Journal articles: 'Mitchell'

1

Kintner, Amy. "Back to the garden again: Joni Mitchell's ‘Woodstock’ and utopianism in song." Popular Music 35, no. 1 (November 30, 2015): 1–22. http://dx.doi.org/10.1017/s0261143015000793.

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AbstractJoni Mitchell's ‘Woodstock’ is one of the most recognisable songs about the 1969 festival, yet Mitchell did not attend Woodstock and instead wrote her song in a New York City hotel room. The song ‘Woodstock’, then, represents the event not as it literally happened, but as it could have been, as an idealised depiction of nostalgia for the festival and the era's utopian potential. I analyse Mitchell's song as a utopian text and investigate the political efficacy of ‘Woodstock's musical and lyrical content for Mitchell, for other artists who cover the song, and for audiences who may recognise it as the festival's ‘theme’. As her career continues, Mitchell abandons the folk-based style of her early albums, but keeps ‘Woodstock’ an active part of her performance repertoire. I trace three later versions to show that the utopianism of the original disappears as Mitchell re-imagines the song, the event and its ideological legacy.

2

Watts, W. A., and R. G. West. "George Francis Mitchell. 15 October 1912 — 25 November 1997." Biographical Memoirs of Fellows of the Royal Society 45 (January 1999): 315–28. http://dx.doi.org/10.1098/rsbm.1999.0021.

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George Francis Mitchell, Frank to all who knew him, died peacefully at the age of 85 in October 1997 after a short illness. He was the son of David William Mitchell and Frances Elizabeth Mitchell ( née Kirby ), and had led an extraordinarily distinguished, productive and varied life. The Mitchells were a family of Scottish origin who came to Dublin in the mid-nineteenth century. They were in a variety of businesses, from upholstery for railway carriages to fine fabrics, from furniture and hardware to laboratory suppliers of glassware and chemicals. Frank and his brother David, a consultant physician, and his sister Lillias, who maintained a family tradition as a teacher of fine textiles, were the first generation of the family to experience third-level education.

3

Chalder, Trudie, Peter Denton White, Michael Sharpe, and Alex J. Mitchell. "Controversy over exercise therapy for chronic fatigue syndrome: Continuing the debate." BJPsych Advances 23, no. 5 (September 2017): 288–91. http://dx.doi.org/10.1192/apt.23.5.288.

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Editor's SummaryIn a recent Round the Corner, Mitchell commented on a Cochrane Review of exercise therapy for chronic fatigue syndrome (CFS). One of the trials included in that review, and discussed by Mitchell, was the PACE trial. In this month's Round the Corner we are publishing a response we received from authors of the PACE trial (Chalder, White & Sharpe), together with Mitchell's reply. Ed.

4

Geiger, Patrick. "Book Review: Don Mitchell's 'Mean Street'." Radical Housing Journal 4, no. 1 (July 13, 2022): 173–76. http://dx.doi.org/10.54825/yifx1187.

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Don Mitchell’s latest book represents the culmination of three decades of research on the criminalization of homelessness. Drawing heavily from Marxist urban theory, Mitchell invites readers to consider the relationship between capitalism, homelessness, and public space. I argue Mitchell’s analysis is particularly relevant during overlapping socio-economic and public health crises which lay bare the contradictions and abuses of racial capitalism. I call attention to how Mitchell connects struggles over the rights of the unhoused to broader class struggles and his argument for doing ‘social’ things amidst anti-social and anti-urban state responses to crisis.

5

RAW, ANTHONY. "Nomenclatural changes in leafcutter bees of the Americas: Megachile Latreille 1802 (Hymenoptera; Megachilidae)." Zootaxa 766, no. 1 (December 14, 2004): 1. http://dx.doi.org/10.11646/zootaxa.766.1.1.

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Five species of Megachile are placed in their correct subgenera, raising the total number of correctly placed species of this genus to 519 in the Americas. Megachile (Dasymegachile) mitchelli new name is proposed for Cressoniella (Chaetochile) golbachi Schwimmer, in Mitchell, 1980.

6

Uitto, Juha I. "Environmental Hazards, Climate Change and Disaster Risk Reduction: J. K. Mitchell’s Relevance to the Global Sustainable Development Agenda." Journal of Extreme Events 03, no. 02 (June 2016): 1671006. http://dx.doi.org/10.1142/s2345737616710068.

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This paper argues how Mitchell’s work on complex disasters and environmental hazards is highly relevant to the global Sustainable Development Agenda and the international organizations involved in its implementation. The paper takes as its starting point two United Nations University projects led by Mitchell in the 1990s and reviews their prescience in terms of current developments in the context of urbanizations, economic development, population growth, and global environmental change. The issue of adaptation to climate change is highlighted as exemplifying the importance of integrated approaches encompassing human and natural systems, as advocated by Mitchell. Challenges to program and policy evaluation are then discussed with regard to adaptation, adopting Mitchell’s approach of understanding local situations while anchoring evaluation in scientific knowledge.

