Journal articles on the topic 'Modern 20th century Australia'
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Cheng, Christopher. "Beacons of modern learning: Diaspora-funded schools in the China-Australia corridor." Asian and Pacific Migration Journal 29, no. 2 (June 2020): 139–62. http://dx.doi.org/10.1177/0117196820930309.
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In the early 20th century, modern school curricula and new-style schools mushroomed in the Chinese remittance landscape of southern China. Breaking away from the two-and-a-half millennia of Confucian tradition, their creation marked a pivotal point of departure between the nation’s past and future. Since overseas migration and modern education both provide a fruitful context for the circulation of new objects and a cross-fertilization of ideas, new schools serve as barometers of social-material change. Research in the present-day cities of Zhongshan and Zhuhai (formerly Heung San County) suggests that diaspora-funded schools were beacons of modern learning within the China–Australia corridor. Both their physical structures and material manifestations invited a new engagement with the modern world.
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Day, Cheryl. "Does my bum look big in this? Reconsidering anorexia nervosa within the culture context of 20th century Australia." Surveillance & Society 6, no. 2 (February 27, 2009): 142–50. http://dx.doi.org/10.24908/ss.v6i2.3254.
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Anorexia Nervosa is a mental health issue that has a history over many centuries, but has relatively recently been identified as a ‘real’ mental illness. A condition that predominantly afflicts young, middle class women it had long been subsumed among the ‘natural weaknesses’ of women, not unlike the manner in which ‘Hysteria’ was diagnosed within the Freudian understanding of women’s health. However, since the 1970s, and especially with the deaths of some high profile young women it has undergone a reassessment. While clinical understandings of Anorexia Nervosa remain contentious, there is an increasing recognition that the condition is also grounded within specific cultural understandings. The article presents a brief historical overview of the construction of ‘self-starvation’ as applied to ‘fasting saints’ and to modern anorexic women. However, the major focus of the paper is an examination of the cultural situation as exemplified in contemporary Australia. Drawing on the Foucaudian notions of self surveillance the article suggests that TV programs can be used as a vehicle for modern day ‘self surveillance ’and as guidelines for the construction of self. Briefly, TV programs, especially so called ‘reality TV,’ portray a mirror image of how we as consumers should behave. The programs I have chosen to highlight are the phenomenally popular cooking shows that are aired daily on Australian TV screens. Through an examination of the social meanings constructed around food with the TV programs as a primary carrier of these cultural references, the article seeks to address some of the contradictions with other images presented in different but contemporaneous media. While this can never be a definitive explanation of all anorectic behavior, the paper examines the images of womanhood as presented by these programs. These ‘competent and enthusiastic cooks’ are contrasted with the slim, athletic ideal as portrayed in the fashion magazines and many other ‘lifestyle’ TV programs such as holiday shows.
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Kuo, Mei-fen. "The Making of a Diasporic Identity: The Case of the Sydney Chinese Commercial Elite, 1890s-1900s." Journal of Chinese Overseas 5, no. 2 (2009): 336–63. http://dx.doi.org/10.1163/179303909x12489373183091.
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AbstractThis article is about a short moment in Chinese-Australian history at the turn of the 20th century when Chinese fruit and vegetable traders in Sydney were on the verge of major international success. The concerns of this new urban elite can be gleaned from their Chinese-language newspapers and civil societies which played an important role in the evolution of the diasporic identity of the Chinese in “White-Australia” — an experience involving more than merely a refinement of native kinship practices and inherited identities — in a process that invoked a distinctively modern sense of time, space, and the unfolding of history. This is an attempt to recount their experience chiefly by reference to the developments recorded in Chinese newspapers and the narratives related to the social institutions and networks associated with them in the Federation Era (1890s-1900s).
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Spanier, Ehud, Kari L. Lavalli, Jason S. Goldstein, Johan C. Groeneveld, Gareth L. Jordaan, Clive M. Jones, Bruce F. Phillips, et al. "A concise review of lobster utilization by worldwide human populations from prehistory to the modern era." ICES Journal of Marine Science 72, suppl_1 (May 7, 2015): i7—i21. http://dx.doi.org/10.1093/icesjms/fsv066.
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Abstract Lobsters are important resources throughout the world's oceans, providing food security, employment, and a trading commodity. Whereas marine biologists generally focus on modern impacts of fisheries, here we explore the deep history of lobster exploitation by prehistorical humans and ancient civilizations, through the first half of the 20th century. Evidence of lobster use comprises midden remains, artwork, artefacts, writings about lobsters, and written sources describing the fishing practices of indigenous peoples. Evidence from archaeological dig sites is potentially biased because lobster shells are relatively thin and easily degraded in most midden soils; in some cases, they may have been used as fertilizer for crops instead of being dumped in middens. Lobsters were a valuable food and economic resource for early coastal peoples, and ancient Greek and Roman Mediterranean civilizations amassed considerable knowledge of their biology and fisheries. Before European contact, lobsters were utilized by indigenous societies in the Americas, southern Africa, Australia, and New Zealand at seemingly sustainable levels, even while other fish and molluscan species may have been overfished. All written records suggest that coastal lobster populations were dense, even in the presence of abundant and large groundfish predators, and that lobsters were much larger than at present. Lobsters gained a reputation as “food for the poor” in 17th and 18th century Europe and parts of North America, but became a fashionable seafood commodity during the mid-19th century. High demand led to intensified fishing effort with improved fishing gear and boats, and advances in preservation and long-distance transport. By the early 20th century, coastal stocks were overfished in many places and average lobster size was significantly reduced. With overfishing came attempts to regulate fisheries, which have varied over time and have met with limited success.
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Steklova, Irina A., and Olesya I. Raguzhina. "SCULPTURE PARKS OF THE XX CENTURY LAST THIRD – THE XXI CENTURY BEGINNING: TYPOLOGY EXPERIENCE." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 80–94. http://dx.doi.org/10.17223/22220836/41/7.
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The purpose of this article is to present sculpture parks at the modern stage of development, from the last third of the 20th century to our day. The relevance of this purpose is due to the relevance of these parks, which meets, firstly, on the challenges of culture, reproducing itself in the synthesis of landscape and monumental-decorative arts; secondly, on the demands of the population in artistically interpreted natural spaces; thirdly, on the life-building claims of modern art, which is looking for optimal ways of self-presentation. The representation of the sculpture parks is implied their systematization, which, in the course of the factual and visual material analysis, exhibits the most typical trends of formal and informative diversity and takes the form of a typology. To start building a typology, it was necessary to draw up a rather broad and spacious representative sample of objects and to select reference criteria in the trends of the manifold. Thus, a representative sample was made up of 90 Europe, Asia, Africa, Australia, and North and South America brightest objects, and following criteria were put forward: environmental involvement, authorship, the nature of specific forms and links between them. Typology showed that approximately two thirds of the sculpture parks are a product of the natural environment and one third of the architectural environment. In the natural environment, in authentic natural spaces, these are co-author full (independent and contextual) and special (by place, material, style, theme) formats, as well as mono-author formats. In an architectural environment, in integrated or interpreted natural spaces, these are, first of all, city formats that can be both co-authors and mono-authors: destinations, stops, transit zones. The implementation of the typology was facilitated by the attraction of a new material for the national art history. In the scientific circulation were introduced information about objects that were not mentioned before and unknown artists. Accounting for this information, along with known realities, allowed us to reach a higher understanding level of sculpture parks as a modern hypostasis of artistic synthesis.
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Suzdaltsev, Ilya. "Modern English Historiography of the Communist International: A General Overview." Novaia i noveishaia istoriia, no. 4 (2021): 18. http://dx.doi.org/10.31857/s013038640013465-9.
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The article is devoted to the analysis of the 21st-century English-language historiography of the Communist International. Contemporary historians are showing increasing interest in the study of this international organization. Three available conceptual approaches to this topic (“traditionalist”, “revisionist”, and “post-revisionist”) are considered and characterized, the works of historians from Great Britain, the USA, Canada, Ireland, Australia, New Zealand are analyzed. The article demonstrates an increase in research interest in the Communist International. In a fairly large volume of studies, there are monographs and articles devoted to the organization both directly (the historiography of the Comintern, the activities of its sections around the world, etc.) and indirectly, i.e., to related issues such as the history of communism, in particular, and the left forces, in general, international relations of Soviet Russia, the communist movement in individual countries, etc. These studies touch on the period of the Comintern's activity from 1920 to the end of the 1930s, including several controversial issues: the impact on the policy of the national communist parties of the “The Twenty-one Conditions”, united front tactics, Bolshevization, Stalinization, and the Popular Front. The author believes that most of the studies (especially those published in the first decade of the 21st century) are based on studies published long before the 2000s, however, archival materials are being used in increasing volumes, which makes modern research more objective. This gives grounds for a conclusion about the revision of the historiographic tradition of the Comintern that existed in the 20th century: new approaches (“revisionist” and “post-revisionist”) entailed a change in emphasis and a revision of some established points of view. Authors adhering to these approaches rely mainly on modern literature (including Russian) and a wide source base represented by materials from both national archives and the Russian State Archives of Social-Political History.
