Relevant bibliographies by topics / Moby Dick

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Moby Dick'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Moby Dick"

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Schlesinger, S., and Ch Petersen. "Moby Dick." Adipositas - Ursachen, Folgeerkrankungen, Therapie 03, no. 01 (2009): 22–26. http://dx.doi.org/10.1055/s-0037-1618656.

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ZusammenfassungMoby Dick bietet ein ambulantes einjähriges Therapieprogramm für übergewichtige und adipöse Kinder und Jugendliche an, mit dem Ziel einer langfristigen Gewichtsstabilisierung sowie der Verbesserung der Lebensqualität. Die Kinder treffen sich wohnortnah einmal in der Woche für drei Stunden nachmittags in festen Gruppen. Inhalte sind Verhaltens- und Ernährungstraining sowie Bewegungsangebote. Für die Eltern gibt es verschiedene Fortbildungsangebote. Durch Veränderung der Lebensweise und Stärkung des Selbstwertgefühls werden die gesundheitliche Disposition der Kinder und Jugendlichen sowie ihr subjektives Wohlbefinden verbessert (17). Nach einem Jahr regelmäßiger Teilnahme an dem Moby-Dick-Therapieprogramm sind 67 % erfolgreich (Senkung bzw. keine Steigerung des BMI-SDS-Werts). Diese 67 % halten ihren Erfolg zwei bis vier Jahre nach Therapiebeginn.
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Wooden, Rod. "Moby Dick." Contemporary Theatre Review 5, no. 3-4 (January 1996): 97–151. http://dx.doi.org/10.1080/10486809608568396.

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Cook, Jonathan A. "Moby-Dick." Resources for American Literary Study 44, no. 1-2 (October 2022): 385–89. http://dx.doi.org/10.5325/resoamerlitestud.44.1-2.0385.

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Thompson, Terry W. "Melville's Moby-Dick." Explicator 59, no. 3 (January 2001): 130–32. http://dx.doi.org/10.1080/00144940109597110.

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Elliott, Geoffrey. "Melville's MOBY-DICK." Explicator 67, no. 4 (September 30, 2009): 252–54. http://dx.doi.org/10.1080/00144940903250201.

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Rothman, Irving N. "Melville's Moby Dick." Explicator 57, no. 3 (January 1999): 148–52. http://dx.doi.org/10.1080/00144949909596851.

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Hamilton, Christopher T. "Melville’s Moby-Dick." Explicator 49, no. 3 (April 1991): 152–53. http://dx.doi.org/10.1080/00144940.1991.11484047.

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Onishi, Naoki. "Melville's Moby-Dick." Explicator 50, no. 3 (April 1992): 148–50. http://dx.doi.org/10.1080/00144940.1992.9937938.

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Phillips, Rod. "Melville's Moby Dick." Explicator 53, no. 2 (January 1995): 92–95. http://dx.doi.org/10.1080/00144940.1995.9937238.

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Doty, Benjamin. "Digesting Moby-Dick." Leviathan 19, no. 1 (2017): 85–101. http://dx.doi.org/10.1353/lvn.2017.0006.

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Dissertations / Theses on the topic "Moby Dick"

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Pino, Morales Cristián. "Moby Dick and trascendental Decadence." Tesis, Universidad de Chile, 2007. http://repositorio.uchile.cl/handle/2250/110469.

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Pernelle, Beatrix. "La représentation dans Moby-Dick." Nice, 1993. http://www.theses.fr/1993NICE2019.

