Relevant bibliographies by topics / Miscegenation

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Miscegenation'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Miscegenation"

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Shepherd, Reginald. "Miscegenation." Callaloo 17, no. 2 (1994): 499. http://dx.doi.org/10.2307/2931769.

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Mundell, John A. "Queer Miscegenation." Luso-Brazilian Review 57, no. 2 (2021): 56–79. http://dx.doi.org/10.3368/lbr.57.2.56.

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Perez-Torres, R. "Miscegenation Now!" American Literary History 17, no. 2 (June 1, 2005): 369–80. http://dx.doi.org/10.1093/alh/aji021.

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Jukes, Thomas H. "Molecular miscegenation." Journal of Molecular Evolution 29, no. 5 (November 1989): 371–72. http://dx.doi.org/10.1007/bf02602906.

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Magowan, Kim. ""Blood Only Means What You Let It"." Film Quarterly 57, no. 1 (2003): 20–31. http://dx.doi.org/10.1525/fq.2003.57.1.20.

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Abstract Kim Magowan: "'Blood Only Means What You Let It': Incest and Miscegenation in John Sayles’s Lone Star."Lone Star revises a Southern cultural narrative in which incest and miscegenation, opposite sex taboos, paradoxically enable each other. By conditioning his audience to link the two taboos and to regard the prohibitions regulating each as arbitrary and subjective, John Sayles not only recuperates miscegenation as a sexual choice, but also provocatively endorses incest.
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Vinokurova, Anna V. "Place and Role of Miscegenation in the Process of the Regional Ethno-Demographic Development (Republic of Khakassia Case): To Problem Statement." Общество: социология, психология, педагогика, no. 12 (December 27, 2023): 32–37. http://dx.doi.org/10.24158/spp.2023.12.3.

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The article discusses the main aspects characterizing the dynamics of ethno-demographic development in the Republic of Khakassia. Particular attention is paid to the place and role of miscegenation. The empirical basis of the study was made up of data from all-Russian and regional statistics. It was revealed that in percentage terms the number of representatives of the Khakass ethnos is growing, while in absolute numbers it is decreas-ing. We believe that this is due to demographic, migration, ethno-social (primarily miscegenation) processes. The impact of miscegenation on the development of ethno-demographic processes in Khakassia is multidirec-tional and can have both positive and negative consequences. The study of this issue requires further deepen-ing and expansion, which will allow us to describe in more detail the specifics of the ethnic identity of mestizo people, the attitude towards interethnic marriages on the part of representatives of various national groups, the main social risks associated with miscegenation, in general, to show how the processes of miscegenation in-fluence changes in the sociocultural space of the Republic of Khakassia.
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Telles, Edward. "Racial discrimination and miscegenation." UN Chronicle 44, no. 3 (January 15, 2008): 46–47. http://dx.doi.org/10.18356/d56dc8b3-en.

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Huntington, Patricia. "On Castration and Miscegenation." Philosophy Today 41, no. 9999 (1997): 90–103. http://dx.doi.org/10.5840/philtoday199741supplement66.

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Richter, Jeremy W. "Alabama’s Anti-Miscegenation Statutes." Alabama Review 68, no. 4 (2015): 345–65. http://dx.doi.org/10.1353/ala.2015.0033.

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Foeman, Anita Kathy, and Teresa Nance. "From Miscegenation to Multiculturalism." Journal of Black Studies 29, no. 4 (March 1999): 540–57. http://dx.doi.org/10.1177/002193479902900405.

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Dissertations / Theses on the topic "Miscegenation"

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Courtney, Susan. "Hollywood's fantasy of miscegenation." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Reg_Diss_06.

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Hui, Arlene. "Miscegenation in mainstream American cinema : representing interracial relationships, 1913-1956." Thesis, University of London, 2006. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.643563.

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Cohen, Hella Bloom. "Private Affections: Miscegenation and the Literary Imagination in Israel-Palestine." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500171/.