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HAMILTON, REBECCA, and DAN PENNY. "Ecological history of Lachlan Nature Reserve, Centennial Park, Sydney, Australia: a palaeoecological approach to conservation." Environmental Conservation 42, no. 1 (April 8, 2014): 84–94. http://dx.doi.org/10.1017/s0376892914000083.
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SUMMARYReconstructing the environmental history of protected areas permits an empirically-based assessment of the conservation values ascribed to these sites. Ideally, this long-term view can contribute to evidence-based management policy that is both ecologically ‘realistic’ and pragmatically feasible. Lachlan Nature Reserve, a protected wetland in Centennial Park, Sydney, is claimed to be the final remnant of early and pre-European swamplands that were once extensive in the area, and the site is thus considered to have indigenous cultural and natural conservation significance. This study uses palynological techniques to reconstruct vegetation communities at the Reserve from the late Holocene to the present in order to assess whether these values adequately reflect the history, character and development of the site. The findings indicate that the modern site flora is a modified Melaleuca quinquenervia low forest assemblage formed in response to aggregated anthropogenic disturbance since colonial settlement. This assemblage replaces an Epacris-dominated heath-swampland community that was extirpated in the mid-20th century. These results emphasize the value of long-term studies in contributing to a realistic management policy that explicitly reflects the normative basis of conservation, and values the influence of past land-uses on contemporary protected ecosystems.
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Francis, Roger. "Duplex Stainless Steels: The Versatile Alloys." Corrosion 76, no. 5 (November 14, 2019): 500–510. http://dx.doi.org/10.5006/3403.
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Duplex stainless steels were first manufactured early in the 20th century, but it was the invention of argon oxygen decarburization melting and the addition of nitrogen that made the alloys stronger, more weldable, and more corrosion resistant. Today, there is a family of duplex stainless steels covering a range of compositions and properties, but they all share high strength and good corrosion resistance, especially to stress corrosion cracking, compared with similar austenitic stainless steels. This paper briefly reviews the range of modern duplex stainless steels and why they are widely used in many industries. They are the workhorse corrosion-resistant alloy in the oil and gas industry. In this paper, their use in three industries common in Australia and New Zealand is reviewed: oil and gas, mineral processing, and desalination. The corrosion resistance in the relevant fluids is reviewed and some case histories highlight both successes and potential problems with duplex alloys in these industries.
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Tesdell, Omar Imseeh. "Territoriality and the Technics of Drylands Science in Palestine and North America." International Journal of Middle East Studies 47, no. 3 (July 28, 2015): 570–73. http://dx.doi.org/10.1017/s0020743815000586.
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At the turn of the 20th century, agricultural experts in several countries assembled a new agro-scientific field: dryland farming. Their agricultural research practices concomitantly fashioned a new agro-ecological zone—the drylands—as the site of agronomic intervention. As part of this effort, American scientists worked in concert with colleagues in the emerging Zionist movement to investigate agricultural practices and crops in Palestine and neighboring regions, where nonirrigated or rainfed agriculture had long been practiced. In my larger manuscript project, I consider how the reorganization of rainfed farming as dryfarming is central to the history of both the Middle East and North America, where it was closely related to modern forms of power, sovereignty, and territoriality. I suggest that American interest in dryfarming science emerged out of a practical need to propel and sustain colonization of the Great Plains, but later became a joint effort of researchers from several emerging settler enterprises, including Australia, Canada, and the Zionist movement. In contrast to a naturally ocurring bioregion, I argue that the drylands spatiality was engineered through, rather than outside, the territorialization of modern power.
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Zhang, Xinzhong, Yu Li, Wangting Ye, Simin Peng, Yuxin Zhang, Hebin Liu, Yichan Li, Qin Han, and Lingmei Xu. "Wet–dry status change in global closed basins between the mid-Holocene and the Last Glacial Maximum and its implication for future projection." Climate of the Past 16, no. 5 (October 30, 2020): 1987–98. http://dx.doi.org/10.5194/cp-16-1987-2020.
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Abstract. Closed basins, mainly located in subtropical and temperate drylands, have experienced alarming declines in water storage in recent years. An assessment of long-term hydroclimate change in those regions remains unquantified at a global scale as of yet. By integrating lake records, PMIP3–CMIP5 simulations and modern observations, we assess the wet–dry status of global closed basins during the Last Glacial Maximum, mid-Holocene, pre-industrial, and 20th and 21st century periods. Results show comparable patterns of general wetter climate during the mid-Holocene and near-future warm period, mainly attributed to the boreal summer and winter precipitation increasing, respectively. The long-term pattern of moisture change is highly related to the high-latitude ice sheets and low-latitude solar radiation, which leads to the poleward moving of westerlies and strengthening of monsoons during the interglacial period. However, modern moisture changes show correlations with El Niño–Southern Oscillation in most closed basins, such as the opposite significant correlations between North America and southern Africa and between central Eurasia and Australia, indicating strong connection with ocean oscillation. The strategy for combating future climate change should be more resilient to diversified hydroclimate responses in different closed basins.
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Rane, Halim. "“Cogent Religious Instruction”: A Response to the Phenomenon of Radical Islamist Terrorism in Australia." Religions 10, no. 4 (April 3, 2019): 246. http://dx.doi.org/10.3390/rel10040246.
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Over the past 15 years, 47 Muslim Australians have been convicted for terrorism offences. Australian courts have determined that these acts were motivated by the offenders’ “Islamic” religious beliefs and that interpretations of Quranic verses concerning jihad, in relation to shariah, caliphate, will of God and religious duty contributed to the commission of these crimes. This paper argues that these ideas, derived from certain classical-era Islamic jurisprudence and modern Islamist thought, contradict other classical-era interpretations and, arguably, the original teachings of Islam in the time of the Prophet Muhammad. In response to the call for “cogent religious instruction” to combat the phenomenon of radical Islamist terrorism, this paper outlines a deradicalization program that addresses late 20th- and early 21st-century time-period effects: (1) ideological politicization associated with Islamist jihadism; (2) religious extremism associated with Salafism; and (3) radicalization associated with grievances arising from Western military interventions in Muslim-majority countries. The paper offers a counter narrative, based on a contextualized reading of the Quran and recent research on the authentication of the Covenants of the Prophet Muhammad. It further contends that cogent religious instruction must enhance critical-thinking skills and provide evidence-based knowledge in order to undermine radical Islamist extremism and promote peaceful coexistence.
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Laming, Alice, Michael-Shawn Fletcher, Anthony Romano, Russell Mullett, Simon Connor, Michela Mariani, S. Yoshi Maezumi, and Patricia S. Gadd. "The Curse of Conservation: Empirical Evidence Demonstrating That Changes in Land-Use Legislation Drove Catastrophic Bushfires in Southeast Australia." Fire 5, no. 6 (October 26, 2022): 175. http://dx.doi.org/10.3390/fire5060175.
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Protecting “wilderness” and removing human involvement in “nature” was a core pillar of the modern conservation movement through the 20th century. Conservation approaches and legislation informed by this narrative fail to recognise that Aboriginal people have long valued, used, and shaped most landscapes on Earth. Aboriginal people curated open and fire-safe Country for millennia with fire in what are now forested and fire-prone regions. Settler land holders recognised the importance of this and mimicked these practices. The Land Conservation Act of 1970 in Victoria, Australia, prohibited burning by settler land holders in an effort to protect natural landscapes. We present a 120-year record of vegetation and fire regime change from Gunaikurnai Country, southeast Australia. Our data demonstrate that catastrophic bushfires first impacted the local area immediately following the prohibition of settler burning in 1970, which allowed a rapid increase in flammable eucalypts that resulted in the onset of catastrophic bushfires. Our data corroborate local narratives on the root causes of the current bushfire crisis. Perpetuation of the wilderness myth in conservation may worsen this crisis, and it is time to listen to and learn from Indigenous and local people, and to empower these communities to drive research and management agendas.
