Relevant bibliographies by topics / Modern art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Modern art'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Modern art"

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Brown, Arthur. "Modern Art." Janus Head 19, no. 1 (2021): 135–36. http://dx.doi.org/10.5840/jh202119115.

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Adlin, Jane. "Modern Art." Metropolitan Museum of Art Bulletin 59, no. 1 (2001): 60. http://dx.doi.org/10.2307/3269174.

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McIntosh, John, and Walter Hopps. "Modern Art." Grand Street, no. 37 (1991): 55. http://dx.doi.org/10.2307/25007427.

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Sonenscher, M. "Modern Art." Oxford Art Journal 21, no. 2 (January 1, 1998): 209–11. http://dx.doi.org/10.1093/oxartj/21.2.209.

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Williams, Christopher. "Modern Art Theories." Journal of Aesthetics and Art Criticism 56, no. 4 (1998): 377. http://dx.doi.org/10.2307/432128.

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Gaber, Tammy. "Modern Arab Art." American Journal of Islam and Society 26, no. 1 (January 1, 2009): 114–17. http://dx.doi.org/10.35632/ajis.v26i1.1422.

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This book endeavors to define a specific term for modern Arab art, which ismost often considered a continuation of Islamic or ethnic art or a subordinatecopy of western trends. This academic text, which targets audiences interestedin contemporary art or the Arab world, or both, is divided into threeparts: “Background and Definitions,” “Modern Arab Aesthetics,” and “The Arabic Letter in Art.” It contains forty images within the text and thirty-twoplates of contemporary works of art by Arabs ...
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Soltes, Ori Z. "Modern Jewish Art." Brill Research Perspectives in Religion and the Arts 2, no. 2 (December 26, 2018): 1–107. http://dx.doi.org/10.1163/24688878-12340004.

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AbstractIn Modern Jewish Art: Definitions, Problems, and Opportunities, Ori Z. Soltes considers both the emerging and evolving discussion on and the expanding array of practitioners of ‘Jewish art’ in the past two hundred years. He notes the developing problem of how to define ‘Judaism’ in the 19th century—as a religion, a culture, a race, a nation, a people—and thus the complications for placing ‘Jewish art’ under the extended umbrella of ‘religion and the arts.’ The fluidity with which one must engage the subject is reflected in the broadening conceptual and visual vocabulary, the extended range of subject foci and media, and the increasingly rich analytical approaches to the subject that have surfaced particularly in the past fifty years. Well-known and little-known artists are included in a far-ranging discussion of painting, sculpture, photography, video, installation art, ceremonial objects, and works that blur the boundaries between categories.
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Burki, Talha Khan. "Modern art stinks." Lancet Respiratory Medicine 6, no. 6 (June 2018): 416. http://dx.doi.org/10.1016/s2213-2600(18)30179-6.

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WILLIAMS, CHRISTOPHER. "Modern Art Theories." Journal of Aesthetics and Art Criticism 56, no. 4 (September 1, 1998): 377–90. http://dx.doi.org/10.1111/1540_6245.jaac56.4.0377.

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Horner, Alice E. "Integrative Art of Modern Thailand.:Integrative Art of Modern Thailand." Museum Anthropology 16, no. 2 (June 1992): 49–52. http://dx.doi.org/10.1525/mua.1992.16.2.49.

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Dissertations / Theses on the topic "Modern art"

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Goldwhite, Phil. "Frames ate the art, frames are the art, the camera is the art, the text is the art, the thing is the art, art is the art /." Online version of thesis, 1995. http://hdl.handle.net/1850/12203.

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Мосіна, Елеонора. "Trends in American Modern Art." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7340.

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Fokt, Simon. "Defining art culturally : modern theories of art : a synthesis." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3675.