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Des nombreux tableaux et gravures évoqués dans le texte jusqu'aux tatouages et autres hiéroglyphes, Moby Dick est un roman marque par la multiplicité des représentations. Il semble que la représentation littéraire soit régie par la loi du narcissisme, qui règle tous les doubles et les jeux de miroir présents dans la fiction melvilienne. L'écriture permet en effet au moi de se représenter selon un processus qui, détruisant la plénitude narcissique de l'infans, contribue en même temps à la constitution du sujet. Mais la lettre en tant que trace écrite est loin d'établir une correspondance préétablie avec ce qu'elle désigne, laissant ainsi la place à une indétermination fondamentale. Cette conception contribue à la déconstruction d'une vision traditionnelle ontothéologique de la production de l'écriture. La question de la représentation ne peut être séparée de celle de la signification et du déchiffrement des signes, Moby Dick mettant en scène les processus interprétatifs mis en œuvre face à une image ou à un texte. Le sens n'est pas donné à l'avance mais reste à construire par l'interprète : le texte de Melville peut à ce titre être considéré comme la représentation d'un système linguistique, en l'occurrence la théorie énonciative de Culioli
Whether it deals with paintings and etchings or hieroglyphics, the novel is marked by a multiplicity of representations. Literary representation turns out to be under the rule of the principle of narcissism, which governs all the duplicates and mirroring effects in Melville fiction. The play of the writing allows the representation of the self according to a process which destroys the narcissistic plenitude of the "infans" subject but contributes at the same time to constitute the subject. But as a written mark, the letter is far from establishing a pre-determined relation with the object it refers to, and allows a fundamental indeterminacy. Such a conception contributes to the deconstruction of a traditional and theological vision of the production of the writing. The problem of representation cannot be separated from that of meaning and of the deciphering of sings. Moby-dick shows the process of the interpretation of an image or a text : meaning is not given, but has to be constructed by the interpret. In this sense Melville text can be considered as the representation of a linguistic system, in this case culioli's enunciative theory
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Ott, Sara Quantic Diane. "Paradox and philosophical anticipation in Melville's Moby-Dick." Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t069.pdf.

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Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences.
"May 2006." "Copyright 2006 by Sara Ott" Title from PDF title page (viewed on October 29, 2006). Thesis adviser: Diane Quantic. Includes bibliographic references (leaves 32-35).
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Ott, Sara. "Paradox and philosophical anticipation in Melville’s Moby-Dick." Thesis, Wichita State University, 2006. http://hdl.handle.net/10057/385.

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Much of the current critical literature on Moby-Dick lacks a unifying focus. This essay attempts to provide a thread of continuity for Moby-Dick by proving that paradox and Herman Melville’s anticipation of the early existential movement hold the key to a full reading of this text. By viewing the text itself, Melville’s personal correspondence, and the writings of Emerson, Hegel, Kierkegaard, and Nietzsche, the paradoxical tension by which this text must be read comes into clearer focus.
Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences.
"May 2006."
Includes bibliographic references (leaves 32-35)
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Johnson, Rebecca. "MOBY DICK! THE MUSICAL: A TRAVESTY IN TRAVESTI." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3580.

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Moby Dick! The Musical is a comedic parody based on Herman Melville's 1955 classic novel Moby Dick about a madman who seeks revenge on the great white whale that crippled his body and consumed his spirit. The thesis role I have chosen is "Starbuck", the ship's first mate. If this were a dramatic telling of the classic tale, my role would be considered an absurdity for the sure-known fact that Starbuck is a male character. However, since Moby Dick! The Musical is a spoof that features a play within a play, many, if not most, of the roles are being played by women (teenage school-girls to be exact). These roles are known as "trouser roles," and this tradition stems back to the 17th Century. The term refers to a male character sung by a woman (mezzo). It is also referred to as a "breeches part" or in Italian, "travesti". This will be my first trouser role experience. Before today, I hadn't given the concept much thought in relation to musical theatre. These roles generally live in works ranging from Shakespeare to early operetta, and most important, Opera. This thesis role will allow me to log a personal experience in journal form and experience those challenges and rewards that transpire from a live performance. My research will include the history of the "trouser role," including famous performers, specific roles in shows, and the effect it has had on audiences over the years. My main concern, however, is when, where, why, and how the concept made its transition to musicals. It will also be interesting to see what genres these roles are generally written for. Are they all parodies like Moby Dick! The Musical or are there a few dramas thrown into the mix? There will surely be a long list of shows that include the "lady in drag". When all is said and done, I will have a wealth of information in an educational thesis that will prove the significance of an ever-transforming concept.
M.F.A.
Department of Theatre
Arts and Sciences
Theatre
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Myrén, Alexander. "Criticism of Emerson's Transcendentalism in Melville's Moby-Dick." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-70906.

