Dissertations / Theses on the topic 'Modernism (Literature)'
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Wayland, Ted. "High risk modernism /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/9343.
Full textMedalie, David. "E.M.Forster and modernism." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316896.
Full textMelberg, Arne. "Sara Danius, The Senses of Modernism. Technology, Perception, and Modernist Aesthetics. Uppsala 1998." Uppsala : Svenska Litteratursällskapet, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200754.
Full textCarney, Jason R. "The Shadow Modernism of Weird Tales: Experimental Pulp Fiction in the Age of Modernist Reflection." Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1396650887.
Full textGarcia, Luiz Fernando. "O idílio entre a tradição e a modernidade : uma releitura de Amar, verbo intransitivo, Mário de Andrade /." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/152709.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Partindo de pressupostos teóricos do Comparatismo como forma de investigação que se situa "entre" os objetos que analisa, e dos conceitos de releitura tão característicos da Modernidade, este trabalho propõe o estabelecimento de relações entre o romance Amar, verbo intransitivo (1927) de Mário de Andrade (1893-1945), que tem como subtítulo a designação de "Idílio" e obras de Teócrito, Gessner e B. de Saint-Pierre, pertencentes ao mesmo gênero literário, tomando como ponto de partida a questão do gênero. Este procedimento tem como objetivos verificar não somente a procedência do ceticismo da crítica literária em relação a este subtítulo, como também as razões que levaram o autor a utilizá-lo e a mantê-lo até mesmo na versão final da obra. Neste percurso, o próprio gênero literário "Idílio" também se constitui como objeto de estudo deste trabalho, pois as obras acima citadas revelam não somente um gênero literário ativo e em evolução desde a Antiguidade greco-romana até o Sec. XX, mas também um gênero que se manifesta tanto na poesia quanto na prosa, mais especificamente , no gênero romance.
Based on postulates of comparative literature, that places itself between the objects analyzed, and new readings of traditional works, so dear to Modernity, this thesis aims at establishing relations between Mario de Andrade's (1893-1945) novel "Amar, verbo intransitivo" (1927), subtitle "Idílio", and works from Teocritus, Gessner and B. de Saint Pierre belonging to the same literary gender, at the same time that considers the questions involving this specific gender. This procedure aims at verifying not only why literary criticism has been so skeptical in relation to the subtitle "Idílio", but also the author's reasons in giving and mantaining it even in the final version of the work. In this way, also the literary gender "Idyll" becomes the object of study of the present thesis, as the works cited above reveal not only an active gender evolving from the Antiquity until the XXth century, but also a gender represented both in poetry and prose, in this case in the novel.
1040/13
Long-Innes, Francis. "Freud : moments of modernism." Master's thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/22126.
Full textGott, Henry Michael. "Ascetic modernism in Eliot and Flaubert." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/3906/.
Full textKelly, Theresa. "Pilgrimage and modernism." Thesis, University of York, 1987. http://etheses.whiterose.ac.uk/9834/.
Full textWaddell, Nathan Joseph. "Modernism and utopia, 1900-1920 : politics and social betterment in early modernist writing." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/1377/.
Full textAngelella, Lisa. "Alimentary modernism." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/225.
Full textCharles, Alec. "James Joyce, modernism and postmodernism." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284287.
Full textThomaz, Paulo Cesar. "O dilaceramento da experiência: as poéticas da desolação de Bernardo Carvalho e Sergio Chejfec." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-09022010-124441/.
Full textThis study consists in the analysis of the novels Onze (1995), Teatro (1998) and As Iniciais (1999), of Brazilian writer Bernardo Carvalho, and of the novels El aire (1992), Boca de Lobo (2000) and Los incompletos (2005), of Argentinian writer Sergio Chejfec. Our work look forward to demonstrate that these two praxis narratives seek to setup poetic that are arguing, in the current Latin-American scenery, like head offices modernists literature in a present marked by destabilization of the literature categories. And they do that by means of literary discursive practices that fictionalize a lacerated experience of desolation, isolation and alienation. A reification logic does present Latin-American neoliberal market containing new manners of understanding and writing literature, that do not prevent these writers of preserving and being fond of certain specificity of literature field. Moreover, they penetrate and they setup ficticious, antiliberal and antiutopian universes associates to a break with a traditional notion of experience, wich is understood as foundation of a truth, of knowledge. That break was caused by historical-social problems, linked to the problematic character of still incipient and incomplete Latin-American modernization
Barker, Jennifer. "The aesthetics of resistance modernism and antifascism /." [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3178431.
