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1

The fairy tale revisited: A survey of the evolution of the tales, from classical literary interpretations to innovative contemporary dance-theater productions. New York: Peter Lang, 1994.

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2

1961-, Wang Shaoli, ed. Chinese fairy tale feasts: A literary cookbook. Northampton, Massachusetts: Interlink Publishing, 2015.

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3

Morgenstern, Susie Hoch. Princesses are people too: Two modern fairy tales. New York: Viking, 2002.

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4

Franz, Marie-Luise von. Individuation in fairy tales. Boston: Shambhala, 1990.

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5

Marvelous geometry: Narrative and metafiction in modern fairy tale. Detroit: Wayne State University Press, 2009.

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6

Developmental fairy tales: Evolutionary thinking and modern Chinese culture. Cambridge, Mass: Harvard University Press, 2011.

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7

Frist Center for the Visual Arts (Nashville, Tenn.), Winnipeg Art Gallery, and Glenbow Museum, eds. Fairy tales, monsters, and the genetic imagination. Nashville, Tenn: Frist Center for the Visual Arts, Vanderbilt University Press, 2012.

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8

Killeen, Jarlath. The fairy tales of Oscar Wilde. Aldershot, Hants, England: Ashgate, 2007.

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9

Wilde, Oscar. The fairy tales of Oscar Wilde. London: Michael O'Mara, 1993.

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10

Wilde, Oscar. The fairy tales of Oscar Wilde. New York, N.Y: Viking, 1994.

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11

Wilde, Oscar. The fairy tales of Oscar Wilde. New York: H. Holt, 1993.

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12

Wilde, Oscar. The fairy tales of Oscar Wilde. Boston: Little, Brown, 1994.

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13

ill, Caminos Jane 1947, ed. Cinderella. New York: Bantam Books, 1994.

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14

Fairy Tales and the Art of Subversion. London: Taylor and Francis, 2006.

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15

Hans Christian Andersen. Stories and Tales. London: Taylor & Francis Inc, 2004.

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16

Hans Christian Andersen. Stories and tales. New York: Routledge, 2002.

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17

Hans Christian Andersen. Stories and Tales. London: Taylor & Francis Group Plc, 2004.

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18

The Princess Who Believed in Fairy Tales: A Story for Modern Times. North Hollywood, CA: Wilshire Bk. Co., 1995.

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19

Mazan. Tales from the Brothers Grimm. New York: Papercutz, 2008.

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20

Mazan. Tales from the Brothers Grimm. New York: Papercutz, 2008.

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21

Mazan. Tales from the Brothers Grimm. New York: Papercutz, 2008.

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22

ill, Banek Yvette Santiago, ed. Rumpelstiltskin. Englewood Cliffs, NJ: Silver Press, 1990.

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23

Leonard, Marcia. The elves and the shoemaker. Englewood Cliffs, NJ: Silver Press, 1990.

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24

Warner, Marina. Fairy Tale: A Very Short Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199532155.001.0001.

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The characters and images of fairy tales have cast a spell over adults and children for centuries. These fantastic stories have travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? Fairy Tale: A Very Short Introduction draws on both classics and modern-day realizations in order to define a genre and evaluate a literary form that keeps shifting through time and history.
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25

Stainthorpe, Neil. Modern Fairy Tales. Independently Published, 2020.

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26

Chaser, The. Modern Fairy Tales. Schwartz Publishing Pty, Limited, 2019.

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27

Gianakoulis, Theodore, and Georgia H. MacPherson. Fairy Tales Of Modern Greece. Kessinger Publishing, LLC, 2007.

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28

ill, Brent Isabelle, and Philip Neil, eds. Christmas fairy tales. New York, N.Y: Viking, 1996.

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29

Einfeld, Jann. Literary Movements and Genres - Fairy Tales. Greenhaven Press, 2000.

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30

Jr, Towne K. Modern Fairy Tales: Poetry, Art, Words. Ryland Peters & Small, 2018.

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31

Bugmann, Marlies. New Age Fairy: A Collection of Modern Fairy Tales. iUniverse, 2000.

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32

French Fairy Tales: Essays on a Major Literary Tradition. Cognella Academic Publishing, 2016.

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33

Delcourt, Denyse. French Fairy Tales: Essays on a Major Literary Tradition. Cognella Academic Publishing, 2011.

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34

Alison, Lurie, ed. The Oxford book of modern fairy tales. Oxford: Oxford University Press, 2002.

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35

Mitchison, Naomi. The Fourth Pig (Oddly Modern Fairy Tales). Princeton University Press, 2014.

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36

Alison, Lurie, ed. The Oxford book of modern fairy tales. Oxford [England]: Oxford University Press, 1994.

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37

Swansea, Kate. Rose Red and Other Modern Fairy Tales. Rainhouse Press, 2021.

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38

Alison, Lurie, ed. The Oxford book of modern fairy tales. Oxford: Oxford University Press, 1993.

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39

Grimm Brothers. and Wilhelm Grimm. The Complete Brothers Grimm Fairy Tales, Deluxe Edition (Literary Classics (Gramercy Books)). Gramercy, 2006.

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40

Princesses Are People, Too (The Modern Fairy Tales). scholastic, Inc., 2004.

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41

Morgenstern, Susie Hoch. Princesses Are People, Too: Two Modern Fairy Tales. Turtleback Books Distributed by Demco Media, 2004.

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42

Morgenstern, Susie Hoch. Princesses Are People, Too: Two Modern Fairy Tales. Tandem Library, 2004.

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43

Decuir, Jennifer. Modern Magic: A Quartet Of Fractured Fairy Tales. Crimson Romance, 2015.

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44

Irish Fairy and Folk Tales (Modern Library Classics). Modern Library, 2003.

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45

Mazzoni, Cristina, ed. The Pomegranates and Other Modern Italian Fairy Tales. Princeton University Press, 2021. http://dx.doi.org/10.1515/9780691224657.

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46

Lint, Charles De, and Charles Vess. Seven Wild Sisters: A Modern Fairy Tale. Little, Brown Books for Young Readers, 2014.

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47

Seven Wild Sisters: A Modern Fairy Tale. Little, Brown Book Group Limited, 2015.

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48

Walter, De la Mare. Told Again: Old Tales Told Again - Updated Edition (Oddly Modern Fairy Tales). Princeton University Press, 2014.

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49

Franz, Marie-Louise von. Individuation in Fairy Tales. Shambhala, 1991.

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50

Haase, Donald. Fairy Tales and Feminism: New Approaches (Series in Fairy-Tale Studies). Wayne State University Press, 2004.

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