Relevant bibliographies by topics / Minoan art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Minoan art'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Minoan art"

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Herva, Vesa-Pekka. "Marvels of the system. Art, perception and engagement with the environment in Minoan Crete." Archaeological Dialogues 13, no. 2 (October 11, 2006): 221–40. http://dx.doi.org/10.1017/s1380203806002078.

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This paper discusses the relationship between art, perception and human engagement with the environment in Minoan Crete through the depiction of landscapes and the ‘natural world’ in art. It is argued that the conventional approaches to Minoan ‘nature scenes’, based on the representation and expression theories of art, are overshadowed by modernist assumptions about art and human–environment relations. The paper then proceeds to discuss the workings of visual perception and the dynamics of human–environment systems. On that basis, the nature of human–environment relations in Minoan Crete is reconsidered and an ‘ecological’ approach to ancient art explored. A tentative suggestion is made that Minoan nature scenes might be understood as instruments for perceiving and knowing the environment, and some broader implications of the ecological perspective for the interpretation of the archaeological record of Minoan Crete are indicated.
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Laios, Konstantinos, Gregory Tsoucalas, Marianna Karamanou, and George Androutsos. "Peyronie's Disease in Minoan Art." Journal of Sexual Medicine 10, no. 12 (December 2013): 3144–45. http://dx.doi.org/10.1111/jsm.12161.

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Masseti, Marco. "Representations of birds in Minoan art." International Journal of Osteoarchaeology 7, no. 4 (July 1997): 354–63. http://dx.doi.org/10.1002/(sici)1099-1212(199707/08)7:4<354::aid-oa387>3.0.co;2-r.

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Kosinkova-Stoeva, Angelina. "FASHION DESIGN ON THE BASE OF AN INVESTIGATION OF MINOAN COSTUME AND ART." Applied Researches in Technics, Technologies and Education 7, no. 4 (2019): 240–54. http://dx.doi.org/10.15547/artte.2019.04.002.

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The paper presents an investigation of forms, ornaments and colors in Minoan female costume and arts (Minoan, Mycenaean and Aegean artefacts) with a main purpose of their application in contemporary fashion design. The analysis of the studied artefacts shows that the basic silhouette and the shapes of element and pieces, ornaments and colors in Minoan, Mycenaean and Aegean female costume, presented in statuettes, frescoes and jewels, and the ornaments and colors of Minoan, Mycenaean and Aegean frescoes, ceramics, and jewellery can be applied in the design of modern ladies’ clothing, jewels and accessories. On the base of the results of the investigation designs of seven fashion ensembles of ladies’ dresses in combinations with suitable jewels and bags have been created.
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Trakoli, Anna. "Minoan Art, The ‘Saffron Gatherers’, c1650 BC." Occupational Medicine 71, no. 3 (April 1, 2021): 124–26. http://dx.doi.org/10.1093/occmed/kqab019.

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Shaw, Maria C., and Gisela Walberg. "Tradition and Innovation: Essays in Minoan Art." American Journal of Archaeology 92, no. 4 (October 1988): 604. http://dx.doi.org/10.2307/505264.

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Muhly, Polymnia, and Gisela Walberg. "Tradition and Innovation: Essays in Minoan Art." Classical World 83, no. 2 (1989): 138. http://dx.doi.org/10.2307/4350592.

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Revesz, Peter Z. "A Comparative Analysis of Motifs from Minoan and Hungarian Folk Art." MATEC Web of Conferences 210 (2018): 05020. http://dx.doi.org/10.1051/matecconf/201821005020.

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This paper presents a similarity measure for motives. The similarity measure is applied to several ceramic and metal artifacts that contain spiral motives. The similarity measure shows a particularly strong similarity between some Minoan and Hungarian ceramics.
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Szakolczai, Arpad. "In Pursuit of the `Good European' Identity." Theory, Culture & Society 24, no. 5 (September 2007): 47–76. http://dx.doi.org/10.1177/0263276407081282.

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This article argues that Nietzsche’s preoccupation with the figure of Dionysos can be best understood as a visionary insight concerning the distant roots of European culture in Minoan civilization. While the opportunity offered by the discovery of ancient Crete for continuing Nietzsche’s genealogical work into the sources of Greek culture was ignored by the vast archive of literature on Nietzsche, this project was pursued in a book by the mythologist Károly Kerényi, published posthumously. Using the classic work of Henrietta Groenewegen- Frankfort, this article identifies the ‘spirit’ of Minoan Crete with its attempt to manifest the gracefulness of life. The sudden emergence of Minoan Palace civilization, its peaceful character shown by the absence of fortified walls, and the importance of epiphany scenes in various works of art all indicate the centrality of religion for ancient Crete. The article offers the hypothesis that the origins of this culture can be traced to similar transcendental experiences such as those in ancient Judaism. The basic difference is that in the Cretan case epiphanies were connected to female figures, leading not to a prophetic tradition of divine grace through the revealed word and public law, rather the transmission of a secret tradition and the manifestation of its truth through spectacular public rituals and graceful works of art. While direct awareness of Minoan civilization was lost, its central concern survived in the value attributed to the manifestation of radiant, indestructible truth, a central characteristic of European identity, periodically revitalized in a series of renascences.
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Mosenkis, Yurii. "GREEK LANGUAGE IN MINOAN ART: A NEW METHOD OF LINGUISTIC INTERPRETATION." Text and Image: Essential Problems in Art History, no. 1 (2018): 43–48. http://dx.doi.org/10.17721/2519-4801.2018.1.03.