7

Usmiani, Renate. "Roy Mitchell: Prophet in Our Past." Theatre Research in Canada 8, no. 2 (September 1987): 147–68. http://dx.doi.org/10.3138/tric.8.2.147.

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Roy Mitchell, Canadian pioneer of modernism in the theatre, has been largely ignored by Canadian theatre historians and publishers. Creative Theatre (1929), his summa, was republished in 1969 - in the United States. It is the purpose of this article to give an overview of Mitchell's innovative theoretical ideas (as expressed in his three books and numerous articles); of the early practical work at the Arts and Letters Club and at Hart House Theatre, which led to these ideas; and of the interrelationship between Mitchell's aesthetics of the theatre and his theosophist beliefs.

8

Jeffery, Lucy. "Beckett's Brush with Joan Mitchell: Painterly Techniques in ‘One Evening’." Journal of Beckett Studies 27, no. 2 (September 2018): 175–92. http://dx.doi.org/10.3366/jobs.2018.0235.

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This paper explores Samuel Beckett's creative relationship with the painter, Joan Mitchell. Through an analysis of Beckett's short text ‘One Evening’ (1980) and Mitchell's painting Tondo (1991), it explores the influence these artists had on each other's work. By drawing comparisons between their aesthetic approaches to their respective medium, it suggests that Beckett's self-reflexive, ambiguous, and carefully coloured late text shares similarities with the work Mitchell was producing around the same time. It uses art historical scholarship and close textual analysis to show how, in some instances, their creative processes reflects that of Paul Cézanne. Beckett's late style is seen as not simply becoming darker, but, like Mitchell's canvases, fluctuates between light and dark, colour and monochrome. The paper proposes that through their considered use of colour both Beckett and Mitchell's work intensifies rather than alleviates the essential tension that drives their aesthetic thought.

9

Passos, Mateus Yuri. "Glimpses of a New York Emerging from Silence: Joseph Mitchell’s Journalistic Memorial Essay." Brazilian Journalism Research 13, no. 1 (May 7, 2017): 90. http://dx.doi.org/10.25200/bjr.v13n1.2017.949.

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This paper discusses ‘Street Life’, ‘Days in the Branch’ and ‘A Place of Pasts’, excerpts fragments from The New Yorker reporter Joseph Mitchell’s unfinished memoir book he started writing during his famous period of silence from 1964 to 1994. Within the scope of Mitchell’s writings, this group of texts may be considered as part of his fourth period of writing, one that was gradually established between the mid-1940s and early 1960s. They also constitute a unique genre of journalism which is referred to here as his memorial essay. Este artigo discute “Street Life”, “Days in the Branch’ e “A Place of Pasts”, fragmentos do livro de memórias inacabado que Joseph Mitchell, repórter da revista The New Yorker, começou a produzir durante seu famoso período de silêncio entre 1964 e 1996. Dentro do contexto maior da obra de Mitchell, os textos podem ser compreendidos como uma quarta fase de sua produção, formada gradualmente entre a segunda metade dos anos 1940 e o início dos anos 1960, e constituem um gênero jornalístico singular, aqui denominado ensaio-memorial.Este artículo discute ‘Street Life’, ‘Days in the Branch’ y ‘A Place of Pasts’, fragmentos del libro memorialístico inconcluso que Joseph Mitchell, reportero de la revista The New Yorker, empezó a escribir durante su famoso periodo de silencio entre 1964 y 1996. En el contexto más amplio de la obra de Mitchell, los textos pueden ser comprendidos como una cuarta fase de su producción, gradualmente formada entre lasegunda mitad de los 1940 y el inicio de los 1960, constituyendo un género periodístico singular, aquí llamado ensayo memorial.

10

Whitesell, Lloyd. "Harmonic palette in early Joni Mitchell." Popular Music 21, no. 2 (May 2002): 173–93. http://dx.doi.org/10.1017/s0261143002002118.

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Joni Mitchell has recently been critically received and marketed as a ‘classic’ songwriter. Yet the existing literature has hardly begun to explore the sophistication of her technical achievement. One of her most distinctive contributions is in the realm of harmonic innovation. Through a comprehensive survey of her work, I have found that Mitchell's songs fall under five categories of harmonic organisation: modal, polymodal, chromatic, polytonal, and pedal point. I examine these categories in detail, choosing a variety of examples from the early years of her career (1966–1972). My analyses are intended to contribute to a more knowledgeable appreciation of Mitchell's intellectual stature as a composer. While many songwriters have been inventive within traditional tonal harmony, Mitchell's work is impressive for its extended exploration of alternatives to single key structures and the major/minor system.

11

Burkholder, David B., and Christopher J. Boes. "Silas Weir Mitchell on Epilepsy Therapy in the Late 19thto Early 20thCenturies." Canadian Journal of Neurological Sciences / Journal Canadien des Sciences Neurologiques 41, no. 6 (November 2014): 769–72. http://dx.doi.org/10.1017/cjn.2014.42.