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Numerous theories have attempted to overcome the anti-essentialist scepticism about the possibility of defining art. While significant advances have been made in this field, it seems that most modern definitions fail to successfully address the issue of the ever-changing nature of art raised by Morris Weitz, and rarely even attempt to provide an account which would be valid in more than just the modern Western context. This thesis looks at the most successful definitions currently defended, determines their strengths and weaknesses, and offers a new, cultural definition which can preserve the good elements of other theories, solve or avoid their problems, and have a scope wide enough to account for art of different times and cultures. The resulting theory is a synthetic one in that it preserves the essential institutionalism of Dickie's institutional views, is inspired by the historical and functional determination of artistic phenomena present in Levinson's historicism and Beardsley's functionalism, and presents the reasons for something becoming art in a disjunctive form of Gaut's cluster account. Its strengths lie in the ability to account for the changing art-status of objects in various cultures and at various times, providing an explanation of not only what is or was art, but also how and why the concept 'art' changes historically and differs between cultures, and successfully balancing between the over-generalisations of ahistorical and universalist views, and the uninformativeness of relativism. More broadly, the cultural theory stresses the importance of treating art as a historical phenomenon embedded in particular social and cultural settings, and encourages cooperation with other disciplines such as anthropology and history of art.
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Iqbal, Samina. "Modern Art of Pakistan: Lahore Art Circle 1947-1957." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4359.

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This dissertation focuses on the modern art of Pakistan from 1947-57, more specifically, the role of six important artists who founded the Lahore Art Circle (LAC) in 1952. The group played a pivotal role in the formulation of modernism in Pakistan after its establishment as an Islamic Republic. Framed within postcolonial theories and criticism, this study will address the role of modern art in developing new artistic sensibilities in the nation of Pakistan. In order to understand the context of LAC’s framing of “modernism” and “nationalism” in terms of specific historic and hybrid nexus,my research will provide an investigation of works of only the founding members of the Lahore Art Circle including: Shakir Ali (1924-1975), Sheikh Safdar Ali (1924-1983),Moyene Najmi (1926-1997), Ali Imam (1924-2000), Ahmed Parvez (1926-1979) and Anwar Jalal Shemza (1928-1985). In analyzing the works of individual artists and the role of LAC during the first decade of the establishment of Pakistan as a nation-state, this study provides a framework to understand the specific condition of modernism in Pakistan that was dictated by these artists’ careers and works. Thus, this research investigates how the framing of modernism for these artists took on highly personal, international, incipiently national and distinctly local forms in the early years of the Pakistan after the Partition of 1947. Lastly, it will also examine how the individual LAC artists situated themselves in the discourse between constructing a newly established Pakistani identity within the larger paradigms of international modernism.
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Kolisnyk, Oleksandra, Svitlana Pashukova, Iryna Prykhodko, and Polina Chernova. "Modern songbooks: art objects of design." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18089.

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This paper classifies songbooks as a separate type of printed matter, an art-object of art and design. The relevance of their development for the design and music industries is determined. The peculiarities of modern songbooks will be revealed, taking into account their creative novelty and successful commercial distribution.
У даній роботі класифіковано пісенники, як окремий вид друкованої продукції, арт-об’єкт мистецтва та дизайну. Визначено актуальність їх розробки для дизайнерської та музичної індустрій. Виявлено особливості створення сучасних пісенників з урахуванням їх творчої новизни та успішного комерційного поширення.
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Loayza-Lauffs, Mariana. "The art of Guillermo Kuitca." Thesis, Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21021508.

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Sharp, Neil. "Modernity, art and art education in Britain, 1870-1940." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285129.

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Beasley, R. L. "Ezra Pound and modern art 1906-1930." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596497.

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My dissertation discusses the early career of the American poet Ezra Pound in relation to visual art at the beginning of the twentieth century. Pound was a leading propagandist of modern art, advertising his friends Wyndham Lewis, Henri Gaudier-Brzeska and Constantin Brancusi, among others, in his extensive art criticism, and explaining his poetic theories by reference to art movements and practices. The majority of Pound's critics have followed his lead and describe his poetry by using the aesthetic values and terminology Pound conveniently supplied in his prose. I argue that this is an erroneous move, which hides a series of problems in the development of Pound's poetics. Pound's poetry shows surprisingly little evidence of his interest in art; however, unpublished manuscripts show that this evidence existed, but was deliberately excised. My dissertation aims to uncover the sequence of decisions which led to vital changes in Pound's poetic style, by focusing on the periods during which he aligned himself with particular artists or movements. In my first chapter, I look at unpublished essays and poetry written between 1906 and 1908, to explore Pound's interest in the work of James McNeill Whistler, and explain an apparent change in poetic style in 1908. My second chapter deals with Pound's association with the vorticists, which I argue was less a meeting of minds than a method of placing his imagist verse, with its nineteenth-century predilections, in an emphatically modern context. In the third chapter I analyse the earliest drafts of The Cantos in detail, showing how Pound's conception of the poem in 1915 as egalitarian in structure and argument was compatible with the type of visual description he had rejected in 1908. The dada movement, which I discuss in my fourth chapter, contributes to Pound's redefinition of artistic talent. His emphasis on the value of the artist's personality above the artist's works necessitates a reconsideration of the structure of The Cantos in 1922. The fifth chapter examines the role of sculpture in Pound's poetry and prose, in order to determine how it becomes an analogy for Pound's poetic technique.
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Manor, Dalia. "Art in Zion : the genesis of modern national art in Jewish Palestine." Thesis, SOAS, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.398108.