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Dissertations / Theses on the topic "Minoan art"

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Pearce, Ariel Leah. "Fresh Water Scenes in Minoan Art." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/451958.

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Art History
Ph.D.
The goal of this dissertation is to provide a comprehensive study of scenes of fresh water in Minoan art from the Middle Minoan II (MM II) through the Late Minoan I (LM I) periods. This dissertation addresses and fills the gap in the scholarship regarding the depiction of riparian environments and the special place of these depictions in Aegean art. It also attempts to clarify the use and function of riverscapes across chronological periods. Rivers, marshes, streams, and springs, appear on a variety of media and fulfil multiple functions from MM II onward. Images of fresh water were used as topographical markers, ornamentation and decoration, and for religious purposes. Moreover, several images suggest that the Minoans may have believed that the realm for the goddess (or one of the goddesses) was a lush, riverscape. A second goal of this dissertation is to clarify and dispose of the term “Nilotic” as a label for images of fresh water in the Aegean. Since its introduction into the literature of Aegean studies in the beginning of the 20th century, the term “Nilotic” has been used inconsistently to describe Aegean scenes of fresh water that may or may not contain Egyptian elements. This assumption has led some scholars to state that Aegean riverscapes are ultimately derived from Egyptian scenes of fishing and fowling because they share similar iconographic elements. Unfortunately, the process of synthesis is important to the understanding of Aegean riverscapes, and iconographic similarities are somewhat superficial. Furthermore, the term has been used without regard for a long-standing tradition of the depiction of riparian environments in Bronze Age Aegean art. To fully address both goals of this project, the origin of individual iconographic elements has been traced through various media, including glyptic art, pottery, and wall painting. Wall paintings from the Cyclades and some Late Helladic IA scenes have been included when appropriate. Whenever possible, categories of riverscapes have been grouped together, but each wall painting, has been examined and interpreted individually. Some unique, highly pictorial, and detailed images in other media have also been addressed separately. Parallels in Egyptian and, in some cases, Near Eastern art have been sought to determine the validity of the term “Nilotic,” and a special study of Egyptian scenes of hunting in the marshes has been conducted in comparison to Aegean scenes. Iconography, synthesis, and context have all been taken into consideration.
Temple University--Theses
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Pareja, Marie Nicole. "Monkey and Ape Iconography in Minoan Art." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/361253.

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Art History
Ph.D.
This dissertation examines monkey and ape iconography in Minoan art during the Aegean Bronze Age (ca. 3,000–1,100 B.C.). Although a broad range of animals exist for depiction, Minoan artists carefully selected each subject in order to fulfill specific roles. Monkeys and apes appear to function differently than the other creatures that are depicted in art. Rather than subscribing to the general roles played by other animals, these primates may be shown outdoors, behaving like wild animals, or in a ceremonial context, participating in a ritual. Monkeys also imitate human activities. The deviation of primates from the typical roles of other animals found in Minoan art invites a deeper investigation of the role and iconography of apes and monkeys. In this study, three types of media that bear depictions of primates are considered. These media include figurines, glyptic art, and wall paintings. First, a review of the stylistic features of Minoan art and the possibility for the use of pattern books is discussed. Next, monkey and ape iconography in Egyptian art is explored. A thorough review of the creatures’ iconography in Minoan art follows, which includes the identification of figures as either ape or monkey, as well as a detailed description and conclusions about each type of representation. A new possible reconstruction of the Saffron Gatherer fresco is also included. Finally, the possible origins of Minoan primate iconography are considered, as well as the possible implications of the creature’s history, development, and roles. With this information in mind, the Offering to the Seated Goddess scene is then examined. The possible reconstruction of a crocus ceremony is proposed and explained, and the Levantine parallels for the compositional arrangement of the scene are also addressed. These conclusions may directly inform greater themes in Minoan culture, such as religion and cult practices.
Temple University--Theses
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Loughlin, Eleanor. "Representations of the cow and calf in Minoan art." Thesis, University of Edinburgh, 2000. http://hdl.handle.net/1842/9790.

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Research into the depiction of cattle in Minoan Art ha'i concentrated on representations of interaction between men and cattle, in particular, the images of bull sports. This emphasis has detracted from other types of cattle imagery. In this thesis the representation of the cow and calf in Minoan glyptic is assessed. Discussion of representation and meaning are of equal value, as a full understanding of the potential meaning of an image is dependent upon a detailed knowledge of what is represented. Specific anatomical and behavioural details described in the images are therefore compared with known physiological and behavioural characteristics. The Bronze Age representations are found to be very accurate and detailed in their description of the relationship between the cow and calf. Both the aesthetic and social contexts of the image are discussed in detail. The majority of representations of cows and calves are found on seals and sealings. The size, shape and restrictions of the medium as well as the range of potential uses of the stones (administrative, amuletic, jewellery) are considered. Fauna! evidence from Bronze Age Crete and accounts of cattle in Linear B texts confirm the importance of bovines as an integral part of the agricultural system as well as providing evidence of the range of cattle exploited. In discussing the potential meaning of the image, the survey draws on Bronze Age Aegean, Near Eastern and Egyptian evidence and later Greek (in particular Cretan) examples. Evidence from unrelated societies in which the cow is prominent is used as evidence of the diversity of possible meaning. The thesis concludes that it is not possible to categorise the image as specifically religious or secular; the range of potential meanings reflect the importance of the animal in all aspects of Minoan society.
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Hsu, Sheng-Chieh. "Bronze-Age Crete and Art Nouveau: A Diachronic Dialog." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/450833.

