Academic literature on the topic 'Modernizm (muzyka)'
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Journal articles on the topic "Modernizm (muzyka)"
Loos, Helmut. "Muzika svijeta ili regionalnost? Temeljno pitanje za historiografiju muzike." Bosnian / Croatian / Serbian, no. 10 (October 22, 2018): 13–21. http://dx.doi.org/10.51515/issn.2744-1261.2018.10.1.13.
Full textFerenc, Anna. "Reclaiming Roslavets: The Troubled Life of a Russian Modernist." Tempo, no. 182 (September 1992): 6–9. http://dx.doi.org/10.1017/s0040298200016661.
Full textChenyu, Wang. "Phenomenon of Chinese revolutionary music: traditions and modernity (on the example of “red music”)." OOO "Zhurnal "Voprosy Istorii" 2022, no. 7-1 (July 1, 2022): 180–85. http://dx.doi.org/10.31166/voprosyistorii202207statyi18.
Full textMajewski, Piotr Bolesław. "Muzyka i malarstwo — poszukiwanie wspólnego gruntu na marginesie Partytur do baletu Sokrates Włodzimierza Pawlaka." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 14, no. 1 (November 4, 2016): 73. http://dx.doi.org/10.17951/l.2016.14.1.73.
Full textKrupa-Ławrynowicz, Aleksandra. "Trudna architektura osiedla im. Józefa Montwiłła-Mireckiego w Łodzi. Część I: koncepcja i metodologia badań nad dysonansem dziedzictwa." Journal of Urban Ethnology 20 (December 14, 2022): 9–19. http://dx.doi.org/10.23858/jue20.2022.001.
Full textŽůrková, Tereza. "Stálá expozice Českého muzea hudby – minulost, přítomnost a nové perspektivy." Muzeum Muzejní a vlastivedná práce 60, no. 2 (2022): 14–29. http://dx.doi.org/10.37520/mmvp.2022.014.
Full textPopadić, Milan. "Three reflections of Yugoslav modernity in the mirror of the Museum of Contemporary Art in Belgrade." Kultura, no. 161 (2018): 221–34. http://dx.doi.org/10.5937/kultura1861221p.
Full textVodička, Libor. "Divadelní tisky, almanachy a další periodické i neperiodické prameny jako zdroj pro heuristické bádání v teatrologii: Zpráva o této sbírkotvorné činnosti Divadelního oddělení Národního muzea." Muzeum Muzejní a vlastivedná práce 60, no. 2 (2022): 65–76. http://dx.doi.org/10.37520/mmvp.2022.018.
Full textCvejić, Žarko. "Anxieties over technology in Yugoslav interwar music criticism: Stanislav Vinaver in dialogue with Walter Benjamin." New Sound 53, no. 1 (2019): 37–52. http://dx.doi.org/10.5937/newso1901037c.
Full textKorneva-Chaeva, Irina, and Natalya Rybkina. "How to Modernize the Academic Museum. Exhibition Activity of the Museum Group the ARAS as a Pilot Project of the Museum of History of Russian Academy of Science." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija 21, no. 3 (September 2016): 162–67. http://dx.doi.org/10.15688/jvolsu4.2016.3.19.
Full textDissertations / Theses on the topic "Modernizm (muzyka)"
Małanicz-Przybylska, Maria. "Tradycja i współczesność na Skalnym Podhalu - studium z antropologii muzyki." Doctoral thesis, 2016. https://depotuw.ceon.pl/handle/item/1825.