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Cheng, Christina Miu Bing. "Postmodernism art and architecture in Hong Kong /." Click to view the E-thesis via HKUTO, 1991. http://sunzi.lib.hku.hk/hkuto/record/B31949861.

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Books on the topic "Modern art"

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Ramirez, Fred. Modern art. [Manila: Jamayco Pub. House, 2008.

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Binch, Norman. Modern art. Oxford: Oxford Unversity Press, 1994.

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Knapp, Ruthie. Modern art. Worcester, Mass: Davis Publications, 2000.

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M, Jacobus John, and Wheeler Daniel, eds. Modern art. 3rd ed. Upper Saddle River, NJ: Prentice Hall, 2005.

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Bieringer, Kelley. Is modern art really art? Chicago, IL: Heinemann Library, 2008.

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Avital, Tsion. Art versus non-art. Cambridge, UK: Cambridge University Press, 2003.

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Kibuuka, David. Modern batik art. Ont: Xlibris Corp., 2008.

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Zeng, Changsheng. Modern art revelation. Bayside: QCC Art Gallery Press, 2011.

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Kibuuka, David. Modern batik art. Ont: Xlibris Corp., 2008.

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Sotheby's (Firm). Impressionist & modern art. New York: Sotheby's, 2003.

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Book chapters on the topic "Modern art"

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Cope, David. "Modern Art." In On the Bridge, 37. Totowa, NJ: Humana Press, 1986. http://dx.doi.org/10.1007/978-1-4612-4830-9_34.

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Cai, Tianxin. "Modern Mathematics, Modern Art." In A Brief History of Mathematics, 227–69. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-26841-0_7.

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Wang, Yiyan. "Art Exhibition, art reforms and the debates." In Modern Art for a Modern China, 87–120. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429316005-5.

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Sitch, Rebecca. "Domesticating Modern Art." In Transitions in Middlebrow Writing, 1880–1930, 77–100. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137486776_5.

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Bradley, Patricia. "Modern Art Meets Modern Marketing." In Making American Culture, 117–34. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100473_8.

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Price, Jason. "Modern Daredevil." In The Art of Entertainment, 56–78. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003467526-4.

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Rocca, Alessandro. "Art Exhibition Center in Merano." In Modern Alternatives, 90–99. Vienna: Springer Vienna, 2008. http://dx.doi.org/10.1007/978-3-211-79194-3_7.

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Robinson, Charles Mulford. "What Civic Art is." In Modern Civic Art, 24–36. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003101062-2.

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Wang, Yiyan. "Chinese art students in Lyon." In Modern Art for a Modern China, 122–63. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429316005-6.

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Guissin-Stubbs, Tara. "Art and Artifice." In The Modern Irish Sonnet, 25–67. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53242-0_2.

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Conference papers on the topic "Modern art"

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King, Mike. "Computers and modern art." In the fourth conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/581710.581725.

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Heo, Yunsil, and Hyunwoo Bang. "Modern video processor." In ACM SIGGRAPH 2014 Art Gallery. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2601080.2601090.

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"The Application of Folk Art in Modern Art Design." In 2019 International Conference on Arts, Management, Education and Innovation. Clausius Scientific Press, 2019. http://dx.doi.org/10.23977/icamei.2019.233.

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Supsakova, Bozena. "CHILDREN'S DRAWING AS AN ART SCHEME FOR MODERN ART." In INTCESS 2021- 8th International Conference on Education and Education of Social Sciences. International Organization Center of Academic Research, 2021. http://dx.doi.org/10.51508/intcess.202160.

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Dzhalilova, Shems Sardar kizi, and Irina Yuryevna Timofeeva. "SCIENCE-ART: SYNTHESIS OF ART AND SCIENCE IN MODERN CULTURE." In МОЛОДЕЖЬ И НАУКА: АКТУАЛЬНЫЕ ПРОБЛЕМЫ ФУНДАМЕНТАЛЬНЫХ И ПРИКЛАДНЫХ ИССЛЕДОВАНИЙ. Комсомольск-на-Амуре: Комсомольский-на-Амуре государственный университет, 2021. http://dx.doi.org/10.17084/978-5-7765-1482-1-2021-216.