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Anderson, Margot. "Dance Overview of the Australian Performing Arts Collection." Dance Research 38, no. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
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The Dance Collection at Arts Centre Melbourne traces the history of dance in Australia from the late nineteenth century to today. The collection encompasses the work of many of Australia's major dance companies and individual performers whilst spanning a range of genres, from contemporary dance and ballet, to theatrical, modern, folk and social dance styles. The Dance Collection is part of the broader Australian Performing Arts Collection, which covers the five key areas of circus, dance, opera, music and theatre. In my overview of Arts Centre Melbourne's (ACM) Dance Collection, I will outline how the collection has grown and highlight the strengths and weaknesses associated with different methods of collecting. I will also identify major gaps in the archive and how we aim to fill these gaps and create a well-balanced and dynamic view of Australian dance history. Material relating to international touring artists and companies including Lola Montez, Adeline Genée, Anna Pavlova and the Ballet Russes de Monte Carlo provide an understanding of how early trends in dance performance have influenced our own traditions. Scrapbooks, photographs and items of costume provide glimpses into performances of some of the world's most famous dance performers and productions. As many of these scrapbooks were compiled by enthusiastic and appreciative audience members, they also record the emerging audience for dance, which placed Australia firmly on the touring schedule of many international performers in the early decades of the 20th century. The personal stories and early ambitions that led to the formation of our national companies are captured in collections relating to the history of the Borovansky Ballet, Ballet Guild, Bodenwieser Ballet, and the National Theatre Ballet. Costume and design are a predominant strength of these collections. Through them, we discover and appreciate the colour, texture and creative industry behind pivotal works that were among the first to explore Australian narratives through dance. These collections also tell stories of migration and reveal the diverse cultural roots that have helped shape the training of Australian dancers, choreographers and designers in both classical and contemporary dance styles. The development of an Australian repertoire and the role this has played in the growth of our dance culture is particularly well documented in collections assembled collaboratively with companies such as The Australian Ballet, Sydney Dance Company, and Chunky Move. These companies are at the forefront of dance in Australia and as they evolve and mature under respective artistic directors, we work closely with them to capture each era and the body of work that best illustrates their output through costumes, designs, photographs, programmes, posters and flyers. The stories that link these large, professional companies to a thriving local, contemporary dance community of small to medium professional artists here in Melbourne will also be told. In order to develop a well-balanced and dynamic view of Australian dance history, we are building the archive through meaningful collecting relationships with contemporary choreographers, dancers, designers, costume makers and audiences. I will conclude my overview with a discussion of the challenges of active collecting with limited physical storage and digital space and the difficulties we face when making this archive accessible through exhibitions and online in a dynamic, immersive and theatrical way.
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Mitsuguchi, Takehiro, Nobuaki Okabe, Yusuke Yokoyama, Minoru Yoneda, Yasuyuki Shibata, Natsuko Fujita, Takahiro Watanabe, and Yoko Saito-Kokubu. "129I/127I and Δ14C records in a modern coral from Rowley Shoals off northwestern Australia reflect the 20th-century human nuclear activities and ocean/atmosphere circulations." Journal of Environmental Radioactivity 235-236 (September 2021): 106593. http://dx.doi.org/10.1016/j.jenvrad.2021.106593.
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Saladžinskas, Sigitas Vladas, and Kristina Vaisvalavičiene. "Professional activities of Latvian born Lithuanian architect and engineer Karolis Reisonas (1894–1981) in Šiauliai." History of Engineering Sciences and Institutions of Higher Education 2 (November 1, 2018): 100–116. http://dx.doi.org/10.7250/hesihe.2018.008.
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The article introduces the life of not well-known in Latvia Latvian born Lithuanian Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) and his professional activities in Šiauliai city, as well as highlights the main features of the architect’s creative work and the importance of his work in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern architecture of the 20th century during interwar period in Lithuania. He is the author and co-author of representative buildings in the cities of Lithuania, as well as in Riga and Adelaide (Australia). K. Reisonas graduated from Riga Real School (1913) and St. Petersburg Institute of Civil Engineers (1920). He has worked as the Engineer of the Šiauliai city and Head of the Construction Department of the Municipality (1922–1930), the Director of the Tenth1 Courses of Šiauliai Construction (1925), later – the Director of the Šiauliai Vocational School (1926), and an Advisor of Lithuania Chamber of Agriculture (1927–1928). Fourteen building to his design in Kaunas and Šiauliai cities are included in the list of cultural values of Lithuania. K. Reisonas’ early projects are characterized by historicism, eclectic elements, of «brick style». Later projects have the features of aesthetic rationalism, functionalism, and adaptation to urban and cultural-historical context. After the Second World War, he and his family immigrated to Germany, later Adelaide in Australia, where he participated in the life of the Adelaide Lithuanian community.
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Li, Chenhong, Shannon Corrigan, Lei Yang, Nicolas Straube, Mark Harris, Michael Hofreiter, William T. White, and Gavin J. P. Naylor. "DNA capture reveals transoceanic gene flow in endangered river sharks." Proceedings of the National Academy of Sciences 112, no. 43 (October 12, 2015): 13302–7. http://dx.doi.org/10.1073/pnas.1508735112.
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For over a hundred years, the “river sharks” of the genus Glyphis were only known from the type specimens of species that had been collected in the 19th century. They were widely considered extinct until populations of Glyphis-like sharks were rediscovered in remote regions of Borneo and Northern Australia at the end of the 20th century. However, the genetic affinities between the newly discovered Glyphis-like populations and the poorly preserved, original museum-type specimens have never been established. Here, we present the first (to our knowledge) fully resolved, complete phylogeny of Glyphis that includes both archival-type specimens and modern material. We used a sensitive DNA hybridization capture method to obtain complete mitochondrial genomes from all of our samples and show that three of the five described river shark species are probably conspecific and widely distributed in Southeast Asia. Furthermore we show that there has been recent gene flow between locations that are separated by large oceanic expanses. Our data strongly suggest marine dispersal in these species, overturning the widely held notion that river sharks are restricted to freshwater. It seems that species in the genus Glyphis are euryhaline with an ecology similar to the bull shark, in which adult individuals live in the ocean while the young grow up in river habitats with reduced predation pressure. Finally, we discovered a previously unidentified species within the genus Glyphis that is deeply divergent from all other lineages, underscoring the current lack of knowledge about the biodiversity and ecology of these mysterious sharks.
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Eagles, H. A., Karen Cane, and Neil Vallance. "The flow of alleles of important photoperiod and vernalisation genes through Australian wheat." Crop and Pasture Science 60, no. 7 (2009): 646. http://dx.doi.org/10.1071/cp09014.
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The photoperiod sensitivity gene Ppd-D1 and the vernalisation genes Vrn-A1, Vrn-B1, and Vrn-D1 are known to contribute to optimal adaptation to specific environments. Diagnostic molecular markers for detecting important alleles of these genes are now available, including for 2 distinct spring alleles of Vrn-A1 (a and b). As a first step for determining the relative importance of these alleles, they were characterised in Australian cultivars released from the late 19th until the early 21st Century. The photoperiod-insensitive Ppd-D1a allele did not occur in the Australian cultivars we assessed until after the release of cultivars containing CIMMYT germplasm in 1973. Thereafter, this allele became common; however, cultivars with an alternative, presumably photoperiod-sensitive, allele have continued to be released for all parts of the Australian wheatbelt, including for latitudes less than 28°S. In contrast to other parts of the world, Vrn-A1b was frequent in cultivars released during the first 70 years of the 20th Century and is still present in modern cultivars. Before the use of CIMMYT germplasm, the spring allele of Vrn-B1 and the winter allele of Vrn-D1 were common. Four major combinations of alleles of these major genes were identified in modern cultivars: first, those similar to WW15 (Anza), with the Ppd-D1a allele, the spring Vrn-A1a allele, and winter alleles at Vrn-B1 and Vrn-D1; second, those similar to Spear or Kite, with the alternative, photoperiod-sensitive allele at Ppd-D1, the spring Vrn-A1a allele, the spring Vrn-B1a allele, and the winter allele at Vrn-D1; third, those similar to Pavon F 76, with the Ppd-D1a allele, the winter allele at Vrn-A1, and the spring alleles at Vrn-B1 and Vrn-D1; fourthly, those similar to Gabo, with the winter allele at Vrn-A1, the spring allele at Vrn-B1, the winter allele at Vrn-D1, but the Ppd-D1a allele. Other combinations were found, including those for winter cultivars and those for early heading cultivars. A hypothesis was suggested for the facultative cv. Oxley. Evidence was presented to suggest that modern full-season cultivars head ~1 week earlier in a Mallee environment than cultivars from the late 19th Century.
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Saladžinskas, Sigitas Vladas, and Kristina Vaisvalavičienė. "Professional Activities (1930–1981) of Latvian-Born Lithuanian Architect and Engineer Karolis Reisonas (1894–1981) in Kaunas, Panevėžys and Adelaide Cities." History of Engineering Sciences and Institutions of Higher Education 3 (October 15, 2019): 35–51. http://dx.doi.org/10.7250/hesihe.2019.003.
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The article introduces the professional activities of Latvian-born Lithuanian architect and engineer Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) in the second half of his life – from 1930 in Kaunas, Panevėžys and Adelaide cities – and his role in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern 20th-century interwar Lithuanian architecture and together with other famous Lithuanian architects formed a special style of Kaunas modern architecture in interwar period. K. Reisonas is the author or co-author of representative buildings in Šiauliai, Kaunas and other Lithuanian cities, as well as in Riga and Adelaide cities. Architect and engineer K. Reisonas worked as Šiauliai City Engineer and Head of Municipal Construction Department (1922–1930), Director of Šiauliai Vocational School (1926), Consultant of Lithuanian Chamber of Agriculture (1927–1928), Head of Construction Department of Kaunas Municipality (1930– 1938), Panevėžys City Engineer (1940) and Burgomaster (1941–1944). From 1949, the Reisonas family lived in Adelaide city, Australia. To his projects three monuments of independence were built in Lithuania – Monument of Independence in Šiauliai city, Podium of the Freedom Monument of Kaunas city and Roman Catholic Christ’s Resurrection Church in Kaunas city. Fourteen of buildings in Lithuania (in Kaunas and Šiauliai cities) designed by him are included in the list of cultural values of Lithuania. Early K. Reisonas’ projects are characterized by historism, elements of eclecticism and «brick style», later projects are characterized by austere rationalism, functionalism, adaptation to urban construction and cultural and historical context.
