Relevant bibliographies by topics / Minority fiction

Academic literature on the topic 'Minority fiction'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Minority fiction"

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Knight, Sabina. "China’s Minority Fiction." World Literature Today 96, no. 1 (2022): 48–52. http://dx.doi.org/10.1353/wlt.2022.0020.

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Birdi, Briony. "Genre fiction readers: a quantitative exploration of provided construct ratings." Journal of Documentation 70, no. 6 (October 7, 2014): 1054–75. http://dx.doi.org/10.1108/jd-02-2014-0039.

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Purpose – The purpose of this paper is to adapt a repertory grid technique to investigate fiction readers’ attitudes and beliefs, with a specific focus on minority ethnic fiction. Design/methodology/approach – The study required participants (n=36) to rate on a seven-point Likert scale a series of 16 provided constructs, using ten main elements, namely, the reader of ten fiction genres. Statistical tests investigated participant agreement across construct ratings, where on average fiction readers are rated on a construct continuum, and the extent to which public library work experience affected participants’ perceptions. Findings – Findings were revealed regarding the perceived characteristics of the readers of ten fiction genres, including minority ethnic fiction. The readers of Asian and Black British fiction were similarly rated, but certain exceptions were also noted which had not been reported in previous research. Although intraclass correlations indicated that ratings were consistent for the more established fiction genres, there was little agreement regarding minority fiction. Research limitations/implications – The research was potentially limited by the ethnic homogeneity of the sample population and the gender imbalance of same, and (in some cases) a lack of knowledge of minority fiction genres. It was felt that the repertory grid was an effective technique via which to build a rich profile of the fiction reader. Practical implications – This research could inform the development of fiction collections, and its detailed examination of fiction reader profiles could be adapted in three specific ways, as described in the paper. Originality/value – Little previous research has been conducted to differentiate between readers of different fiction genres, and less still for those of minority ethnic fiction genres.
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Kartika, Tyas Willy, and Maria Elfrieda C.S.T. "FEMSLASH FANFICTION AND LESBIANISM: EFFORTS TO EMPOWER AND EXPRESS ASIAN AMERICAN WOMAN SEXUALITY." Rubikon : Journal of Transnational American Studies 8, no. 2 (October 11, 2021): 106. http://dx.doi.org/10.22146/rubikon.v8i2.69689.

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The existence of fan fiction nowadays shows more progressive development especially in this digital era when people does not only use internet for communicating and socializing across time and space but they also show their creativity, one of them is by writing a fan fiction. By writing fan fiction in online platforms, people get the opportunity to express their interests and their identities. This opportunity is also obtained by minority groups such as LGBTQ+ where they can express their identity through fan fiction. LGBTQ+ community utilizes online platform as the tool that brings benefit for them. In this case, writing fan fiction in online platforms allows people to create the preferable representation of minority groups and empower them as the part of LGBTQ+ community. This phenomenon can be seen through a website named Asianfanfics.com which shows an increasing number of fan fictions especially the ones with lesbian related tags such as girl x girl, lesbian, and femslash. Particularly, through the femslash subgenre, people use fan fiction to question the heteronormativity. Regarding to this phenomenon, an interview was conducted by choosing three Asian American fan fiction writers from Asianfanfics.com as the interviewees. Furthermore, by using gender theory and intersectionality, this article focuses on how fan fiction becomes a safe space to express their sexual identities and how lesbian relationship is viewed by Asian families.
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Birdi, Briony, and Mostafa Syed. "Exploring reader response to minority ethnic fiction." Library Review 60, no. 9 (October 11, 2011): 816–31. http://dx.doi.org/10.1108/00242531111176826.

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Clayton, Jay. "The Narrative Turn in Recent Minority Fiction." American Literary History 2, no. 3 (1990): 375–93. http://dx.doi.org/10.1093/alh/2.3.375.

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Sepulchre, Sarah. "Melting Pot: An ambiguous series combining minority and majority discourses." ALTERNATIVE FRANCOPHONE 1, no. 6 (February 22, 2013): 1–19. http://dx.doi.org/10.29173/af19026.