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Art History
Ph.D.
This dissertation examines the relationship between Minoan art and Art Nouveau. The Minoan civilization was rediscovered at the turn of the twentieth century when the Art Nouveau movement reached its peak. Due to this coincidental timing, their artistic resemblance has raised questions about whether Minoan art had inspired Art Nouveau and whether Art Nouveau played a role in the restoration of Minoan art. The possibility of a Minoan influence on Art Nouveau is considered through a number of aspects, which include news reports on the excavations, Minoan collections acquired by museums, reference to the Minoans in various fields, application of Minoan motifs, and the attractiveness of the Minoans to Art Nouveau artists. As for the reversed influence, the research analyzes how archaeologists came to see the Minoans as a “modern” civilization, investigates the background of the restorers of Minoan objects, and provides examples of fresco restorations that illustrate an Art Nouveau preference of the early archaeologists and restorers. With the evidence and the discussion, I argue that the existing connection between Minoan art and Art Nouveau is beyond doubt.
Temple University--Theses
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Pareja, Marie Nicole. "Minoan Tripod Cooking Pots: Morphological Change and Function." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/214822.

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Art History
M.A.
Tripods constituted a specific group of pottery within the Bronze Age Aegean tradition. The shape was typically associated with ritual and cooking activities. This study presents an examination of Minoan tripod cooking pots from Crete. By tracing the morphological changes that occur from one period to the next, this research seeks to discuss the relationship between the form and function of these vessels. It is hoped that the following analysis may also shed light on the origin and practicality of tripod cooking pots.
Temple University--Theses
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Gluckman, Amie. "Minoan Barbotine Ware: Styles, Shapes, and A Characterization of the Clay Fabric." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/337064.

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Art History
M.A.
This paper examines the styles, shapes, and chemical composition, and ceramic fabric of Minoan Barbotine Ware. During the Middle Minoan period, Barbotine Ware exemplifies the creative ingenuity of the Minoan potter. The vessels’ elaborate decorative motifs play an integral part in the development of Minoan pottery. Barbotine Ware remains an ill-defined tradition. This paper will analyze the styles and shapes of Barbotine Ware vessels, as well as provide a chemical and petrographic study of Barbotine Ware from Kommos. The ultimate goal is to provide a thorough study of all aspects of the Ware in the hopes that future scholars may better understand its place within Minoan pottery and appreciate how it exemplifies the spirit of experimentation during the Middle Bronze Age on Crete.
Temple University--Theses
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McCreery, Allyson Marie. "Evidence for Warfare on Crete during the Early and Middle Bronze Age." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/100690.

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Art History
M.A.
This thesis analyzes the role of warfare on Crete during the Early and Middle Minoan periods (EM and MM). Defensive architecture and weaponry production, utilization and representation are used as evidence for warfare during these periods. Furthermore, this thesis builds upon the scholarship of Minoan warfare in order to define the limitations of the defensive capabilities of Minoan Crete. The EM and MM periods on Crete show a slow advancement towards more sophisticated warfare practices. This is demonstrated by the intensification of defensive architectural programs and advanced weaponry technology of the early MM period. At the same time, population increase and social complexity may have caused extensive tension within communities, perhaps causing an increase in small-scale warfare or violence. Additionally, trade with settlements in the Aegean and the Levant may have inspired and initialized new practices in defensive mechanisms. Thus, the archaeological record of EM and MM Crete provides enough evidence to suggest warfare not only existed, but continually advanced in strategy and tactics.
Temple University--Theses
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d'Esterre, Elaine, and mikewood@deakin edu au. "Feminist poetics: Symbolism in an emblematic journey reflecting self and vision." Deakin University. School of Literary and Communication Studies, 1999. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.123532.

