jazeera and Al-Arabiya as Arab channels), and ways of represent among the events of the world, the Other in this case the Iranian identity. Transnational media produce and distribute news, images and symbolic content related issues that viewers would primarily or exclusively learned before (or not) from their national media. The study of the representation of the Other, is a useful model that seeks to explain a scientific way routines process media representation and the underlying dynamics of the power of television representations of the Other. What preceded this era of postmodernity was enclosing the media look into the borders of Nations or colonial empires. Globalization has brought the Other at the heart of local. Stereotypical representations and images of Iran in the news and emissions chains seem restore spatial distances, political and socio-cultural relations between the countries and seem to reproduce Western superiority especially for U.S. channels. Arabic channels are based on a strong religious orientation, racial and ethnic in their coverage related to Iran. The information is influenced by the delineation process. Framing done by Arab and Western chains can be expected to reflect and reinforce the country of origin dominant ideology. The results of the study highlight that international news can be interpreted by a combined view, in which the influences of propaganda on media coverage are interconnected with the system of media and national interests, the territory under the dominant ideology of the country
Ólafsdóttir, Margrét. "Les arts plastiques et les technologies numériques en Islande : histoire et "glocalisation"." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010540/document.
A lack of media art in Iceland at the turn of last century, whether electronic or digital, initiated this research. The deficiency encouraged the author to undertake analysis of the history of art in Iceland, at a time when it was becoming independent from Denmark. This period is characterized by the nation's quest of identity, where the definition of cultural particularity dominated the discourse on art. By placing the art of the past in the context of the colony, and modern art in that of the struggle for independence, it is possible to show that the lack of media arts can be explained by the postcolonial situation after the war. Finally, it shows how the isolation of artists was broken in this context. To conclude it examines how the political and cultural institutions have reacted to the globalization of electronic and digital technology that has contributed to change the artistic creation and practices
Martin, Cécile. "L'invention de l'écran. De l'écran de cheminée aux écrans connectés interactifs. Enjeux communicationnels et culturels dans le contexte de la globalisation." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA018.
During the XXth century, communication, information and entertainment fields converged, under the influence of data digitalisation, network infrastructure development and widespread use of terminal whose common characteristic is to be fitted with screens. It is a fact that might be well observed: screens are everywhere in our everyday life, in public spaces and private areas since at least a few decades, and it generates different reactions, as fear or enthusiasm. In making the "digital divide" manifests, the screen plays a role not only by his presence but although through its absence, and its generalization even seems to be a crucial step to achieve the "global village" project. So it can't be an overstatement arguing that the screen has become a social topic. As a matter of fact, screen's presence is remarquable in at least two different ways. First of all, it is part of our lives in a technical and practical way cause it now frames most of our interactions. Also it has spread to our lives as it has become a very fashionable key word in the discourse about communication crisis. The use of the screen word not only increases during all the last century, but in addition its semantic field has become more complex. Sometimes it is refering to a set of devices, sometimes to an hypernym for each of them. Considering these elements, this research aimed to analyse these different aspects of the screen, first through the help of linguistic tools, then with picture analysis, in order to reflect about the future of the screen. When does the screen has been invented? What are its characteristics? These are the questions we will try to answer, so as to define the part played by the screen in culture. The aim of this study is to elaborate a screen taxonomy, to enlight our knowledge about the diversity of screens and offer a documented definition of the “screen culture” topic, in order to improve our knowledge of the changes that affect the communication field
Couture, Vincent. "Les vases communicants : une ethnographie des services reproductifs transfrontaliers au Canada." Thèse, Université de Sherbrooke, 2018. http://hdl.handle.net/11143/11862.
Abstract : Cross-border reproductive care (CBRC) refers to the movement from one jurisdiction to another of persons or reproductive material as part of assisted reproductive technology (ART) treatment. This phenomenon has been observed in many countries, but the Canadian globalized ART system (or "reproscape") remains understudied empirically. This lack of data undermines the normative development in terms of ART. The aim of this dissertation is to describe and understand the Canadian reproscape in order to support ethical and legal reflection. To achieve this goal, we conducted a multi-site clinical ethnography combining (1) literature reviews, (2) participant and non-participant observation in two fertility clinics (Quebec and Ontario), a gamete importation and distribution agency and a dozen scientific congresses, (3) as well as semi-directed interviews with 45 actors of CBRC: users, medical professionals and intermediaries. The data were analyzed by inductive qualitative analysis assisted by NVivo 11 software. Three dimensions emerge from our results. (1) Regarding the legal and clinical contexts of ART, Canada is characterized by a local mosaic of laws and regulations that paradoxically influence CBRC. The altruistic obligation established by the Assisted Human Reproduction Act (AHRA) plays a predominant role on the reproscape. (2) In terms of the experience of the main actors, the simplicity of CBRC integrated to the clinic, such as the import of semen or oocytes, contrasts with the complexity of journeys abroad for which users often feel constrained. (3) When asked about their ethical perspectives, the actors mentioned four main positions: (a) the respect for their reproductive autonomy, (b) the individual and (c) social risks of CBRC, including the exploitation of egg donors as well as gestational surrogates, and (d) AHRA inconsistencies in its ability to mitigate these risks. Our conclusion is that the Canadian reproscape is characterized, inter alia, by a situation of "reproductive outsourcing." This concept is characterized by an institutional recognition of CBRC combined with a relocation of moral and medical risks outside national borders. The results of our study underline the inextricable local and global nature of ART and how CBRC works as communicating vessels.