Full textSource: Dissertation Abstracts International, Volume: 66-06, Section: A, page: 2208. Adviser: Thomas Foster. "Title from dissertation home page (viewed Nov. 27, 2006)."
Yates, Juliet Rose. "Hands-on modernism : representations of the hand in Dorothy Richardson's Pilgrimage and modernist literature 1914-1939." Thesis, Keele University, 2012. http://eprints.keele.ac.uk/1186/.
Full textToivonen, Pirjo-Maija. "Aila Meriluodon varhaislyriikan modernismi ja sen tausta tekstianalyyttinen tutkimus modernismin estetiikasta ja historiasta /." Jyväskylä : Jyväskylän yliopisto : Jakaja, Jyväskylän yliopiston kirjasto, 1986. http://catalog.hathitrust.org/api/volumes/oclc/16467820.html.
Full textCarvalho, Lais Iaci Mirallas de. "Os mortos de sobrecasaca, de Álvaro Lins : a formação do cânone modernista brasileiro /." Assis, 2018. http://hdl.handle.net/11449/180370.
Full textBanca: Rosane Gazolla Alves Feitosa
Banca: Regina Célia dos Santos Alves
Resumo: Álvaro Lins (1912-1970) foi um importante crítico literário do movimento modernista brasileiro que marcou o século XX pela grande influência de seus artigos e ensaios publicados nas páginas de diversos jornais. Por ter exercido ao longo de sua carreira a crítica de rodapé, Lins acabou sendo excluído do panteão literário da academia por não se ajustar às novas vertentes dos estudos críticos brasileiros: o uso do método para realizar a análise literária. Este trabalho pretendeu desmistificar a conotação de "impressionista" atribuída a ele, demostrando que possuía uma concepção ampla de métodos literários. Para tanto, foi feito um estudo aproximando os conceitos de crítica de Álvaro Lins com os conceitos de Erich Auerbach e o seu método da "explicação de textos". E para a comprovação de que Álvaro Lins foi um crítico essencial para a formação de nossa história literária modernista, objetivou-se estudar uma de suas maiores produções bibliográficas, a antologia Os mortos de sobrecasaca: obras, autores e problemas de literatura brasileira. Ensaios e estudos 1940- 1960, em que reuniu diversos artigos oriundos de seus estudos anteriores para realizar um exame da poesia, do romance, do teatro e da posição de intelectuais e críticos para o estabelecimento de um cânone que consolida vinte anos de produção literária modernista. Entende-se que o estudo da personalidade crítica de Álvaro Lins e o estudo de sua antologia são essenciais para a avaliação de um período tão prolífico de nossa história literária, o movimento modernista brasileiro
Abstract: Álvaro Lins (1912-1970) was an important literary critic of the Brazilian modernist movement that marked the twentieth century by the great influence of his articles and essays published in the pages of several newspapers. For having exercised the footnote critique throughout his career, Lins ended up being excluded from the literary pantheon of the academy for not adjusting to the new strands of Brazilian critical studies: the use of the method to perform the literary analysis. This paper aims to demystify the rating of "impressionist" attributed to him, demonstrating that he had a broad conception of literary methods. Therefore, a study was done approximating the critical concepts of Alvaro Lins with the concepts of Erich Auerbach and his method of "explication de texte". And to prove that Álvaro Lins was an essential critic for the formation of our modernist literary history, the objective was to study one of his greatest bibliographical productions, the anthology Os mortos de sobrecasaca: obras, autores e problemas de literatura brasileira. Ensaios e estudos 1940-1960, in which he collected several articles from his previous studies to carry out an examination of poetry, novel, theater and the position of intellectuals and critics for the establishment of a canon that consolidates twenty years of modernist literary production. It is understood that the study of the critical personality of Alvaro Lins and the study of his anthology are essential for the evaluation of such a prolific period of our literary history, the brazilian modernist movement
Mestre
Curry, Elizabeth. "Refiguring the Animal: Race, Posthumanism, and Modernism." Thesis, University of Oregon, 2019. http://hdl.handle.net/1794/24546.