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My thesis tilled Feminist Poetics: Symbolism in an Emblematic Journey Reflecting Self and Vision, consists of thirty oil paintings on canvas, several preparatory sketches and drawings in different media on paper, and is supported and elucidated by an exegesis. The paintings on unframed canvases reveal mise en scènes and emblems that present to the viewer a drama about links between identities, differences, relationships and vision. Images of my daughter, friends and myself fill single canvases, suites of paintings, diptyches and triptychs. The impetus behind my research derives from my recognition of the cultural means by which women's experience is excluded from a representational norm or ideal. I use time-honoured devices, such as, illusionist imagery, aspects of portraiture, complex fractured atmospheric space, paintings and drawings within paintings, mirrors and reflective surfaces, shadows and architectural devices. They structure my compositions in a way that envelops the viewer in my internal world of ideas. Some of these features function symbolically, as emblems. A small part of the imagery relies on verisimilitude, such as my hands and their shadow and my single observing eye enclosed by my glasses. What remains is a fantasy world, ‘seen’ by the image of my other eye, or ‘faction’, based on memories and texts explaining the significance of ancient Minoan symbols. In my paintings, I base the subjects of this fantasy on my memories of the Knossos Labyrinth and matristic symbols, such as the pillar, snake, blood, eye and horn. They suggest the presence of a ritual where initiates descended into the adyton (holy of holies) or sunken areas in the labyrinth. The paintings attempt a ‘rewriting’ of sacrality and gender by adopting the symbolism of death, transformation and resurrection in the adyton. The significance of my emblematic imagery is that it constructs a foundation narrative about vision and insight. I sought symbolic attributes shared by European oil painting and Minoan antiquity. Both traditions share symbolic attributes with male dying gods in Greek myths and Medusa plays a central part in this linkage. I argue that her attributes seem identical to both those of the dying gods and Minoan goddesses. In the Minoan context these symbols suggest metaphors for the female body and the mother and daughter blood line. When the symbols align with the beheaded Medusa in a patriarchal context, both her image and her attributes represent cautionary tales about female sexuality that have repercussions for aspects of vision. In Renaissance and Baroque oil painting Medusa's image served as a vehicle for an allegory that personified the triumph of reason over the senses. In the twentieth century, the vagina dentata suggests her image, a personified image of irrational emotion that some male Surrealists celebrated as a muse. She is implicated in the male gaze as a site of castration and her representation suggests a symbolic form pertaining to perspective. Medusa's image, its negative sexual and violent connotations, seemed like a keystone linking iconographic codes in European oil painting to Minoan antiquity. I fused aspects of matristic Minoan antiquity with elements of European oil paintings in the form of disguised attribute gestures, objects and architectural environments. I selected three paintings, Dürer's Setf-Portrait, 1500, Gentileschi's Self-Portrait as the Allegory of Painting, 1630 and Velazquez's Las Meniruis, 1656 as models because 1 detected echoes of Minoan symbolism in the attributes of their subjects and backgrounds. My revision of Medusa's image by connecting it to Minoan antiquity established a feminist means of representation in the largely male-dominated tradition of oil painting. These paintings also suggested painting techniques that were useful to me. Through my representations of my emblematic journey I questioned the narrow focus placed on phallic symbols when I explored how their meanings may have been formed within a matricentric culture. I retained the key symbols of the patriarchal foundation narratives about vision but removed images of violence and their link to desire and replaced it with a ritual form of symbolic death. I challenged the binary oppositional defined Self as opposed to Other by constructing a complex, fluid Self that interacts with others. A multi-directional gaze between subjects, viewers and artist replaces the male gaze. Different qualities of paint, coagulation and random flow form a blood symbolism. Many layers of paint retaining some aspects of the Gaze and Glance, fuse and separate intermittently to construct and define form. The sense of motion and fluidity constructs a form of multi-faceted selves. The supporting document, the exegesis is in two parts. In the first part, I discuss the Minoan sources of my iconography and the symbolic gender specific meanings suggested by particular symbols and their changed meanings in European oil painting, I explain how I integrate Minoan symbols into European oil paintings as a form of disguised symbolism. In the second part I explain how my alternative use of symbolism and paint alludes to a feminist poetic.
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Sarasin, Sydney. "The Seals from the Minoan Site of Chryssi Island: Local, Regional, and Global Implications." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/418631.

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Art History
M.A.
Five seals come from a Minoan site on the island of Chryssi, just off the southeastern coast of Crete. Four of these seals are sealstones, and one is the bezel of a metal seal ring. These seals are important as individual objects to allow for a deeper understanding of the people that inhabited Chryssi Island during the Bronze Age, but a further understanding of the site itself is also garnered by expanding the focus to include all of the seals of Crete. By doing so, this study allows for the discussion of regional interactions among the people of Chryssi and various other Minoan sites throughout Crete. The various approaches to seals come together to suggest the same conclusions, most notably that at least some of the people on Chryssi enjoyed a life of limited luxury through the control of various industries on the island, particularly the production of murex purple dye.
Temple University--Theses
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Balduini, Émilie. "Les plantes dans le monde minoen : espèces, préparation, utilisations." Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAG016.

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Aujourd’hui, la Crète offre une flore riche et en partie unique. Cette thèse a pour objectif d’étudier les plantes dans le monde minoen (Crète et Théra, actuelle Santorin), en identifiant les espèces grâce à divers supports, en analysant les procédés de préparation et les utilisations que les Minoens pouvaient faire de ces plantes. La première partie de notre travail est un catalogue iconographique qui répertorie les plantes dans l’art, les écritures et les analyses scientifiques. Les études publiées jusqu’à présent se concentrent sur l’identification des motifs floraux ou sur une plante spécifique et les relations hommes-plantes ne sont pas ou peu analysées. La particularité de notre démarche est d’être complétée par une analyse contextuelle qui permet de pallier cette lacune. La deuxième partie de nos recherches concerne la préparation des plantes, c’est-à-dire les attentions qu’elles nécessitaient avant d’être utilisées dans la vie quotidienne. Les domaines d’utilisations envisageables étant nombreux, notre étude se focalise sur l’utilisation des plantes dans les cérémonies religieuses et dans l’artisanat du textile
Today, Crete offers a rich and partially unique flora. The aim of this thesis is to study plants in the Minoan world (Crete and Akrotiri, Thera), by identifying the species thanks to diverse media, by analyzing the methods of preparation and uses which Minoans could make of these plants. The first part of our work is an iconographic catalog which lists plants in art, writings and scientific analyses. Previous studies focus on the identification of floral patterns or a specific plant, and relationships between men and plants are not or not much analyzed. The special feature of our approach is to be completed by a contextual analysis which allows to compensate for this gap. The second part of our researches concerns the preparation of plants, that is to say the attention which they required before being used in everyday life. The possible fields being numerous, our study focuses on the use of plants in religion and in textile industry
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Books on the topic "Minoan art"

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Higgins, Reynold Alleyne. Minoan and Mycenaean art. London: Thames and Hudson, 1997.

