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Academic literature on the topic 'Monasterio del Corpus Domini'

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Published: 26 July 2024

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Journal articles on the topic "Monasterio del Corpus Domini"

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Marszalska, Jolanata M. "Najważniejsze źródła rękopiśmienne do dziejów klasztoru oo. Cystersów w Szczyrzycu." Nasza Przeszłość 104 (December 30, 2005): 37–70. http://dx.doi.org/10.52204/np.2005.104.37-70.

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Celem niniejszego artykułu jest przedstawienie znaczenia trzech kopiariuszy i inwentarzy ruchomości i nieruchomości kościoła i klasztoru w Szczyrzycu. Dokumenty te można również uznać za kroniki i źródła z pierwszej ręki do dziejów klasztoru cystersów w Szczyrzycu. Pierwszy egzemplarz księgi, zatytułowany Inventarium praediorum, pecorum, villarum..., został sporządzony w 1643 r., prawdopodobnie przez przeora o. Zygmunta Strychowskiego. Najwcześniejszym i najcenniejszym z trzech zachowanych kodeksów jest drugi egzemplarz, zatytułowany De Origine et Fundatione Monasterii Ciricensis..., A.D. 1627, opatrzony podpisem o. Zygmunta Strychowskiego. Wreszcie trzecia kopiariusza, zawierająca zaledwie dziesięć nienumerowanych stron, dołączona do dokumentu Testimonium Ex Libro Beneficiorum Dioecesis Cracoviensis de Monasterio ac Ecclesiae Erectione primo in Ludźmierz Anno Domini 1234 ac tandem translationis eorundem post deccennium in Szczyrzyc Anno 1234. Innym ważnym źródłem do dziejów klasztoru cystersów w Szczyrzycu są kopiariusze, czyli kroniki Provisio I i Provisio II, spisane przez przeora o. Bernarda Reydlewicza. Niezastąpionym źródłem do ekonomii klasztoru jest XVIII-wieczny inwentarz Revisio Praediorum, Inventariorum... napisany przez przeorów Antoniego Stawskiego, Stefana Poznańskiego i Mikołaja Dybczyńskiego oraz prowizora Alberyka Siewierkowskiego. W artykule wymieniono wszystkie zachowane inwentarze gospodarcze konwentu szczyrzyckiego, które stanowią unikalny zapis gospodarki dworskiej. Na koniec krótko wspomniano również o Liber Mortuorum... Anno Domini 1641 oraz Inventarium Cijrzickiego Kościoła... Anno Domini 1727.
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Moranti (book author), Luigi, and Konrad Eisenbichler (review author). "La Confraternita del Corpus Domini di Urbino." Confraternitas 3, no. 1 (January 1, 1992): 20–21. http://dx.doi.org/10.33137/confrat.v3i1.13537.

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Pozorski, Kamil. "Włoskie pochodzenie tradycji dekoracyjnych uroczystości Corpus Domini." Biuletyn Uniejowski 8 (November 19, 2019): 67–75. http://dx.doi.org/10.18778/2299-8403.08.04.

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Niniejszy artykuł ma za cel ukazanie genezy kultury florealnej na Półwyspie Apenińskim, która do dziś jest bardzo żywa i stanowi istotny element tradycji w wielu włoskich miastach i miejscowościach. Zwyczaj zdobienia dywanami kwiatowymi uroczystości Bożego Ciała sięga XVIII wieku, choć pierwsze wzmianki o takowych dekoracjach pochodzą z okresu Baroku. To zapewne z terenu dzisiejszych Włoch elementy kultury florealnej zostały przeszczepione na ziemie okupowanej Rzeczpospolitej w XIX wieku.
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Guadagnuolo, Mariateresa, Mariano Nuzzo, and Giuseppe Faella. "The Corpus Domini Bell Tower: Conservation and Safety." Procedia Structural Integrity 11 (2018): 444–51. http://dx.doi.org/10.1016/j.prostr.2018.11.057.

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Pérez Gordillo, Mª Eugenia. "Estudio y traducción del Sermo in Diem Apparitionis Domini, recogido en London, Bristish Library, ADD.30853, FF.277V-280V." Helmántica 72, no. 206 (January 1, 2021): 121–86. http://dx.doi.org/10.36576/summa.146005.

