Relevant bibliographies by topics / Minimalism

Academic literature on the topic 'Minimalism'

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Published: 4 June 2021
Last updated: 31 August 2024

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Journal articles on the topic "Minimalism"

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Emin qızı Rzayeva, Nigar. "Minimalism in architecture and its specific features." SCIENTIFIC WORK 75, no. 2 (February 18, 2022): 123–27. http://dx.doi.org/10.36719/2663-4619/75/123-127.

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Müasir memarlığın diqqətəlayiq mərhələlərindən biri “minimalizm”dir. Bu hərəkat arzuolunmaz təfərrüatların aradan qaldırılması ilə əlaqədardır və həqiqəti müəyyənləşdirir.Memarlıq elementinin mahiyyəti, məqsədyönlü sadəlik, şəffaflıq və mənəviyyat, onun məkanları təbiətlə qarşılıqlı əlaqədədir. “Minimalist” yanaşma incəsənət, dekorasiya və interyerdə aydın bir irəliləyişi əks etdirir. Araşdırma zamanı müəyyən etdik ki, minimalizm hər şeydən əvvəl detallarla interyerin maksimum ifadəliliyi və üslubunu ifadə edir. Səbəb pula qənaət etmək istəyi deyil. Lazımsız dekorasiya və detallardan xilas olmaqla, canlı təəssürat əldə etməkdir. Bu üslub yeni mütləq forma axtarışı, sadə xəttin ifadəsi, mükəmməlliyə doğru hərəkət, rəng sxeminin məhdudlaşdırılmasıdır. Minimalizmin bir üslub və ya həyat tərzi deyil, daha çox düşüncə və fəlsəfə tərzi ifadə edir. Minimalizmə müasirlərimiz kimi yaradıcı, düşünən, gələcəyə baxan insanlar üstünlük verir. Minimalizm müxtəlif və çoxşaxəlidir, müəyyən edilmiş standartlardan məhrumdur, bu da fərdi, orijinal və müasir bir interyer yaratmağa imkan verir. Memarlıqda “minimalizm” anlayışı, hansı dizayn elementlərinin istifadə edilməli olduğunu başa düşmək, boşluğa “minimal” olmaq xarakterini vermək. mənasını ifadə edir. Məqalədə minimalizm fəlsəfəsinin mahiyyəti açılır, onun dizaynda rolu müəyyənləşdirilir. Açar sözlər: minimalizm, memarlıq, dizayn, interyer,üslub Nigar Emin Rzayeva Minimalism in architecture and its specific features Summary One of the most remarkable stages of modern architecture is "minimalism". This movement is associated with the elimination of undesirable details and determines the truth. The essence of the architectural element, purposeful simplicity, transparency and spirituality, its spaces are interconnected with nature. The "minimalist" approach reflects a clear progress in art, decor and interiors. During the research, we found that minimalism, above all, expresses the maximum expressiveness and style of the interior with details. The reason is not the desire to save money. It is to get a vivid impression by getting rid of unnecessary scenery and details. Minimalism is the search for a new absolute form, the expression of a simple line, the movement to perfection, the limitation of the color scheme. Minimalism is not a style or way of life, but rather a way of thinking and philosophy. Minimalism is preferred by creative, thinking and forward-looking people like our contemporaries. Minimalism is diverse and multifaceted, devoid of established standards, which allows you to create an individual, original and modern interior. The concept of "minimalism" in architecture, to understand what design elements should be used, to characterize the space as "minimal". means. The article reveals the essence of the philosophy of minimalism, defines its role in design. Key words: minimalism, architecture, design, interior, style
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Dantas, Danilo Fraga. "Minimalismo e suas mentiras generalizadas." Analytica - Revista de Filosofia 21, no. 2 (January 6, 2019): 183–94. http://dx.doi.org/10.35920/arf.v21i2.22472.