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Melting Pot est une série francophone produite par la RTBF, l’une des chaines télévisées publiques francophones. La RTBF est un média officiel et national, et comme tel, il ne fait pas partie des médias minoritaires. Melting pot reflète cette situation puisque les protagonistes sont des membres de la majorité ethnique et culturelle de la population (francophone, blanc et belge). Cependant, face aux Flamands néerlandophones, les Belges francophones constituent une minorité en Belgique, un pays caractérisé par un conflit linguistique et politique, et Melting pot est aussi représentative de cette situation ambigüe à travers les intrigues secondaires et en élaborant un réseau complexe de significations autour du symbole représenté par le café le Melting Pot (à la fois un lieu, un biotope de personnages et un jeu sur la notion de “melting pot”). Cet article est une étude de cas basée sur l’analyse du contenu des 3 saisons de la série. Abstract: The RTBF (public Belgian television) can hardly be considered as a minority media. However, in the context of fictional production, the RTBF is not a powerful actor. Melting Pot is the only large-scale series currently produced by the channel. We can thus qualify it as a triple media exception: Belgian, French speaking, series. The fiction takes place in the Marolles district in Brussels. This area represents the “Belgian melting pot”: a mix of people, languages, origins... But how are these communities and languages represented, notably the French speaking (a minority in Belgium and a majority in Brussels) and the Flemish (a majority in Belgium and a minority in Brussels)? The question makes sense in a country divided by a political crisis for more than one year and where the question of identity crystallizes the debates. This article will put in context the Belgian production of fictions. A content analysis of the representations conveyed by the series will constitute the main part of the communication. An interview with the producer will unveil their initial intentions.
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Gardey, Claudine. "Science ou fiction ? Utilisation pédagogique du film Minority Report." Recherche et pratiques pédagogiques en langues de spécialité - Cahiers de l APLIUT, Vol. XXV N° 1 (February 15, 2006): 112–15. http://dx.doi.org/10.4000/apliut.2631.

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Vervaet, Stijn. "Linguistic Diversity in East-Central European Minority Literature: The Post-Imperial Borderlands of Petar Milošević." Zeitschrift für Slawistik 67, no. 4 (November 4, 2022): 628–54. http://dx.doi.org/10.1515/slaw-2022-0031.

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Abstract Most recent studies on multilingual writing deal with literature by first- or second-generation immigrants. This article responds to debates about multilingual literature by examining the asymmetrical, historically-rooted multilingualism of minority groups in East-Central Europe. It does so by exploring linguistic diversity and its effects in the novels of the bilingual Serbian-Hungarian author Petar Milošević, novels that put the Serbian minority in Hungary centre stage. It is argued that Milošević’s prose fiction not only invites the reader to rethink the nature of script, standard language and cultural identity as historically contingent and multiply entangled, but also effectively refashions the cultural memory of the Serbian minority in Hungary. The novels’ broader relevance lies in their foregrounding of the minority’s cultural and linguistic doubleness, both in relation to the nation-state in which they live and to the external homeland. As such, they also potentially illuminate the position of other linguistic minorities in former Habsburg borderlands.
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Rojek, Patrycja. "Figura mitologicznej Kasandry w filmach science fiction." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 28, no. 37 (March 31, 2021): 234–46. http://dx.doi.org/10.14746/i.2020.37.14.

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The article reflects on how characters with the features of the mythological Cassandra function in science fiction films. Such references are part of the rich tradition of building fictional depictions of the near or distant future on the foundation of mythical stories. The study aimed to examine the considerable and complex meaning which Cassandra conveys through the ages and to determine its usefulness in constructing pop culture ideas about the current condition of humanity. In contemporary fiction, Cassandra is brought to the fore more often than in ancient sources, and her fullest portrait is drawn in those films that both consider her a figure of the powerlessness of the prophets and take into account her personal drama. In Terminator 2: Judgment Day (1991) by James Cameron, 12 Monkeys (1995) by Terry Gilliam, Minority Report (2002) by Steven Spielberg, and Arrival (2016) by Denis Villeneuve, the figure of Cassandra is examined through her prophetic gift, the alleged madness of the seer and the fearfulness of the prophetism itself.
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Iyer, Anupama. "Depiction of intellectual disability in fiction." Advances in Psychiatric Treatment 13, no. 2 (March 2007): 127–33. http://dx.doi.org/10.1192/apt.bp.106.002485.