Full textMorse, Daniel Ryan. "Fiction on the Radio: Remediating Transnational Modernism." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/271607.
Full textPh.D.
The BBC was the laboratory for major experiments in modernism. Notions of aesthetics, audience, and form were tried out before the microphones of 200 Oxford St., London and heard around the world, often before they were in England. The format of the radio address and the instant encounter with listeners shaped both the production and politics of Anglophone modernism to an extent hitherto unacknowledged in literary studies. This dissertation focuses on how innovative programming by modernist writers, transmitted through instantaneous radio links, closed the perceived physical, cultural, and temporal distances between colony and metropole. Charting the phenomenon of writing for, about, and around broadcasting in the careers of E. M. Forster, Mulk Raj Anand, James Joyce, and C. L. R. James, the dissertation revises the traditional temporal and geographical boundaries of modernism. Contrary to the intentions of the BBC's directors, who hoped to export a monolithic English culture, empire broadcasting wreaked havoc on the imagined boundaries between center and periphery, revealing the extent to which the colonies paradoxically affected the cultural scene "at home." The Eastern Service (directed to India), where the abstract idea of a serious, cultural station was put into practice, was the laboratory for the Third Programme, England's post-war cultural channel. Yet the effects of Empire radio are hardly limited to its considerable impact on postwar British broadcasting. The intellectual demands of Indian listeners set the parameters of and bankrolled the literary work performed by modernist writers in England. Addressing authors and readers in India from a studio in London, Mulk Raj Anand embodied a crucial aspect of the Eastern Service, its treatment of English and Indian culture as mutually influential and coeval. Anand's broadcasts and 1945 novel The Big Heart (written during his BBC years) critique imperialism by positing the simultaneity of Indian and English temporality. In so doing, Anand's works offer a rejoinder to narratives of colonial belatedness pervasive both at the time and in the present. When tackling such transnational work, radio studies is uniquely positioned to provide an archive and a radical new model for modernist studies as it grapples with critiques of the western diffusionist model of culture. Literary production in and around the BBC registers radical cultural upheaval with a diagnostic power that reveals the attenuated ability of hypercanonical modernism alone to illuminate modernity's complex relays. Modernism on the BBC was not an exclusive canon of works, singular set of formal features, or even a unique posture. Instead, writers such as James, Forster, Anand, and Joyce offered complex responses to the pressures of modernity, including disruptions wrought by colonization, immigration, and war.
Temple University--Theses
Mentan, Julia Elizabeth. "Beyond art and politics : voices of Spanish modernism /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/6661.
Full textGriffiths, David. "Song writing : poetry, Webern, and musical modernism." Thesis, King's College London (University of London), 1993. https://kclpure.kcl.ac.uk/portal/en/theses/song-writing--poetry-webern-and-musical-modernism(eda44e12-79d4-423f-887f-4d0543a03bc9).html.
Full textTrigoni, Efthalia. "Re-cognizing the unconscious in modernist literature." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707931.
Full textMiranda, Carlos Eduardo Ortolan. "Os quatro elementos: o lirismo dialético de Murilo Mendes." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-28052010-132121/.