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A teoria minimalista da verdade consiste em todas as instâncias do esquema ‘‘φ’ é verdadeira sse φ’ e na afirmação de que nossa aceitação (primitiva) dessas instâncias é suficiente para explicar nossas atitudes em relação a todas sentenças envolvendo ‘verdade’. Filósofos têm apontado que o minimalismo tem dificuldades em explicar nossas atitudes em relação a generalizações envolvendo ‘verdade’ e em lidar com instanciações contraditórias do esquema para sentenças paradoxais (ex. paradoxo do mentiroso). Proponentes do minimalismo apresentam soluções para esses problemas. Nesse artigo, argumento que essas soluções entram em conflito, analiso algumas estratégias para resolver esse conflito e concluo que o minimalismo não pode evitar conflitos desse tipo mantendo seu caráter minimalista. Abstract:The minimalist theory of truth (minimalism) consists in all instances of the T schema (‘‘φ’ is true iff φ’) along with the claim that our (primitive) acceptance of these instances is sufficient for explaining our attitudes (e.g. acceptance) in relation to all sentences involving ‘truth’ (‘true’, etc). Philosophers argue that minimalism can neither explain our atittudes in relation to truth-generalizations (generalizations involving ‘truth’) nor deal with the fact that instantiations of T to sentences alike the liar paradox entail a contradiction. Paul Horwich proposes solutions to the two problems, but these solutions conflict with each other. In this paper, I show demonstrate this conflict and analise some strategies to solve it. I argue that Horwich’s solution to the liar problem has important limitations. I conclude that the minimalism cannot avoid conflicts of this sort maintaining its minimalistic character.
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Sobreira, Érica Maria Calíope, and Danielle Mantovani. "Minimalist Aesthetics: conveying an image through clothing style." Modapalavra e-periódico 17, no. 42 (May 3, 2024): 01–18. http://dx.doi.org/10.5965/1982615x17422024e0008.

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Minimalism is a theme on the rise in consumer literature, especially when it involves fashion and minimalist aesthetics. Despite this, there are few studies dedicated to discussing what reactions the minimalist aesthetics may produce on the perceptions of others about minimalists as individuals. With this essay, we fill this gap by discussing what image minimalist aesthetics conveys about people who adopt a minimalist clothing style. We discuss, therefore, how minimalists may be perceived as more competent and less warm people in the eyes of others, in addition to being able to convey an image of rationality in decision making rather than feelings. Finally, this essay opens up the possibility for a wide range of future studies on minimalism in consumption.
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Dopierała, Renata. "Minimalizm — między epizodem a trwaniem." Kultura i Społeczeństwo 61, no. 4 (October 10, 2017): 87–102. http://dx.doi.org/10.35757/kis.2017.61.4.5.

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This article discusses minimalism and slow life as examples of anti-consumer-oriented social practices. The author presents the assumptions of minimalism and slow life (their similarities and differences), compares minimalism with the idea of voluntary simplicity (comparing mainly their systems of values), describes minimalism as a project of the self, and distinguishes a few variants—radical, economic, and luxury minimalism. The analysis is based on minimalist literature.
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Rodriguez, Jason. "The US Minimalist Movement: Radical Political Practice?" Review of Radical Political Economics 50, no. 2 (January 20, 2017): 286–96. http://dx.doi.org/10.1177/0486613416665832.

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The US minimalist movement represents an increasingly popular critical reflection on the ills of consumerism and an effort to forge new ways of living amidst consumer capitalism. In the face of escalating consumption, debt, and environmental degradation, minimalists’ calls for rethinking “needs” is timely and highlights important problems that typify US capitalism. This article explores minimalists’ social-theoretical insights and resistance to consumerism considering whether, and to what extent, minimalism represents a radical, anti-capitalist movement.
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Wynant, Charlotte. "Countering the Disadvantage: Stasis as an Emancipatory Minimalist Legacy in Chantal Akerman's Cinema." Film-Philosophy 27, no. 3 (October 2023): 488–506. http://dx.doi.org/10.3366/film.2023.0243.

