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Dissertations / Theses on the topic 'Ming dynasty'
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1
何偉幟 and Wai-chi Ho. "Eunuch politics in early Ming dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B3121230X.
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Ming, Yau-yau, and 明柔佑. "Qing poetry on Ming." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44204723.
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Li, Qingxin. "Ming dai hai wai mao yi zhi du = Overseas trade system of Ming dynasty /." Beijing Shi : She hui ke xue wen xian chu ban she, 2007. http://www.loc.gov/catdir/toc/chi0801/2007401541.html.
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魏城璧 and Sing-bik Cindy Ngai. "A study of court drama in the early Ming Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221531.
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Wong, Nai-kwan, and 黃迺錕. "A study of the imperial family of the Ming Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31220101.
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Lau, Siu Ying Christine. "Ming dynasty monochrome procelains with high-firing glazes from Jingdezhen." Thesis, SOAS, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319507.
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Guan, Shanming, and 關善明. "The imperial porcelain wares of the late Qing dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31231561.
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鍾妙昏 and Miu-fun Anita Chung. "Jiehua of the Qing Dynasty (1644-1911)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238373.
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Yang, Jin Rong. "Intelligent Systems Analyzing Sections of the Great Wall of China for Ming and Pre-Ming Dynasty Construction." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1354688019.
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Bailey, Kate Erin. "Beyond the orchid pavilion: the expression of neo-Confucian thought in the Literati Gardens of Ming dynasty China." Thesis, Boston University, 1997. https://hdl.handle.net/2144/27581.
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Boston University. University Professors Program Senior theses.PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02
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lan, Yi jo, and 衣若蘭. "Women in Ming dynasty." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/97275396739742748573.
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Cheng, chung-tzu, and 鄭春子. "A Study on People's Social Custom in the Ming Dynasty Based on Ming Dynasty." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/05055656860895184937.
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Chang, Yen-chao, and 張延兆. "”Pipaji”and the Ming Dynasty." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/76183848052035671071.
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碩士國立中央大學
中國文學研究所
99
The performance and spreading of dramas are influenced by their historical background, culture, and politics. This paper, taking Pipaji as subject, attempts to construct its cultural field of its spreading from the following aspects: the social system in Ming Dynasty and the drama criticism and publishing culture. The social system in Ming Dynasty helped the spreading of Pipaji, which could be inferred from substantive norms and invisible influence. Filial respect for parents and loyalty to the emperor, as implied in Pipaji, coincided with the rulers'' governance principles. Therefore, the drama was promoted by the emperor, changing it from nothing to an apotheosis for developing and spreading the traditional concepts. In Ming Dynasty the imperial examination system was prevalent in society, xiang yue worked well in social edification and female edification set appropriate background for its spreading. As the ancestor of chuanqi, it played as the bridge to help nanxi to transform to chuanqi by its language and rhythm. When the drama system was about to change, scholars and drama critics commented on this drama from its original story, rules of qu and gongdiao and its structure. In Mid-Ming Dynasty, the publishing culture was on the rise, publication of popular literature flourished, publishing strategies, spreading of dramas and tune evolution influenced each other. Diversified versions also helped the spreading of this drama. Reviewing the spreading of Pipaji in Ming Dynasty, it can be discovered that influences of different factors varied with time going along. In early Ming Dynasty, the political force had prominent influence over it. As a result, criticism about its chiao-hua were dominant, which was also one of the ways for dramas to go from nothing to the mainstream. After Mid-Ming Dynasty, the political state and the society were steadier than before, commerce blossomed, the middle class began to rise, and the publication of popular literature prospered. In this period, it was the influence of the publishing culture that was the most significant.
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Chien, Ye-ming, and 簡毅銘. "Statecraft in Late Ming Dynasty and Early Ching Dynasty." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/75082314105151149948.
