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Books on the topic 'Modernism (Art)'

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Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Kedar, Dorit. Ḳaraṿag'iyo ke-modernisṭ: Modernizm mahu? Tel-Aviv: ha-Ḳibuts ha-meʾuḥad, 2000.

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Kedar, Dorit. Ḳaraṿag'yo ke-modernisṭ: Modernizm mahu? Tel-Aviv: ha-Ḳibuts ha-meʼuḥad, 2000.

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3

Gay, Peter. Modernism. London: William Heinemann, 2007.

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4

1963-, Klepper Martin, and Schöpp Joseph C. 1939-, eds. Transatlantic modernism. Heidelberg: C. Winter, 2001.

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5

konstmuseum, Göteborgs, ed. Scandinavian modernism. New York: Rizzoli, 1989.

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6

Brookman, Philip. Essential modernism. Washington, D.C: Corcoran Gallery of Art, 2007.

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7

Museum of Modern Art (New York, N.Y.), ed. Modern art despite modernism. New York: Museum of Modern Art, 2000.

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8

Netherlands), De Vleeshal (Middelburg, ed. Autumn of modernism. [Amsterdam]: Roma Publications, 2012.

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9

Bahrani, Zainab. Modernism and Iraq. New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 2009.

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10

1962-, Shabout Nada M., and Wallach Art Gallery, eds. Modernism and Iraq. New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 2009.

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11

Eysteinsson, Ástráður, and Liska Vivian 1956-, eds. Modernism. Amsterdam: J. Benjamins Pub., 2007.

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12

L, Caughie Pamela, ed. Disciplining modernism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2009.

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13

Crunden, Robert Morse. Body & soul: The making of American modernism. New York: Basic Books, 2000.

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14

Ballatore, Sandy. Romantic modernism, 100 years. Santa Fe: Museum of Fine Arts, Museum of New Mexico, 1994.

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15

Rose, Bernice. Allegories of modernism: Contemporary drawing. New York: Museum of Modern Art, 1992.

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16

Carol, Taaffe, ed. Irish modernism: Origins, contexts, publics. New York: Peter Lang, 2009.

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17

Pyun, Kyunghee, and Jung-Ah Woo. Interpreting Modernism in Korean Art. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429351112.

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18

Kennedy, S. B. Irish art & modernism, 1880-1950. Belfast: Published for the Hugh Lane Municipal Gallery of Modern Art, Dublin by the Institute of Irish Studies at the Queen's University of Belfast, 1991.

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19

Victor, Horta. Horta: Art nouveau to modernism. Ghent [Belgium]: Ludion Press, 1996.

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20

1932-, Bradbury Malcolm, and McFarlane James Walter, eds. Modernism: 1890-1930. Harmondsworth [Middlesex]: Penguin, 1986.

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21

Jaroslav, Anděl, and Museum of Fine Arts, Houston., eds. Czech modernism, 1900-1945. Houston: Museum of Fine Arts, 1989.

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22

Hal, Foster, ed. Art since 1900: Modernism, antimodernism, postmodernism. New York, N.Y: Thames & Hudson, 2004.

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23

Martínez, Lluïsa Amenós. Modernisme: Art, tallers, indústries. Barcelona: Viena, 2015.

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24

Alex, Coles, and Bentley Richard, eds. Ex-cavating modernism. [London]: BACKless Books in association with Black Dog Pub., 1996.

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25

Childs, Peter. Modernism. Taylor & Francis Group, 2007.

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26

Childs, Peter. Modernism. Taylor & Francis Group, 2016.

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27

Childs, Peter. Modernism. Taylor & Francis Group, 2016.

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28

Childs, Peter. Modernism. Taylor & Francis Group, 2016.

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29

Modernism. Routledge, 2000.

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30

Modernism. Taylor & Francis Group, 2016.

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31

Modernism. 2nd ed. New York: Routledge, 2007.

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32

Childs, Peter. Modernism. Taylor & Francis Group, 2000.

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33

Modernism. Yale University Press, 2007.

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34

Levenson, Michael. Modernism. Yale University Press, 2011.

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35

Levenson, Michael. Modernism. Yale University Press, 2011.

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36

Modernism. Taylor & Francis Group, 2012.

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37

Walz, Robin. Modernism. Taylor & Francis Group, 2013.

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38

Walz, Robin. Modernism. Taylor & Francis Group, 2013.

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39

Walz, Robin. Modernism. Taylor & Francis Group, 2013.

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40

Modernism. Taylor & Francis Group, 2014.

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41

Drucker, Johanna. Theorizing Modernism. Columbia University Press, 1996.

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42

Gano, Geneva M. The Little Art Colony and US Modernism. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474439756.001.0001.

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Abstract:

U.S. Modernism at Continent’s End: Carmel, Provincetown, Taos historicizes and theorizes the significance of the early twentieth-century little arts colony as a uniquely modern social formation within a global network of modernist activity and production. Emphasizing communities rather than single artists, and modernist activity instead of products, this study considers modernism as social, aesthetic, and political processes that developed differentially in response to local and global pressures. In addition to offering a historical overview of the emergence of three critical sites of modernist activity—the little art colonies of Carmel, Provincetown, and Taos—this study offers new critical readings of major authors associated with those places: Robinson Jeffers, Eugene O’Neill, and D. H. Lawrence. Continent’s End tracks the radical thought and aesthetic innovation that emerged from these villages and reveals a surprisingly dynamic circulation of persons, objects, and ideas between the country and the city and back again, producing modernisms that were cosmopolitan in character yet also site-specific.

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43

Art : from prehistoric art to modernism. London: DuMont, 2001.

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44

Bocola, Sandro. Timelines - Art of Modernism. Taschen America, LLC, 2001.

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45

Modern Art Despite Modernism. The Museum of Modern Art, 2000.

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46

(Translator), Caroline Saltzwedel, Mitch Cohen (Translator), and Kenneth J. Northcott (Translator), eds. Art History after Modernism. University Of Chicago Press, 2003.

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47

Frascina, Francis, and Charles Harrison. Modern Art and Modernism. Taylor & Francis Group, 2019.

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48

Translator), Hans Belting (Author, Mitch Cohen (Translator), and Kenneth J. Northcott (Translator), eds. Art History after Modernism. University Of Chicago Press, 2003.

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49

Kennedy. Irish Art and Modernism. The Institute of Irish Studies, 1993.

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50

Imprints: Art editing modernism. Glasgow: University of Glasgow, 2021.

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