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This article examines stasis in Chantal Akerman's cinema by means of a genealogical study into its minimalist origins in order to make visible its political operationality in her work and, by extension, its inherent political potential. Stasis is an aesthetic effect generated through the use of repetition, seriality, and duration in temporal media that proliferated in Minimalism across artforms and was taken up by Akerman during her séjour in New York in the early 1970s. The characteristic endless temporality created by stasis in temporal media takes shape in Minimalism due in part to the movement's literalist, phenomenological orientation, which at one point caused Minimalist art to be regarded as nonideological – this while the static quality in Akerman's work appears to be constitutive of its political character. A study of her early films Hotel Monterey (1972) and Je tu il elle (1974), clearly influenced by the Minimalist scene she was immersed in, illustrates how stasis emerges analogously in Minimalist music, dance, and Akerman's cinema. Minimalism's paradigmatically phenomenological orientation and its intricate entwinement with stasis are examined in relation to Akerman's work to reveal their inherent potential for political operationality in art.
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Weng, Cheng-Chu. "Making minimalism disappear…" Journal of Contemporary Painting 6, no. 1-2 (October 1, 2020): 149–64. http://dx.doi.org/10.1386/jcp_00019_1.

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‘Making minimalism disappear…’ presents an essay regarding my approach to ‘expansion painting’, and specifically provides a study of another kind of minimalist aesthetic. The account begins with a signature work, Shoji (2015), which is proposed as a way to unfold what expansion painting is. I describe my approach as drawing upon painterly compositional methods but developed through site-specific considerations of architectural spaces, bodies and differing levels of consciousness. The works ‘take place’ when interacting in these layered spaces, or what I refer to as a ‘sense’ of painting space. The article goes on to articulate how – in terms of a western discourse – my works might ‘look’ minimalist but, in fact, are not minimalist art. This article – in representing my practice and providing broader critical analysis – leads us to question an ideology of art history around the enigma of minimalist art, and gives rise instead to another shadowy form of minimalist art. Hence, this article can be said to make minimalism disappear in being haunted by it.
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Kamal, Mohammad, and Osama Nasir. "Minimalism in architecture: a basis for resource conservation and sustainable development." Facta universitatis - series: Architecture and Civil Engineering 20, no. 3 (2022): 277–300. http://dx.doi.org/10.2298/fuace221105021k.

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In a novel way, modern architecture has a great influence and impact on present-day contemporary architecture. Since the late 1980s, ?minimalism in architecture has been taken into consideration. Less is more is emphasized, which adheres to the philosophy of filling the space with the necessary items and clearing unneeded clutter to allow room for significant materials and objects. With simple shapes and clear lines, a neutral color scheme, and plain textures, minimalism exudes calm. Minimalism is about eliminating life's excesses. We can find freedom, contentment, and the ability to concentrate on what matters most. Whether it was during the sustainable era or in the twenty-first century, minimalism is adopting the conventional "less is more" way of life. In addition to displaying a wide range of hues, architecture is a form of art. Iranian architecture embodies historical grandeur and devotion, a commitment to religious education, and a rejection of materialism. It is a product of Islamic civilization. However, recycling well-known architectural features like minarets, courtyards, and mashrabiya frequently runs afoul of modern trends in architecture, which are not necessarily opposed to the fundamentals of Islamic architecture. Minimalism is regarded as a fundamental resource and an alternative to the present standard aesthetic. In order to draw designers with sustainable goals' attention to the relationships between minimalism and sustainability, the following questions are briefly addressed in this paper. How does minimalist design work? What does minimalist design entail? Is the minimalist style the best style for environmentally friendly architecture? This paper tries to attempt to examine a minimalist aesthetic for sustainable building and design. This paper discusses a comprehensive overview and analysis of minimalism and its guiding principles in architecture. It also continues by outlining the features and minimalistic foundations of Islamic architecture.
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Nikolic, Milan, and Dragana Vasilski. "Minimalism in contemporary architecture as one of the most usable aesthetically-functional patterns." Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 333–45. http://dx.doi.org/10.2298/fuace160814029n.