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Zheng, Lixia. "The influence of folk art appreciation on modern art design." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.66.

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"Discussion on Modern Art Application in Garden Environmental Art Design." In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.09.

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Novikova, Marina Mikhailovna. "Primitive and Traditional Art in Modern Art Theory and Practice." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-551494.

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The article is devoted to identifying the points of contact between primitive and modern cultures. The subject matter is based on the theory and practice of artistic creativity, its origins and aesthetic potential. The article reveals the degree of influence of the figurative-semantic and symbolic content of primitive and traditional culture on modern artistic creativity: on stylistic, formal techniques, themes, images; in General, on artistic thinking.
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Alekseev-Apraksin, A. M. "Art-Clusters In Modern Russian Culture." In 18th PCSF 2018 - Professional Сulture of the Specialist of the Future. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.12.02.63.

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Лю, Хаосюань. "Romantic Art and Modern Mass Culture." In Социально-гуманитарные исследования: векторы развития науки и образования : материалы VIII научно-практической конференции с международным участием, посвященной Году педагога и наставника, г. Москва, МПГУ, 20–21 апреля 2023 г. Crossref, 2023. http://dx.doi.org/10.37492/isgo.2023.10.01.072.

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Reports on the topic "Modern art"

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Ofstedal, Peter R. Operational Art in Modern Chinese Warfare. Fort Belvoir, VA: Defense Technical Information Center, February 1996. http://dx.doi.org/10.21236/ada307331.

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Galenson, David. One Hit Wonders: Why Some of the Most Important Works of Modern Art are Not by Important Artists. Cambridge, MA: National Bureau of Economic Research, November 2004. http://dx.doi.org/10.3386/w10885.

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Galenson, David, and Robert Jensen. Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century. Cambridge, MA: National Bureau of Economic Research, August 2002. http://dx.doi.org/10.3386/w9123.

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Anderson, Ted. PR-460-134506-R02 Assessing Crack-Like Flaws in Longitudinal Seam Welds - A State of the Art Review. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 2017. http://dx.doi.org/10.55274/r0011427.

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This research effort was aimed at developing a modern fracture model for pipelines with longitudinal seam weld cracks. An earlier report contains the theoretical framework of the new MAT-8 model, along with the results of an extensive finite element study. The current report presents a state-of-the-art review of fatigue and fracture technology, as it applies to seam-welded pipe. This review places the MAT-8 fracture model in context with pre-existing technology. The benefit of this research is the creation of a significantly more accurate model to predict burst pressure of pipes with longitudinal seam weld flaws. Increased accuracy in predictions will improve the integrity of seam welded pipe. This state-of-the-art review will help to educate pipeline integrity engineers in the field of fracture mechanics.
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Kolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, April 2024. http://dx.doi.org/10.32370/ia_2024_03_11.

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The article conceptualizes the development of ballet art in Soviet Ukraine from the late 1910s to the early 1930s. The active use of ballets of classical heritage (Corsair, Futile Warning, Swan Lake, etc.) in the repertoire of opera theaters of Kyiv, Kharkiv, Odesa and the penetration of modern features into the ballet stage (Flying Ballet) were demonstrated. It is noted that elements of modern dance were cultivated in the activities of private choreographic and theater studios. The collapse of modernism with the introduction of the method of socialist realism in art with a focus on ideology, nationalism, and partisanship is noted. It was concluded that the state of ballet art in Soviet Ukraine from the late 1910s to the early 1930s can be qualified as a transition from modernization intentions, which were not realized, to the gradual introduction of the socialist realist method of artistic creation as the only one officially recognized by the Soviet authorities.
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Kolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, April 2024. http://dx.doi.org/10.32370/ia_2024_01_11.