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In conceptualizing Moby-Dick; or, the whale, Herman Melville was both drawn and opposed to the ideas of Ralph Waldo Emerson. Through an analysis of the main characters in MobyDick and Emerson’s writing, it becomes evident that Transcendentalism is embodied in the characterization of the novel’s main characters. I argue that the eventual fates of characters in the novel reveal Melville’s criticism of Emerson’s ideas. Moreover, the depiction of ocean and land as a symbol of the soul in Moby-Dick mirrors Emerson’s idealized relationship between man and nature. However, the ambiguous and horrific nature Melville produces shows that the romantic ideal of Emerson’s is lacking.
I skrivandet av Moby Dick eller valen så kom Herman Melville att både inspireras av och motsätta sig Ralph Waldo Emersons idéer. Genom en analys av huvudkaraktärerna i Moby Dick samt Emersons texter så är det tydligt att transcendentalism finns förkroppsligad i karaktäriseringen av romanens huvudkaraktärer. Jag argumenterar för att karaktärernas slutgiltiga öden i romanen uttrycker Melvilles kritik av Emersons idéer. Vidare så är skildringen av hav och land som en symbol för själen i Moby Dick en spegling av Emersons idealiserade förhållande mellan människa och natur. Emellertid den tvetydiga och fruktansvärda natur Melville skapar visar på bristfälligheten i Emersons romantiska ideal.
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Hänssgen, Eva. "Herman Melvilles 'Moby-Dick' und das antike Epos /." Tübingen : G. Narr, 2003. http://catalogue.bnf.fr/ark:/12148/cb390763590.

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Vafa, Amirhossein. "Rethinking world literature from 'Moby Dick' to 'Missing Soluch'." Thesis, University of Sheffield, 2015. http://etheses.whiterose.ac.uk/8165/.

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This thesis stems from interlocking sites of local and global inequalities that span from the public to cultural realms. Considering the US-Iranian relations, and America’s geopolitical presence in the Persian Gulf since the Cold War, my literary study concerns a world order of core-periphery divides that chart the global circulation of travelling texts. Within this process of establishing “national” and “world texts,” silenced are subordinate characters whose untold stories read against the grain of institutional World Literature. Towards an egalitarian cross-cultural exchange, therefore, I examine works of fiction and cinema across a century and two oceans: Herman Melville’s Moby-Dick, Esmail Fassih’s The Story of Javid, Mahmoud Dowlatabadi’s Missing Soluch, and Amir Naderi’s film The Runner. In contention with the widespread Eurocentric treatments of world literatures, and in recognition of radical efforts to reimagine the worldliness of American and Persian literatures respectively, I maintain that aesthetic properties are embedded in their local histories and formative geographies. Bridging two literary worlds, then, I introduce the Parsee Fedallah as a figure whose significant role has been subdued in Melville scholarship. To retrieve his unheard voice, or “proleptic narrative,” is to de-territorialize an American master-text, and to bring the character to his Persian literary and cinematic counterparts in a subversive practice of Comparative Literature. In effect, lived experiences of Fassih’s Javid (a Zoroastrian national trope) and Dowlatabadi’s Mergan (a marginalized rural woman) are “proleptic” articulations of Fedallah’s voice in Iranian fiction. In-between Melville’s outward “sea” and Fassih and Dowlatabadi’s inward “land” is an alternative space in which the border-crossing of fictional characters enable counter-hegemonic cartographies. In conclusion, by virtue of his creative conflict with Melville, Naderi’s Amiru points at the silver screen as a visual realm of new possibilities beyond the monopoly of an expansive World Literature.
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Gambarotto, Bruno. "Modernidade e mistificação em Moby-Dick, de Herman Melville." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-14032013-104328/.

