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1

Amadeus, Mozart Wolfgang. The jewel box: Or, A mirror remade : an opera in two acts. London: Chatto & Windus, 1991.

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2

1707-1793, Goldoni Carlo, and Griffiths, Paul, 1947 Nov. 24-, eds. The jewel box, or, A mirror remade: An opera in two acts : including songs from the favourite operas of Lo sposo deluso ... [et al.]. London: Chatto & Windus, 1991.

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3

Jr, Lance G. Powell. Mirror Box. Draft2Digital, 2020.

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4

Melser, June. The mirror (The story box). The Wright Group, 1998.

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5

Author, No. My Toy Box Mirror Book. Brimax, 2005.

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6

Kinkade, Thomas. Foxglove Cottage Musical Jewelry Box W/Beveled Mirror. Lightpost Publishing (Thomas Kinkade), 2000.

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7

In the Mirror (The Story Box, Set A). The Wright Group, 1990.

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8

Cowley, Joy. In the Mirror (The Story Box, Level 1, Set A). The Wright Group, 1998.

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9

Scott, Laura, Rachel Dylan, and Heather Woodhaven. Harlequin Love Inspired Suspense April 2016 - Box Set 2 Of 2: Mirror Image Code of Silence Picture Perfect Murder. Harlequin Enterprises, Limited, 2016.

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10

Lin, Hung-yao. The Illustrated Sutra of the One Hundred Parables (Vol. 1), Mirror in the Treasure Box, Ah Fan and the Golden Weasel. Foguang Cultural Enterprise Co., Ltd., 2000.

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11

Publishing, Engy. I Watch 40-60 Screaming Kids in a Mirror While Driving a 40-Foot Box on Wheels, What Do You Do?: 3 Column Ledger. Independently Published, 2019.

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12

Publishing, Engy. I Watch 40-60 Screaming Kids in a Mirror While Driving a 40-Foot Box on Wheels, What Do You Do?: Unruled Composition Book. Independently Published, 2018.

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13

Publishing, Engy. I Watch 40-60 Screaming Kids in a Mirror While Driving a 40-Foot Box on Wheels, What Do You Do?: Two Column Ledger. Independently Published, 2019.

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14

Publishing, Engy. I Watch 40-60 Screaming Kids in a Mirror While Driving a 40-Foot Box on Wheels, What Do You Do?: Calligraphy Practice Paper. Independently Published, 2019.

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Publishing, Engy. I Watch 40-60 Screaming Kids in a Mirror While Driving a 40-Foot Box on Wheels, What Do You Do?: Mileage Log Book. Independently Published, 2019.

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16

Publishing, Engy. I Watch 40-60 Screaming Kids in a Mirror While Driving a 40-Foot Box on Wheels, What Do You Do?: Maintenance Log Book. Independently Published, 2019.

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17

Publishing, Engy. I Watch 40-60 Screaming Kids in a Mirror While Driving a 40-Foot Box on Wheels, What Do You Do?: Gas & Mileage Log Book. Independently Published, 2019.

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18

The poet, the lion, talking pictures, El Farolito, a wedding in St. Roch, the big box store, the warp in the mirror, spring, midnights, fire & all. Copper Canyon Press, 2016.

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19

Publishing, Engy. I Watch 40-60 Screaming Kids in a Mirror While Driving a 40-Foot Box on Wheels, What Do You Do?: Blank Sheet Music - 12 Staves. Independently Published, 2019.

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20

Germana, Michael. Peristrephic Visions. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682088.003.0003.

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Chapter 2 examines Ralph Ellison’s Invisible Man as a text that ekphrastically simulates a moving or “peristrephic” panorama in general, and an antebellum antislavery panorama in particular. In the process, this chapter reads Ellison’s debut novel as a text indebted to and allusive of, while ironically commenting on, the life and career of celebrated fugitive and peristrephic panoramist Henry Box Brown, who shipped himself in a sealed wooden crate from Richmond to Philadelphia and thus from slavery to freedom in 1849. Brown’s subsequent efforts to navigate the terrain of abolitionist discourse within a white supremacist culture led him to create a moving panorama called the Mirror of Slavery, which chronicled the cruelties of slavery, yet ended with the promise of universal emancipation. In appropriating the visual grammar of the antislavery panorama, Ellison also extends its ambivalent temporal logic to create his own alternative history in service of the future.
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21

Dinello, Dan. Children of Men. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781999334024.001.0001.

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A mirror of tomorrow, Alfonso Cuarón's visionary Children of Men (2006) was released to good reviews and a poor box office but is now regarded by many as a twenty-first-century masterpiece. Its propulsive story dramatizes a dystopian future when an infertile humanity hurtles toward extinction and an African refugee holds the key to its survival. Cuarón creates a documentary of the near future when Britain's totalitarian government hunts down and cages refugees like animals as the world descends into violent chaos. In the midst of xenophobia and power abuses that have led to a permanent state of emergency, Children of Men inspires with a story of hope and political resistance. This book explicates Children of Men's politically progressive significance in the context of today's rise of authoritarianism and white nationalism. Though topical at the time, the film now feels as if it's been torn from today's headlines. Examining the film from ideological, psychological, and philosophical perspectives, the book explores the film's connection to post-9/11 apocalyptic narratives, its evolutionary twist to the nativity story, its warning about the rise of neofascism, and its visual uniqueness as science-fiction, delving into the film's gritty hyper-realistic style and the innovative filmic techniques developed by director Cuarón and his cinematographer, Emmanuel Lubezki. The book explores the film's criticism of the pathologies of a reactionary politics that normalize discriminatory hierarchies and perpetuate vast differences in privilege. Children of Men prods us to imagine an egalitarian alternative with a narrative that urges emotional identification with rebels, outcasts, and racial and ethnic outsiders.
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