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Brumm, Adam. "Before Azaria: A Historical Perspective on Dingo Attacks." Animals 12, no. 12 (June 20, 2022): 1592. http://dx.doi.org/10.3390/ani12121592.
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This paper investigates the origin of the once popular belief in Australian society that wild dingoes do not attack humans. To address this problem, a digital repository of archived newspaper articles and other published texts written between 1788 and 1979 were searched for references to dingoes attacking non-Indigenous people. A total of 52 accounts spanning the period between 1804 and 1928 was identified. A comparison of these historical accounts with the details of modern dingo attacks suggests that at least some of the former are credible. The paper also examined commonly held attitudes towards dingoes in past Australian society based on historical print media articles and other records. Early chroniclers of Australian rural life and culture maintained that dingoes occasionally killed and ate humans out of a predatory motivation. By the early decades of the 20th century, however, an opposing view of this species had emerged: namely, that dingoes were timid animals that continued to pose a danger to livestock, but never to people. This change in the cultural image of dingoes can possibly be linked to more than a century of lethal dingo control efforts greatly reducing the frequency of human–dingo interactions in the most populous parts of the country. This intensive culling may also have expunged the wild genetic pool of dingoes that exhibited bold behaviour around people and/or created a dingo population that was largely wary of humans.
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Martynova, V. I. "Concerto for Oboe and Orchestra in the Works by Modern Time Composers: Aspects of Genre Stylistics." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (December 10, 2019): 71–93. http://dx.doi.org/10.34064/khnum1-54.05.
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Introduction. Concerto for oboe and orchestra in the music of modern time (20th – early 21st centuries), on the one hand, is based on the traditions of past eras, on the other hand, it contains a number of new stylistic trends, among which the leading trend is the pluralism of composer’s decisions. Despite this, the works created during this period by the composers of different national schools can be divided into three groups – academic, experimental, and pastoral. The article gives the review of them. Objective. The main objective of the article is to identify the features of genre stylistics in oboe concertos by composers of the 20th – early 21st centuries. Methods. In order to realize this objective, the elements of a number of general scientific and special musicological research methods have been used – historical-and-genetic, deductive, comparative, organological, stylistic, genre and performing analysis. Results and Discussion. The article discusses and systematizes the features of the genre stylistics of modern time oboe concertos. Based on the analysis of the historical-and-stylistic context, the correlation of traditions and innovations in the oboe-concerto genre, as well as the nature of the relationship between concerto and chamber manners as its common features are revealed. The classification of oboe concertos of the specified period by three genre-and-style groups – academic, experimental, and pastoral, is proposed. The main development trends in each of these groups are analyzed, taking into account the genre, national and individual-author’s stylistics (more than 70 pieces are involved). For the first time, the generalizations are proposed regarding the oboe expressiveness and techniques, generally gravitating towards universalism as a style dominant in the concerto genre. It is noted that, in spite of this main trend, the oboe in the concertos by modern time masters retains its fundamental organological semantics – the aesthetics and poetics of pastoral mode. The music of modern time, the count of which starts from the last decade of the 19th century and to present, comes, on the one hand, as a unique encyclopedia of the previous genres and styles, and on the other hand, as a unique multicomponent artistic phenomenon of hypertext meaning. The first is embodied in the concept of the style pluralism which means the priority of the person’s (composer’s and performer’s) component in aesthetics and poetics of a musical work. The second involves an aspect of polystylistics that is understood in two meanings: 1) aesthetic, when different stylistic tendencies are represented in a particular artistic style; 2) purely “technological”, which is understood as the technique of composing, when different intonation patterns in the form of style quotations and allusions (according to Alfred Schnittke) constitute the compositional basis of the same work. It is noted that the oboe concertos of the modern time masters revive the traditions of solo music-making, which were partially lost in the second half of the 19th century. At the new stage of evolution, since the early 20th century (1910s), the concerto oboe combines solo virtuosity with chamber manner, which is realized in a special way by the authors of different styles. Most of them (especially in the period up to the 1970s–1980s of the previous century) adhere to the academic model which is characterized by a three-part composition with a tempo ratio “fast – slow – fast” with typical structures of each of the parts – sonata in the first, complex three-part in the second, rondo-sonata in the third, as well as traditional, previously tried and used means of articulation and stroke set (concertos by W. Alvin, J. Horovitz – Great Britain; E. T. Zwillich, Ch. Rouse – USA; O. Respighi – Italy; Lars-Erik Larrson – Switzerland, etc.). The signs of the oboe concertos of the experimental group are the freedom of structure both in the overall composition and at the level of individual parts or sections, the use of non-traditional methods of playing (J. Widmann, D. Bortz – Germany; C. Frances-Hoad, P. Patterson – England; E. Carter – USA; J. MacMillan – Scotland; O. Navarro – Spain; N. Westlake – Australia). The group of pastoral concertos is based on highlighting the key semantics of oboe sound image. This group includes concertos of two types – non-programmatic (G. Jacob, R. Vaughan Williams, M. Arnold – Great Britain; О. T. Raihala – Finland; M. Berkeley, Е. Carter – USA and other authors); programmatic of two types – with literary names (L’horloge de flore J. Françaix – France; Helios, Two’s Company T. Musgrave; Angel of Mons J. Bingham – Great Britain); based on the themes of the world classics or folklore (two concertos by J. Barbirolli – Great Britain – on the themes of G. Pergolesi and A. Corelli; Concerto by B. Martinu – Czechia – on the themes from Petrushka by I. Stravinsky, etc.). This group of concertos also includes the genre derivatives, such as suite (L’horloge de flore J. Françaix); fantasy (Concerto fantasy for oboe, English horn and orchestra by V. Gorbulskis); virtuoso piece (Pascaglia concertante S. Veress); concertino (Concertino by N. Scalcottas, R. Kram, A. Jacques); genre “hybrids” (Symphony-Concerto by J. Ibert; Symphony-Concerto by T. Smirnova; Chuvash Symphony-Concerto by T. Alekseyeva; Concerto-Romance by Zh. Matallidi; Concerto-Poem for English horn, oboe and orchestra by G. Raman). Conclusions. Thus, the oboe concerto in the works by modern time composers appears as a complex genre-and-intonation fusion of traditions and innovations, in which prevail the individual-author’s approaches to reproducing the specificity of the genre. At the same time, through the general tendency of stylistic pluralism, several lines-trends emerge, defined in this article as academic, experimental, and pastoral, and each of them can be considered in more detail in the framework of individual studies.
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Chmielewská, Eva. "Brief survey of water supply and sanitation with special reference to East European Countries." Green Chemistry & Technology Letters 8, no. 2 (August 25, 2022): 01–06. http://dx.doi.org/10.18510/gctl.2022.821.
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Purpose of the study: This article is a brief history of development of water sanitation systems in European countries. One of the aims is educating people about importance of water treatment in today’s world.
Methodology: Bellow article briefly discuss some history of drinking water supply and municipal wastewater sanitation, i.e., construction of historical water engineering system like water wells, first flush toilets, indoor plumbing and simple pressurized showers, sewage farms and irrigation, in China, ancient Greece, Roman Empire, Asia minor, India, by Mayans in America and in Australia.
Main Findings: By the 1840s the luxury of indoor plumbing, which mixes human waste with water and flushes it away, eliminated the need for cesspools. As Britain was the first country to industrialize, it was also the first to experience the consequences of major urbanization and outbreaks of diseases like typhoid and cholera from contaminated water and was the first to construct a modern sewerage system. Most cities in the Western world added more expensive systems for sewage treatment in the early 20th century, after scientists at the University of Manchester Ardern and Lockett discovered the sewage treatment process of activated sludge in 1912.
Implications of the study: More than 100 years have been passed since the activated sludge process was explored, since the time when the mankind started to realize how important is the water sanitation in diseases prevention. However, the water treatment technology is permanently improving and enriched with new innovative solutions, the basic principle from the year 1912 i.e., activated sludge process remains as the main process of all conventional wastewater treatment plants.
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Oyebode, Femi. "9 Psychopathology & the nature of the Self." Journal of Neurology, Neurosurgery & Psychiatry 93, no. 12 (November 14, 2022): e3.42. http://dx.doi.org/10.1136/jnnp-2022-bnpa.9.
