Academic literature on the topic 'Monastère de Bouvines (Bouvines, France)'

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Journal articles on the topic "Monastère de Bouvines (Bouvines, France)"

1

Moens, Robin. "Bouvines : victoire du roi ou victoire du Roye ? Les querelles factionnaires à la cour de France dans le premier quart du XIIIe siècle." Revue du Nord 437, no. 4 (March 12, 2021): 701–22. http://dx.doi.org/10.3917/rdn.437.0701.

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Books on the topic "Monastère de Bouvines (Bouvines, France)"

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Pelon, Marie-Renée, and Jean-Louis Pelon. Le monastère de Bouvines: Album historique. Bouvines: Atelier pour ainsi dire, 2007.

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Duby, Georges. The legend of Bouvines: War, religion, and culture in the Middle Ages. Berkeley: University of California Press, 1990.

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3

Barthélemy, Dominique. La bataille de Bouvines: Histoire et légendes. Paris: Perrin, 2018.

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Duby, Georges. The legend of Bouvines: War, religion and culture in the Middle Ages. Cambridge, UK: Polity Press in association with B. Blackwell, 1990.

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Duby, Georges. b/q/ cohe,psyc Bouvines: War, religion, and culture in the Middle Ages. Berkeley: University of California Press, 1990.

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Guérin, Gaston. Guérin, chancelier de Philippe-Auguste, 1157-1227: Combattant en Terre sainte, conseiller du roi et Garde du sceau, organisateur de la victoire de Bouvines, évêque de Senlis, chancelier de France. Montluçon [France]: G. Guérin, 1990.

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Duby, Georges. The Legend of Bouvines. Polity Press, 1990.

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8

Collectif. Histoire de France en bandes dessinees / de hugues capet a bouvines. Larousse, 1999.

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Philip Augustus: King of France, 1180-1223. London: Longman, 1998.

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Bradbury, Jim. Philip Augustus: King of France, 1180-1223 (Medieval World). Addison Wesley Publishing Company, 1997.

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Book chapters on the topic "Monastère de Bouvines (Bouvines, France)"

1

Davis, Paul K. "Bouvines 26July 1214." In 100 Decisive Battles, 135–37. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195143669.003.0033.

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Abstract The background to the battle of Bouvines is a complicated tale of religious and royal ambition involving King John of England, King Philip II of the Ile de France, Holy Roman Emperor Otto IV, and Pope Innocent III.
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"Birdsong and the Edges of the Empire." In Stolen Song, edited by Eliza Zingesser, 115–37. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501747571.003.0004.

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This chapter studies Gerbert de Montreuil's Roman de la violette (ca. 1230). Just like Jean Renart's Roman de la Rose, the Violette emphasizes the border to the east of Capetian France (the border with the Empire) rather than the border to the south (with Occitania). This suggests a greater interest on the part of thirteenth-century francophone writers in the Battle of Bouvines than in the Albigensian Crusade. In the Violette, however, the Holy Roman Empire has not been conquered by the “soft power” of francophone artistic traditions. Instead, it is marked as a dangerous space—a valence conveyed in part through the territory's association with hunting birds, especially the eagle, in recognition of the most commonly deployed imperial symbol. The chapter then documents a critical blind spot in Violette criticism: the saturation of imperial symbolism and geography within the romance. It then turns to the text's quotation of troubadour song, which is also placed within an avian typology. If the Empire is characterized mainly by hunting birds, Occitan song is, by contrast, associated with songbirds. Unlike in Jean Renart's Rose, where many grands chants foregrounded birdsong thematically, here this association between human song and birdsong is unique to the Occitan insertions within the romance.
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