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AbstractSilas Weir Mitchell (1829-1914), one of the fathers of American neurology, is well known for many contributions to neurology. However, his efforts in epilepsy are overshadowed by his other accomplishments. Mitchell introduced a new bromide preparation, lithium bromide, as a viable therapy. His most widely accepted contribution to the field was the introduction of inhaled amyl nitrite for early termination of seizures accompanied by an appropriate aura. Despite the prevalent views on lifestyle modification as a treatment for epilepsy during this time period, as well as Mitchell's own development of the “rest cure” for certain disease states, he was not a proponent of these types of interventions for epilepsy, nor did he support interventions focused on other organ systems, such as abdominal or gynecologic surgery. Mitchell had distinct opinions on the treatment of epilepsy, and helped to advance its therapeutics during his career.

12

Larson, Ethan. "Open to the Public: Serbs and Ethnic Crossover in the United States." Two Homelands, no. 55 (November 28, 2022): 55–72. http://dx.doi.org/10.3986/dd.2022.1.04.

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Diasporas are often imagined as impermeable communities. Yet the boundaries of the Serbian diaspora in the United States were surprisingly porous to certain outsiders, such as Ruth Mitchell, who routinely dressed as a Chetnik to address Serbian immigrants. Mitchell’s act of ethnic crossover, this paper argues, fits into a broader pattern of ethnic outsiders joining Serbian organizations in the United States. Four case studies besides Ruth Mitchell are discussed: Eleanor Calhoun, Johann Blose, Charles DeHarrack, and Frank Melford. Diplomats acted as gatekeepers to these Serbophiles, limiting access to emigrant social and political networks as they saw fit—but only rarely was the Serbophiles’ ethnic background a factor.

13

Huertas, Thomas F., and Joan L. Silverman. "Charles E. Mitchell: Scapegoat of the Crash?" Business History Review 60, no. 1 (1986): 81–103. http://dx.doi.org/10.2307/3115924.

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Extremely successful both as an investment and as a commercial banker, Charles E. Mitchell was identified by contemporaries as the epitome of the unscrupulous “money changers” whose speculative dealings they felt played a major role in the Crash of 1929 and the ensuing economic collapse. This portrayal has been echoed and elaborated by historians and commentators down to the present day. In this article Dr. Huertas and Dr. Silverman demonstrate that Mitchell's activities, while sometimes ill-advised, were motivated by the economic“good sense” of the day and were not attributable to either rampant immorality or ungoverned greed. At the same time, they direct the attention of economic historians to the monetary policies of the Federal Reserve system in the 1920s and 1930s—in which Mitchell also played a role—and suggest that a more potent source of the Great Depression lies therein.

14

GIBBS, JASON. "Revision of the metallic species of Lasioglossum (Dialictus) in Canada (Hymenoptera, Halictidae, Halictini)." Zootaxa 2591, no. 1 (August 31, 2010): 1. http://dx.doi.org/10.11646/zootaxa.2591.1.1.