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Femi Oyebode graduated from University of Ibadan with distinction in Medicine in 1977 & trained as a psychiatrist in Newcastle-Upon-Tyne. He has been Consultant Psychiatrist in Birmingham since 1986 & retired in 2021. He has been Honorary Professor of Psychiatry at the University of Birmingham since 1999. He was Head of Department of Psychiatry from 2003–2009. He is Honorary Professor, Department of Anthropology & African Studies University of Birmingham. He is Associate Editor the British Journal of Psychiatry, & on the Editorial Boards of BJPsych Bulletin and BJPsych Advances. He was Chief Examiner of the Royal College of Psychiatrists from 2002 to 2005. He has been ASB Visiting Professor at University of Auckland, Raine Visiting Professor at University of Western Australia, & Visiting Professor University of Ibadan. His research interests include clinical psychopathology, delusional misidentification syndromes, medical humanities and medical ethics. He is author of Sims’ Symptoms in the Mind (4–6th editions), Psychopathology of Rare and Unusual Syndromes, Madness and the Theatre and edited Mindreadings: Literature and Psychiatry. He is also a poet and literary critic. His volumes of poetry include Naked to your softness & other dreams, Master of the Leopard Hunt and Adagio for Oblong Mirrors. He contributed critical essays to the Oxford Companion to 20th century Poetry and Oxford Companion to Modern Poetry. He received the Royal College of Psychiatrists’ Lifetime Achievement Award in 2016 and the highest award of the Royal College of Psychiatrists, the Honorary FRCPsych., in 2019.AbstractPsychopathology is the systematic study of abnormal psychological experience and includes the precise description, definition and categorisation of abnormal phenomena. In this lecture I will focus on the potential role of psychopathology as a means of revealing the underlying brain processes that make possible our experience of reality. I will examine phantom limb phenomenon, Charles Bonnet Syndrome, musical hallucinations and autoscopy to illustrate and develop my thesis. My ultimate aim is to demonstrate that the value of psychopathology is over and above the merely descriptive and that its value includes theorising about neural mechanisms.
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Tutorsky, A. V., E. V. Govor, and C. Ballard. "Miklouho-Maclay’s Legacy in Russian- and English-Language Academic Research, 1992–2017." Archaeology, Ethnology & Anthropology of Eurasia 47, no. 2 (June 26, 2019): 112–21. http://dx.doi.org/10.17746/1563-0110.2019.47.2.112-121.
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This article provides an overview of recent scholarship dedicated to the legacy of the Russian scientist and traveler Nicolai Miklouho-Maclay. The fi rst part deals with the so-called “classic” approach of the second half of the 20th century, which tended towards a mythologized and idealized portrait of Miklouho-Maclay, as evidenced by the publications of D. Tumarkin and by the second edition of the Complete Works of N.N. Miklouho-Maclay, published in the 1990s. The second part addresses articles published during the 1990s and 2000s that have sought to “demythologize” and reevaluate standard perspectives on Miklouho-Maclay. Some authors, rather than overestimating his achievements, tend to understate the impact of his work. The third part deals with Englishlanguage articles about Miklouho-Maclay’s legacy. These are mostly translations of Miklouho-Maclay’s archival texts from Russian, with scholarly commentary. However, an ongoing Australian research project conducted by Chris Ballard and Elena Govor has begun a sustained program of fi eldwork with descendants of the Melanesian source communities with which Miklouho-Maclay worked, seeking new insights into his texts and especially his drawings as a form of dialogic approach to culture. We propose to study Miklouho-Maclay’s legacy using modern approaches to anthropological theory. This will hopefully result in a unifi ed image rather than separate images of an anthropologist, an artist, a humanist, etc. Also, the use of Miklouho-Maclay’s drawings in addition to his texts will be an important step toward a dialogic study of Oceanic cultures.
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Лаврина, Анастасия Сергеевна. "REMINISCENCES GENRE IN THE SPEECH OF THE REPRESENTATIVES OF THE AUSTRALIAN BRANCH OF THE RUSSIAN EASTERN EMIGRATION (AS EXEMPLIFIED IN THE STORIES ABOUT HARBIN)." Tomsk state pedagogical university bulletin, no. 3(215) (May 24, 2021): 7–16. http://dx.doi.org/10.23951/1609-624x-2021-3-7-16.
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Введение. Представлены рассказы о Харбине русских реэмигрантов из Китая в Австралию в речевом жанре воспоминание. Необходимость анализа данных текстов обусловлена интересом современной лингвистики к говорящей личности и воплощаемым ею текстам, которые отражают уникальность личного и исторического опыта, в данном случае – опыта представителей русской реэмиграции из Китая в Австралию. Цель – описать жанр воспоминание и особенности его лингвистической реализации в речи русских реэмигрантов из Китая в Австралию в ХХ в. Материал и методы. Материалом исследования послужили записи интервью с русскими реэмигрантами из Китая в Австралию (10 интервью). В качестве основного метода был выбран метод лингвистического описания жанра воспоминание в речи с точки зрения его тематического и языкового своеобразия. Результаты и обсуждение. Показано тематическое своеобразие рассказов о Харбине, обусловленное особенностями жизни русских эмигрантов в восточном зарубежье. В соответствии с этим выделены микротемы: русский облик Харбина, переселение в Харбин, русские и китайцы, японская оккупация в Харбине. Установлены жанровые особенности и языковая специфика. При анализе специфики рассказов о Харбине русских реэмигрантов из Китая в Австралию обнаружены типичные и специфичные признаки. Среди типичных отмечены следующие особенности: употребление глаголов прошедшего времени, использование в речи разговорной и нейтральной лексики и метатекстовых лексических единиц. Установлены специфичные языковые особенности рассказов о Харбине, воплощенные в жанре воспоминание, к которым относятся использование синтаксических средств и конструкций, свойственных письменной речи, употребление книжной, высокой, устаревшей лексики, а также собственно харбинской лексики и заимствований из китайского языка. Заключение. Анализ рассказов о Харбине русских реэмигрантов из Китая в Австралию, воплощенных в речевом жанре воспоминание, позволил выявить их тематическое своеобразие, обусловленное особенностями жизни русских эмигрантов в восточном зарубежье, жанровую и языковую специфику. Introduction. The paper presents the stories about Harbin told by Russian re-emigrants from China to Australia in the speech genre “Reminiscences”. The need to analyse these texts arises from the interest of modern linguistics in the speaking personality and the texts this personality produces. The texts reflect the unique personal and historical experience. In this case study they reflect the experiences of Russian re-emigrants from China to Australia. The purpose of the article is to describe the reminiscence genre and its linguistic implementation in the speech of Russian re-emigrants, who came from China to Australia in the 20th century. Material and methods. The research is based on the study of the recorded interviews with Russian re-emigrants from China to Australia (10 interviews). The method of linguistic description of the «Reminiscences» genre was used as the main method to analyse their speech from the point of view of its thematic and linguistic distinctiveness. Results and discussion. The paper presents the thematic originality of stories about Harbin, determined by the particular lifestyle of Russian eastern emigration. A number of micro-themes have been identified in the framework of the study: The Russian appearance of Harbin, resettlement to Harbin, Russians and Chinese, Japanese occupation of Harbin. Genre features and linguistic specificities have been determined. The analysis of the Russian re-emigrants’ stories about Harbin made it possible to identify some typical and specific features. Among the typical features are: the use of past-tense verbs, the use of spoken and neutral vocabulary and metatext lexical units. The specific features of the stories about Harbin, embodied in the «Reminiscences» genre, have been determined. They include the use of syntactic means and structures characteristic of written speech, the use of bookish, high-flown and obsolete vocabulary, as well as Harbin vocabulary and borrowings from the Chinese language. Conclusion. Recorded reminiscence-stories of Russian re-emigrants about Harbin, demonstrate thematic originality, determined by the particular lifestyle of Russian eastern emigration, genre features and linguistic specifics.
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Saladžinsks, Sigits Vlads, and Kristina Vaisvalavičiene. "Latviešu izcelsmes Lietuvas arhitekts un inženieris Kārlis Reisons (1894–1981) un viņa profesionālā darbība Šauļos." Inženierzinātņu un augstskolu vēsture 2 (November 1, 2018): 97–113. http://dx.doi.org/10.7250/iav.2018.008.