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En este trabajo ofreceremos la primera edición crítica completa del Sermo in diem apparitionis Domini que se recoge en los ff. 277v- 280v del códice London, British Library, Add. 30853, anteriormente conservado en el Monasterio de Santo Domingo de Silos, en Bur- gos, y datado a finales del s. XI. El artículo incluye además un estu- dio literario y de fuentes, un análisis lingüístico, una comparación entre los testimonios que han conservado este texto, así como las ediciones precedentes de otros autores y la correspondiente traduc- ción del mismo. A partir de este estudio, arrojaremos nueva luz so- bre cuestiones relativas a su datación, procedencia y fuentes, con- cluyendo que se trata de un texto hispánico perteneciente a la tra- dición litúrgica toledan
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Justo Sánchez, Daniel, and Francisco José Álvarez López. "Protagonistas colaterales de la historia monástica en el ámbito rural. Procesos históricos locales y génesis documental en los primeros textos del archivo del monasterio de Oseira." Studia Historica. Historia Medieval 41, no. 2 (October 23, 2023): 85–110. http://dx.doi.org/10.14201/shhme202341285110.

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Este artículo ofrece una investigación acerca de cómo las sociedades locales aparecen representadas en la documentación del monasterio de Oseira antes y después de su fundación (1025-1199). A partir del estudio de las tradiciones diplomáticas y gráficas ursarienses, así como de una lectura histórica de sus textos, este trabajo confirma la existencia de un filtro monástico que se hace presente en los documentos en los que interviene directamente el monasterio desde el momento de su fundación. Además de resaltar cómo dicho filtro se intuye en los múltiples aspectos que conforman la génesis documental (desde la materialidad de los propios diplomas a la redacción de su contenido o a su estructura diplomática), se ofrecen también varios estudios de caso que destacan cómo la información acerca de las sociedades locales se ve relegada una vez establecidos los intereses propios de la institución monástica. El corpus seleccionado para este estudio, que incluye documentación previa a la fundación del monasterio, así como aquella inmediatamente posterior, confirma que dicho filtro afecta principalmente, aunque no exclusivamente, a la documentación producida con posterioridad a la fundación monástica.
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Milner, Stephen J. "Piero Pollaiuolo's Lost Sacramental Altarpiece of the Corpus Domini." Journal of the Warburg and Courtauld Institutes 67, no. 1 (January 1, 2004): 157–92. http://dx.doi.org/10.1086/jwci40026029.

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SHERWIN, BYRON L. "CORPUS DOMINI: TRACES OF THE NEW TESTAMENT IN EAST EUROPEAN HASIDISM?" Heythrop Journal 35, no. 3 (July 1994): 267–80. http://dx.doi.org/10.1111/j.1468-2265.1994.tb00944.x.

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Азарова, Т. В. "Festive Discourse and Conceptosphere of the Corpus Domini Holiday in Italian." Nasledie Vekov, no. 3(35) (September 30, 2023): 57–71. http://dx.doi.org/10.36343/sb.2023.35.3.004.

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Исследование направлено на выявление основных характеристик, определяющих лексико-семантические особенности праздничных текстов на примерах, тематически относящихся к существующему в католической традиции празднику il Corpus Domini (Тела Христова). Основой для работы явились три текста на итальянском языке, написанные от имени католической церкви. Основное внимание уделено сопоставительно-аналитическому разбору изучаемых текстов. Проведен этимологический анализ основных слов, связанных с понятием «праздник» вообще и с рассматриваемым праздником в частности. Определено семантическое наполнение данного понятия, выделены особо значимые единицы, прослежена и выстроена его внешняя схема (концептосфера). Проведен дискурсивный анализ текстов по трем признакам (поликодовость, время, языковая личность). Определены основные черты, характеризующие особенности праздничных текстов и обеспечивающие их функционирование в пространстве праздника. The study aims at identifying the main characteristics that determine the lexical and semantic features of holiday texts through the description of the semantic field and the construction of the conceptual sphere of the concept “holiday” using the example of texts thematically related to the holiday il Corpus Domini existing in the Catholic tradition. The basis for the work was three texts in Italian, one way or another emanating on behalf of the Catholic Church: a message from Pope Benedict XVI about the feast of il Corpus Domini and about St. Juliana of Cornelia (2010), an article describing the holiday on the Vatican information website, and a list hymns of the arrival of the Nativity of the Virgin Mary (Padua). The methodological basis of the study was a number of theoretical developments created by Russian researchers: the concept of the semantic field by S. N. Vinogradov, methods for analyzing the lexical composition of concepts (G. V. Tokarev, G. S. Shchur). The research, in a methodological sense, focuses on a comparative and analytical analysis of holiday texts: identifying lexical units according to partial affiliation, observing their functioning in the context of holiday texts, and forming the structure of holiday discourse. The authors analyzed the etymology of the main terms associated with the concept of “holiday” in general and related to the holiday il Corpus Domini in particular, determined the semantic content of the concept “holiday”, identified particularly significant units characterizing its conceptual composition, examined and modeled its external scheme (domain of a concept). The authors also performed a discourse analysis of the studied texts in Italian; on this basis, to model the polycode, they described the most significant words and analyzed the features of conveying the sense of time (chronotope), and studied the characteristics of the language personality of the holiday text. The main points that determined the lexical and semantic characteristics of holiday texts were: (1) the festive text contains code words that fix the basic meanings of the texts; (2) the festive text focuses on creating an atmosphere of celebration, which is achieved by the rare use of nouns of an elevated linguistic register; (3) the festive text allows a person to feel involved in distant events associated with the celebration; (4) knowledge of the history of the holiday helps a person form their picture of the world and understand their social role. The use of similar methods will allow identifying individual discourses in the festivity paradigm: ritualistic, ritual, ceremonial, religious.
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Katz, Dana E. "The Contours of Tolerance: Jews and the Corpus Domini Altarpiece in Urbino." Art Bulletin 85, no. 4 (December 2003): 646. http://dx.doi.org/10.2307/3177363.