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This study politicizes the mixed relationship in Israeli-Palestinian literature. I examine Arab-Jewish and interethnic Jewish intimacy in works by Palestinian national poet Mahmoud Darwish, canonical Israeli novelist A. B. Yehoshua, select anthologized Anglophone and translated Palestinian and Israeli poetry, and Israeli feminist writer Orly Castel-Bloom. I also examine the material cultural discourses issuing from Israel’s textile industry, in which Arabs and Jews interact. Drawing from the methodology of twentieth-century Brazilian miscegenation theorist Gilberto Freyre, I argue that mixed intimacies in the Israeli-Palestinian imaginary represent a desire to restructure a hegemonic public sphere in the same way Freyre’s Brazilian mestizo was meant to rhetorically undermine what he deemed a Western cult of uniformity. This project constitutes a threefold contribution. I offer one of the few postcolonial perspectives on Israeli literature, as it remains underrepresented in the field in comparison to its Palestinian counterparts. I also present the first sustained critique of the hetero relationship and the figure of the hybrid in Israeli-Palestinian literature, especially as I focus on its representation for political options rather than its aesthetic intrigue. Finally, I reexamine and apply Gilberto Freyre in a way that excavates him from critical interment and advocates for his global relevance.
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Walters, Loretta Marie. "Interracial relationships as stigma." Thesis, Kansas State University, 1986. http://hdl.handle.net/2097/9981.

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White, Owen. "Miscegenation and colonial society in French West Africa c.1900-1960." Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.318997.

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Basave, Benítez Agustín Francisco. "A current of Mexican nationalism : Andrés Molina Enriquez's theory of miscegenation." Thesis, University of Oxford, 1991. http://ora.ox.ac.uk/objects/uuid:323ace75-06f1-4a41-a284-645f3375db5f.

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The thesis deals with Andrés Molina Enriquez's pro-miscegenation theory. Molina (1868-1940), a Spencirian evolutionist who believed race struggle is history's driving force, departs from the premise that Mexico will not be a cohesive, progressive nation until all Mexicans become Mestizos - i.e., the product of racial intermingling between Spaniards and Indians. Thus, the analysis of this theory is the main objective of the thesis. In order to analyse Molina's theory within its historical context, however, the preliminary section of the thesis briefly describes the thoughts of those Mexican intellectuals who had previously proclaimed ethnic homogeneity -via miscegenation- the key to national stability and development. Similarly, the last part of the thesis presents the ideas of some of Molina's successors, those who were in favor of miscegenation - not only a racial one but also a cultural one - in postrevolutionary Mexico. The first and last parts of the thesis allow us to see pro-miscegenation as a current of the Mexican intelligentsia's quest for national identity. The central part of it - the one devoted to Molina's theory, undoubtedly the most important and sophisticated contribution in the field - gives us a general picture of the contradictory nature of this current of thought. Even though it is clear that a pervasive miscegenation made ever more Mexican intellectuals endorse the idea that Mestizos are the real people of Mexico. The analysis of Molina's writings shows that he attempted to predict the supremacy of Mestizos with a theoretical framework that leads him to the opposite direction. Indeed, no matter how much he twisted it, Spencerian evolutionism did not serve him (or his contemporary pro-miscegenationists) to prove white-racism wrong. The conclusion is that Molina, as most of his fellow "Mestizophilia" supporters, chose to hail the ethnic group that represented an ever-growing majority of the Mexican population, and tried to build a scientific theory to prove the supremacy of that group. But in doing so he had to use the only methodological tools he had learned at the positivist schools of Porfirian Mexico. The result is a contradictory theory that, nevertheless, sheds light on the path to national identity in Mexico.
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Collins, Jane-Marie. "Intimacy and inequality : manumission and miscegenation in nineteenth-century Bahia (1830-1888)." Thesis, University of Nottingham, 2010. http://eprints.nottingham.ac.uk/11801/.