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Minimalism in architecture which tends to reduce forms is becoming a more common case in practice. The aim of the research is uncovering its influence in contemporary life and defining relation of this phenomenon to the reality. According to this task two hypothesis are formed at the start: ?minimalism in architecture is the same as a simplified architecture? and ?minimalism is a style of architecture?. After analyzing influences and characteristics of minimalism in contemporary space including certain examples from practice, and some case studies of the architectural achievements based on minimalist ideas, research results are concluded and defined according to previous hypothesis. The conclusion includes understanding of minimalism as a way of thinking and a life style.
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Ipsen, Max. "Danish Sixties Avant-Garde and American Minimal Art." Nordlit 11, no. 1 (May 1, 2007): 169. http://dx.doi.org/10.7557/13.1758.

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Denmark is peripheral in the history of minimalism in the arts. In an international perspective Danish artists made almost no contributions to minimalism, according to art historians. But the fact is that Danish artists made minimalist works of art, and they did it very early.Art historians tend to describe minimal art as an entirely American phenomenon. America is the centre, Europe the periphery that lagged behind the centre, imitating American art. I will try to query this view with examples from Danish minimalism. I will discuss minimalist tendencies in Danish art and literature in the 1960s, and I will examine whether one can claim that Danish artists were influenced by American minimal art.
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Dissertations / Theses on the topic "Minimalism"

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Davies, James. "stack : minimalist poetics." Thesis, University of Roehampton, 2018. https://pure.roehampton.ac.uk/portal/en/studentthesis/stack(aebfad17-9098-4c69-831d-3af98f9d48e4).html.

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stack: Minimalist Poetics consists of a portfolio of practice-led research — a volume-length minimalist poem entitled stack — and a critical essay. The poem applies and adapts several minimalist writing strategies, which are evaluated in the critical essay to create a text that is rich in imagery yet indeterminate in meaning. In addition, stack is innovative in its structural approach — through original use of enjambment, footnoting and repetition, lines may be treated as discrete entities and, also, as combinations. A key research question that the practice-led component and the critical essay interrogate is the applicability and development of the poetics of the “New Sentence”, and other formally innovative approaches in the field of minimalist writing. The first part of the critical essay contextualises the creative portfolio in relation to the field of minimalist poetics as a whole. It sets out how stack belongs to a strand of minimalist poetry that evolved out of imagism and objectivism, and whose key practitioners include Robert Grenier, Robert Lax and Aram Saroyan. Subsequently, the thesis outlines the methods that were used to generate the creative portfolio. Effectively these latter sections present a manual for making minimalist poetry. Aside from exploring the written elements of stack, the thesis also examines my practice of conducting what I refer to as ‘minimalist interventions’ (embodied, micro-actions). These interventions, which have taken place in a range of environments, generally function as stimuli for the written aspects of the poem.
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Gould, Jason. "Minimalism and maximalism /." Online version of thesis, 2007. http://hdl.handle.net/1850/4626.

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Hedlin, Hayden Malin. "Out of Minimalism." Doctoral thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-3589.

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The dissertation involves a threefold investigation of sculpture. Firstly, the interpretations are focused on particular artworks by three British sculptors: Antony Gormley (b. 1950), Anish Kapoor (b. 1954), and Rachel Whiteread (b. 1963), respectively. The notion of applied minimalism is tentatively applied to their sculptures. A primary argument is that these works are idiomatically, thematically, and theoretically founded on the heritage of American Minimalism from the 1960s. The sculptures by these three artists are seen as readings and transformations in themselves of the Minimalist sculptural idiom. Secondly, the dissertation aims at an investigation of the notion of sculpture, which is explored as a discursive term, i.e. as a working notion. Therefore, each specific sculpture in the study is analysed in terms of the means it is manifested as such. Thirdly, interpretation per se is recognised as a performative act inscribed and restricted by specific contextual features. The constituent aspects are acknowledged and employed in terms of the white cube gallery locality, minimalist theory, sign theory, sculpture as staged, and the crucial recognition of a/the corporeal viewer's own presence and movements within the gallery space. Especially pertinent to the interpretations are Michael Fried's notion of theatricality, notions of performativity, and meaning as site-specific, respectively. The dissertation argues that the notion of sculpture, specifically in the wake of Minimal sculpture and the artworks inscribed by that category in art critical discourse, relies on the imperative of a corporeal acknowledged viewer/interpreter and that significant relations as regards the notion of sculpture are therefore external to a high degree.
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Botha, Marc Johann. "The persistence of minimalism." Thesis, Durham University, 2011. http://etheses.dur.ac.uk/4455/.