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Dissertations / Theses on the topic "Monasterio del Corpus Domini"

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Provini, Simone <1994&gt. "Francesco Salviati a Venezia. Novità e proposte sulla Deposizione del Corpus Domini." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19685.

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Prendendo le mosse dalla letteratura sul soggiorno veneziano di Francesco Salviati (1539-1540), la tesi propone uno studio approfondito delle opere realizzate in laguna dal pittore e della rete culturale, politica e sociale ad esse sottesa. Grazie a una lunga e paziente ricerca presso l’Archivio di Stato di Venezia, è stato possibile riportare alla luce alcuni documenti inediti in grado di fornire nuovi spunti di riflessione sulla Deposizione del Corpus Domini, e soprattutto sulla committenza ad opera di Bernardo Moro, procuratore di San Marco.
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Books on the topic "Monasterio del Corpus Domini"

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Wuffarden, Luis Eduardo. La procesión del Corpus Domini en el Cuzco: La procession du Corpus Domini à Cuzco. [Madrid, Spain?]: Union Latine, 1996.

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Moranti, Luigi. La Confraternita del Corpus Domini di Urbino. Ancona: Il lavoro editoriale, 1990.

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Italy) Convegno internazionale sul Corpus Domini (2014 Orvieto. "Il Corpus Domini": Teologia, antropologia e politica. Firenze: SISMEL · edizioni del Galluzzo, 2015.

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Francioni, Carlo Fabbri Paola. Capitoli della compagnia del "Corpus Domini" della Penna. italia: aska edizioni, 2002.

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Patetta, Federico. Adnotationes Codicum Domini Justiniani (Summa Perusina). Firenze: Mauro Pagliai editore, 2008.

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Renzo, Savarino, Tamburini Luciano, and Dardanello Giuseppe, eds. La basilica urbana del Corpus Domini: Il miracolo di Torino. Torino: U. Allemandi per Associazione Amici dei beni culturali piemontesi, 2004.

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Iovine, Carmela. La Chiesa del Corpus Domini di Gragnano: Le immagini della fede. Castellammare di Stabia (Na) [i.e. Naples, Italy]: N. Longobardi, 2008.

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Riccoboni, Bartolomea. Life and death in a Venetian convent: The chronicle and necrology of Corpus Domini, 1395-1436. Chicago: University of Chicago Press, 2000.

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Italy) Istituto di istruzione superiore "D. M. Turoldo" (Zogno. La chiesa del Corpus Domini a Cornalita di San Giovanni Bianco: Ricerca interdisciplinare realizzata dalle classi 4aA Liceo e 4eG Geometri dell'Instituto "Turoldo" anno scolastico 2004/05. Bergamo: Corponove, 2005.

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Arthur, Kathleen Giles. Women, Art and Observant Franciscan Piety. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984332.

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Caterina Vigri (later Saint Catherine of Bologna) was a mystic, writer, teacher and nun-artist. Her first home, Corpus Domini, Ferrara, was a house of semi-religious women that became a Poor Clare convent and model of Franciscan Observant piety. Vigri's intensely spiritual decoration of her breviary, as well as convent altarpieces that formed a visual program of adoration for the Body of Christ, exemplify the Franciscan Observant visual culture. After Vigri's departure, it was transformed by d'Este women patrons, including Isabella da Aragona, Isabella d'Este and Lucrezia Borgia. While still preserving Observant ideals, it became a more elite noblewomen's retreat. Grounded in archival research and extant paintings, drawings, prints and art objects from Corpus Domini, this volume explores the art, visual culture, and social history of an early modern Franciscan women's community.
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Book chapters on the topic "Monasterio del Corpus Domini"

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"Corpus Domini Celebration." In Church and State in Spanish Italy, 185–217. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108779555.006.