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I explore some of the ways in which intellectual disability (learning disability) is depicted in fiction. My premise is that literature both reflects and shapes societal attitudes to people in this vulnerable minority group. People with intellectual disabilities are seldom able to determine, confirm or counter narratives about themselves. This situation, in which the subject is fundamentally unable to participate in their representation, raises unique ethical considerations. I use examples from various English-language novels to discuss how subjective accounts, observable behaviours and physical attributes are all employed to characterise people with intellectual disabilities.
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Dissertations / Theses on the topic "Minority fiction"

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Martin, Patricia L. "Minority protagonists in the young adult historical fiction novel." [Denver, Colo.] : Regis University, 2007. http://165.236.235.140/lib/PMartin2007.pdf.

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Hebbar, Reshmi J. "Modeling minority women : heroines in African and Asian American fiction /." New York : Routledge, 2005. http://catalogue.bnf.fr/ark:/12148/cb400508717.

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Erel, Sarper. "From 2001 A Space Odyssey to Minority Report : Reflections of Imagining Future on Science Fiction." Thesis, Blekinge Tekniska Högskola, Sektionen för planering och mediedesign, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-5618.

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My Bachelor’s Thesis is a comparative analysis that identifies a paradigm shift based on how imagining and portraying futuristic technology and human - computer (or machine) interaction within science fiction works and explore how they depict the technology and the future thinking of their own era. I use two very popular and influential works from two different eras: 2001 A Space Odyssey from the late 1960s and Minority Report from the early 2000s. In the first part of this analysis, I analyze the technology and human interaction with technology in 2001: A Space Odyssey and argue what this tells about the technology thinking of the late 1960s, the high time of the Space Race. During the second part, the analysis continues with the other primary source, Minority Report. However, in this part I make direct comparisons with 2001: A Space Odyssey in order to illustrate the paradigm shift with clear examples.
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Jany, Ursula Berit. "Heresy or Ideal Society? A Study of Early Anabaptism as Minority Religion in German Fiction." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1370895011.

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Yeh, Grace I.-chun. "Asian fighters in U.S. minority literature iconology, intimacy, and other imagined communities /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1481671281&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Tagore, Proma. "The shapes of silence : contemporary women's fiction and the practices of bearing witness." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36793.

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This dissertation examines the complex and multi-faceted ways in which contemporary minority women's fictions may be thought of, both generically and individually, as practices of bearing witness to silence---practices of giving testimony to the presence of lives, experiences, events and historical realities which, otherwise, have been absented from the critical terrain of North American literary studies. For the most pact, the texts included in this study all tell tales of various, and often extreme, forms of sexual, racial, gender, colonial, national and cultural violence. Through readings of select works by Toni Morrison, Shani Mootoo, Arundhati Roy, Louise Erdrich, M. K. Indira, Mahasweta Devi and Leslie Feinberg, I argue for the ways in which these fictions may be understood as situated within the bounds of a genre---a genre that attempts to provide an account of what we might call "the half not told." I examine these fictions, both generically and specifically, as texts which have the ability to make several important critical interventions in the field of literary studies. Firstly, these texts have the potential to negotiate the impasse that feminist and postcolonial literary scholarship finds itself in around debates about the relationship between theory, activism and experience---as well as in debates about the relationship between violence, beauty, culture, subjectivity and desire. Secondly, the fictions under study help to challenge our very definitions of witnessing. Witnessing, in these works, is not simply a matter of "speaking out" against violence, but rather the issue of making space for the affective and emotive dimensions of various kinds of silences and silencings. Finally, in attempting to chart more precise vocabularies with which to assume readings of these narratives, my thesis also helps to think about the ways in which reading, writing and storytelling may, themselves, be seen as profoundly ethical undertakings that seek to give evidence
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Ballentine, Brandon Clarke. "The Narrative Lens: Understanding Eudora Welty's Fiction through Her Photography." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2199.