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The following work develops a new and general theory of minimalism – one addressing both its transhistorical and interdisciplinary dimensions, and capable of accounting for existing minimalism of every epoch and in every medium, while suitably open to embrace minimalist work yet to be created. To offer such a theory it is necessary not only to revisit the histories of minimalist practice and criticism, but also to consider its radical philosophical ground and implications. Hence its principal thesis – that minimalism exemplifies the persistence and facticity of the Real – grapples at once with the ontological heart of minimalist theory, and its practical instantiation through canonical as well as rarely considered examples. Divided into three parts, the first part addresses minimalism as the manifestation of particular aesthetic properties in relation to critical and theoretical trends. Since it becomes apparent that no single descriptive or theoretical account adequately frames minimalism, the discussion turns to the possibility of discovering a philosophical ground equally radical to the minimalist objects it addresses. The Real – an indifferent field of forces from which contingent entities are subtracted from within an irreversible temporal passage – offers precisely this radical continuum. Minimalism, by exposing the continuity between radical poiesis and an essentially quantitative understanding of Being, clarifies the indifferent persistence of the Real in every existential situation. Penetrating to the heart of this proposition, parts two and three respectively address minimalism in terms of its quantitative logic of Being – every exemplary subtraction from which is instantiated a type of existential calculation – and its exemplary aesthetic manifestation in terms of an existential transumption – a constructive poietic displacement by which minimalism renders itself maximally intelligible in terms of its objecthood and persistence. The work concludes with a typology which reorients and confirms the substance of the preceding argumentation.
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Oka, Toshifusa. "Minimalism in syntatic derivation." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/12499.

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Tiefensee, Christine. "Expressivism, minimalism and moral doctrines." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609582.

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Villares, Fernanda Carvalho Ferreira. "A construção do espaço através da luz: uma leitura da obra de Dan Flavin sob o aspecto do design da iluminação." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-11012012-112335/.

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Esta dissertação consiste em uma abordagem do fenômeno da luz que interesse ao Design da Iluminação. Isso se faz aqui através da leitura da obra de Dan Flavin, artista americano que utilizou a lâmpada fluorescente como material quase que exclusivo em seus trabalhos. Flavin conhece e explora a luz como um fenômeno intangível. Recusa noções preconcebidas de espaço, e busca novas experiências perceptuais e espaciais. Assim, sua obra nos permitiria uma leitura múltipla, levantando diversos aspectos importantes para a atividade do designer da Iluminação. Pesquisar Flavin é uma imersão na luz, na cor, no espaço e na percepção humana. A riqueza visual e conceitual de sua obra nos levaram a explorar o conhecimento que se tem sobre a presença da luz no espaço que complementem a prática do Design.
This essay proposes an approach to the phenomenon of light that involves Lighting Design. The route to this exploration is the work of Dan Flavin, an American artist who used fluorescent lamp as the practically exclusive material of his work. Flavin knows and explores light as an intangible phenomenon. He refuses preconceived notions of space and seeks new perceptual and spacial experiences. As a result, his work allows multiple readings and raises several key aspects for the activity of the Lighting designer. To research Flavin is to immerse oneself in light, color, space and human perception. The visual and conceptual richness of his work led us to explore the knowledge we have of the presence of light in space, which complements the Design practice.
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Alexander, Karen. "Minimalism in twentieth-century American writing." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1446326/.