Mouren, Renan. "E-médiations territoriales : modélisation et mise en ressources numériques : entre espace informé et espace géographique." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080100/document.
Between informed space and geographical spaceWe observe a wide range of territorial e-mediation’s concrete fields, statutes, functions and uses, according to socioeconomics,political, geographical or ecological contexts. This diversity reveals an epistemologically productivelink between digital, geographical and informized spaces. This thesis aims to circumscribe and deepen thosearticulated, sometimes divergent, complex dimensions, keys parameters of action and territorial development.Indeed, in the face of the major issues, socio-economic, ecological, societal and multicultural that weigh more orless uniformly today on the world, these dimensions of digital territorial mediation, are essential and necessary tobuild specific development models in which digital is one of the most significant. Moreover the higher the territoriale-mediation obeys a logic of branching, from the global to the local, the more it favors the use of territorial data thatare easy to track, capture, analyze and merchandise by the Data-Broker. This relative homogenization and thisqualitative impoverishment of the numerical data available on the territories, can induce new political normativities,limit the theoretical-practical researches on the social and usages innovations and lead to a numerical cooling of theterritories. This central notion of territorial e-mediation, is a « Boundary Objects » operates in this thesis as a amatrix for interpreting territories from which a theoretical-practical frameworks is designed. This thesis collect,analyse, reference, documents, publications, theoretical works, professional contributions, policies and practices onthis link between digital, geographical and informized spaces that is shifting the centre of gravity of territoriestheorical interpretations, proportionate to mutations and représentations that are facing them. For a number of yearswe experiment this framework with the Seine-Saint-Denis (Paris) territory, based on an interventions outline whichcombines stakeholders and actions, technical an social innovations in order to give meaning to the various forms ofaction, in view of sustainable development and common good. Distant territories and from different cultures couldunder certain methodological conditions through e-mediations, use this kind of framework to experiment andexpress their developpment models, comparisons, detailed analysis, the context of emergence, detailed comments,« traits » or solutions.Those mediations would permit
Tarbouni, Younasse. "THE ARAB CENTURY opposing trajectories of Arab activism in MENA What has changed? the case of the Moroccan movement of February 20, 2011." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH014.
With the MF20 as the major Case Study , I argue against the claims of the newness, uniqueness, success and failure or finality of these Arab movements. I revisit the first decade of the 21st century and the declaration of War on Terrorism (2003) as one trigger of sociopolitical conflicts that were already entrenched in the MENA region. What we witnessed in the second decade of this century is that the Arab uprisings only exposed transgressions in human rights and atrocities in the Middle East to the world. These uprisings were hurriedly reduced to seasonal uprisings. The third decade unfortunately looks to be in the hands of right-wing ideologues standing against multiculturalism and stressing the fear of religious extremism to change the focus from social issues and force the narrative of us-against-them on the forefront. For these reasons, I claim, there is no finality to the Arab uprisings, they have just begun and they are not in a state of thaw as Davis (2013) depicts them, but they are in slumbering phase recouping for a stronger come back. The close analysis in the project of the saga of struggles of these Arab movements with the Arab autocratic regimes who engineered nothing but preemptive reforms, requires our close attention for the remaining decades in this 21st century. Even the so-called successful cases, Tunisia and Morocco, indicate that what is celebrated is a state of temporary stability with major and alarming short comings in social change and social justice; two of the main reasons of the so called Arab Spring. Thomas Friedman suggests great historical details, in his great piece for the New York Times, calling for the expression “Arab Spring” be retired and be replaced by Anthony Cordesman’s the “Arab Decade” or “Arab Quarter Century” . I claim we are beyond that, and that we are witnessing an Arab Century in movement.If the recent political changes around the world are any indication, social change in the Arab world will be overlooked for at least another decade. The rise of the extreme right to power in the US and in Europe has already shifted the focus from the social injustices in the Arab world to the everlasting issue of Islam and extremism in the West. This is proving to be a big break for Arab autocratic regimes, who are using this rise of Islamophobia in the West as a unifying argument that distracts from the social injustices within their republics and kingdoms. Thus, the struggle of Arab citizens within the Arab states for social dignity will be overlooked until the revived narrative of the clash of Islam and the West dies down
Dansereau-Lavoie, Noémie. "La diversité culturelle à l'heure de l'industrialisation croissante du secteur de la culture et des communications : un enjeu démocratique." Mémoire, 2007. http://www.archipel.uqam.ca/4401/1/M9897.pdf.