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Chatzēphōtē, Litsa I. Minoan Crete. Athens: M. Toubis, 2005.

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Galanakis, Konstantinos. Minoan glyptic: Typology, deposits and iconography : from the early Minoan period to the late Minoan IB destruction in Crete. Birmingham: University of Birmingham, 2003.

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Wingerath, Halina. Studien zur Darstellung des Menschen in der minoischen Kunst der älteren und jüngeren Palastzeit. Marburg: Tectum Verlag, 1995.

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Günkel-Maschek, Ute. Minoan realities: Approaches to images, architecture, and society in the Aegean bronze age. Louvain-la-Neuve: UCL Presses universitaires de Louvain, 2012.

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Istituto per i beni archeologici e monumentali, ed. Identità culturale, etnicità, processi di trasformazione a Creta fra dark age e arcaismo: Per i cento anni dello scavo di Priniàs, 1906-2006 : convegno di studi (Atene, 9-12 novembre 2006). Catania: Consiglio nazionale delle ricerche IBAM, 2011.

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Politismou, Greece Hypourgeio, ed. From the land of the labyrinth: Minoan Crete, 3000-1100 B.C. [New York, N.Y.]: Published by the Alexander S. Onassis Public Benefit Foundation (USA), 2008.

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Martin-von-Wagner-Museum. Die Sammlung Kiseleff im Martin-von-Wagner-Museum der Universität Würzburg. Mainz am Rhein: Philipp von Zabern, 1989.

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Phillips, Jacqueline Sharon. The impact and implications of the Egyptian and Egyptianizing material found in Bronze Age Crete ca. 3000 - ca. 1100 B.C. [Toronto?]: The Author, 1991.

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Vonhoff, Christian. Darstellungen von Kampf und Krieg in der minoischen und mykenischen Kultur. Rahden/Westf: VML, Verlag Marie Leidorf, 2008.

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Book chapters on the topic "Minoan art"

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Nikolakopoulou, Irene, and Carl Knappett. "Frame and Ornament in Minoan and Cycladic Art." In Ancient Art Revisited, 199–220. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003131038-10.

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Specht-Riemenschneider, Louisa, Alina Marko, and Sascha Wette. "Protection of Minors on Video Sharing Platforms." In Families and New Media, 227–57. Wiesbaden: Springer Fachmedien Wiesbaden, 2023. http://dx.doi.org/10.1007/978-3-658-39664-0_11.

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AbstractMinors are increasingly exposed to harmful content and must be especially protected from incitement to hatred, violence and terrorism, in particular through misinformation, in their development phase. The principal provisions relevant to the protection of minors are set forth in the Interstate Treaty on the Protection of Minors in the Media (Jugendmedienschutz-Staatsvertrag; JMStV), the Protection of Minors Act (JuSchG), and the Network Enforcement Act (NetzDG). The chief point is for the platforms, as content intermediaries, to be held more responsible than they traditionally have been. This paper examines what measures are imposed on platforms under the JMStV, JuSchG, and NetzDG, as well as on how these may be structured going forward. In particular, the consequences for the protection of minors will be addressed.
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Abdulcadir, Jasmine, Noémie Sachs Guedj, Michal Yaron, Omar Abdulcadir, Juliet Albert, Martin Caillet, Lucrezia Catania, et al. "Pictures with FGM/C." In Female Genital Mutilation/Cutting in Children and Adolescents, 59–88. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-81736-7_5.

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"Early Minoan Crete:." In Introduction to Aegean Art, 29–53. INSTAP Academic Press (Institute for Aegean Prehistory), 2007. http://dx.doi.org/10.2307/j.ctt5vj92r.8.

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"Minoan Glyptic." In The Art and Archaeology of the Aegean Bronze Age, 195–208. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108630672.023.

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"Minoan Pottery." In The Art and Archaeology of the Aegean Bronze Age, 113–22. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108630672.018.

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"The Minoan Palatial Periods:." In Introduction to Aegean Art, 67–108. INSTAP Academic Press (Institute for Aegean Prehistory), 2007. http://dx.doi.org/10.2307/j.ctt5vj92r.10.

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JONES, BERNICE R. "The Three Minoan “Snake Goddesses”." In Studies in Aegean Art and Culture, 93–112. INSTAP Academic Press (Institute for Aegean Prehistory), 2016. http://dx.doi.org/10.2307/j.ctt1kk66gk.14.

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"Other Minoan Relief Arts." In The Art and Archaeology of the Aegean Bronze Age, 101–8. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108630672.016.

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MacGillivray, J. Alexander. "Animated Art of the Minoan Renaissance." In Amilla, 145–48. INSTAP Academic Press (Institute for Aegean Prehistory), 2013. http://dx.doi.org/10.2307/j.ctt5vj90s.18.

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Conference papers on the topic "Minoan art"

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Weng, Zhen. "Application and Research of Folk Art Elements in Flash Animation ---- Taking Minnan Folk Art as an Example." In 2017 4th International Conference on Education, Management and Computing Technology (ICEMCT 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icemct-17.2017.304.

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Pequeno, Agrippina Cândido Viegas. "Corpos em trânsito: corpos transvestigêneres e o espaço público." In Encontro de História da Arte. Universidade Estadual de Campinas, 2017. http://dx.doi.org/10.20396/eha.12.2017.4367.

