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Books on the topic 'Mochica, Cultura'

Author: Grafiati
Published: 27 June 2021
Last updated: 7 February 2022

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1

D, Cristobal Campana. La cultura mochica. Lima: Consejo Nacional de Ciencia y Tecnología, 1994.

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2

Javier, Villaverde González Francisco, ed. Los rostros silenciosos: Los huacos retrato de la cultura moche. Lima, Perú: Fondo Editorial, Pontificia Universidad Católica del Perú, 2008.

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3

Jaime, Castillo Luis, Institut français d'études andines, and Pontificia Universidad Católica del Perú. Fondo Editorial., eds. Arqueología mochica: Nuevos enfoques : actas del primer Congreso Internacional de Jóvenes Investigadores de la Cultura Mochica, Lima 4 y 5 de agosto de 2004. Lima, Perú: Fondo Editorial, Pontificia Universidad Católica del Perú, 2008.

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4

Coloquio sobre la Cultura Moche (1st 1993 Trujillo, Peru). Moche: Propuestas y perspectivas : actas del Primer Coloquio sobre la Cultura Moche, Trujillo, 12 al. 16. de abril de 1993. Edited by Uceda Santiago and Mujica B. Elias. Trujillo: Universidad Nacional de la Libertad, 1994.

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5

Shimada, Izumi. Pampa Grande and the Mochica culture. Austin: University of Texas Press, 1994.

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6

Iinkai, Mii-gun Kitano-machi Kyōiku. Jōkaku iseki, Mochida iseki: Fuhen Hachishōbu iseki. Fukuoka-ken Mii-gun Kitano-machi]: Kitano-machi Kyōiku Iinkai, 1993.

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7

Moche art and visual culture in ancient Peru. Albuquerque: University of New Mexico Press, 2008.

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8

Frayer la route d'un monde inversé: Sacrifice et offrandes animales dans la culture Mochica (100-800 apr. J.-C.), côte nord du Pérou. Oxford: Archaeopress, 2011.

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9

Gallinazo: An early cultural tradition on the Peruvian north coast. Los Angeles: Cotsen Institute of Archaeology Press, 2009.

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10

McClelland, Donna. Moche fineline painting from San José de Moro. Los Angeles, CA: Cotsen Institute of Archaeology at UCLA, 2008.

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11

Donald, McClelland, Donnan Christopher B, and Cotsen Institute of Archaeology at UCLA., eds. Moche fineline painting from San José de Moro. Los Angeles, Calif: Cotsen Institute of Archaeology at UCLA, 2007.

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12

Moche: Propuestas y perspectivas : Actas del Primer Coloquio sobre la Cultura Moche, Trujillo, 12 al. 16. de abril de 1993 (Travaux de l'Institut francais d'etudes andines). Asociacion Peruana para el Fomento de las Ciencias Sociales, 1994.

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13

Banco de Crédito del Perú., ed. Culturas precolombinas. Lima, Perú: Banco de Crédito del Perú, 1985.

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14

Shimada, Izumi. Pampa Grande and the Mochica Culture. University of Texas Press, 1994.

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15

Krzysztof, Makowski, Donnan Christopher B, and Amaro Bullon Ivan, eds. Vicús. Lima, Perú: Banco de Crédito del Perú, 1994.

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16

Mochila ELE 1 : guía del profesor. Fichas de gramática, léxico, cultura y evaluación. Santillana, 2010.

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17

Mochila ELE 2 : guía del profesor. Fichas de gramática, léxico, cultura y evaluación. Santillana, 2010.

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18

Sex, Death, and Sacrifice in Moche Religion and Visual Culture. University of Texas Press, 2006.

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19

Talbot, Ian, and Tahir Kamran. Darvarzas and Mohallas. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190642938.003.0003.

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The chapter focuses on Lahore’s famous darvarzas (gateways) and mohallas (residential localities). It provides a fine grain analysis of the cultural and commercial life that took place in these surrounding areas. The inner city has been traditionally understood as a closed in area, but the chapter argues that this stereotype neglects the regional and trans-national linkages and circulation of goods and people. The three case studies of Bhati Gate, Shah Almi Gate and Mochi Gate illustrate the interconnectedness arising from commercial, cultural and political exchanges. The chapter concludes with a description both of the importance of the Mochi Gate area for training of classical musicians in Haveli Mian Khan and the musical soirees of Takia Mirasian and of Bhati Gate’s connections with the early film industry. All-India Radio Lahore which broadcast from December 1937 also provided a creative outlet for the musicians, writers and actors of Bhati and Mochi Gates and drew artists to the city.
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20

Eeckhout, Peter, ed. Archaeological Interpretations. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066448.001.0001.