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The bee subgenus Dialictus (Hymenoptera: Halictidae: Lasioglossum) comprises the most commonly collected bees in North America and have the most diverse social systems of any equivalent group of insects. Despite their importance, as pollinators and as model organisms for studying the evolution of social behaviour, Dialictus remain one of the greatest challenges in bee taxonomy. A taxonomic revision of the metallic species of Canadian Dialictus has been completed which resolves many of the difficulties of these bees. Complete species descriptions with illustrations are provided for 84 metallic Dialictus in Canada along with keys to identify males and females. The following nineteen new species are described: Lasioglossum (Dialictus) abundipunctum new species, L. (D.) atwoodi new species, L. (D.) dashwoodi new species, L. (D.) ebmerellum new species, L. (D.) ephialtum new species, L. (D.) imbrex new species, L. (D.) knereri new species, L. (D.) lilliputense new species, L. (D.) macroprosopum new species, L. (D.) packeri new species, L. (D.) prasinogaster new species, L. (D.) reasbeckae new species, L. (D.) sablense new species, L. (D.) sandhousiellum new species, L. (D.) sheffieldi new species, L. (D.) sitocleptum new species, L. (D.) taylorae new species, L. (D.) timothyi new species, and L. (D.) yukonae Gibbs, new species. Lasioglossum (D.) mitchelli is proposed as a replacement name for L. atlanticum (Mitchell) due to secondary homonymy with Halictus interruptus atlanticus Cockerell, a junior subjective synonym of L. interruptum (Panzer).The following forty-three new synonymies are proposed: L. (D.) admirandum (Sandhouse) (= D. perspicuus Knerer and Atwood); L. (D.) albipenne (Robertson) (= Halictus palustris Robertson, = H. (Chloralictus) lactineus Sandhouse, = H. (C.) basilicus Sandhouse); L. (D.) albohirtum (Crawford) (= H. pilosellus Cockerell); L. (D.) brunneiventre (Crawford) (= H. pilosicaudus Cockerell); L. cattellae (Ellis) (=D. alternatus Mitchell); L. connexum (Cresson) (= H. (C.) politissi-mus Cockerell); L. (D.) cressonii (Robertson) (= D. delectatus Mitchell); L. floridanum (Robertson) (= D. intrepidus Mitchell); L. (D.) foveolatum (Robertson) (= D. supraclypeatus Mitchell); L. (D.) imitatum (Smith) (= H. (C.) insolitus Sandhouse, = D. lectus Mitchell); L. (D.) incompletum (Crawford) (= D. ornduffi Hurd); L. (D.) laevissimum (Smith) (= H. (C.) astutus Sandhouse, = H. (C.) abundus Sandhouse, = H. (C.) jamesae Cockerell, = H. (C.) phaceliarum Cockerell, = H. (C.) praepes Sandhouse, = D. solidaginis Mitchell, = H. (C.) tranquillus Sandhouse); L. (D.) lineatulum (Crawford) (= H. (C.) latus Sandhouse); L. (D.) nigroviride (Graenicher) (= H. (C.) richardsoni Cockerell); L. (D.) obscurum (Robertson) (= D. orbitatus Mitchell); L. (D.) occidentale (Crawford) (= D. theodori Crawford); L. (D). oceanicum (Cockerell) (= D. advertus Mitchell); L. (D.) pavoninum (Ellis) (= H. (C.) evestigatus Sandhouse, = H. (C.) pikei Sandhouse, = H. (C.) abietum Michener); L. (D.) perpunctatum (Ellis) (= D. highlandicus Mitchell, = D. junaluskensis Mitchell); L. (D.) sagax (Sandhouse) (= Halictus (C.) accentus Sandhouse); L. (D.) semibrunneum (Cockerell) (= Halictus oleosus Cockerell); L. (D.) semicaeruleum (Cockerell) (= H. pruinosiformis Crawford, = H. (C.) actuarius Sandhouse); L. (D.) subversans (Mitchell) (= D. perpunctatulus Knerer and Atwood); L. (D.) tenax (Sandhouse) (= H. (C.) meritus Sandhouse, = D. disabanci Knerer and Atwood); L. (D.) versans (Lovell) (= H. (C.) brevibasis Cockerell); L. (D.) versatum (Robertson) (= H. (C.) apertus Sandhouse, = H. (C.) genuinus Sandhouse, = H. subconnexus rohweri Ellis); L. (D.) zephyrum (Smith) (= H. (C.) academicus Sandhouse). Halictus (C.) unicus Sandhouse is again treated as a junior synonym of L. lineatulum. Eleven subgeneric names recently proposed by Pesenko are treated as synonymies of Dialictus. Some species names are used here in a sense different from those of most previous authors (e.g. H. nymphaearus, H. versatus). Names have often been misapplied in past usage sometimes subsuming multiple species. In some cases, even paratypes do not correspond to the same species as the name bearing type. The following three species are resurrected from synonymy: L. (D.) leucocomum (Lovell) new combinaton, L. (D.) oceanicum (Cockerell) new combination, and L. (D.) planatum. The species L. (D.) atriventre (Crawford) is considered a nomen dubium. The following twelve new records for Canada are reported: L. (D.) achilleae (Mitchell), L. (D.) brunneiventre (Crawford), L. (D.) callidum (Sandhouse), L. (D.) incompletum (Crawford), L. (D.) hudsoniellum (Cockerell), L. (D.) marinense (Michener), L. (D.) pacatum (Sandhouse), L. (D.) pallidellum (Ellis), L. (D.) punctatoventre (Crawford), L. (D). sagax (Sandhouse), L. (D.) weemsi (Mitchell) and L. (D.) zophops (Ellis). The Canadian records of two species, L. (D.) disparile (Cresson) and L. (D.) ceanothi (Mitchell), do not seem reliable and these species are not included in the revision. Two species, L. testaceum (Robertson) and L. rufulipes (Cockerell), are transferred from the L. (Dialictus) to L. (Evylaeus) sensu stricto.

15

Shevtsova, Maria. "On Directing: a Conversation with Katie Mitchell." New Theatre Quarterly 22, no. 1 (February 2006): 3–18. http://dx.doi.org/10.1017/s0266464x06000261.

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One of Britain's foremost directors, Katie Mitchell's career embraces a formidable repertoire of play and opera productions. She has a taste for Greek tragedy – her Phoenician Women (1995) won the Evening Standard Best Director Award – and takes in Gorky, Chekhov, Genet, and Beckett, as well as such contemporaries as Kevin Elyot, whose Forty Winks she directed at the Royal Court in 2004. She has worked in Dublin, Milan, and Stockholm, and is an Associate Director at the National Theatre. This interview with NTQ co-editor Maria Shevtsova shows Mitchell's lucid and passionate engagement with her craft. It took place in London in several stages from December 2004 to July 2005, during a period of intense activity for Mitchell. Maria Shevtsova wishes to thank her for so generously giving her time.

16

Barber, D. J. "John Wesley Mitchell. 3 December 1913 — 12 July 2007." Biographical Memoirs of Fellows of the Royal Society 57 (January 2011): 269–89. http://dx.doi.org/10.1098/rsbm.2011.0007.