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This thesis proposes a new paradigm for understanding the historical roots of the myth of racial democracy in Brazil. In order to better comprehend the co-existence of race discrimination and racial democracy in Brazil it is argued that the myth itself needs to be subjected to an analysis which foregrounds the historically unequal relations of both race and gender. This study demonstrates how the enigma that is Brazilian race relations is the result of two major oversights in the scholarly work to date. First, the lack of critical attention to the historical processes and practices which gave rise to the so-called unique version of race relations in Brazil: manumission and miscegenation. Second, the sidelining of the role of gender and sex, as well as the specific and central place of black women’s labour, in theoretical formulations about Brazilian race relations. The overarching intellectual aim of this thesis is to invert the way notions of familiarity and intimacy have been represented in the history of miscegenation and manumission in Brazilian slave society. The role of intimacy in the social history of race relations is instead shown to be firmly located within a hierarchy of race and gender inequalities predicated on the inferiority of blacks and women. In turn, this thesis explores how these race and gender inequalities intersected to inform and shape enslaved women’s versions of resistance and visions of freedom. In doing so this study unpicks some of the notions of advantage and privilege traditionally associated with women in general and light skin colour in particular in the processes of manumission and miscegenation; notions that are foundational to the myth of racial democracy. Through an examination and analysis of primary sources pertaining to the lives of enslaved and freedwomen and their descendants in nineteenth-century Bahia, this study brings together different areas of their lived experiences of enslavement, manumission, miscegenation and freedom as these women came into contact with the authorities at pivotal moments in their lives. Collectively, these sources and the analysis thereof expose the limitations of advantage or privilege that have been associated with being female, parda or mulatta in the historiography of Brazilian slave society in general and the literature on manumission in particular. By foregrounding and highlighting the ways in which overlapping inequalities of race, gender and status determined experiences of enslavement and expectations of freedom during slavery, this study produces a new approach to interpreting race and gender history in Brazil, and a more comprehensive understanding of Brazilian slave labour relations.
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Kydd, Elspeth. "'Touched by the tar brush' : miscegenation and mulattos in classical Hollywood cinema." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Reg_Diss_05.

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Gamber, Francesca. "The Radical Heart: The Politics of Love in the Struggle for African-American Equality, 1833-2000." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/dissertations/137.

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Writing the history of sexuality in the United States is a notoriously slippery task. For years, scholars ignored the history of American sexuality, abiding by the assumption that sex belongs in the bedroom, the private realm, and thus has no bearing on the high politics and economics that used to dominate American historiography. Interracial sexuality occupied a particular historical silence in a nation whose Supreme Court would not strike down all laws against interracial marriage until 1967. In his 1995 presidential address to the Organization of American Historians, Gary Nash declared that of race-mixing and mixed-race people in America to be a "hidden history." Since the late 1990s, however, dozens of monographs and anthologies have appeared exploring sexuality in colonial and early America. Despite the best intentions of colonial authorities to establish order and social hierarchy in the New World, both environment and human nature militated against the observance of ironclad sexual regulations and racial boundaries. Reinforcing this new American sexual history has been a sophisticated historiography on legislation against interracial marriage. These works recognize the public nature of marriage as a means of ordering society, defining citizenship, and even constructing racial and gender difference. While the physical act of race mixing has occurred throughout American history, the settings in which this mixing acquired meaning - positive and negative - have necessarily been linked to imperatives of social control and the maintenance of that control. Yet scholars of interracial marriage assert that antimiscegenation laws were not historical absolutes but contingent, contested, shifting measures across time and space subject to debate and contravention. The twin revelations that interracial sex was both privately common and publicly important do not yet tell us how the civil and political associations that operated as intermediaries between individuals and the state dealt with it. And in the case of associations that sought emancipation and civil rights for African-Americans, we still lack a thorough understanding of how they grappled with the strong prejudice against interracial marriage and mixed-race people as they agitated for black inclusion in society and the polity on equal terms. This study contributes to that understanding by taking a broad view of both the African-American civil rights struggle and the paradoxical history of interracial marriage in the United States between 1833 and 2000. It divides that one hundred sixty-seven-year span into five periods of struggle (with occasional overlap) and focuses on those organizations that were in the vanguard of protest at the time: the American Anti-Slavery Society (1833-1870), the African Methodist Episcopal Church (1865-1910), the National Association for the Advancement of Colored People (1909-1967), the Student Nonviolent Coordinating Committee (1960-1972), and the Multiracial Movement (1975-2000). Each of the civil rights organizations under study here possessed a historically-informed understanding of the role antimiscegenation laws played in establishing and maintaining racial hierarchy. This historical awareness created an internal logic, or "organic intellect," that shaped the attitudes these organizations adopted to interracial sex, marriage, and love as potential protest targets or as long-term means of ending prejudice. Part of this study recounts these organization's unexpected engagement with interracial intimacy despite its long history of criminalization. Far from a non-issue or a liability better left ignored, criticism of the sexual enforcement of racial boundaries permeates the sources these activists left behind. As much as they were influenced by external hostility, however, attitudes toward interracial love were also shaped by their internal organic intellect. This organic intellect acknowledged that restrictions on cross-racial intimacy served the ends of white supremacy. It also knew that interracial sex was as old as America, and neither it nor the presence of generations of ambiguously-complected mulattoes had eradicated that prejudice. This historical pragmatism acted with a sense of group loyalty that complicated any advocacy of wholesale interracial marriage, because to do so suggested a racial self-loathing and hankering after whiteness that ran counter to the freedom struggle itself. For all its apparent power, antimiscegenation laws never convinced activist African-Americans and their white allies that the color line was impermeable or that black and white could not love each other. Even so, the black freedom struggle could also never be convinced that love - or at least sex - would fix everything. This study uncovers the unexpected ways in which racism and white supremacy have infiltrated not only American sexual mores but our very notion of family and our definition of love. Both the permissive and prohibitive impulses that have shaped the contradictory history of interracial sexuality in America reveal complicated truths about our ancestors and ourselves.
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White, Owen. "Children of the French empire : miscegenation and colonial society in French West Africa, 1895-1960 /." Oxford : Clarendon press, 1999. http://catalogue.bnf.fr/ark:/12148/cb376525368.