Full textMy dissertation is based on the ethnographical fieldwork research that I conducted between 2011 and 2015 in Skalne Podhale region. Having spent there almost three months, during eight short visits, I focused my interest on two, related topics: music and tradition. I talked to highlanders (górale) musicians, about the music they play. I took part in many official musical events (like festivals, competitions, folk music and dance concerts and rehearsals) as well as in a few of those closed to the “others” (private meetings called ‘posiady’, music lessons, wedding parties, funerals etc.). I also visited many places where music was being sold to tourists: restaurants and pubs with live music, special lectures about highlanders’ (górale) culture and music. Analysing different musical situations, my interlocutor’s musical behaviours and statements about their music (which means music they used to call their music – local music) I tried to explain what the musical tradition means for modern highlanders (górale), what role does it play in their everyday life and what is its importance in the process of their self-defining, in naming the local identity. My work seems to by an interdisciplinary one. I fused my anthropological and musicological skills to show why, and in what terms, music can be an attractive space for ethnographical considerations. Constructing my thesis, I used the term ‘rhizome’ created by two French philosophers – Gilles Deleuze and Félix Guattari. The ‘rhizome’, a metaphor of the modern world, shows the multiplicity and the complexity of everything we are immersed in. In this ‘jungle’ of meanings, things, statements, situations and contexts, I tried to follow only two branches of this ‘rhizome’: music and tradition. I was tracking them down and checking where they meet, where they go separate ways, where they still have some power and where they lost any significance. By following this two threads, I also looked carefully at points where they cross-over with other values and purports: contemporary highlanders’ (górale) identity, building of the local communities, preferred norms and beliefs, vision of the world, family, strangers, the foundation of the symbolic power or the right to self-determination. I aimed to understand what is the góraleness (góralszczyzna) today, how does it works, how it is practiced; every day as well as during the festive occasions.This dissertation is about music and tradition. It is also about modernity and local identity. My fieldwork research and the later anthropological analysis led my to two theoretical and methodological questions. First of them is the way modern anthropologists could use the term ‘tradition’, as the tool of academic interpretation. The second one is about music as a space for ethnographical study – music used as the mirror in which many elements of culture can be reflected.
Books on the topic "Modernizm (muzyka)"
Koli︠a︡zin, V. F. Germanii︠a︡: XX vek modernizm, avangard, postmodernizm literatura, zhivopisʹ, arkhitektura, muzyka, kino, teatr. Moskva: ROSSPĖN, 2008.
Find full textMuzyka polska od Paderewskiego do Pendereckiego. Kraków: Wydawn. "Musica Iagellonica,", 2009.
Find full textModernitate și avangardă în muzica ante- și interbelică a secolului XX (1900-1940). București: Editura Fundației Culturale Române, 2002.
Find full textSimonek, Stefan. Ivan Franko i "Moloda Muza": Sorom'i︠a︡zlyvi ta deklarovani modernisty u Halychyni kint︠s︡i︠a︡ 19--pochatku 20 stolitti︠a︡. Siedlce: Instytut Filologii Polskiej i Lingwistyki Stosowanej UPH, 2012.
Find full textK, Nakhlik I͡E︡, Instytut literatury im. T.H. Shevchenka. Lʹvivsʹke viddilenni͡a︡., and Instytut suspilʹnykh nauk (Akademii͡a︡ nauk Ukraïny), eds. "Moloda muza" i literaturnyĭ prot͡s︡es kint͡s︡i͡a︡ XIX-pochatku XX stolitti͡a︡ v Ukraïni i I͡E︡vropi: Tezy dopovideĭ naukovoï konferent͡s︡iï (19-20 lystopada 1992 roku). Lʹviv: Lʹvivsʹke viddilenni͡a︡ In-tu lit-ry im. T.H. Shevchenka AN Ukraïny, 1992.
Find full textIvan Franko und die "Moloda Muza": Motive in der westukrainischen Lyrik der Moderne. Köln: Böhlau, 1997.
Find full textW kręgu secesji ukraińskiej: Wybrane problemy poetyki twórczości pisarzy "Młodej Muzy". Wrocław: Wydawn. Uniw. Wrocławskiego, 2006.
Find full textProstori modernizma: Opus Ljubice Marić u kontekstu muzike njenog vremena : zbornik radova sa naučnog skupa održanog od 4. [sic.] do 7. novembra 2009. Beograd: Muzikološki institut SANU, 2010.
Find full textBook chapters on the topic "Modernizm (muzyka)"
Skardowska, Ewa. "Nowe ujęcie procesu twórczego w muzyce. Wewnętrzna polemika między założeniami estetycznymi a teraźniejszą rzeczywistością kryzysu." In Filozofia muzyki. Doświadczenie, poznanie, znaczenie, 155–77. Wydawnictwo UNUM, 2022. http://dx.doi.org/10.21906/9788376432250.70.
Full text"KAPITEL 2. IVAN FRANKO – DER VERSCHÄMTE MODERNIST." In Ivan Franko und die "Moloda Muza". Köln: Böhlau Verlag, 1997. http://dx.doi.org/10.7788/9783412304119-002.
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