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My PhD thesis identifies a "will to reduction" in twentieth-century American literature as a significant trend that I trace from the Modernist era to the contemporary period. I locate the origins of contemporary literary Minimalism in Modernist experimentation. In an early chapter I identify reductive tendencies and the values informing them in Imagism, Objectivism, and the writings of Ernest Hemingway and William Carlos Williams. These form the foundation for a tradition of American Minimalism, which I then document in contemporary literature. Robert Creeley is an inheritor of the Objectivists' Minimalist leanings, which recur, by emulation or partial disagreement, in the poetry of Aram Saroyan and Robert Grenier. Raymond Carver renews the Hemingway tradition in his short stories, and one chapter of my thesis considers Carver along with Mary Robison, who has also written a Minimalist novel. Radical, sustained experiments in Minimalism by Robert Lax, Lydia Davis, and David Markson are the subject of subsequent chapters. Their work represents recent versions of Minimalism in poetry, the short story, and the novel. Recurring themes in my thesis are the ways in which some of these authors have been influenced by visual art, and philosophical issues raised by literary experiments in Minimalism.
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Hou, Richard Wei Tzu. "Between Quine's Disquotationalism and Horwich's Minimalism." University of Sydney, 2006. http://hdl.handle.net/2123/1131.

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Doctor of Philosophy
Many criticisms of the prevalent deflationary theories of truth stem from some misunderstanding. Clarification can be found from considering Quine's reasoning on the disquotational feature of the truth predicate. Quine's disquotationalism and Horwich's minimalism are similar theses with respect to the concept of truth, though the difference between the choices of the primary truth bearers and the divergence in their accounts of meaning and reference are striking. Chapter Two is devoted to making plain Quine's reasoning regarding the disquotational concept of truth, and to constructing a disquotational theory of truth. Also in this chapter, the topic of how to enhance the deductive power of this theory is discussed. The following chapter aims to square Quine's theses of inscrutability of reference and ontological relativity, with an account of the disquotational schema of reference. Whether or not a disquotational schema of reference and all its instances can be seen as providing a genuine reference scheme, as claimed by Horwich and most deflationists, is also discussed. In Chapter Four, after an introduction of Horwich's minimalist conception of truth, there are a number of issues considered, in particular Horwich’s use-theoretic account of meaning and compositionality, along with the divergence between his account of meaning and Quine's. The final chapter, Chapter Five, provides a thorough analysis of three important factors regarding the disquotational theory and the minimal theory of truth. Among them, the first factor discussed is what sort of equivalence relation occurs within each instance of the disquotational schema or each axiom of the equivalence schema. Following this, there is an analysis of in what way the disquotationalist and the minimalist can explain all general facts involving truth. The last factor involves considering the proper ascription of the disquotational or the minimal truth predicate. Along with the analysis of these three factors, the issue regarding which theory of truth is preferable is elaborated.
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Skipp, Benjamin. "Minimalism 1960-2001 : definitions, developments, reception." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543589.

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Books on the topic "Minimalism"

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Cheviakoff, Sofia. Minimalismo/Minimalism. Berlin, Germany: Feierabend Verlag, Ohg, 2003.

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Černický, Jiří. Reálný minimalismus: Real minimalism. Praha: Kant, 2015.

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Simone, Schleifer, and Santos Quartino Daniela, eds. 500 decoration details: Minimalism = 500 détails de décoration : minimalisme = 500 wohnideen : minimalismus. Köln: Evergreen, 2007.

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Obendorf, Hartmut. Minimalism. London: Springer London, 2009. http://dx.doi.org/10.1007/978-1-84882-371-6.

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Batchelor, David. Minimalism. Cambridge: Cambridge University Press, 1997.

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Liverpool, Tate Gallery. Minimalism. Liverpool: Tate Gallery Liverpool, 1989.

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Tan, Wee-Bing. Minimalism. London: LCP, 2000.

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Gallery, Nicola Jacobs, ed. Minimalism. London: Nicola Jacobs Gallery, 1990.

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1968-, Anderson Lisa, and Hood Museum of Art, eds. Minimalism and post-minimalism: Drawing distinctions. Hanover, N.H: Hood Museum of Art, Dartmouth College, 1990.