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Books on the topic "Miscegenation"

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Dries-Daffner, Jason. Miscegenation of house form. Berkeley, CA: Center for Environmental Design Research, University of California, Berkeley, 1992.

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Kinney, Arthur F. Go down, Moses: The miscegenation of time. New York: Twayne Publishers, 1996.

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Carol, Camper, ed. Miscegenation blues: Voices of mixed race women. Toronto: Sister Vision, 1994.

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Judith, Squires, ed. Hybridity: A journal of culture/theory/politics. London: Lawrence & Wishart, 1992.

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Courtney, Susan. Hollywood fantasies of miscegenation: Spectacular narratives of gender and race, 1903-1967. Princeton, N.J: Princeton University Press, 2005.

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Courtney, Susan. Hollywood fantasies of miscegenation: Spectacular narratives of gender and race, 1903-1967. Princeton, N.J: Princeton University Press, 2005.

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1949-, Smith John David, ed. Racial determinism and the fear of miscegenation, pre-1900. New York: Garland Pub., 1993.

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1949-, Smith John David, ed. Racial determinism and the fear of miscegenation, post-1900. New York: Garland Pub., 1993.

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Amat y Junient, Manuel de, 1707-1782, Estensorro Fuchs Juan Carlos, Romero de Tejada y Picatoste, Pilar., Wuffarden Luis Eduardo, and Museo de Arte de Lima., eds. Los cuadros de mestizaje del Virrey Amat: La representación etnográficos en el Perú Colonial. Lima: Museo de Arte de Lima, 2000.

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1964-, Estenssoro Juan Carlos, Majluf Natalia, Romero de Tejada Pilar, Wuffarden Luis Eduardo, and Museo de Arte de Lima., eds. Los cuadros de mestizaje del virrey Amat: La representación etnográfica en el Perú colonial. Lima: Museo de Arte de Lima, 1999.

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Book chapters on the topic "Miscegenation"

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Mobley, Jennifer-Scott. "Fat Black Miscegenation." In Female Bodies on the American Stage, 97–111. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137428943_7.

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Ojwang, Dan. "Miscegenation and Culture." In Reading Migration and Culture, 131–57. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137262967_7.

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White, Owen. "Miscegenation and the Popular Imagination." In Promoting the Colonial Idea, 133–42. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403919427_10.

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Pasini, Roberto. "Miscegenation: Culture- and Region-Forming Processes." In Landscape Paradigms and Post-urban Spaces, 97–137. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77887-7_5.