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Vicelja-Matijašić, Marina, and Barbara Španjol-Pandelo. "The Altarpiece of the Corpus Domini in Venice Revisited." In Scripta in honorem Igor Fisković: zbornik povodom sedamdesetog rođendana, 153–63. Filozofski fakultet Sveučilišta u Zagrebu, FF-press, 2015. http://dx.doi.org/10.17234/9789531755887.14.

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Lansing, Carol. "Corpus Domini and the Creation of Adam and Eve." In Power & Purity, 158–78. Oxford University Press, 2001. http://dx.doi.org/10.1093/acprof:oso/9780195149807.003.0008.

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"Ioannis Oecolampadii de his Verbis Domini, Hoc est corpus meum, Expositio." In Ausgewählte Abendmahlsschriften, edited by Florence Becher-Häusermann and Peter Litwan, 1–102. Evangelische Verlagsanstalt, 2023. http://dx.doi.org/10.5771/9783374073214-1.

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Weddle, Saundra. "Santa Lucia and Corpus Domini at the Turn of the Sixteenth Century." In A View of Venice, 199–211. Duke University Press, 2023. http://dx.doi.org/10.2307/jj.7762653.24.

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Weddle, Saundra. "Santa Lucia and Corpus Domini at the Turn of the Sixteenth Century." In A View of Venice, 199–211. Duke University Press, 2023. http://dx.doi.org/10.1215/9781478023807-016.

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The Venetian lagoon’s geography isolated the city’s earliest convent complexes, but over time, networks of bridges and calli ultimately wove these monastic houses into the urban fabric. In Venice, as in most Italian cities, almost all convents founded during the fifteenth and sixteenth centuries were sited around urban edges that were later filled in, although some were established within already densely developed areas, thereby altering the character of their neighborhood in significant ways. Focusing on the convents of Corpus Domini and Santa Lucia, which exemplify both foundation models, chapter 15 relies on archival documents, de’ Barbari’s View, and urban plans to examine neighborhood development, patterns of convent foundation, and architectural and urban adjacencies, revealing how the built environment shaped and was shaped by relationships between convent communities.
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Bernardi, Claudio. "Corpus Domini: ritual metamorphoses and social changes in sixteenth- and seventeenth-century Genoa." In The Politics of Ritual Kinship, 228–42. Cambridge University Press, 1999. http://dx.doi.org/10.1017/cbo9780511523496.014.

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Thacker, Alan. "The Making of a Local Saint." In Local Saints And Local Churches, 45–74. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780198203940.003.0002.

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Abstract In 695Seaxburh, abbess of Ely, took an important decision. She ordered that the bones of her predecessor, Æthelthryth, who had died sixteen years earlier, be raised from their resting-place in the nuns’ cemetery and placed in the abbey church in a new shrine (locellus). Brethren from the monastery, ordered to go out and search for blocks of stone from which to make this sepulchre, returned with a sarcophagus beautifully made of white marble, which they had found outside the walls of the deserted Roman fortress of Grantchester. These preliminaries accomplished, the abbess proceeded to the solemn ceremony of raising the body. A tent was erected over the burialplace, and the whole congregation of the double monastery, divided into choirs of men and women, stood around it chanting psalms. The abbess and a few companions went inside and the onlookers heard a loud cry: ‘Sit glorianomini Domini’. The abbess in the act of raising her predecessor’s remains had discovered them to be incorrupt. Shortly afterwards the entrance to the tent was opened, a doctor was called, and Æthelthryth was seen lying on a bed like one asleep, the linen clothes in which her body had been wrapped as fresh and intact as on the day that they had first covered her body. The nuns washed the corpse, wrapped it in new robes, carried it to the church, and placed it within the new sarcophagus which the brethren had brought from Grantchester.
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Crowther, Victor. "Albergati’s La Beata Caterina da Bologna (1697)." In The Oratorio in Bologna (1650-1730), 120–26. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166351.003.0014.

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Abstract This oratorio, like Perti’s Beata Imelde (see Chapter 11) and Albergati’s L’iride di pace o sia il Beato Nicolo Albergati (1690), was composed in honour of a Bolognese saint. The embalmed body of Caterina de’Vigri had a place of honour in an ornate chapel in the church of the Poor Clares, Corpus Domini. Pirro Albergati, whose family palace lay in the same quarter of the city, com posed his oratorio about Caterina when the Catholic Church venerated her as a ‘Beata’. She was canonized and rose to the rank of ‘saint’ in 1712. That is why the composer, when he published the oratorio as part of his opus 10 in 1714, altered its title to Santa Catterina Vigri da Bologna.
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Bernardi, Claudio. "Tra Cesare e Dio. Il Corpus Domini delle repubbliche di Genova e Venezia (secc. XVI-XVII)." In Images, cultes, liturgies, 273–92. Éditions de la Sorbonne, 2014. http://dx.doi.org/10.4000/books.psorbonne.17151.

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