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1

Amos, Diane. Mixed blessings. Waterville, Me: Five Star, 2004.

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2

Wakley, Dina. Art journal courage: Fearless mixed media techniques for journaling bravely. Cincinnati OH: North Light, 2014.

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3

Adventures in mixed media: Collage, stitch, fuse, and journal your way to a more creative life. New York: Potter Craft, 2011.

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4

McDonald, Quinn. Raw art journaling. Cincinnati, Ohio: North Light Books, 2011.

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5

Palazzari, Ronda. Art of layers: Simple techniques, inventive scrapbook pages, imaginative papercrafts. Cincinnati, Ohio: North Light Books, 2012.

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6

Erdrich, Louise. Conversations with Louise Erdrich and Michael Dorris. Jackson: University Press of Mississippi, 1994.

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7

McDonald, Quinn. Inner Hero Creative Art Journal: Mixed Media Messages to Silence Your Inner Critic. F&W Media, Incorporated, 2014.

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8

Taylor, Terry. The Artful Storybook: Mixed-Media Artists Create Handmade Tales. Lark Books, 2008.

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9

Rutell, Megan. Beyond Bullets: Creative Journaling Ideas to Customize Your Personal Productivity System. Ulysses Press, 2017.

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Javier-Cerulli, Gabrielle. Art Journal Your Archetypes: Mixed-Media Techniques for Finding Yourself. F&W Media, Incorporated, 2016.

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11

Final Draft. Harry N. Abrams, 2019.

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12

Redgate, Riley. Final draft. 2018.

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13

The story keeper. 2014.

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14

Fight Write: How to Write Believable Fight Scenes. Writer's Digest Books, 2019.

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15

Cilla Lee-Jenkins: Future Author Extraordinaire. Square Fish, 2018.

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16

Tan, Susan, and Dana Wulfekotte. Cilla Lee-Jenkins: The Epic Story. Square Fish, 2020.

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17

Tan, Susan, and Dana Wulfekotte. Cilla Lee-Jenkins: This Book Is a Classic. Roaring Brook Press, 2018.

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18

illustrator, Wulfekotte Dana, ed. Cilla Lee-Jenkins: Future author extraordinaire. Roaring Brook Press, 2017.

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19

Tan, Susan, and Dana Wulfekotte. Cilla Lee-Jenkins: Future Author Extraordinaire. Roaring Brook Press, 2017.

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20

Cilla Lee-Jenkins: This Book Is a Classic. Square Fish, 2019.

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21

Cilla Lee-Jenkins: The Epic Story. Roaring Brook Press, 2019.

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The painted art journal: 24 projects for creating your visual narrative. North Light Books, 2018.

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23

Rosenberg, Michael. (De)Mythologizing the Hymen. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190845896.003.0009.

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Augustine of Hippo, it is argued, shares more in common, on the topic of virginity testing, with the Rabbis of Babylonia than he does with other Church Fathers such as Cyprian and Ambrose. The latter are typical of late antique Christian authors, speaking in the mixed registers of faith and anatomy as found in works such as the Mishnah and the Protevangelium. Augustine, by contrast, utterly rejects gynecology as a means of establishing virginity. Although his move is quite different from that of the Babylonian Talmud, it seems that he and the Rabbinic work’s authorship share a set of concerns: an interest in subverting dominant norms of masculinity and rejecting the lust for dominance.
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24

Whyman, Susan E. Hutton as an Author. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198797838.003.0007.

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Reading and writing were cornerstones of the lives of self-educated rough diamonds like Hutton. He is a perfect example of the dreaded rising author, who wrote for money, without education or status. His writings reveal new modes of authorship and the literary culture of an industrial town. Chapter 6 appraises his work by examining 70 periodical reviews of Hutton’s 15 books. Based on personal experience, they mixed history, travelogues, and life writing. Though they suited the nation’s thirst for entertainment and useful knowledge, Hutton has not been recognized as a new kind of writer, who produced unlearned books for a commercial age. His blunt style and breach of polite norms horrified the literary establishment. But his accessible prose satisfied new audiences and led to alternative yardsticks of literary taste. Hutton thus had an impact on two contrasting groups of readers, and helped put the English Midlands on the national literary map.
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McConville, Mike, and Luke Marsh. The Myth of Judicial Independence. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198822103.001.0001.

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This book on the criminal justice system is uniquely positioned to examine judicial claims to independence, the politics of the judiciary, the rule of law, and the role of the executive in the context of a democratic polity. The authors have mined the British government’s archival vaults to assemble records including official (previously classified) Home Office files and present a ground-breaking narrative. By tracking the relationship between senior judges and the Home Office from the end of the nineteenth century to the modern day, revelations concerning the politics of the judiciary and the separation of powers are unearthed. The book argues that the claims of the senior judiciary to be independent of the executive are invalidated by historical records and the theory and practice of the separation of powers (the ‘Westminster Model’) deeply flawed. Rather, at every material point, civil servants compromised the role of the senior judiciary’s decision-making. Moreover, with the passive endorsement of senior judges, the executive repeatedly misled Parliament as to the authorship and provenance of fundamental rules governing the relationship of the individual to the state in relation to police powers of arrest, detention, and questioning. The book also explores the past and continuing impact of all this to former colonial territories and traces the close liaison between key members of the senior judiciary and the state in reconfiguring the modern criminal process in a way which weakens defence lawyers, pressurizes defendants into pleading guilty, and undermines cardinal adversarial protections.
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