Full textOur work aims at presenting a monographic study of 1935 Murilo Mendes´ book, Os Quatro Elementos. Picking that subject was motivated by original characteristics of the book, and also by the inexistence of critical inquiries regarding the piece. These particular aspects are analysed more extensively in the Introduction. Then, our study moves on to carefully analysing of some poems of the book, in which we try to identify some of the major themes of Murilo Mendes´s poetry (religion, eroticism, mythological aspects, the influence of Surrealism, humour). It also adresses philosophical aspects that are central to the understanding of the poet, such as the relationship between History and Transcendence. Finally, our analysis focuses on the unique character of Murilo Mendes´work in comparison to his Modernist contemporaries using that as means to explain the silence of our literary criticism about this specific masterpiece.
Lima, Cesar Augusto Garcia. "Modos de ser poeta brasileiro nos anos 1920: uma leitura do diálogo epistolar de Carlos & Mário." Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4750.
Full textThis dissertation presents a reading of the correspondence between the writers Carlos Drummond de Andrade and Mario de Andrade from 1924 to 1929, during the Modernism period, highlighting the identity assertion from the Brazilian poet in relation to nationalism. The mentioned correspondence is approached as an epistolary dialogue and it is chronologically analised relating the topics of literary works of both writers. The exchange of opinions between the writers about their own original texts is one of the focus of the reading presented here, including commentaries about Alguma poesia, published in 1930 by Carlos Drummond de Andrade. The letters are associated by the author of this text to the idea of "the care of the self", proposed by Michel Foucault. The writers epistolary dialogue is determined and associated to their literary production especially considering the poetic work. Therefore from the epistolary invitation done by Mario to devote himself to Brazil, Carlos elaborated poems as answers. These answers remain in his poetry work
García, Ramón. "Chicano representation and the strategies of modernism /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820853.
Full textBeeston, Alix Mallory. "Composite Visions: Writing and Photography in American Modernism." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/13431.
Full textDudek, Debra Lynn. "Creative displacement and corporeal defiance, feminist Canadian modernism in Margaret Laurence's Manawaka novels." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ63861.pdf.
Full textIngegerd, Andrén. "Transculturalism and Modernism in Leung Ping-kwan ́s writing." Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194210.
Full text超过 4,500 万华人定居在中国境外,其中约 20%居住在美国。 这项研究的 目的是调查一位香港作家如何在跨文化和现代主义的方向上影响他的写作, 以及翻译以何种方式可以成为跨文化主义的一部分。 在本研究中,以作家 梁秉钧 1949-2013)为例。 这项研究基于他的散文与诗文。 长期以来,对 海外华人文学的研究一直被忽视,但近年来,美国华裔学者已开始从跨文 化的角度对华桥华人文学进行研究。 这项研究旨在为跨文化文学研究做出 贡献。 在对梁炳宽的著作进行研究时,采用了基于身份和跨文化主义理论 的比较文学分析。 我认为梁的著作具有跨文化和现代主义的特征。
Gilbert, Geoffrey Irvine. "A career in modernism : Wyndham Lewis, 1909-1931." Thesis, University of Cambridge, 1995. https://www.repository.cam.ac.uk/handle/1810/251581.
Full textKeir, Kenneth J. "The translating effect : Neil M. Gunn, psychoanalysis and Scottish modernism." Thesis, University of Aberdeen, 2012. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=194785.
Full textChristie, James. "Fredric Jameson and the art of Modernism." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/60251/.
Full textMasdéu, Abril Fina. "Plàcid Vidal: memorialista singular d’obra viscuda." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/400952.