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Mbogoni, Lawrence. "Goan–African miscegenation in East Africa." In Miscegenation, Identity and Status in Colonial Africa, 191–206. New York : Routledge, 2019. | Series: Routledge studies in the modern history of Africa: Routledge, 2018. http://dx.doi.org/10.4324/9781315162331-8.

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Camila Díaz Casas, María, and María Elisa Velázquez Gutiérrez. "From Miscegenation Policies to Constitutional Recognition." In Routledge Handbook of Afro-Latin American Studies, 437–47. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003159247-45.

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"Introduction: The Rhetorical Wedge Between Preference and Prejudice." In "Miscegenation", 1–10. University of Pennsylvania Press, 2002. http://dx.doi.org/10.9783/9780812200348.1.

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"1. Race and the Idea of Preference in the New Republic." In "Miscegenation", 11–34. University of Pennsylvania Press, 2002. http://dx.doi.org/10.9783/9780812200348.11.

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"5. Making “Miscegenation”." In "Miscegenation", 115–44. University of Pennsylvania Press, 2002. http://dx.doi.org/10.9783/9780812200348.115.

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"Epilogue: “Miscegenation” Today." In "Miscegenation", 145–48. University of Pennsylvania Press, 2002. http://dx.doi.org/10.9783/9780812200348.145.

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Conference papers on the topic "Miscegenation"

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Paoliello, Carla. "Design in-between Knowledge, Cultures, Identities, and Territories." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001378.

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The prefix and preposition between come from the Latin inter. It indicates the position in the middle of two things. It is a spatial and a temporal limit as inter-open, interweave, and interpose. It expresses exchange and reciproc-ity. The term in-between imbues all these meanings. It brings this open place and time where different ways of looking and living in our world mix together or complete each other in a universal perspective. We expose the interrelationships between design, knowledge, cultures, identities, and ter-ritories. We also elucidate the mixtures, miscegenation, and hybridizations between oneself and another or between a designer and an artisan. This pa-per evidences the contact zone that defines another place, which is no long-er mine or the others as told by Pratt's “between-places” [1] in an in-between-time of between-beings.
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Aliel, Luzilei, Rafael Fajiolli, and Ricardo Thomasi. "Tecnofagia: A Multimodal Rite." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10454.

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This is a concert proposal of Brazilian digital art, which brings in its creative core the historical and cultural aspects of certain locations in Brazil. The term ​ Tecnofagia derives from an allusion to the concept of anthropophagic movement (artistic movement started in the twentieth century founded and theorized by the poet Oswald de Andrade and the painter Tarsila do Amaral). The anthropophagic movement was a metaphor for a goal of cultural swallowing where foreign culture would not be denied but should not be imitated. In his notes, Oswald de Andrade proposes the "cultural devouring of imported techniques to re-elaborate them autonomously, turning them into an export product." The ​ Tecnofagia project is a collaborative creative and collective performance group that seeks to broaden aspects of live electronic music, video art, improvisation and performance, taking them into a multimodal narrative context with essentially Brazilian sound elements such as:accents and phonemes; instrumental tones; soundscapes; historical, political and cultural contexts. In this sense, ​ Tecnofagia tries to go beyond techniques and technologies of interactive performance, as it provokes glances for a Brazilian art-technological miscegenation. That is, it seeks emergent characteristics of the encounters between media, art, spaces, culture, temporalities, objects, people and technologies, at the moment of performance.
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Vieira, René Aloisio da Costa, Débora Sant’Anna de Andrade e. Silva, Ana Carolina Laus, Carlos Eduardo Bacchi, René Julias Costa e. Silva, Idam de Oliveira-Junior, Rui Pereira, and Rui Manuel Vieira Reis. "HOW MUCH CAN WE TRUST ON THE SELFREPORTED COLOR WHEN EVALUATING BREAST CANCER ANCESTRY." In Abstracts from the Brazilian Breast Cancer Symposium - BBCS 2021. Mastology, 2021. http://dx.doi.org/10.29289/259453942021v31s2016.