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Raksts iepazīstina ar Latvijā mazzināma latviešu izcelsmes Lietuvas arhitekta un inženiera Kārļa Reisona (Karolis Reisonas; 1894–1981) dzīvi un profesionālo darbību Šauļos, kā arī aktualizē svarīgākās arhitekta daiļrades mantojuma iezīmes un viņa darbu nozīmi Lietuvas arhitektūras vēsturē. K. Reisons bija viens no spilgtākajiem 20. gadsimta starp-karu perioda Lietuvas modernās arhitektūras radītājiem. K. Reisons ir reprezentatīvu celtņu Lietuvas pilsētās, kā arī Rīgā un Adelaidā (Austrālija) autors vai līdzautors. Rīgas reālskolas (1913) un Sanktpēterburgas civilinženieru institūta (1920) absolvents K. Reisons strādāja par Šauļu pilsētas inženieri un pašvaldības Būvniecības nodaļas vadītāju (1922–1930), Šauļu būvniecības desmitnieku1 kursu (1925), vēlāk arī Šauļu arodskolas direktoru (1926), Lietuvas Lauksaimniecības kameras konsultantu (1927–1928). 14 no viņa projektētām celtnēm Kauņā un Šauļos ir iekļautas Lietuvas Kultūras vērtību reģistrā. Agrīniem K. Reisona projektiem raksturīgs historisms ar eklektisma elementiem un tā sauktais «ķieģeļu stils». Vēlākie projekti iezīmējas ar modernajai arhitektūrai raksturīgu askētisko racionālismu, funkcionālismu un piemērošanos pilsētbūvniecības un kultūrvēsturiskajam kontekstam. Pēc Otrā pasaules kara viņš ar ģimeni emigrēja uz Vāciju, vēlāk – uz Adelaidu, piedalījies Adelaidas lietuviešu kopienas dzīvē. The article introduces the professional activities of Latvian-born Lithuanian architect and engineer Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) in the second half of his life – from 1930 in Kaunas, Panevėžys and Adelaide cities – and his role in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern 20th-century interwar Lithuanian architecture and together with other famous Lithuanian architects formed a special style of Kaunas modern architecture in interwar period. K. Reisonas is the author or co-author of representative buildings in Šiauliai, Kaunas and other Lithuanian cities, as well as in Riga and Adelaide cities. Architect and engineer K. Reisonas worked as Šiauliai City Engineer and Head of Municipal Construction Department (1922–1930), Director of Šiauliai Vocational School (1926), Consultant of Lithuanian Chamber of Agriculture (1927–1928), Head of Construction Department of Kaunas Municipality (1930–1938), Panevėžys City Engineer (1940) and Burgomaster (1941–1944). From 1949, the Reisonas family lived in Adelaide city, Australia. To his projects three monuments of independence were built in Lithuania – Monument of Independence in Šiauliai city, Podium of the Freedom Monument of Kaunas city and Roman Catholic Christ’s Resurrection Church in Kaunas city. Fourteen of buildings in Lithuania (in Kaunas and Šiauliai cities) designed by him are included in the list of cultural values of Lithuania. Early K. Reisonas’ projects are characterized by historism, elements of eclecticism and «brick style», later projects are characterized by austere rationalism, functionalism, adaptation to urban construction and cultural and historical context.
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Asanuma, Keiji. "20th Century-End of Modern Art?" TRENDS IN THE SCIENCES 6, no. 2 (2001): 56–58. http://dx.doi.org/10.5363/tits.6.2_56.
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Saladžinsks, Sigits Vlads, and Kristina Vaisvalavičiene. "Latviešu izcelsmes Lietuvas arhitekta un inženiera Kārļa Reisona (1894–1981) darbība (1930–1981) Kauņā, Panevēžā un Adelaidā." Inženierzinātņu un augstskolu vēsture 3 (October 15, 2019): 34–49. http://dx.doi.org/10.7250/iav.2019.003.
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Raksts iepazīstina ar latviešu izcelsmes Lietuvas arhitekta un inženiera Kārļa Reisona (Karolis Reisonas; 1894–1981) profesionālo darbību mūža otrajā pusē – no 1930. gada Kauņā, Panevēžā un Adelaidā – un viņa darbu nozīmi Lietuvas arhitektūras vēsturē. K. Reisons bija viens no spilgtākajiem 20. gadsimta starpkaru perioda Lietuvas modernās arhitektūras radītājiem, kopā ar citiem slaveniem Lietuvas arhitektiem veidoja īpašo starpkaru perioda Kauņas modernās arhitektūras stilu. K. Reisons ir reprezentatīvu celtņu Šauļos, Kauņā un citās Lietuvas pilsētās, kā arī Rīgā un Adelaidā autors vai līdzautors. Arhitekts un inženieris K. Reisons strādāja par Šauļu pilsētas inženieri un pašvaldības Būvniecības nodaļas vadītāju (1922–1930), Šauļu arodskolas direktoru (1926), Lietuvas Lauksaimniecības kameras konsultantu (1927–1928), Kauņas pašvaldības Būvniecības nodaļas vadītāju (1930–1938), Panevēžas inženieri (1940) un birģermeistaru (1941–1944). No 1949. gada Reisonu ģimene dzīvoja Adelaidā, Austrālijā. Pēc viņa projektiem Lietuvā uzcelti trīs neatkarības pieminekļi – Šauļu Neatkarības piemineklis, Kauņas Brīvības pieminekļa postaments un Kauņas Romas katoļu Kristus Augšāmcelšanās baznīca. 14 no viņa projektētām celtnēm Kauņā un Šauļos ir iekļautas Lietuvas nekustamo kultūras vērtību sarakstā. Agrīniem K. Reisona projektiem raksturīgs historisms, eklektisma elementi, «ķieģeļu stils», vēlākie projekti iezīmējas ar modernismam raksturīgu askētisko racionālismu, funkcionālismu, piemērošanos pie pilsētbūvnieciskā un kultūrvēsturiskā konteksta. The article introduces the professional activities of Latvian-born Lithuanian architect and engineer Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) in the second half of his life – from 1930 in Kaunas, Panevėžys and Adelaide cities – and his role in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern 20th-century interwar Lithuanian architecture and together with other famous Lithuanian architects formed a special style of Kaunas modern architecture in interwar period. K. Reisonas is the author or co-author of representative buildings in Šiauliai, Kaunas and other Lithuanian cities, as well as in Riga and Adelaide cities. Architect and engineer K. Reisonas worked as Šiauliai City Engineer and Head of Municipal Construction Department (1922–1930), Director of Šiauliai Vocational School (1926), Consultant of Lithuanian Chamber of Agriculture (1927–1928), Head of Construction Department of Kaunas Municipality (1930–1938), Panevėžys City Engineer (1940) and Burgomaster (1941–1944). From 1949, the Reisonas family lived in Adelaide city, Australia. To his projects three monuments of independence were built in Lithuania – Monument of Independence in Šiauliai city, Podium of the Freedom Monument of Kaunas city and Roman Catholic Christ’s Resurrection Church in Kaunas city. Fourteen of buildings in Lithuania (in Kaunas and Šiauliai cities) designed by him are included in the list of cultural values of Lithuania. Early K. Reisonas’ projects are characterized by historism, elements of eclecticism and «brick style», later projects are characterized by austere rationalism, functionalism, adaptation to urban construction and cultural and historical context.
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Rich, Norman M., and David G. Burris. "“Modern” military surgery: 19th Century compared with 20th Century." Journal of the American College of Surgeons 200, no. 3 (March 2005): 321–22. http://dx.doi.org/10.1016/j.jamcollsurg.2004.10.028.
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Kanevskaya, Galina I. "Russian Libraries in Australia in the 20th Century." Bibliotekovedenie [Russian Journal of Library Science], no. 3 (May 25, 2009): 80–85. http://dx.doi.org/10.25281/0869-608x-2009-0-3-80-85.
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The article deals with review of the history of Russian librarianship in Australia. The role of libraries in preservation of Russian language in the Russian diaspora and national identity in the being in the strange cultural space is defined.
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Thorne, Ross. "MODERNIST FORM IN EARLY 20th CENTURY THEATRES IN AUSTRALIA." Fabrications 5, no. 1 (September 1994): 87–113. http://dx.doi.org/10.1080/10331867.1994.10525075.
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Spurgeon, Christina. "Review & Booknote: Communication Traditions in 20th-Century Australia." Media International Australia 82, no. 1 (November 1996): 136–37. http://dx.doi.org/10.1177/1329878x9608200131.
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Baier, Martin, Sri Kuhnt-Saptodewo, H. J. M. Claessen, Annette B. Weiner, Charles A. Coppel, Wang Gungwu, Heleen Gall, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 150, no. 3 (1994): 588–623. http://dx.doi.org/10.1163/22134379-90003081.