Full textThis thesis aims at updating Plàcid Vidal’s presence (Alcover, 1881- Barcelona, 1938) and revealing the importance of his work within the Catalan literary field, either from the history of literature perspective as well as from the memoirs genre perspective. Plàcid Vidal, being aware of the difficulty in achieving prestige within the literary world, did not stop searching for the right place, he thought, he deserved. That is the reason why in his work he is eager to show some experiences related to the Catalan cultural and intellectual sectors within the period that goes from late XIX century to the first decades of the XX century –until 1934. Vidal, having written poetry, narrative, cultural articles and some drama, wants to get into the literary genre called “literatura del jo” or self literature, which had, at that time, a poor tradition in Catalonia; nevertheless it was the ideal field to carry out his task of rescuing some writers from oblivion, and specially himself, since all of them had to tackle with an intellectual, hegemonic sector that despised them all. Between 1970 and 1980 this author’s revision process was carried out by Josep Iglésies and Centre d’Estudis Alcoverencs, and monitored by the philologist Joan Cavallé. A process which prepared the ground to go on raising the value of his work, a task which involved not only visiting newspaper libraries archives searching for his published texts in both a great number of newspapers and magazines but also consulting the well preserved material at Centre d’Estudis Alcoverencs. However, many documents kept by Vidal –especially mail correspondence– were destroyed by his family after the Spanish Civil War therefore it was necessary to find epistolary documents from other private sources. The interest in the study of the reception of his work has to be remarked, both at the time of its publishing and in later periods –taking into account the way understanding literature has developed and the progressive consolidation of the memoirs genre. This investigation has to favour the reconstruction of the writer’s biography and propose an objective, updated and free-of-prejudice reading of his work, which confirms its historicist and instrumental value.
Ferreira, Rafael Rodrigo. "O \'literato ambulante\': antologia e estudo da obra de Sylvio Floreal (1918-1928)." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-15082018-132724/.
Full textThe present work aims to relativize the dynamics encompassing the selective system of canonization of Brazilian literature by the means of disseminating a collection of texts of the writer Sylvio Floreal, who, unassociated with the current literary manuals, dialogues directly with a period that naturally blended apparent mismatched discourses styles, which corresponded in the political periodization known as First Republic (1889-1930). Thus, the anthology will feature a compilation of prosaic texts (short stories and chronicles) produced by the author in a time span of 10 years, Attitudes (1992), Midnight Patrol (1925), Tragic Brazil (1928), as well as non-published scattered texts in books, found only in periodicals of the time, accompanied by an introductory analytical study capable of panoramically unveiling its literary progress (route/course) and its relations with the prevailing intellectual scene. It is understood that from a critical observation in detriment of a literary prescription, which usually accounts well-drawn discourses and therefore insufficient discourses, it is possible to disclose pertinent aspects of the Brazilian literature during modernity.
Barnard, Timothy L. ""Far out past": Hemingway, manhood, and modernism." W&M ScholarWorks, 2005. https://scholarworks.wm.edu/etd/1539623462.
Full textBennett, Olivia Catherine Mary. "'What a world of awkwardness!' : four types of awkwardness in the modernist novel." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708970.
Full textYe, Qing. "Masculinity in Yu Hua's fiction from modernism to postmodernism." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66852.
Full textLes événements de la Place Tiananmen en 1989 a déclenché le processus durant lequel la société chinoise a évolué d'un soi-disant "haut modernisme" vers un vague "post-modernisme". Le but de cette thèse est d'examiner et d'évaluer la représentation des sexes dans l'écriture des intellectuels chinois mâles quand ils font face à l'évolution sociale mentionnée ci-dessus. L'auteur qui exemplifie bien le groupe d'intellectuels masculins chinois que j'ai choisi est Yu Hua, un des romanciers les plus importants et prolifiques de la Chine d'aujourd'hui. Bonne coïncidence, sa carrière d'écrivain qui couvre la période commençant au milieu des années 1980 jusqu'à maintenant, trace des parallèles entre la poursuite du modernisme des intellectuels chinois et leur acceptation de post-modernisme. Dans ma thèse, je revisite quatre de ses travaux dans des périodes différentes, y compris One Kind of Reality (1988), Classical Love (1988), To Live (1992) et Brothers (2005). Le but est d'explorer l'aspect social, les éléments psychologiques et esthétiques qui formulent/reformulent l'identité masculine, le pouvoir masculin et la relation homme/femme dans son monde fictif. Inspiré par ces personnages masculins fictifs qui sont violents, anxieux ou même effeminés dans ses romans, on peut percevoir les sentiments complexes des intellectuels masculins envers la société et la culture chinoise actuelle. Je crois que cette étude contribuera à l'enquête sur la littérature et la culture des intellectuels des pays du Tiers-Monde.