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Objective: To evaluate the association between self-reported color and ancestry in Brazilian patients with breast cancer (BC). Methods: Ethics approval 1136/2016. This was an observational, transversal, epidemiological study, evaluating 1,215 patients with BC. DNA was extracted to evaluate ancestry. For genetic ancestry, a 46 AIM-INDEL panel was used, and the polymerase chain reaction (PCR) products were subjected to capillary electrophoresis. The ancestral profile was evaluated with Structure v.2.3.3 software, for ancestry proportion, the percentages of ancestry in the different self-referred colors. For this purpose, descriptive statistics was performed (mean ± standard deviation [minimum − maximum]). To assess differences between groups, ANOVA and Bonferroni were used. Results: The color distribution was 77.9% (946) white, 17.4% (212) brown, 4.1% (50) black, 0.3% (4) yellow, and 0.2% (3) mixed. Genetically, the African ancestry proportion was significantly (p <0.001) higher in yellow (0.48 ± 0.51 [0.04–0.93]) with less difference between the other groups. Finally, the Amerindian ancestry proportion frequency was less frequent in all groups, and cafuse patients did not express differences between all race groups. Brown race group presented differences in the African and European Ancestry. Conclusion: Although we found many similarities between white color — European ancestry, black color — African ancestry, and yellow color — Asian ancestry, there is great miscegenation between patients and although they can be labeled as having one color, they do present many ancestral genes that would allow their inclusion in another race group.
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Tavares, Tatiana. "Paradoxical saints: Polyvocality in an interactive AR digital narrative." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.81.

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This artistic, practice-led PhD thesis is concerned with the potentials of polyvocality and interactive digital narrative. The practical project, Saints of Paradox, is constructed as a printed picture book that can be experienced through an Augmented Reality [AR] platform. The fictional story entails a woman who mourns the disappearance of her lover in the 1964 Brazilian coup d’état and lives for 40 years in a room of accumulated memories. IIn each illustration, the user can select three buttons on the tablet device that activates a different version of the story. Three narrators (saints) present interconnected but diverging interpretations of the events shaped by their distinct theological positions. The respective values of compassion, orthodoxy, and pragmatic realism distort details of imagery, sound, movement, and meaning. AR animated vignettes, each backed by a uniquely composed cinematic soundscape, allow characters to populate the luxuriously illustrated world. Candles flicker and burn, snakes curl through breathing flowerbeds, and rooms furnished with the contents of accumulated memories pulsate with mystery. The scanned image reviews an interactive parallax that produces a sense of three-dimensional space, functioning as a technical and conceptual component. Theoretically, the story navigates relationships between the real and the imagined and refers to magical real binary modes of textual representation (Flores, 1955, Champi, 1980; Slemon, 1988, 1995; Spindler, 1993; Zamora and Faris; 1995; Bowers, 2004). Here, meaning negotiates an unreliable, sometimes paradoxical pathway between rational and irrational accounting and polyvocal narration. The dynamics between the book and the AR environments produce a sense of mixed reality (actual and virtual). The narrative experience resides primarily in an unstable virtual world, and the printed book functions as an enigmatic unoccupied vessel. Because of this, we encounter a sense of ontological reversal where the ‘virtual’ answers the ambiguities presented by the ‘real’ (the book). In the work, religious syncretism operates as a reference to Brazilian culture and an artistic device used to communicate a negotiation of different voices and points of view. The strange and somehow congruous forms of European, African, and indigenous influences merge to form the photomontage world of the novel. Fragments of imagery may be considered semiotic markers of cultural and ideological miscegenation and assembled into an ambiguous ‘new real’ state of being that suggests syncretic completeness. Methodologically, the project emanates from a post-positivist, artistic research paradigm (Klein, 2010). It is supported by a heuristic approach (Douglass and Moustakas, 1985) to the discovery and refinement of ideas through indwelling and explicitness. Thus, the research draws upon tacit and explicit knowledge in developing a fictional narrative, structure, and stylistic treatments. A series of research methods were employed to assess the communicative potential of the work. Collaboration with other practitioners enabled high expertise levels and provided an informed platform of exchange and idea progression.
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