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- Martin Baier, Sri Kuhnt-Saptodewo, Zum Seelengeliet bei den Ngaju am Kahayan; Auswertung eines Sakraltextes zur Manarung-Zeremonie beim totenfest. München: Akademischer Verlag,1993 (PhD thesis, Ludwig-Maximilian-Universitiy München). - H.J.M. Claessen, Annette B. Weiner, Inalienable Possessions; The paradox of keeping-while-giving. Berkeley: University of California Press, 1992, 232 pp. Bibl. Index - Charles A. Coppel, Wang Gungwu, Community and Nation; China, Southeast Asia and Australia. Sydney: Asian studies of Australia in association with Allen & Unwin, 1992 (2nd revised edition), viii + 359 pp - Heleen Gall, W. J. Mommsen, European expansion and Law; the encounter of European and Indigenous Law in 19th- and 20th- century Africa and Asia. Oxford; Berg publishers, 1992, vi + 339 pp, J.A. de Moor (eds.) - Beatriz van der Goes, C. W. Watson, Kinship, Property and inheritance in Kerinci, Central Sumatra. Canterbury:University of Kent, Centre for Social Anthropology and computing Monographs no: 4. South-East Asian Series, 1992, ix + 255 pp - Kees Groeneboer, Tom van der Berge, Van Kenis tot kunst; Soendanese poezie in de koloniale tijd. Proefschrift Rijksuniversiteit Lieden, November 1993, 220 pp - Kees Groeneboer, J.E.A.M. Lelyveld, ‘... waarlijk geen overdaad, doch een dringende eisch..’’; Koloniaal onderwijs en onderwijsbeleid in Nederlands-Indië 1893-1942. Proefschrift Rijksuniversiteit Utrecht, 1992. - Marleen Heins, R. Anderson Sutton, Variation in Central Javanese gamelan music; Dynamics of a steady state. Northern Illinois University: Center for Southeast Asian Studies, Monograph series on Southeast Asia, (Special Report 28 ),1993. - Marleen Heins, E. Heins, Jaap Kunst, Indonesian music and dance; Traditional music and its interaction with the West. Amsterdam: Royal Tropical Institute/Tropenmuseum, University of Amsterdam, Ethnomusicology Centre `Jaap Junst’, 1994, E. den Otter, F. van Lamsweerde (eds.) - David Henley, Harold Brookfield, South-East Asia’s environmental future; The search for sustainability. Tokyo: United Nations University Press, Kuala Lumpur: Oxford University Press, 1993, xxxii + 422 pp., maps, tables, figures, index., Yvonne Byron (eds.) - Antje van der Hoek, Keebet von Benda-Beckmann, De emancipatie van Molukse vrouwen in Nederland. Utrecht: Van Arkel,1992, Francy Leatemia-Toma-tala (eds.) - Michael Hitchcock, Brita L. Miklouho-Maklai, Exposing Society’s Wounds; Some aspects of Indonesian Art since 1966. Adelaide: Flinders University Asian studies Monograph No.5, illustrations, 1991, iii + 125 pp - Nico Kaptein, Fred R. von der Mehden, Two Worlds of Islam; Interaction between Southeast Asia and the Middle East.Gainesville etc: University Press of Florida 1993, xiii + 128 pp - Nico Kaptein, Karel Steenbrink, Dutch Colonialism and Indonesian Islam; Contacts and Conflicts 1596-1950. Amsterdam-Atlanta, GA: Rodopi, 1993. - Harry A. Poeze, Rudolf Mrázek, Sjahrir; Politics and exile in Indonesia. Ithaca, N.Y.: Cornell University, Southeast Asia Program, 1994. - W.G.J. Remmelink, Takao Fusayama, A Japanese memoir of Sumatra 1945-1946; Love and hatred in the liberation war. Ithaca: Cornell University (Cornell Modern Indonesia Project Monograph series 71), 1993, 151 pp., maps, illustrations. - Ratna Saptari, Diana Wolf, Factory Daughters; Gender, Household Dynamics, and Rural Industrialization in Java. Berkeley: University of California Press, 1992. - Ignatius Supriyanto, Ward Keeler, Javanese Shadow Puppets. Singapore (etc.): Oxford University Press, 1992, vii + 72 pp.,bibl., ills. (Images of Asia). - Brian Z. Tamanaha,S.J.D., Juliana Flinn, Review of diplomas and thatch houses; Asserting tradition in a changing Micronesia. Ann Arbor: University of Michigan Press, 1992. - Gerard Termorshuizen, Dorothée Buur, Indische jeugdliteratuur; Geannoteerde bibliografie van jeugdboeken over Nederlands-Indië en Indonesië, 1825-1991. Leiden, KITLV Uitgeverij, 1992, 470 pp., - Barbara Watson Andaya, Reinout Vos, Gentle Janus, merchant prince; The VOC and the tightrope of diplomacy in the Malay world, 1740-1800. Leiden: KITLV Press, 1994, xii + 252 pp.
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Berezin, Fedor Mixajlovič. "Mikołaj Kruszewski and 20th-century linguistics." History of Linguistics in Poland 25, no. 1-2 (January 1, 1998): 61–86. http://dx.doi.org/10.1075/hl.25.1-2.06ber.
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Summary The article deals with important issues in general linguistic theory discussed by Mikołaj Habdank Kruszewski alias Nikolaj Vjačeslavovič Kruševskij (1851–1887), in the author’s view an unjustly forgotten linguist of genius of the late 19th century, who could be seen as standing at the roots of the 20th-century structuralism, long before the appearance of F. de Saussure’s lectures on general linguistics. In his major book O čerk nauki o jazyke (An outline of the science of language) of 1883, Kruszewski conceived of language as a system of signs, laying stress on the semiotic function of language. His understanding of sound alternation is in many ways close to modern principles of phonology and morphonology. His hypothesis of the universal character of the sound laws too anticipated the discovery of language universals. As a result, the author agrees with Radwańska-Williams’ (1993) characterization of Kruszewski’s theory as ‘a lost paradigm’ in the history of linguistics. Well-known linguists of the 20th century such as Roman Jakobson (1896–1982), Jerzy Kuryłowicz (1895–1978) , and others rightly argued that Kruszewski was one of the founders of modern linguistic theory.
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Freak-Poli, Rosanne, Peng Bi, and Janet E. Hiller. "Trends in cancer mortality during the 20th century in Australia." Australian Health Review 31, no. 4 (2007): 557. http://dx.doi.org/10.1071/ah070557.
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An epidemiological study was conducted, using annual cancer mortality data over the period 1907 to 1998, to explore change in Australian cancer mortality. A 3-year moving average mortality was calculated to minimise the annual fluctuations over the study period. The results suggested that overall cancer mortality rose slightly over the past century, with a small decrease in more recent years. The male and female cancer mortality rates diverged over time. Younger age groups had low and stable death rates, 35?59 years age groups demonstrated decreased rates, and older age groups had increased rates over the study period. Modifiable lifestyle factors and other possible reasons for the changes were explored.
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Terekhova, M. V. "Semiotics of formal menswear of early 20th century." Vestnik of Saint Petersburg State University of Culture, no. 1 (30) (March 2017): 71–74. http://dx.doi.org/10.30725/2619-0303-2020-3-71-74.
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The complex of problems accompanying a process of modern-day reception of historical costume is analyzed. Formal menswear is researched as a hierarchically organized communicational system of semantic elements only conceivable by actors, familiarized with particular semiotic code of the culture. The case of modern-day museum reconstruction of formal menswear of the early XX century is used to illustrate the reasons behind the retrospective semantic misinterpretation of historical costume. In the particular case, a waiter’s uniform was mistakenly perceived by researcher as a typical urban menswear of the 1900’s. A semantic reconstruction of authentic vestimentary codes and meanings was carried out.
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Moskalenko, Andrii. "Cultural Deposits of the Latest Time in the Context of Archaeological Research: Stratigraphic ‘Ballast’ or Historical Value." Bulletin of Kyiv National University of Culture and Arts. Series in Museology and Monumental Studies 4, no. 1-2 (December 28, 2021): 38–47. http://dx.doi.org/10.31866/2617-7943.4.1-2.2021.249033.
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The article is written in the scientific polemic genre and it is a continuation of the discussion that began earlier in the professional environment. The author defends the position to give more attention to culture layers of the 20th during conducting an archaeological excavation. The problem is the uncertainty of the cultural deposits’ status of the 20th century. The purpose of the article is to determine the 20th century culture deposits historical value. Research methodology. Common-scientific methods are used. The typological method is also used, in particular, for 20th century culture deposits classification. The scientific novelty lies in the first, in Ukrainian historiography, attempt to argue a historical value of the 20th-century cultural layers. Conclusion. The modern culture deposits' historical value is in that they are at least a historical source and also an epoch monument. In addition to scientific, individual artifacts or complexes on cultural layers of modern times can have artistic, aesthetic, museum, tourist, anthropological, ethnographic, national, political, ideological, economic, social value.
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Frederiksen, Jorgen S., and Stacey L. Osbrough. "Tipping Points and Changes in Australian Climate and Extremes." Climate 10, no. 5 (May 19, 2022): 73. http://dx.doi.org/10.3390/cli10050073.
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Systematic changes, since the beginning of the 20th century, in average and extreme Australian rainfall and temperatures indicate that Southern Australian climate has undergone regime transitions into a drier and warmer state. South-west Western Australia (SWWA) experienced the most dramatic drying trend with average streamflow into Perth dams, in the last decade, just 20% of that before the 1960s and extreme, decile 10, rainfall reduced to near zero. In south-eastern Australia (SEA) systematic decreases in average and extreme cool season rainfall became evident in the late 1990s with a halving of the area experiencing average decile 10 rainfall in the early 21st century compared with that for the 20th century. The shift in annual surface temperatures over SWWA and SEA, and indeed for Australia as a whole, has occurred primarily over the last 20 years with the percentage area experiencing extreme maximum temperatures in decile 10 increasing to an average of more than 45% since the start of the 21st century compared with less than 3% for the 20th century mean. Average maximum temperatures have also increased by circa 1 °C for SWWA and SEA over the last 20 years. The climate changes in rainfall an d temperatures are associated with atmospheric circulation shifts.