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John (‘Jack’) Mitchell was a New Zealander who came to Oxford University on a scholarship of the Commission of the 1851 Exhibition. Mitchell’s association with Nevill (later Sir Nevill) Mott FRS during World War II, when they both worked at the Armament Research Department, afterwards led Mitchell to join Mott at Bristol University, where he began the research into the photographic process for which he is best known. His pursuit of an understanding of the mechanism through which a latent image forms led to the important discovery of the decoration by silver particles of individual dislocations in silver halide crystals and the mosaic microstructure of them. In turn the decoration technique provided the first clear experimental evidence of the link between plastic deformation and the creation and movement of dislocations. In 1960 Mitchell was appointed as professor in the Physics Department at the University of Virginia, where, apart from a brief spell in England as the Director of the National Chemical Laboratory, he worked happily for some 40 years. During this time his research group published many papers describing and explaining the mechanisms of plastic deformation in metallic alloys, devising and using state-of-the-art methods, thereby adding much to a wider understanding of mechanical properties and strength. All the time, working alone, Mitchell further developed and refined his photoaggregation theory of the photographic process, gaining worldwide recognition and honours for his effort.

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Khanin, Konstantin, Yakov Sinai, Mikhail Lyubich, and Eric D. Siggia. "Mitchell Feigenbaum." Notices of the American Mathematical Society 68, no. 05 (May 1, 2021): 1. http://dx.doi.org/10.1090/noti2283.

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Boyd, Ian. "Joseph Mitchell." Chesterton Review 33, no. 1 (2007): 191–94. http://dx.doi.org/10.5840/chesterton2007331/288.

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Leboulleux, Lucie. "Maria Mitchell." Photoniques, no. 110 (October 2021): 28–31. http://dx.doi.org/10.1051/photon/202111028.

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Maria Mitchell was a pioneer in many aspects: first observer of a comet with a telescope, she received the Gold Medal from the King of Denmark and became the first female astronomer and astronomy professor in the United States of America. But she also got involved in feminism, participating in the foundation of the Association for the Advancement of Women in 1873 as well as promoting the access to higher education for women and their inclusion in science.

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COULEHAN, JOHN L. "Miss Mitchell." Annals of Internal Medicine 103, no. 1 (July 1, 1985): 163. http://dx.doi.org/10.7326/0003-4819-103-1-163.

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Mitchell, Melanie. "Melanie Mitchell." ACM SIGEVOlution 8, no. 2 (March 24, 2016): 4. http://dx.doi.org/10.1145/2907674.2907678.

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Roy, Michael D. "Mary Mitchell." American Journal of Psychiatry 163, no. 5 (May 2006): 789. http://dx.doi.org/10.1176/ajp.2006.163.5.789.

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Elyachar, J. "Timothy Mitchell." Public Culture 24, no. 3 68 (October 1, 2012): 623–42. http://dx.doi.org/10.1215/08992363-1630699.

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Hebblethwaite, Brian. "Basil Mitchell." Theology 112, no. 868 (July 2009): 260–69. http://dx.doi.org/10.1177/0040571x0911200404.

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Landau, Misia. "Mitchell Scott." Clinical Chemistry 66, no. 4 (February 19, 2020): 505–8. http://dx.doi.org/10.1093/clinchem/hvaa047.

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Wright, Gerald. "Mitchell Sharp." International Journal: Canada's Journal of Global Policy Analysis 59, no. 3 (September 2004): 597–612. http://dx.doi.org/10.1177/002070200405900308.

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REISCH, MARC S. "MITCHELL ZAKIN." Chemical & Engineering News 88, no. 17 (April 26, 2010): 28. http://dx.doi.org/10.1021/cen-v088n017.p028.

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Chamberlain, Steven P., and Theresa L. Earles-Vollrath. "Mitchell Yell." Intervention in School and Clinic 39, no. 4 (March 2004): 236–39. http://dx.doi.org/10.1177/10534512040390040601.

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Marcus, Adam. "Marc Mitchell." Lancet 394, no. 10199 (August 2019): 632. http://dx.doi.org/10.1016/s0140-6736(19)31962-2.

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Werrell, Kenneth P., James J. Cooke, and Robert P. White. "Billy Mitchell." Journal of Military History 66, no. 4 (October 2002): 1225. http://dx.doi.org/10.2307/3093304.

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McKenna, Claire. "Kevin Mitchell." BJPsych Bulletin 44, no. 2 (March 30, 2020): 81–83. http://dx.doi.org/10.1192/bjb.2020.18.

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Bendix, John, Bartholomew H. Sparrow, Bertell Ollman, and Timothy Mitchell. "Going Beyond the State?" American Political Science Review 86, no. 4 (December 1992): 1007–21. http://dx.doi.org/10.2307/1964352.

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Timothy Mitchell's article “The Limits of the State” in the March 1991 issue of thisReviewstimulated an unusual variety of interested comments. John Bendix, Bartholomew Sparrow, and Bertell Ollman offer critiques and suggestions from quite different points of view. In response, Mitchell clarifies further the distinctiveness of his own approach and its implications.