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Eudora Welty's brief photographic career offers valuable insight into the development of her literary voice. She discovers many of the distinguishing characters of her fiction during the 1930s while traveling through Mississippi writing articles for the Works Progress Administration and taking pictures of the people and places she encountered. Analyzing the connections between her first collection of photographs, One Time, One Place: Mississippi during the Depression: A Snapshot Album, and her first collection of short stories, A Curtain of Green, and Other Stories, reveals the writer's sympathetic attitude towards her characters, the prominence of place in her fiction, and her use of time in the telling of a story.
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Davis, Mary McPherson. "Feminist Applepieville architecture as social reform in Charlotte Perkins Gilman's fiction /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5071.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on October 25, 2007) Includes bibliographical references.
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Chern, Joanne. "Restoring, Rewriting, Reimagining: Asian American Science Fiction Writers and the Time Travel Narrative." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/449.

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Asian American literature has continued to evolve since the emergence of first generation Asian American writers in 1975. Authors have continued to interact not only with Asian American content, but also with different forms to express that content – one of these forms is genre writing. Genre writing allows Asian American writers to interact with genre conventions, using them to inform Asian American tropes and vice versa. This thesis focuses on the genre of science fiction, specifically in the subgenre of time travel. Using three literary case studies – Ken Liu’s “The Man Who Ended History,” Charles Yu’s How to Live Safely in a Science Fictional Universe, and Ted Chiang’s “Story of Your Life” – this thesis seeks to explore the ways in which different Asian American writers have interacted with the genre, using it to retell Asian American narratives in new ways. “The Man Who Ended History” explores the use of time travel in restoring lost or silenced historical narratives, and the implications of that usage; How to Live Safely is a clever rewriting of the immigrant narrative, which embeds the story within the conventions of a science fictional universe; “Story of Your Life” presents a reimagining of alterity, and investigates how we might interact with the alien in a globalized world. Ultimately, all three stories, though quite different, express Asian American concerns in new and interesting ways; they may point to ways that Asian American writers can continue to write and rewrite Asian American narratives, branching out into new genres and affecting those genres in turn.
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Birdi, Briony. "'We are here because you were there' : an investigation of the reading of, and engagement with, minority ethnic fiction in UK public libraries." Thesis, University of Sheffield, 2014. http://etheses.whiterose.ac.uk/12093/.

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This thesis aims to investigate the reading of, and engagement with, minority ethnic English language fiction in public libraries, focusing on materials written by Black British and Asian authors. In order to achieve this, a literature review and three empirical studies were conducted, using a mixed methods approach. The literature review showed that previous research in the field of minority ethnic fiction had largely overlooked its readership, and furthermore that academic models of fiction reading had not considered this type of material. The first study was a survey of the reading habits and attitudes of library users, conducted via a quantitative questionnaire and subsequent qualitative interviews. This was cross-sectional at the individual respondent level, but a longitudinal element was also included at the library level, which enabled analysis by community type, local ethnicity and class. The second study was a qualitative exploration of perceptions of reader ‘types’ using personal construct theory and the associated repertory grid technique, in order to generate and explore a series of constructs relating to the characteristics of fiction readers. The third, quantitative study also drew from personal construct theory, adapting the repertory grid to investigate in greater depth a group of readers’ beliefs, attitudes and intentions to read certain fiction genres. A model of genre fiction reading is presented, based on the research findings. This identifies a new fiction reader profile and gives a causal ordering to the characteristics of the fiction reader which had previously not been achieved. The model is also demonstrably flexible to allow different types of factors to be included, and to further explore the interactions between these factors. Finally, the theoretical and professional contributions of the research are summarised, and recommendations are made for future research and the development within libraries and the book trade of minority ethnic fiction collections.
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Books on the topic "Minority fiction"

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K, Dick Philip. Minority report. London: Orion, 2005.

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K, Dick Philip. The minority report. New York: Pantheon Books, 2002.

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K, Dick Philip. The Minority Report. New York: Knopf Doubleday Publishing Group, 2009.

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Minority of one. Arlington Heights, IL: AlltheColorsofLove, 2014.

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Minority of one. Arlington Heights, IL: All the Colors of Love, 2014.

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Modeling minority women: Heroines in African and Asian American fiction. New York: Routledge, 2005.

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Cheatham, K. Follis. The adventures of Elizabeth Fortune: A nouveau western. Portland, Or: Blue Heron Publishing, 2000.

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The adventures of Elizabeth Fortune: A nouveau western. Portland, Or: Blue Heron Pub., 2000.