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Me chamo Agrippina, tenho 20 anos e sou travesti. Se faz necessário nesse momento que eu me afirme enquanto os dois. É por estas afirmações que eu exemplifico minhas questões. Quando me afirmo enquanto Agrippina, estou subvertendo a política que condiciona a aceitar o nome do meu registro geral enquanto minha identificação. Serei publicada com o nome que escolhi e que, apesar de não legitimado, é o meu nome.
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Shetty, Akshat, Adhrit Shetty, Kevin Sijo Puthusseri, and Radha Shankaramani. "An Improved Ant Colony optimization Algorithm: Minion Ant(MAnt) and its Application on TSP." In 2018 IEEE Symposium Series on Computational Intelligence (SSCI). IEEE, 2018. http://dx.doi.org/10.1109/ssci.2018.8628805.

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Atabekova, Anastasia. "MIGRATION CRISIS: PROTECTING MINORS AGAINST ABUSE AND EXPLOITATION." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/12/s02.073.

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OKTAVIANUS, Oktavianus, and Khairil ANWAR. "Linguistic Landscape of the Names and Cultural Values of Rumah Makan Minang." In Sixth International Conference on Languages and Arts (ICLA 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icla-17.2018.27.

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Ferreira, Sonia Mairos, and Kimanzi Muthengi. "Minors’ Engagement in Health-Based Programs: Insights From UNICEF Lesotho’s HIV-Nutrition Intervention." In The IAFOR International Conference on Arts & Humanities – Hawaii 2024. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2432-4604.2024.35.

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Ambo, Helder Keitaro, José Brunoro, Mario Roberto Bellini Tasca, and Marcelo Lucas Pereira Machado. "DETERMINAÇÃO DAS TEMPERATURAS CRÍTICAS: TNR, AR3 E AR1 ATRAVÉS DE ENSAIOS COM MÚLTIPLAS DEFORMAÇÕES EM RESFRIAMENTO CONTÍNUO POR TORÇÃO A QUENTE DE UM AÇO MICROLIGADO AO NIÓBIO." In 13º ENEMET - Encontro Nacional de Estudantes de Engenharia Metalúrgica, de Materiais e de Minas. São Paulo: Editora Blucher, 2013. http://dx.doi.org/10.5151/2594-4711-22943.

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Takara, Luciana Miyuki. "Uma análise do espaço na obra de Farnese de Andrade." In Encontro de História da Arte. Universidade Estadual de Campinas, 2009. http://dx.doi.org/10.20396/eha.5.2009.4039.

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Nesta comunicação irei apenas apresentar uma parte de minha iniciação científica, na qual analiso a obra do artista brasileiro Farnese de Andrade. Antes disso, preciso fazer uma consideração a respeito do campo em que se inseriu a pesquisa, pois, já em sua concepção, difere das recorrentes análises produzidas a respeito do artista. A abordagem que faço de Farnese de Andrade está diretamente relacionada com a minha formação em Artes Visuais, na medida em que utilizo as discussões suscitadas tanto pela produção escultórica deste artista - assim como de outros como Nelson Félix - para criar interlocuções entre minha pesquisa plástica.
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Sunarti, Linda, Afriadi, Noor Fatia Lastika Sari, and Raisye Soleh Haghia. "Kebaya Setengah Tiang: Minang Cultural Identity in a Traditional Costume of Negeri Sembilan, Malaysia." In Proceedings of the Tenth International Conference on Languages and Arts (ICLA 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211129.040.

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Paula, Carla Mabel Santos. "A arte do vale do Jequitinhonha no século XVIII: estudo das pinturas sobre madeira em Minas Novas e Chapada do Norte (Minas Gerais)." In Encontro da História da Arte. Universidade Estadual de Campinas, 2010. http://dx.doi.org/10.20396/eha.6.2010.3770.

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A região hoje denominada Vale do Jequitinhonha foi, durante o período colonial, um dos grandes centros de extração do ouro, tendo Minas Novas como a principal cidade do norte mineiro. O grande florescimento econômico na primeira metade do século XVIII possibilitou a criação de novos povoados, arraiais e vilas. No entanto, esse processo no norte de Minas, comparado à região central, foi realizado de maneira diferenciada devido à distância dos grandes centros de decisões administrativas e ao difícil acesso à região.
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Reports on the topic "Minoan art"

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Eduardo, da Rosa Aquino, and Girao Sotomayor Juan Manuel. Estado da arte sobre a geotecnia e planejamento de mina. Instituto Tecnológico Vale, 2022. http://dx.doi.org/10.29223/prod.tec.itv.mi.2022.16.aquino.

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Bustelo, Monserrat, Verónica Frisancho, and Mariana Viollaz. What Policies are Effective at Eradicating Violence Against Women? Inter-American Development Bank, December 2023. http://dx.doi.org/10.18235/0005342.

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Violence against women is widespread in Latin America and the Caribbean. On average, every day, 10 women are murdered in the region, and of the 25 countries with the highest rates of femicide in the world, 13 are in this region. Violence against women invades womens everyday lives and takes place in both public and private spheres and within all socioeconomic groups. Most femicides are committed by their partners or former partnersone out of every three women between the ages of 15 and 49 in the region have experienced physical and/or sexual violence at the hands of a partner, with rates ranging between 17% (for the Dominican Republic) and 53% (for Bolivia). Violence against women has a negative impact (physical and psychological) on the health of victims, and it also affects their economic decisions and opportunities for development. Additionally, it increases the probability that children suffer abuse, corporal punishment, and/or negligent/dysfunctional care as well as the likelihood that minors end up reproducing this behavior when they are adults, perpetuating the cycle of violence.
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Martín Olea, Tábata. Unaccompanied foreign minors in the Spanish media : A frame analysis of press editorials. Malmö universitet, 2023. http://dx.doi.org/10.24834/isbn.9789178773831.