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Encarna, Castillo, ed. Minimalism designsource. New York: Harper Design International, 2004.

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Book chapters on the topic "Minimalism"

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Strauss, Rebecca, Austin Volz, and William Lidwell. "Minimalism." In The Elements of Education for Curriculum Designers, 68–69. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429321283-34.

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Scott, Michael. "Minimalism." In Religious Language, 126–39. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137033208_10.

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Sokolove, Deborah. "Minimalism." In Encyclopedia of Sciences and Religions, 1325. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_200369.

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Lecomte, Alain. "Categorial Minimalism." In Logical Aspects of Computational Linguistics, 143–58. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/3-540-45738-0_9.

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Obendorf, Hartmut. "Minimalism Revisited." In Human-Computer Interaction Series, 299–319. London: Springer London, 2009. http://dx.doi.org/10.1007/978-1-84882-371-6_8.

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Bouchard, Denis. "Integral Minimalism." In The Minimalist Parameter, 3–32. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/cilt.192.03bou.

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Stabler, Edward. "Derivational minimalism." In Logical Aspects of Computational Linguistics, 68–95. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/bfb0052152.

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Lupisella, Mark. "Scientific Minimalism." In Cosmological Theories of Value, 35–68. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-25339-4_4.

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Whitelam, Keith W. "Representing minimalism." In Revealing the History of Ancient Palestine, edited by Emanuel Pfoh, 199–221. First. | Abingdon, Oxon ; New York : Routledge, 2018. | Series: Copenhagen international seminar | Series: Changing perspectives ; 8: Routledge, 2018. http://dx.doi.org/10.4324/9781351260404-12.

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Amritesh and Arjinder Kaur. "Minimalism." In Sustainable Consumption Experience and Business Models in the Modern World, 125–43. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-6684-9277-2.ch006.

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Minimalism has become a lifestyle choice for consumers from various cultural backgrounds who are deliberately rejecting the consumerist narratives that drive market-driven lifestyles. This chapter aims to provide a comprehensive review of growing trends in minimalism, emphasizing the defining traits of minimalists, the historical origins of minimalism, and the potential risks it poses to deindustrialization. A bibliographic review method is used to address the interconnected concepts within the specified objectives. The study illuminates the global shift in consumer behaviour by examining the increasing embrace of minimalism in different consumer sectors of the economy. The authors highlight the disruptive capacity of minimalism in various industries and recommend further research to plan a systematic degrowth of unsustainable products and match it with the emerging demand for a minimalism-driven lifestyle. In summary, this chapter emphasizes the potential connections among minimalism, health and wellbeing, and environmental sustainability.
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Conference papers on the topic "Minimalism"

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Carroll, John M. "Reconstructing minimalism." In the 15th annual international conference. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/263367.263373.

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Gillan, Douglas J., Edward Richman, and Michael Neary. "Minimalism in graphics." In Posters and short talks of the 1992 SIGCHI conference. New York, New York, USA: ACM Press, 1992. http://dx.doi.org/10.1145/1125021.1125090.

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Vitale, Francesco, Izabelle Janzen, and Joanna McGrenere. "Hoarding and Minimalism." In CHI '18: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3173574.3174161.

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Stieren, Carl. "The zen of minimalism." In the 16th annual international conference. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/296336.296362.

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Kumar, Vikas, Aakanksha Pathania, Anwesha Ranjan, and Sakshi Bhalotia. "Understanding Minimalism and sustainability." In 15th International Conference of the European Academy of Design. São Paulo: Editora Blucher, 2023. http://dx.doi.org/10.5151/ead2023-3son_paper_15vikas-kumar-et-al.

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Inbar, Ohad, Noam Tractinsky, and Joachim Meyer. "Minimalism in information visualization." In the 14th European conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1362550.1362587.

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Lee, Yunjung, and Su-jeung Kim. "A Study on the Organic Minimalism According to the Changes in Minimalism." In 11th International Workshop Series Convergence Works. Global Vision School Publication, 2016. http://dx.doi.org/10.21742/asehl.2016.11.12.