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Bleed, Peter. "Do Regions Make Theory? Comments on Mitchell's Discussion of the Legacy of the Missouri Basin Project." American Antiquity 72, no. 4 (October 2007): 783–84. http://dx.doi.org/10.2307/25470446.

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Mark Mitchell’s (Mitchell 2006) assessment of the theoretical legacy of the Smithsonian Institution’s Missouri Basin Project does not show that research in the Great Plains has made a particularly small contribution to archeological theory. The sparse population, dispersed professional community, and paucity of graduate archeology programs in the region contribute to its archeological research patterns.

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Curran, Daniel, and James Sebenius. "The Mediator as Coalition Builder: George Mitchell in Northern Ireland." International Negotiation 8, no. 1 (2003): 111–47. http://dx.doi.org/10.1163/138234003769590686.

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AbstractIn 1996, George Mitchell became the co-chairman of the All-Party Talks in a polarized Northern Ireland where the extremes had the dominant voice while the center was relatively mute politically. In analyzing Mitchell's actions, we seek to break new ground in the study of mediation. First, we explicitly assess the context to identify key barriers and opportunities. Second, we move beyond general categories of mediator approach – such as communication, formulation, and manipulation – to match classes of mediator action to barriers. Finally,we place these discrete actions in service of a larger purpose by exploring the "mediator as coalition-builder."Whether explicit or implicit, Mitchell's overarching approach in the All-Party Peace Talks can be interpreted as a drive toward creating an outward rippling "coalition of the center against the extremes."Mitchell's effort to forge a coalition of the center led him to follow coordinated and multi-pronged process, issue and timing strategies, which are the main focus of this article. In principle, Mitchell might have sought to forge agreement via very different potential coalitional approaches: for example, seeking to bridge the extremes, seeking consensus among all parties, seeking to forge a dominant coalition on one side or the other that could have prevailed over its opponents, or seeking a sequential divideand-conquer approach to isolate and overwhelm the opposition, etc. Yet for this particular context, the centrist coalitional approach led to significant progress.

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Smith, Ian M. "NORTH AMERICAN WATER MITES OF THE FAMILY MOMONIIDAE VIETS (ACARI: ARRENUROIDEA). III. REVISION OF SPECIES OF STYGOMOMONIA SZALAY, 1943, SUBGENUS ALLOMOMONIA COOK, 1968." Canadian Entomologist 121, no. 11 (November 1989): 989–1025. http://dx.doi.org/10.4039/ent121989-11.

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AbstractMorphological, life history, and distributional data are presented for North American species of the subgenus Allomomonia Cook, 1968. Adults of Stygomomonia (Allomomonia) moodyi Mitchell are redescribed, and deutonymphs and adults of four new species, S. (A.) pacifica, S. (A.) mendocinoensis, S. (A.) mitchelli, and S. (A.) atnarkicola, are described for the first time. Larvae tentatively identified as S. (A.) mitchelli are also described, and host associations of these, and larvae that appear to belong to other species of Stygomomonia, are presented and discussed. New distributional data are presented for all species. A new diagnosis of Allomomonia is proposed, two new species groups, the moodyi and mitchelli groups, are proposed and diagnosed, and a key to adults of North American species of the subgenus is included.

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Ramanathan, Krishnan, Sara C Wolski, Zain Nensey, Raniel Marc Barcenas, and William Nowel. "Jabil Balancing Risk In A New Frontier." Muma Case Review 5 (2020): 001–22. http://dx.doi.org/10.28945/4560.

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Candy Mitchell, Information Technology Director at Jabil Inc., sank into her desk chair and looked out the window pensively. She had just finished reading a report from her team of data scientists about a predictive model they had created. She saw huge potential in this model as a potential solution to power Jabil’s customer growth strategy. Part of the strategy was to engage with technology startup companies to be their partner of choice from ideation to supply chain management. Working with technology startups would be new for Jabil and could create huge returns (when one of those technology startups took off, so would Jabil). Typical customers for Jabil (a manufacturing solutions provider that delivers comprehensive design, manufacturing, supply chain and product management services) ranged from FORTUNE® 500s to governments. Mitchell knew how risky startup customers could be, and Jabil only wanted to work with financially stable companies. To serve Jabil’s new strategy, Mitchell placed priority on finding a way to reliably vet the startups’ creditworthiness to avoid bad debt. The third-party credit rating agencies Jabil used could only provide a score for large companies with accessible financial information and history. Mitchell’s computer pinged with a calendar reminder – it was almost time for her next update meeting with her data science team. So far, their model had achieved an accuracy rate of 86%. This was promising but not yet good enough. Mitchell knew they would have to address this – and soon. The faster a way to test their financial viability could be found, the sooner Jabil could partner with them and profit from them. Mitchell wondered what impact adding more quantitative and qualitative data would have on the creditworthiness prediction model. She knew it could lead to higher accuracy, or it could lead to a redesign, which meant more time and resources. The model had to be accurate, explainable, and auditable. Was it possible to create this model internally at Jabil?