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M, Gillan Maria, and Gillan Jennifer, eds. Growing up ethnic in America: Contemporary fiction about learning to be American. New York: Penguin Books, 1999.

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Minority reports: New English writing from Québec. Montréal, Québec: Véhicule Press, 2011.

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Book chapters on the topic "Minority fiction"

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Jeffrey, Amy. "Liminal Spaces and Minority Communities in the Twentieth Century." In Space and Irish Lesbian Fiction, 55–80. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003176503-3.

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Kanitkar, Helen. "A Creative Discourse: Gender Roles in Ethnic Minority Fiction." In Ethnicity, Gender and Social Change, 191–205. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780230508156_11.

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da Cunha, Mariana A. C. "Between Image and Word: Minority Discourses and Community Construction in Eduardo Coutinho’s Documentaries." In Visual Synergies in Fiction and Documentary Film from Latin America, 133–50. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230622159_9.

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Orhero, Mathias Iroro. "The poetics of place and the Niger Delta minority discourse in Festus Iyayi’s fiction." In The Literature and Arts of the Niger Delta, 254–64. Abingdon, Oxon; New York, NY : Routledge, 2021. | Series: Routledge contemporary Africa: Routledge, 2021. http://dx.doi.org/10.4324/9781003136750-28.

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Brereton, Pat. "Smart Science Fiction, DVD Add-Ons and New Media Logics – A Reading of Spielberg’s Minority Report, AI: Artificial Intelligence and War of the Worlds." In Smart Cinema, DVD Add-Ons and New Audience Pleasures, 159–75. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137027085_9.

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"10 Becoming-Minority: Chinese Characteristics in Minority Historical Fiction." In Imperial-Time-Order, 294–328. BRILL, 2016. http://dx.doi.org/10.1163/9789004309302_012.

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Jones, Gwyneth. "Joining the Cultural Minority." In Joanna Russ, 109–32. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042638.003.0006.

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“Joining the Cultural Minority” examines the influence of Nabokov on Joanna’s modernist, postrealist sensibility, her “fictional autobiography” project, and her insistence on the “fictiveness of fiction.” The chapter discusses issues of agency and assimilation in her fifth novel. A “re-visioning and re-perceiving” of a work by Joanna’s friend Suzette Halden Elgin, related to Joanna’s important 1970 story “The Second Inquisition,” The Two of Us (1978) features a talented young “Trans-Temp” agent who realizes that if other women are chattels, her own, special status is an illusion. Reviews, essays, and stories discussed include “Recent Feminist Utopias”; “On the Yellow Wallpaper”; “Not for Years but for Decades”; and the engaging, juvenile “coming of age” story Kitattinny, all of which confirm a shift toward feminism and away from feminist sf.
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Sorensen, Eli Park. "Monopolizing the Future: Steven Spielberg’s Minority Report and Schmitt’s Exception." In Science Fiction Film, 53–71. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481847.003.0003.

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What happens politically if we can predict the future? Drawing on Schmitt’s notions of the political and the state of exception, I argue that Steven Spielberg’s Minority Report (2002) envisions the stage at which it has become possible to predict a violent future. The film implies that if the state could eliminate that future via advanced technology, a new situation would emerge in which there would no longer be any need for a sovereign. To Schmitt, state sovereignty must preserve the right to identify a future event that poses an existential threat. Once the possibility of Schmitt’s radically unpredictable future has been eliminated, the need for the political, and hence the sovereign, disappears. I argue that in Spielberg’s film, the sovereign returns when the technological precog system is most vulnerable—that is, the moment the system cannot protect itself. The film thus ends with the collapse of technology and a return to the present—in other words, a return to the political. Overall, the film suggests that in the encounter with the disruptive future event, the political ultimately will reassert itself in the form of a state of exception to preserve the present.
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"Someday My Prince Will Come: Ambivalent Romance and Ethnicity in the Fiction of the Eaton Sisters." In Modeling Minority Women, 29–58. Routledge, 2013. http://dx.doi.org/10.4324/9780203942574-7.

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"CHAPTER 2 Monopolizing the Future: Steven Spielberg’s Minority Report and Schmitt’s Exception." In Science Fiction Film, 53–71. Edinburgh University Press, 2021. http://dx.doi.org/10.1515/9781474481861-004.

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