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Bidoit, Nicole, and Richard Hull. "Positivism vs minimalism in deductive databases." In the fifth ACM SIGACT-SIGMOD symposium. New York, New York, USA: ACM Press, 1986. http://dx.doi.org/10.1145/6012.15409.

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Houghton-Alico, Doann. "Minimalism, cubism, and Dali's melting watches." In the 1985 ACM annual conference. New York, New York, USA: ACM Press, 1985. http://dx.doi.org/10.1145/320435.320477.

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Szilas, Nicolas, Jue Wang, and Monica Axelrad. "Towards minimalism and expressiveness in interactive drama." In the 3rd international conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1413634.1413703.

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Reports on the topic "Minimalism"

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Duch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481276.

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Hanne Darboven’s (1941-2009) Opus 17a is a composition for solo double bass that is rarely performed due to the physical and mental challenges involved in its performance. It is one of four opuses from the composers monumental 1008 page Wünschkonzert (1984), and was composed during her period of making “mathematical music” based on mathematical systems where numbers were assigned to certain notes and translated to musical scores. It can be described as large-scale minimalism and it is highly repetitive, but even though the same notes and intervals keep repeating, the patterns slightly change throughout the piece. This is an attempt to unfold the many challenges of both interpreting, preparing and performing this 70 minute long solo piece for double bass consisting of a continuous stream of eight notes. It is largely based on my own experiences of preparing, rehearsing and performing Opus 17a, but also on interviews I have conducted with fellow bass players Robert Black and Tom Peters, who have both made recordings of this piece as well as having performed it live. One is met with few instrumental technical challenges such as fingering, string crossing and bowing when performing Opus 17a, but because of its long duration what one normally would take for granted could possibly prove to be challenging.
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Bidner, Chris, Patrick Francois, and Francesco Trebbi. A Theory of Minimalist Democracy. Cambridge, MA: National Bureau of Economic Research, October 2014. http://dx.doi.org/10.3386/w20552.

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Gu, Jiaying, and Roger Koenker. Minimalist G-modelling: A comment on Efron. The IFS, April 2019. http://dx.doi.org/10.1920/wp.cem.2019.1319.

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Céspedes, Luis Felipe, Roberto Chang, and Andrés Velasco. The Macroeconomics of a Pandemic: A Minimalist Model. Cambridge, MA: National Bureau of Economic Research, May 2020. http://dx.doi.org/10.3386/w27228.

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Jones, Chris, and Maja J. Mataric. Sequential Task Execution in a Minimalist Distributed Robotic System. Fort Belvoir, VA: Defense Technical Information Center, January 2005. http://dx.doi.org/10.21236/ada438555.

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Jones, Chris, and Maja J. Mataric. Adaptive Division of Labor in Large-Scale Minimalist Multi-Robot Systems. Fort Belvoir, VA: Defense Technical Information Center, January 2003. http://dx.doi.org/10.21236/ada459488.

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Heberlein, Todd. Environment Aware Report: A Minimalist Approach To a Complex Problem, Version 1.1. Fort Belvoir, VA: Defense Technical Information Center, August 2004. http://dx.doi.org/10.21236/ada426335.

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Lorenzoni, Guido, and Iván Werning. A Minimalist Model for the Ruble During the Russian Invasion of Ukraine. Cambridge, MA: National Bureau of Economic Research, April 2022. http://dx.doi.org/10.3386/w29929.

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Kellett, Nathan T. Minimalist Medical Diplomacy - Do Engagements Achieve US National Strategy Global Health Security Objectives? Fort Belvoir, VA: Defense Technical Information Center, April 2015. http://dx.doi.org/10.21236/ada626061.

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Dzhafarov, Ehtibar N. Regular Minimality Principle in Relation to Decision Making and Categorization. Fort Belvoir, VA: Defense Technical Information Center, October 2010. http://dx.doi.org/10.21236/ada533271.

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