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Smith, Nick. "Rudolf Diesel: Powering the Modern World." Engineer 302, no. 7935 (April 2022): 38–39. http://dx.doi.org/10.12968/s0013-7758(22)90211-9.
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Kulichenko, Alla. "THEORETICAL ASPECTS OF INNOVATION MODELS AND THEIR PRACTICAL IMPLEMENTATION IN MODERN MEDICAL EDUCATION." Педагогічні науки: теорія, історія, інноваційні технології, no. 5-6(99-100) (August 31, 2020): 178–90. http://dx.doi.org/10.24139/2312-5993/2020.05-06/178-190.
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The article deals with theoretical aspects of innovation models and their implementation in modern medical education. The author focuses on the first innovation model, proposed by J. Schumpeter during the first half of the 20th century. This model considers the so-called “triad” in the innovation process, namely invention, innovation, diffusion. Besides, in this context, J. Schumpeter described the concept of “creative destruction”. As for the last quarter of the 20th century, there were such innovation models as (i) induced innovation model, (ii) evolutionary models, and (iii) models that characterize the way of innovation. The end of the 20th century represented the development of the model of national innovation systems and the model of technological innovation systems.
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Fitch, Kate. "Rethinking Australian public relations history in the mid-20th century." Media International Australia 160, no. 1 (August 2016): 9–19. http://dx.doi.org/10.1177/1329878x16651135.
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This article investigates the development of public relations in Australia and addresses calls to reconceptualise Australian public relations history. It presents the findings from an analysis of newspaper articles and industry newsletters in the 1940s and 1950s. These findings confirm the term public relations was in common use in Australia earlier than is widely accepted and not confined to either military information campaigns during the war or the corporate sector in the post-war period, but was used by government and public institutions and had increasing prominence through industry associations in the manufacturing sector and in social justice and advocacy campaigns. The study highlights four themes – war and post-war work, non-profit public relations, gender, and media and related industries – that enable new perspectives on Australian public relations history and historiography to be developed.
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Gebbie, G., and P. Huybers. "The Little Ice Age and 20th-century deep Pacific cooling." Science 363, no. 6422 (January 3, 2019): 70–74. http://dx.doi.org/10.1126/science.aar8413.
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Proxy records show that before the onset of modern anthropogenic warming, globally coherent cooling occurred from the Medieval Warm Period to the Little Ice Age. The long memory of the ocean suggests that these historical surface anomalies are associated with ongoing deep-ocean temperature adjustments. Combining an ocean model with modern and paleoceanographic data leads to a prediction that the deep Pacific is still adjusting to the cooling going into the Little Ice Age, whereas temperature trends in the surface ocean and deep Atlantic reflect modern warming. This prediction is corroborated by temperature changes identified between the HMS Challenger expedition of the 1870s and modern hydrography. The implied heat loss in the deep ocean since 1750 CE offsets one-fourth of the global heat gain in the upper ocean.
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Spennemann, DirkH R. "Suicides of Punjabi hawkers in 19th- and early 20th-century Australia." Indian Journal of Psychiatry 61, no. 4 (2019): 347. http://dx.doi.org/10.4103/psychiatry.indianjpsychiatry_379_17.
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Selber, Kimberly A. "Influence of Modern Art on Early 20th-Century Advertising Art." International Journal of the Arts in Society: Annual Review 2, no. 1 (2007): 183–92. http://dx.doi.org/10.18848/1833-1866/cgp/v02i01/35350.
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CIRLOT, L. "THE KEY TO MODERN ART OF THE EARLY 20TH CENTURY." Art Book 1, no. 3 (June 1994): 16f. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00130.x.
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Farhah, Eva, Nur Hidayah, and Muhammad Farkhan Mujahidin. "Social Issues in Modern Arabic Literature of the 20th Century." Advanced Science Letters 22, no. 12 (December 1, 2016): 4528–31. http://dx.doi.org/10.1166/asl.2016.8211.
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Mikhalchenko, Vida Yu. "UNREALIZED POTENTIAL OF SOCIOLINGUISTICS OF THE 20TH CENTURY." Sociolingvistika 1, no. 1 (2020): 29–33. http://dx.doi.org/10.37892/2713-2951-2020-1-1-29-33.
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Modern sociolinguistics, like other linguistic disciplines, seeks to use modern technology in its research. As a good example here can serve the attempt to develop a sociolinguistic classifi cation of written languages of the world undertaken by the scientists from the Laval University (Quebec, Canada) in 1988–2002. The main idea of the classifi cation was to measure the vitality of a language by determining the intensity of its social functions in different areas of communication. The written languages of a number of countries, such as China, India, were studied. The sixth volume of this international work consisted of two books devoted to the languages of Russia, where the sociolinguistic parameters of all languages of Russia were studied, except for the languages of national minorities. According to this international study of Canadian scientists, it was possible, fi rstly, to clarify the number of written languages of the world, secondly, to create a sociolinguistic classifi cation of world’s languages. However, for objective reasons the work was not completed, and the achievement of the above-mentioned possibilities remains the scientifi c task of the future.
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Alexander, Jeffrey C. "Recovering the primitive in the modern: The cultural turn and the origins of cultural sociology." Thesis Eleven 165, no. 1 (July 16, 2021): 10–19. http://dx.doi.org/10.1177/07255136211032829.
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This essay provides an intellectual history for the cultural turn that transformed the human sciences in the mid-20th century and led to the creation of cultural sociology in the late 20th century. It does so by conceptualizing and contextualizing the limitations of the binary primitive/modernity. In the 19th and early 20th centuries, leading thinkers – among them Marx, Weber, Durkheim, and Freud – confined thinking and feeling styles like ritual, symbolism, totem, and devotional practice to a primitivism that would be transformed by the rationality and universalism of modernity. While the barbarisms of the 20th century cast doubt on such predictions, only an intellectual revolution could provide the foundations for an alternative social theory. The cultural turn in philosophy, aesthetics, and anthropology erased the division between primitive and modern; in sociology, the classical writings of Durkheim were recentered around his later, religious sociology. These intellectual currents fed into a cultural sociology that challenged the sociology of culture, creating radically new research programs in the late 20th and early 21st centuries.
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Nikpour, Golnar. "From Fallen Women to Citizen Mothers: Gendered Carcerality in Pahlavi Iran." International Journal of Middle East Studies 54, no. 1 (February 2022): 166–73. http://dx.doi.org/10.1017/s0020743822000083.
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Modern carcerality in Iran, with its attendant systems of surveillance, policing, and mass imprisonment, was a gendered project from the outset. In turn, the new modern prisons of the Pahlavi era (1925–79) provoked gendered anxieties about seemingly rising rates of female and child criminality, the deteriorating family unit, and the inherent sin and vice of life in a modern city. In general, it is difficult to overstate the wholesale changes that the modern carceral system has brought to Iran. The establishment of modern prisons, an effort begun in the first decades of the 20th century, has led to an enduring transformation in social worlds for Iranians of all genders. For much of Iran's pre-20th-century history, forced confinement of any kind was a relative rarity, legal practices and norms were diffuse and diverse, and long periods of incarceration were virtually nonexistent. The conceit of prisoner reform central to the modern penitentiary model—wherein centralized modern governments imagine prisons as rehabilitative spaces in which socially undesirable “criminals” can be reformed into good “citizens”— is nowhere found in the archive of Iran's pre-20th-century punishments.
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Shymanovych, Andrii. "HISTORICAL-CRITICAL EXEGESIS OF THE BIBLE FROM THE PROSPECT OF THEOLOGY OF THE 20th AND THE 21st CENTURIES." Educational Discourse: collection of scientific papers, no. 20(2) (March 9, 2020): 78–90. http://dx.doi.org/10.33930/ed.2019.5007.20(2)-7.
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According to the general concepts of modern era, scientific-critical exegesis aims to rationalize the learning process of biblical texts and deal with it on the same level with other literary works of the ancient. The attitude to modern biblical hermeneutics varies from radically negative to carefully positive in the theological and academic world of the 20th century. The philosophic hermeneutics of the 20th century (in particular, Paul Ricoeur) questioned the adequacy and prospects of the fundamental principles of the modern biblical studies and its encroachment on non-distorted objectivity in its researches.
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Beilharz, Peter. "Rewriting Australia." Journal of Sociology 40, no. 4 (December 2004): 432–45. http://dx.doi.org/10.1177/1440783304048385.
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Sociologists in Australia often talk about a politics of fear, or of moral panic, in order to explain the apparent awkwardness of a situation where leftwing intellectuals cannot come to grips with a rightwing political moment. This article addresses the question of dominant images of Australia through the 20th century as a part of the dominant leftwing historiography, which has now been replaced by a rightwing political narrative. The central theoretical and historical issue here is the problem of populism, and its shift from left to right. This leads to a discussion of the politics of fear and uncertainty, and how to begin to think about them, and to questions of the role of sociologists in all this.