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Kline, David G. "Silas Weir Mitchell and “The Strange Case of George Dedlow”." Neurosurgical Focus 41, no. 1 (July 2016): E5. http://dx.doi.org/10.3171/2016.4.focus1573.

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It has been said of Silas Weir Mitchell (1829–1914) that as a young man he was first among the physiologists of his day, in middle age first among physicians, and as an older man, one of the most noted novelists of his country. Mitchell's novels were written in his later life as a means to avoid boredom during lengthy summer vacations that were the norm for that time among the affluent members of Philadelphia society. These novels were criticized by some because of poor plots, which in some instances failed to move along, or for text that offered a stereotyped depiction of genteel society and the effects that war or personal disaster had on the characters' behavior The criticism came despite the fact that all critics agreed that Mitchell's portrayals of psychopathology in his fictional characters was unique and accurate. However, in his 30s, Mitchell had written and by chance had published a fictional short story that not only transcended such criticisms but became immensely popular. “The Strange Case of George Dedlow” portrays a union officer who was not a physician but who had some medical background and who sustained a series of war wounds leading to severe nerve pain, the author's first description of causalgia, multiple amputations, and the psychological as well as physical symptoms of phantom limb syndrome. The protagonist tells of his torments in the first person in a very engaging fashion. Thus, long before he began writing his, at that time, acclaimed novels in the 1880s, Mitchell wrote a piece of fiction that combines accurate and very important medical observations with fiction of great historical interest. The following rendering of this now classic short story includes selected quotes and some interpretation and is perhaps appropriate for this year, 2 years after the centenary year of his death in 1914.

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Dattani, A., and S. J. Hayes. "Mitchell's trimmer: Who was Mitchell and what was he trimming?" British Dental Journal 219, no. 9 (November 2015): 459–61. http://dx.doi.org/10.1038/sj.bdj.2015.851.

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Dattani, Amit, and Simon Jeremy Hayes. "Mitchell's trimmer: who was Mitchell and what was he trimming?" British Journal of Oral and Maxillofacial Surgery 54, no. 10 (December 2016): e125-e126. http://dx.doi.org/10.1016/j.bjoms.2016.11.170.

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Bowman, AM, DJ Munnich, KY Chan, and J. Brockwell. "Factors Associated With Density of Mitchell Grass Pastures in North-Western New South Wales." Rangeland Journal 19, no. 1 (1997): 40. http://dx.doi.org/10.1071/rj9970040.

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Thirty-eight paddocks on 23 properties in the Walgett Shire of north-westem New South Wales were surveyed in April and May 1993 to identify factors that affected Mitchell grass (Astrebla lappacea) plant density. Low densities of Mitchell grass were associated with the occurrence of at least one flood in the last 20 years. Soils from paddocks described by landholders as in poor condition, and where Mitchell grass density was low, were more alkaline and had significantly higher electrical conductivity than soils from paddocks described as in good condition, and where Mitchell grass density was high. Paddocks in poor condition had higher organic carbon and mineralisable nitrogen levels and higher soil populations of Rhizobium meliloti. These latter characteristics were attributed to these pastures having a high component of annual species, including Medicago species, which returned substantial amounts of carbon and nitrogen to the soil. Where Mitchell grass density was moderate, other palatable species were common and biodiversity was high. However, in paddocks with the lowest densities of Mitchell grass, both annual species and unpalatable perennials were common. Low basal diameter of Mitchell grass plants and low Mitchell grass density, were associated with higher grazing pressure. The data suggested that the Mitchell grass ecosystem in north-westem New South Wales is prone to deterioration on the more alkaline and saline soils and where inundation by flooding or waterlogging is common.

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Linzey, Kate. "The Auckland School of Music, Post-Modernism & Nervous Laughter." Architectural History Aotearoa 6 (October 30, 2009): 12–20. http://dx.doi.org/10.26686/aha.v6i.6751.

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In 1984, the book-of-the-television-show The Elegant Shed was released by Otago University Press, and subsequently reviewed by Libby Farrelly in New Zealand Architect (1985) 2:39-40. Declaring the cover "wholly seductive ... glutinous sensuality," but its contents only "occasionally brilliant," Farrelly asks a lot of a not very big volume: to be "a definitive treatise on New Zealand's architecture." Though concluding that such a demand was "unsupporting" Farrelly's persistent fear is that David Mitchell and Gillian Chaplin lacked a "valiant idea." The review included the plan of Hill, Manning, Mitchell Architects' design for the Auckland School of Music. Citing Mitchell's comment in The Elegant Shed that "there was no logical connection between the side of a grand piano and the shape of a noise deflecting wall," Farrelly warns that such arbitrary aesthetics condemns architecture to mere "applique." Though "applique" is not, strictly speaking, collage, patching together is an apt description of the design process evident in the Music School plan. In their description of the design Hill, Manning, Mitchell Architects tauntingly declared that the project contains elements of "Baroque, Spanish Mission and Post-Modern" architecture (New Zealand Architect (1981) 5/6:1-3), and suggested that their transition from being "straight-line modernists" to "sensuous and baroque... [is] not unexpected in middle age." This paper will discuss Manning & Mitchell's design of the Auckland Music School in the context of their own writings and seminal international texts on the post-modern architecture, Learning From Las Vegas (1972) and Complexity and Contradiction (1966) by Robert Venturi et al. and Colin Rowe's Collage City (1978). I will argue that the hardest thing for architecture to bear/bare, especially New Zealand architecture, is a sense of humour.