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Neste estudo de análise e interpretação de Moby-Dick (1851), de Herman Melville (1819-1891), pretendemos formular e esclarecer questões relativas ao momento de definição do romance norte-americano, bem como à obra que se traduz como o esforço mais radical de um norte-americano na tentativa de, então, levar a forma romance ao estudo e reflexão sobre sua sociedade. Para tanto, recuperamos da leitura da obra os aspectos que mais fortemente tematizam tal intento: a crise ideológica de fins da década de 1840, quando os ideais revolucionários de igualdade da antiga república são finalmente confrontados com as consequências de sua integração no sistema capitalista mundializado questão central de Redburn (1849) e White-Jacket (1850), romances que preparam Moby-Dick e marcam as primeiras experiências de Melville como escritor social; o conceito de fronteira, problema de definição identitária norte-americana que abarca desde a ocupação da wilderness puritana no século XVII ao estabelecimento, à época de Melville, de uma política de Estado imperialista e, ademais, passa pela cristalização de perspectivas culturalmente particulares de propriedade e formação social de classe; e, finalmente, as noções de técnica e trabalho, diretamente implicadas na atividade baleeira e, de modo mais amplo, no avanço civilizatório norte-americano, e para quais pesam a consciência do valor social do trabalho livre e sua coexistência com a escravidão. É sob tais preocupações que contemplaremos, à luz da teoria crítica e da tradição crítica brasileira, as especificidades formais do romance, a saber, a apropriação estrutural do trágico em contraposição à épica, que define o percurso de Ahab, o capitão do Pequod, em sua caçada a Moby Dick, e a formação de um narrador reflexionante, o sobrevivente Ishmael, que retoma o passado da catástrofe para ferir o presente em que se perpetuam, no roldão do ingresso norte-americano na modernidade, as condições para sua reprodução.
Through an analytical and interpretative study of Herman Melvilles Moby-Dick I intend to formulate and clarify the historical turning point of the American novel, specifically what is deemed the most radical effort of an American writer to bring a comprehensive study on society into novelistic form. In order to accomplish that, I reconsider some of the features of Moby-Dick that strongly appealed to the times. First the ideological crisis of the 1840s, when the equalitarian revolutionary ideals of the Independence were finally confronted by the consequences of the U.S. being fully compromised to the Industrial Revolution and the capitalistic worldwide system. This is a central issue in Redburn (1849) and White-Jacket (1850), both novels where some major features of Moby-Dick are anticipated and firstly tested. Second, I scrutinize the concept of frontier -- a national identity issue that can be traced back to the Puritan 17th century errand into the wilderness that is strongly attached in the age of Melville to the ideological making of American imperialism. Besides, it also has had a major role in the crystallization of culturally specific perspectives on property and the establishment of social classes. Finally, I reconsider the notions of technique and labor, directly implied in the whaling industry and in a more general way in the marching of American civilization towards the West, which has had a strong impact on the understanding of the social significance of free labor and its coexistence with slavery. With those things under consideration, and through the surmises of the Critical Theory and the Brazilian tradition of social and literary criticism as well, it is my aim to shed light on some esthetical features of the novel, particularly on the tragic structure (as opposed to the epic) that defines the career of Pequods Captain Ahab and his obsessive chasing of Moby Dick, and the constitution of a self-reflexive narrator, the survivor Ishmael, who recalls the past of the catastrophe in order to attack the social reproduction of its conditions in the present.
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Sousa, Maria Isabel. "Environmental concerns in Melville's Moby-Dick and Thoreau's Walden." Master's thesis, Universidade de Aveiro, 2013. http://hdl.handle.net/10773/11440.

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Mestrado em Línguas, Literaturas e Culturas
A presente dissertação procura analisar Moby-Dick, de Herman Melville, e Walden, de Henry David Thoreau, narrativas que, em meados do século XIX, alertavam para a necessidade de preservar a natureza, num tempo em que os Estados Unidos da América começavam a explorar as potencialidades da revolução industrial. Afirmando-se, de certo modo, como profetas dos excessos que o homem viria a cometer na era pós-industrial, prenunciavam já os desastres ecológicos que atualmente conhecemos e que têm sido praticamente ignorados. Assim sendo, há todo o interesse em revisitar estes textos, visto terem teorizado, de uma forma literária, mas simples, muitos dos aspetos presentes no discurso da ecocrítica atual. Além disso, este estudo pretende demonstrar que é urgente o homem compreender que é moralmente inaceitável violar as leis da natureza. Para o seu próprio bem e de todo o universo, é imperioso que a respeite, tal como Melville e Thoreau prudentemente preconizaram.
This dissertation aims at analyzing Herman Melville’s Moby-Dick and Henry David Thoreau’s Walden, mid-nineteenth-century American narratives where both authors called attention to the need to preserve nature, at a time when the United States of America was beginning to explore – and possibly exploit – the potential promised by the industrial revolution. To a certain extent, they stood out as prophets of the excesses that man would commit in the post-industrial era, hence foreshadowing the ecological disasters that we have witnessed of late but, unfortunately, have practically ignored. Thus, there is much to be gained when revisiting these texts, since both voices theorized, in a literary, but simple way, many of the issues present in current environmental discourse. Furthermore, this study aims at demonstrating that it is urgent man finally realizes that it is morally unacceptable to violate the laws of nature. For both his own and the universe’s sake, it is imperative that human beings respect nature, as Melville and Thoreau wisely advocated.
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Books on the topic "Moby Dick"

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Matatyahu, Dalit. Mobi Diḳ: Moby DIck. Tel Aviv: Muzeʼon Tel Aviv le-omanut, 2013.

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Melville, Herman. Moby-Dick. New York: Washington Square Press, 1999.

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Melville, Herman. Moby Dick. Oxford: Oxford University Press, 2008.

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Stahlberg, Lance. Moby Dick. New Delhi: Kalyani Navyug Media, 2009.