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Ever since Spain became an immigration country, unaccompanied foreign minors – often referred to by the acronym ‘menas’– have become the subject of media coverage. This study departs from the premise that the media constructs reality. Media representations of migrants must therefore be examined to uncover their impact in the social world. This research analyses representations of unaccompanied foreign minors in the press editorials published between 2018 and 2022. Frame analysis informs the theoretical framework of this thesis and it is applied through the constant comparative technique. This work uncovers seven different frames. Whereas the victim/threat dichotomy is the most prevalent throughout the newspapers, positive representations are also found. While newspapers within the liberalconservative political spectrum frame unaccompanied minors in both positive and negative ways, this is not the case for the far-right and left-wing newspapers. The analysis also finds changes in framing according to decisive political events.
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Hooke, William. Three Policies Shape Enterprise Value: Minor Adjustments Could Enhance the Societal Benefit. American Meteorological Society, January 2022. http://dx.doi.org/10.1175/three-policies-shape-enterprise-value-2022.

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This AMS Policy Study examines explicitly the role that public policy plays in determining the sum societal value of Earth Observations, Science, and Services (OSS) as well as the allocation of that value and the costs of OSS production across society. It examines three policy frameworks of quite different origin, purview, and standing. The first is the 2003 Fair Weather Report developed by the National Academy of Sciences. That policy focuses on collaboration. The second is the 2017 Weather Research and Forecasting Innovation Act enacted by the U.S. Congress. It focuses on innovation. The third is the current World Meteorological Organization development of Resolution 42, which seeks to make international contributions to and access to data and information more equitable, and at the same time expand the domain of data and information sharing from weather per se to Earth observations, science, and services more broadly. The study takes as its point of departure views of individual stakeholders in the so-called Weather, Water and Climate Enterprise (loosely speaking, the community of U.S. providers of weather, water, and climate information and services) with respect to these policies. Their perspectives were captured through informally solicited public and private comments from senior members of the Enterprise. Individually and in aggregate the comments hint at or suggest opportunities for extending and improving Enterprise value by broadening collaboration, fostering innovation, and making the Enterprise more equitable.
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Kerr, D. E. Reconnaissance surficial geology, Arctic Sound, Nunavut, NTS 76-N. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/321440.

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The Arctic Sound map area consists primarily of glacially scoured bedrock, minor till in the southwest, and postglacial marine sediments in coastal lowlands and inland along river valleys. The till deposits are cut to bedrock by subglacial meltwater corridors defined by eskers and other glaciofluvial sediments. Glacial lakes occupied the James River valley where retreating or stagnant ice blocked drainage to the east. Glaciolacustrine deltas record falling lake levels, from 310 m to 290 m and 260 m elevation. Striations and streamlined landforms indicate ice flow to the north-northwest, and later crosscutting relationships recording minor variations locally. Orientation of minor moraines, eskers, and outwash plains suggest ice recession was primarily southeastward. A series of small glaciomarine deltas following a northwest-southeast trend, and postglacial marine deltas and fine-grained sediments, reach elevations of 210 m in the northwest and 200 m in the southeast. Isostatic rebound caused marine regression, forming raised beaches from 210 m elevation to current sea level.
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Miller and Lane. L51669 Diverless Pipeline Repair Clamp-Phase II. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), April 1992. http://dx.doi.org/10.55274/r0010416.

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The general goal of the work described herein is to develop the capability to remotely repair minor leaks in pipelines residing in water depths beyond diver work depths. Wells are now being drilled and production facilities are being installed in these water depths at the time of this writing. A wide range of pipeline damage is conceivable. At the least severe end of the spectrum, leakage due to local corrosion or a latent weld defect is possible. More severe damage such as that caused by anchor snagging or mudslides would likely require a more extensive repair capability. This research is limited to addressing repair of minor leaks repairable by installation of a split repair clamp. This report summarizes the Phase II research effort and results. The objective of Phase I was to lay a foundation for eventual development of specific equipment and systems needed to implement the diverless repair clamp. Phase I may be characterized more as an investigation to broadly identify the state of the art in diverless operations and an effort to identify specific technology weaknesses for more detailed study. Another objective of Phase I was to develop generic mechanical concepts for the diverless repair clamp. The objective of Phase II has been to narrow the research focus to select a most favored concept for the mechanical arrangement of the clamp itself and to conceptually describe a preferred method for deploying the clamp. Specifically, the objectives of Phase II were: 1. Develop conceptual designs associated with two different repair philosophies; 2. Investigate and evaluate alternative fastening technologies and clamp-type sealing mechanisms; 3. Investigate installation-related issues such as pipe preparation, ROV capabilities, and ROV interfaces; and 4. Evaluate the two conceptual designs from both a technical and practical standpoint.
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Goreczky, Péter. Waiting for a Breakthrough: the Economic Relations of India and the ASEAN Region. Külügyi és Külgazdasági Intézet, 2022. http://dx.doi.org/10.47683/kkielemzesek.ke-2022.37.