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Purcell, Stuart J. "Time Is/Time Was/Time Is Not: David Mitchell and the Resonant Interval." Philosophies 4, no. 3 (August 14, 2019): 46. http://dx.doi.org/10.3390/philosophies4030046.

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Seven weeks before the release of his novel, Slade House (2015), David Mitchell began tweeting as a character, “Bombadil”, from the forthcoming text. The tweets appeared on an account, @I_Bombadil (2015), set up by Mitchell, with the platform affording the author the opportunity to extend the character’s narrative arc beyond the pages of the print-published novel and into Twitter’s digital environs. For Mitchell, the boundaries separating literary works are never absolute and the process of repeatedly returning to and referencing prior works, methodically expanding and stretching his corpus by thematically and structurally folding each new work into an extant literary universe, is the central characteristic of his literary practice. What was notable in the case of @I_Bombadil and Slade House, however, was that the connections across and between the works were also connections across and between distinct media environments. This article examines the ways in which the temporal-spatial entanglements between @I_Bombadil and Slade House, characteristic of Mitchell’s retrospective and recursive literary practice, were intensified and complicated as they were further tangled up with the temporal–spatial dynamics of digital and print media respectively. By utilising Marshall McLuhan’s media studies, and particularly his concept of the “resonant interval”—the borderline between “acoustic” and “visual” space produced in the dialogue between electronic (digital) and print media—as a means of articulating the dialogic double-space in between @I_Bombadil and Slade House, this article addresses the works as a symbiotic product of both literary technique and materialist media operability, adopting a nuanced, media-oriented perspective that fully engages with the temporal affordances of the Twitter platform as an inextricable aspect of the fundamentally temporal-spatial dynamics of Mitchell’s “resonant” literary practice.

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Quinn, Dermot, Calvin Trillin, Mark Singer, and Nancy Franklin. "Joseph Mitchell Symposium." Chesterton Review 33, no. 3 (2007): 623–38. http://dx.doi.org/10.5840/chesterton2007333/424.

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Khang, Trần Hậu. "BỆNH MITCHELL (Erythromelalgia)." Tạp chí Da liễu học Việt Nam 34 (June 16, 2022): 137–40. http://dx.doi.org/10.56320/tcdlhvn.v34i.46.

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Bệnh Mitchell (Erythromelalgia) là một bệnh hiếm gặp do Silas Weir Mitchell mô tả lần đầu tiên vào năm 1878. Thuật ngữ Erythromelalgia bắt nguồn từ tiếng Hy lạp: erythos: đỏ, melos: chi, algos: đau. Triệu chứng chính của bệnh là đỏ da, nóng và đau. Thương tổn khu trú ở bất kỳ vùng da nào trên cơ thể, song hay gặp nhất là ở bàn tay và bàn chân. Tên gọi: Trong y văn thế giới, bệnh này được mang tên nhiều nhà nghiên cứu trong các giai đoạn khác nhau. Đó là các nhà da liễu học, thần kinh học và di truyền học: Erythromelalgia: Do Silas Weir Mitchell đặt tên năm 1878 Gerhardt’s disease: G đặt tên (1892) Erythralgia: Thomas Lewis đặt tên (1933) Erythermalgia: Smith and Alen đặt tên (1938) Acromelalgia: Haiginga đặt tên (1957) Tuy nhiên, ngày nay người ta vẫn gọi Erythromelalgia là bệnh Mitchell để tôn vinh công lao đầu tiên của ông

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Mitchell, Keith. "Interview Keith Mitchell." Studia Universitatis Babeș-Bolyai Philologia 67, no. 3 (September 20, 2022): 27–29. http://dx.doi.org/10.24193/subbphilo.2022.3.04.

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Griffiths, Hugh. "General Billy Mitchell." IEEE Aerospace and Electronic Systems Magazine 36, no. 7 (July 1, 2021): 5. http://dx.doi.org/10.1109/maes.2021.3073668.

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Delfini, A., and P. Piccone. "Our Mitchell Franklin." Telos 1986, no. 70 (January 1, 1986): 53–57. http://dx.doi.org/10.3817/1286070053.

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Weiss, Wendy. "reply to Mitchell." American Ethnologist 14, no. 2 (May 1987): 380–81. http://dx.doi.org/10.1525/ae.1987.14.2.02a00160.

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Armstrong, R. "Mitchell James Notaras." BMJ 344, jan12 2 (January 12, 2012): d7984. http://dx.doi.org/10.1136/bmj.d7984.

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Mitchell, Donald G. "Dr Mitchell responds." Radiology 188, no. 3 (September 1993): 881. http://dx.doi.org/10.1148/radiology.188.3.881-a.

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Journal articles on the topic 'Mitchell'

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