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Olmstead, Kathleen. Moby-Dick. New York, NY: Sterling, 2010.

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Giromini, Margherita. Moby Dick. Colognola ai Colli (VR): Demetra, 2002.

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Napoli, Tony. Moby Dick. Belmont, Calif: Lake Education, 1996.

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Melville, Herman. Moby Dick. Barcelona: Debolsillo, 2003.

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Melville, Herman. Moby Dick. Harmondsworth: Penguin books, 1994.

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Melville, Herman. Moby Dick. Oxford: Oxford University Press, 1999.

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Book chapters on the topic "Moby Dick"

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Melville, Herman. "Moby Dick." In Moby Dick. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199535729.003.0044.

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I, Ishmael, was one of that crew; my shouts had gone up with the rest; my oath had been welded with theirs; and stronger I shouted, and more did I hammer and clinch my oath, because of the dread in my soul. A...
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Melville, Herman, and Hester Blum. "Moby Dick." In Moby-Dick. Oxford University Press, 2022. http://dx.doi.org/10.1093/actrade/9780198853695.003.0046.

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I, Ishmael, was one of that crew; my shouts had gone up with the rest; my oath had been welded with theirs; and stronger I shouted, and more did I hammer and clinch my oath, because of the dread in my soul. A...
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"Moby Dick." In Transforming Terror, 194. University of California Press, 2019. http://dx.doi.org/10.1525/9780520949454-071.

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"Moby-Dick." In Among Ruins, 28. University of Notre Dame Press, 2017. http://dx.doi.org/10.2307/j.ctvpj7d8b.16.

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Marini, Sara. "Moby Dick:." In Moby Dick: avventure e scoperte | Adventures and Discoveries, 8–15. Quodlibet, 2021. http://dx.doi.org/10.2307/j.ctv2z0vts7.3.

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"Moby-Dick." In Sailing without Ahab, 51. Fordham University Press, 2024. http://dx.doi.org/10.2307/jj.11064711.48.

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Donoghue, Denis. "Moby-Dick." In The American Classics, 55–100. Yale University Press, 2005. http://dx.doi.org/10.12987/yale/9780300107814.003.0003.

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Hogan, Patrick Colm. "Moby Dick." In American Literature and American Identity, 161–75. Routledge, 2020. http://dx.doi.org/10.4324/9781003035213-11.

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"Moby-Dick." In Sailing without Ahab, 51. Fordham University Press, 2024. http://dx.doi.org/10.1515/9781531506346-045.

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Melville, Herman. "Etymology." In Moby Dick. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199535729.003.0002.

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(supplied by a late consumptive usher to a grammar school) The pale Usher—threadbare in coat, heart, body, and brain; I see him now. He was ever dusting his old lexicons and grammars, with a queer handkerchief, mockingly embellished with all the gay...
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Conference papers on the topic "Moby Dick"

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Zhao, Hua. "A Great Prophecy of the Historical Development of Human Society: Moby Dick." In 5th International Symposium on Social Science (ISSS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200312.051.

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Jia, Ziwei, Daxin Yang, Meng Wu, Suyu Di, and Yuewei Ma. "An Analysis of the Relationship between Human and Nature in Moby Dick." In 6th International Conference on Social Network, Communication and Education (SNCE 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/snce-16.2016.1.

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Gale, Janez, and Iztok Tiselj. "Simulation of the Critical Flashing Flow With the Transient 1D Two-Fluid Model." In ASME 2004 Heat Transfer/Fluids Engineering Summer Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/ht-fed2004-56315.

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The paper presents results of the 1D computer code WAHA, developed for the water hammer simulations, applied for the simulation of the critical flashing flow in the “Super Moby Dick” convergent-divergent nozzle. The mathematical model of the code is briefly introduced with special emphasis on applied dispersed flow homogeneous-relaxation model of inter-phase heat and mass transfer. The results of the simulations of the critical flashing flow are compared to the experimental data.
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Gaido, Marco, Susana Rodríguez, Matteo Negri, Luisa Bentivogli, and Marco Turchi. "Is “moby dick” a Whale or a Bird? Named Entities and Terminology in Speech Translation." In Proceedings of the 2021 Conference on Empirical Methods in Natural Language Processing. Stroudsburg, PA, USA: Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.emnlp-main.128.

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Lafon, Philippe, Mohamed Essadki, Yann Bartosiewicz, and Jean-Marie Seynhaeve. "Assessment of Two Phase Critical Flow Models and Implementation in Fast Transient Fluid Dynamics Software." In ASME 2015 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/pvp2015-45559.