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Presenting studies in Andean archaeology and iconography by leading specialists in the field, this volume tackles the question of how researchers can come to understand the intangible, intellectual worlds of ancient peoples. Archaeological Interpretations is a fascinating ontological journey through Andean cultures from the fourth millennium BC to the sixteenth century AD. Through evidence-based case studies, theoretical models, and methodological reflections, contributors discuss the various interpretations that can be derived from the traces of ritual activity that remain in the material record. They discuss how to accurately comprehend the social significance of artifacts beyond their practical use and how to decode the symbolism of sacred images. Addressing topics including the earliest evidence of shamanism in Ecuador, the meaning of masks among the Mochicas in Peru, the value of metal in the Recuay culture, and ceremonies of voluntary abandonment among the Incas, contributors propose original and innovative ways of interpreting the rich Andean archaeological heritage.
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21

Arango Lozano, Carlos Andrés, and Jairo Roberto Sojo Gómez. Yo reinaré el Divino Niño en la comunicación publi­citaria. Universidad de Bogotá Jorge Tadeo Lozano, 2018. http://dx.doi.org/10.21789/9789587252309.

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El Divino Niño es una imagen esencialmente religiosa, que encarna bondad, pureza y piedad cristiana, reconocida a simple vista y que goza de alta estima aun entre aquellos que no son devotos, pues lo identifican como un elemento cultural autóctono y muy popular. La investigación señala casos en que la imagen del Divino Niño es plasmada en artículos como mochilas, relojes, gorras y en la identidad corporativa de algunos establecimientos comerciales. Este libro reflexiona sobre la complejidad de la experiencia iconográfica religiosa dentro de contextos publicitarios, y constituye una invitación a analizar las ambigüedades o contradicciones en el uso y significación de la imagen en la sociedad.
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22

Cultural Landscapes In The Ancient Andes: Archaeologies Of Place. University Press of Florida, 2005.

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23

Talbot, Ian, and Tahir Kamran. Poets, Wrestlers and Cricketers. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190642938.003.0005.

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Chapter four discusses the impact of colonial rule on traditional cultural and sporting pastimes and the new activities that emerged, most notably cricket. There are three case studies of mushairas (poetic contests), wrestling and cricket. The chapter reveals how their key participants in Lahore were able to perform on a wider stage because of the communications revolution. Nonetheless, they remained rooted in the mohallas and local institutions of the city. Lahore’s mushairas of the 1870s which received contributions from Muhammad Hussain Azad and Altaf Hussain Hali are seen as possessing an important impact on the evolution of Urdu poetry in North India. Competitions took Lahore’s most famous wrestler Gama from his akhara (wrestling arena) in the city to England. Many of Lahore’s most famous colonial era cricketers lived in the Bhati Gate and Mochi Gate area. The fierce rivalry in the 1920s and 1930s between Islamia College and Government College drew talent from across the Punjab. Cricket was not divided on communal lines, Lala Amarnath the future Indian test captain who toured England in the 1930s played for the Crescent Club based at Minto Park which was patronized by the middle class Rana family of the Mochi Gate locality.
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24

Jean-François, Millaire, and Morlion Magali, eds. Gallinazo: An early cultural tradition on the Peruvian north coast. Los Angeles: Cotsen Institute of Archaeology Press, 2009.

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25

Jean-François, Millaire, and Morlion Magali, eds. Gallinazo: An early cultural tradition on the Peruvian north coast. Los Angeles: Cotsen Institute of Archaeology Press, 2009.

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26

McClelland, Donna, and Christopher B. Donnan. Moche Fineline Painting from San Jose De Moro (Monograph). Cotsen Institute of Archaeology, 2007.

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27

McClelland, Donna, and Christopher B. Donnan. Moche Fineline Painting from San Jose De Moro (Cotsen Monograph) (Cotsen Monograph). Cotsen Institute of Archaeology, 2007.

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28

1950-, Uno Takao, ed. Sekai no rekishi kūkan o yomu: GIS o mochiita bunka bunmei kenkyū = Reading historical spatial information from around the world : studies of culture and civilization based on geographic information systems data. Kyōto-shi: Kokusai Nihon Bunka Kenkyū Sentā, 2006.

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