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The article conceptualizes the development of ballet art in Soviet Ukraine from the late 1910s to the early 1930s. The active use of ballets of classical heritage (Corsair, Futile Warning, Swan Lake, etc.) in the repertoire of opera theaters of Kyiv, Kharkiv, Odesa and the penetration of modern features into the ballet stage (Flying Ballet) were demonstrated. It is noted that elements of modern dance were cultivated in the activities of private choreographic and theater studios. The collapse of modernism with the introduction of the method of socialist realism in art with a focus on ideology, nationalism, and partisanship is noted. It was concluded that the state of ballet art in Soviet Ukraine from the late 1910s to the early 1930s can be qualified as a transition from modernization intentions, which were not realized, to the gradual introduction of the socialist realist method of artistic creation as the only one officially recognized by the Soviet authorities.
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Anderson. PR-460-134506-R01 Development of a Modern Assessment Method for Longitudinal Seam Weld Cracks. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), January 2015. http://dx.doi.org/10.55274/r0010564.

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This research effort was aimed at developing a state-of-the-art fracture model for pipelines with longitudinal seam weld cracks. Approximately 200 finite element simulations were performed, and the results were fit to a parametric equation. The report contains the theoretical framework of the model, a description of the finite element study, and a set of tables that contain fitting constants for the model. The benefit of this research is the creation of a significantly more accurate model to predict burst pressure of pipes with longitudinal seam weld flaws. Increased accuracy in predictions will improve the integrity of seam welded pipe.
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Nosenko, Yuliya H., Maiia V. Popel, and Mariya P. Shyshkina. The state of the art and perspectives of using adaptive cloud-based learning systems in higher education pedagogical institutions (the scope of Ukraine). [б. в.], September 2019. http://dx.doi.org/10.31812/123456789/3246.

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The article deals with the problems of using adaptive cloud-based learning systems (ACLS) in the modern high-tech educational environment and expanding access to them as tools of educational and research activity at higher education pedagogical institutions in Ukraine. The conceptual apparatus of cloud-based adaptive learning systems application and design is considered; their main characteristics are revealed; the ways of their pedagogical application are described. The experience of Institute of Information Technologies and Learning Tools of NAES of Ukraine on designing and applying of the cloud-based learning and research environment is outlined. The results of the survey of 31 higher education pedagogical institutions on using ACLS are presented. It is established that in the near future ACLS will become the driving force behind the development of new pedagogy, new strategies for personalizing education, and expanding opportunities for active learning.
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Weeks, Timothy "Dash." DTPH56-13-X-000013 Modern High-Toughness Steels for Fracture Propagation and Arrest Assessment-Phase II. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 2018. http://dx.doi.org/10.55274/r0012037.

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NIST work developed processes to identify the stress/strain/crack velocity conditions for unstable high-rate ductile crack propagation found in a full-scale pipeline burst test and duplicate those conditions in a medium-scale test. With modeling to validate conditions and assumptions used in reducing the scale of the tests. A medium-scale test to elucidate material property data necessary to qualify high-strength high-toughness steels based on the correlation to large-scale tests. Parametric determination of the material properties governing fracture propagation or arrest-ability was developed. This will assist researchers to determine a relevant and effective small-scale test (or tests) that provides enough information for material selection, design, reliability, as well as integrity and risk assessment. Pipe evaluated includes API5L X70 and X80 pipe. The strain was measured by a three-dimensional digital image correlation system. This project takes a phased approach with complementary research in successive phases beginning with a road map to systematically fill gaps in knowledge and understanding of the problem of unstable high-rate ductile running failures in pipelines. This report is structured to highlight the problem statement with respect to the current state of the art understanding, define knowledge gaps and present the plan, and progress toward meeting the objective. The following sections specifically cover the effort to develop and inform a constitutive material model necessary for the structural model of the medium-scale test. The material testing required to inform the constitutive material model is presented. Conclusions of this phase of the project are also presented in addition to the proposed work in Phase III of the project.
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Keith, B., A. Apostolatos, A. Kodakkal, R. Rossi, R. Tosi, B. Wohlmuth, and C. Soriano. D2.3. Adjoint-based error estimation routines. Scipedia, 2021. http://dx.doi.org/10.23967/exaqute.2021.2.022.

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Abstract:
This document presents a simple and ecient strategy for adaptive mesh renement (AMR) and a posteriori error estimation for the transient incompressible Navier{Stokes equations. This strategy is informed by the work of Prudhomme and Oden [22, 23] as well as modern goal-oriented methods such as [5]. The methods described in this document have been implemented in the Kratos Multiphysics software and uploaded to https://zenodo.org [27].1 This document includes: A review of the state-of-the-art in solution-oriented and goal-oriented AMR. The description of a 2D benchmark model problem of immediate relevance to the objectives of the ExaQUte project. The denition and a brief mathematical summary of the error estimator(s). The results obtained. A description of the API.
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