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The discharge of a subcooled liquid or a liquid-vapor mixture at high temperature and pressure can occur in many industrial situations. This paper is focused on the analysis of critical flow models that are already available in the fast transient dynamics software EUROPLEXUS, or that are being implemented as new break boundary conditions. The results of the Moody, Fauske, Flinta, Henry-Fauske and DEM models are presented and compared with the Super Moby Dick experimental results. The best results are obtained for the DEM. Then preliminary results concerning the implementation of the DEM model as a break boundary condition in EUROPLEXUS are given.
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Lin, Shanyu. "The Comparison Between the “Moby Dick” and “The Old Man and the Sea” from the Perspective of Ecocriticism." In 2020 Conference on Education, Language and Inter-cultural Communication (ELIC 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201127.124.

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Bartosiewicz, Yann, and Jean-Marie Seynhaeve. "Delayed Equilibrium Model (DEM) of Flashing Choked Flows Relevant to LOCA and Implementation in System Codes." In 2014 22nd International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/icone22-30957.

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In the context of nuclear reactor safety, a pipe breach in the primary circuit is the initiator of a Loss of Coolant Accident (LOCA). The calculation of leak rates involving the discharge of water and steam mixtures plays an important role in the modeling of LOCA’s for both GEN II and GEN III reactors, and also for the Supercritical Water Reactor of GEN IV. Indeed, the flow though the breach determines the depressurisation rate of the system and the time to core uncover which in turn are of major concern for when and how different mitigation auxiliary systems will be initiated and be efficient. This paper deals with the new development of the DEM model focused on thermodynamic non-equilibrium conditions, which prevail in the flashing flow process near the critical section. This model, developed at the University of Louvain (UCL), is the 1-D Delayed Equilibrium Model (DEM) for choked or critical flow rate in steady state or quasi-steady state conditions. The DEM are assessed against experimental data such as Super Moby-Dick and BETHSY experiments done in CEA during the eighties. The DEM model has been recently implemented in the WAHA code, which is based on a two fluid 1D six equations model. The methodology can be applied to other system code (CATHARE, RELAP, etc.).
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Kumar, Amit, Carlotta Tammone, and Fredrik Haglind. "Numerical Investigation of Flashing Flow in a Convergent-Divergent Nozzle." In ASME Turbo Expo 2023: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/gt2023-103483.

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Abstract In order to reduce CO2 emissions, it is important to utilize renewable energy sources to their fullest. The output of renewable energy sources fluctuates which can be addressed through reliable storage. Liquid air energy storage can be used as an alternative energy storage method. Replacing the Joule-Thompson valve in the liquefaction process with a turbo-expander can increase the round-trip efficiency of the liquid air energy storage system. When the expansion occurs in two-phase conditions, the flow undergoes a flashing expansion with simultaneous acceleration and nucleation of vapor. To perform an efficient design of the turbo-expander, it is imperative to understand the flashing phenomenon and to model it accurately. The main objective of this paper is to identify the correct modeling approach available in commercial computational fluid dynamics software to predict the flashing phenomenon of water. Super Moby Dick and Abuaf nozzles were investigated using 2D Reynolds-averaged Navier-Stokes equations coupled with a two-phase mixture model. The Zwart-Gerber-Belamri model, Schnerr and Sauer model, and Lee model were used to model the interphase mass transfer. The results of the numerical simulations were compared with experimental data in order to evaluate which approach is the most suitable to model the flashing phenomenon. The results indicate that all models are strongly sensitive to the values of the model constants, as they govern both the onset of vapor nucleation and the vaporization rate. Therefore, in order to accurately predict the flashing phenomenon, a tuning of these parameters is needed. Overall, the error in the pressure profile increases as the inlet temperature increases, due to an increasing influence of non-equilibrium effects. Despite the fact that flashing and cavitation appear to have similar macroscopical characteristics, their underlying phase-change mechanisms are different. Additionally, owing to the absence of a wall nucleation model, it is not possible to accurately capture localized flow phenomena.
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Reports on the topic "Moby Dick"

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Kostelac, Cole, Nicholas Thompson, Jesson Hutchinson, Joetta Goda, and Nicholas Whitman. IER-517: Molybdenum Optimized Benchmark System Demonstrating Integral Correlations (MOBY DICK) CEDT Phase-1 Preliminary Design. Office of Scientific and Technical Information (OSTI), November 2022. http://dx.doi.org/10.2172/1898349.

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