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India and Southeast Asia have been seeking more economic engagement in recent years. The ASEAN–India free trade agreement has resulted in a diversification of trade flows by partner country, but both regions have failed to increase their share substantially in each other’s overall trade volume. Service export may offer new opportunities, but India’s limited integration in regional production networks and the difference in the sectoral competitiveness of the two regions will make it difficult to elevate trade relations to a much higher level. India plays a minor FDI relationship with Southeast Asia that is limited to Singapore, and there are substantial barriers to diversification in that regard. India’s role in regional infrastructure development is minor compared to China or Japan. At the same time, the digital economy and the health industry may provide new opportunities for economic engagement between the two regions. Altogether, strategic cooperation is still to be translated into a breakthrough in the economic relations between India and the ASEAN region.
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Mehra, Tanya, Merlina Herbach, Devorah Margolin, and Austin C. Doctor. Trends in the Return and Prosecution of ISIS Foreign Terrorist Fighters in the United States. ICCT, August 2023. http://dx.doi.org/10.19165/2023.3.04.

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Approximately 300 Americans are estimated to have traveled or attempted to join the Islamic State (ISIS) as part of the group’s campaign in Syria and Iraq between 2013 and 2019. These individuals joined more than 53,000 men, women, and minors from roughly 80 countries. Often referred to as foreign (terrorist) fighters (FTF), these are individuals from third countries who travel to join a terrorist group to support its activities. In the United States (U.S.) context, the FTF designation does not denote the act of fighting itself, but rather the support of a designated foreign terrorist organization (FTO). While many of these radicalized individuals traveled alone to the conflict zone, others brought their families or formed new ones in-theater. As ISIS’ selfdeclared caliphate collapsed, many were killed, some fled to other locations, and many were captured and held by Kurdish forces. Men and some teenage boys were primarily placed in prisons, while women and minors were often moved into detention camps. Today, an estimated 10,000 male FTFs remain held in northeastern Syria including 2,000 men and boys from 60 countries outside Syria and Iraq (third country nationals, or TCNs). In addition, local camps hold close to 55,000 female FTF and FTF-affiliated family members, including roughly 10,000 TCN women and children. Some of these individuals have now been in detention for four years or more. The indefinite detention of FTF and FTF-affiliated families in northeastern Syria is not a tenable solution. In addition to clear humanitarian concerns, there is a significant security risk that the facilities’ inhabitants provide a groundswell of recruits to the still active ISIS campaign in the region. A 2022 U.S. military report puts it bluntly, “These children in the camp are prime targets for ISIS radicalization. The international community must work together to remove these children from this environment by repatriating them to their countries or communities of origin while improving conditions in the camp.” In lockstep, U.S. diplomatic leaders have made repatriation a policy priority empowered by a general domestic partisan consensus that the repatriation of FTF and FTF-affiliated families from northeastern Syria should be done expediently. Progress has been slow, while many Western nations were strongly resistant to bringing their detained citizens home, there is recent evidence for cautious optimism. Approximately 9,200 persons – including 2,700 TCNs and 6,500 Iraqis repatriated since 2019. This year, 13 countries have repatriated roughly 2,300 persons, including more than 350 TCNs. However, more work remains to be done. As of July 15, 2023, 39 U.S. persons have been officially repatriated, including both adults and minors. At least 11 additional U.S. persons have returned on their own accord, ten of whom remained in the U.S. following their return. Furthermore, the U.S. has made the decision to bring several non-U.S. persons to the U.S. to stand trial.
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Kerr, D. E. Reconnaissance surficial geology, Clarke River, Northwest Territories, NTS 65-M north. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329416.

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The Clarke River map area (north half) comprises isolated areas of glacially and meltwater scoured bedrock, till veneers and blankets, locally fluted, and strongly fluted (mega-scale glacial lineations) streamlined till in the northeast. Ridged till may overlie fluted till blanket and streamlined till. Glaciofluvial esker complexes and associated meltwater outwash sediments trend westward (some may parallel pre-glacial valleys), southwestward, and northwestward. Glaciolacustrine sediments are a minor component. An early regional warm-based diverging southwestern and southern ice flow is well preserved in the central regions across the map area. The youngest late deglacial ice flows, in the extreme southwest and broader northeast region, are both northwesterly. The latter represents the Dubawnt Lake ice stream. During ice retreat, ridged till was deposited with minor moraines and larger recessional moraines locally. Ponding meltwater formed pro-glacial lakes with deltas, beaches, and trim lines from 355 m elevation, in the southwest, to 155 m, in the northeast.
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Otero-Cortés, Andrea, Ana María Tribín-Uribe, and Tatiana Mojica-Urueña. The Heterogeneous Labor Market Effects of the Venezuelan Exodus on Female Workers: Evidence from Colombia. Banco de la República, July 2022. http://dx.doi.org/10.32468/dtseru.311.

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We study the labor market effects of the Venezuelan migration shock on female labor market outcomes in Colombia using a Bartik-instrument approach.For our identification strategy we leverage regional variation from pull factors and time variation from push factors. Our findings show that in the labor market, female immigrants can act as substitutes or complements for native-born women depending on native women’s education level; immigrant workers are substitutes in the labor market for native-born low-educated women as they compete for similar jobs. Hence, the low-educated native women’s labor force participation decreases. At the same time, time spent doing unpaid care increases for low-educated native women, possibly further preventing the job search for this group. On the other hand, we find an increase in labor force participation of 1.6 p.p. for highly educated women with minors at home and a 1 p.p. higher likelihood of becoming entrepreneurs due to the migratory shock, which supports the complementary-skill hypothesis. Finally, we don’t find evidence that the migratory shock induced households to outsource more home-production as a means for high-educated women to spend more time at paid work.
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