Eyuboglu, Selim. "Four films : crossing the boundaries of modernism and postmodernism." Thesis, University of Kent, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305245.
Full textRussell, Paul Andrew March. "Early modernism and the English short story, 1890-1920." Thesis, University of Kent, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264598.
Full textHague, Elizabeth Helen. "Modernism and tradition in the mature symphonies of Sibelius." Thesis, Keele University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301316.
Full textHaj, Mohamad Mohamad. "Ezra Pound and Ibn Hazem : modernism and arabic culture." Thesis, Keele University, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332358.
Full textCurran, Robert. "Myth, Modernism and Mentorship| Examining Francois Fenelon's Influence on James Joyce's "Ulysses"." Thesis, Florida Atlantic University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10172610.
Full textThe purpose of this thesis will be to examine closely James Joyce’s Ulysses with respect to François Fénelon’s The Adventures of Telemachus. Joyce considered The Adventures of Telemachus to be a source of inspiration for Ulysses, but little scholarship considers this. Joyce’s fixation on the role of teachers and mentor figures in Stephen’s growth and development, serving alternately as cautionary figures, models or adversaries, owes much to Fénelon’s framework for the growth of Telemachus. Close reading of both Joyce’s and Fénelon’s work will illuminate the significance of education and mentorship in Joyce’s construction of Stephen Dedalus. Leopold Bloom and Stephen’s relationship in Joyce’s Ulysses closely mirrors that of Mentor and Telemachus as seen in Fénelon’s The Adventures of Telemachus. Through these numerous parallels, we will see that mentorship serves as a better model for Bloom and Stephen’s relationship in Ulysses than the more critically prevalent father-son model
Leontis, Artemis Sophia. "Territiories of Hellenism : Neohellenic modernism, nationalism, and the classical tradition /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487688507505346.
Full textDriscoll, Mark W. "Erotic empire, grotesque empire work and text in Japan's imperial modernism /." online access from Digital dissertation consortium, 2000. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9953667.
Full textClair, Erin C. "Death becomes her modernism, femininity, and the erotics of death /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5973.
Full textThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 6, 2008) Includes bibliographical references.
Kolb, Alexandra Isabel. "Performing femininity : cross-currents of dance and literature in German modernism." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615623.
Full textCurrie, Iain. "White writings : colonialism and modernism in South African literature since 1970." Master's thesis, University of Cape Town, 1992. http://hdl.handle.net/11427/21613.
Full textMadden, Benjamin D. "The rhetoric of the ordinary : modernism and the limits of literature." Thesis, University of York, 2013. http://etheses.whiterose.ac.uk/5213/.
Full textContreras, Sheila Marie. "Blood lines : modernism, indigenismo and the construction of Chicana/o identity /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.
Full textMasfen, Eugenie Alison. ""My words echo thus in your mind" four quartets, T.S. Eliot and romanticism." Thesis, Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161410.
Full textYing, Pui-sze Rosa, and 英佩詩. "Rationality and irrationality in modernist writing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31952525.
Full textFerrari, Marcos Vinicius. "Isaac Bábel: escrevendo a revolução em linhas tortas." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-26102017-153622/.
Full textThis essay aims to present a reading of the book Red Calvary, from Isaac Babel (1893 - 1940). The perusal undertaken sought to investigate the dialetic relations between History and fictional texts, once the Bábel\'s narratives approach the Russian-Polish Civil War, which occurred between 1920 and 1921. At the same time, the particular forms of representation of the heroic and of the epic allowed to understand Red Calvary as a kind of failed epic and conducted to a reflection about babelian realism and the possibility of characterizing his book as a novel. On the book, fragmentation, non-linear and episodic organization of conflicts, the refusal to chronological order and the variety of narrators and voices of the text seem to stage the difficulty of the romanesque traditional form to aesthethically incorporate the experience of the war and of the contradicting and convulse matter. Keywords: Isaac Babel; Modernism; Novel; Russian Literature; Sovietic Literature.