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博士東吳大學
中國文學系
97
Abstract The power of the Ming Dynasty declines day by day after the period of Wanli. The internal revolt and foreign invasion follow hard at heel. Scholars extremely dissatisfy those who are impracticality after the period of Yang Ming as well as appeal to emphasize “Practical Study” more and more. This appeal responds to academic research at that time, which transfers from an abstract emphasis of “Li” and “Tao” to a formal attention of “Qi” and “Craft”. This kind of “Transfer of Academic Example” during the period of the late Ming Dynasty and early Ching Dynasty has been discussed and investigated by the present academic circle. Although an immense number of academic work is published, “Statecraft” proposed by scholars in the late Ming Dynasty and early Ching Dynasty isn’t systematically and deeply investigated. Even though some of them are involved to study, they often stick at a viewpoint of philosophy to make weary and tired when reading. The purpose of this study is to combine politics, sociology, economics, anthropology and psychology in accordance with technical integration to realize “Statecraft” of the Dong-Lin Party, Gu Yan-Wu, Huang Zong-Xi, Wang Fu-Zhi and Yan Yuan by new method. Therefore, readers can know that something is so and why is so.
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Shen, Grant Guangren 1952. "Theatre performance during the Ming Dynasty." Thesis, 1994. http://hdl.handle.net/10125/9580.
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Lien, Chi-yuan, and 連啟元. "Prison System In The Ming Dynasty." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/92575637312526249644.
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Sun, Min-Juan, and 孫敏娟. "Ming Dynasty female poet independent presents." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/13302829755674595667.
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碩士國立暨南國際大學
中國語文學系
94
Abstract This topic is “the Ming Dynasty female poet's independent inquisition”, the elaboration altogether divides into five chapters, attempts on the Ming Dynasty literary arena to the female poet poetic composition record, to compile with the reading process, inquired into Ming Dynasty this or lies between the Song Dynasty feminine literature seed time, to the Sing Dynasty feminine main body consciousness vigorous transitional stage, the female poet under the mainstream literature consciousness, how inherits and transforms the self-literature the value? Feminine self-main body consciousness, also how is goes to present perhaps the self-development? Hopes can take the body as modern culture under feminine viewer, again visits under the traditional culture value, the female poet and “the poetic composition” the self-main body “presents” in “the biography” and “is presented”, and compared at that time the poetic world to the feminine image, provided the again annotation, the research. The full text main structure, is collected by the female poet poetic composition the situation, the female poet's biography, in the female poet's poetic composition the thought and the appraisal direction, and concurrently and discussion in at that time under literature background esthetic viewpoint. In inquired into when Ming Dynasty female poet's poetic composition under, the author notes the Ming Dynasty female poet to record in the biography, and the female poet wall inscription poem is at that time being collected the situation, but also has in the female poet work mirror image writing consciousness, presents self-on looking main body consciousness and so on. Between hopes can coordinate the reader, read listens to read and to disseminate the relations, independent inquired into by the Western psycho-analysis in, puts in the society, the cultural vein goes to the annotation comparison, sought the female poet in the social localization then, if the self-in-depth consciousness connotation, attempted to piece together in the specific space and time, female poet's main body consciousness presented, and provided understands The Ming Dynasty female poet, in literary arena development construction and vein another ponder direction. In data collection direction, author by--The renowned young woman poem turns over to, the renowned young woman poem latitude, the row towards the poetry anthology, the renowned young woman to collect the poem, all previous dynasties woman work tests, the Four Books comprehensive table of contents abstract, the dream during a daytime nap hall collection, four stock item, continues repairs, destroys, in the collection integration, the bright notes on poets and poetry, the demure notes on poets and poetry the prose work and the biography material, from the literature dissemination, the reader accepts, the sex consciousness, the psychoanalysis makes the different angle the analysis and the discussion, after the utilization the modern theory critique viewpoint, discusses the female regarding the self-main body localization and the appraisal, self-existence value and so on. Author's paper question consciousness construction is as follows: 1st. the social microenvironment adds various in female's approval, the maidservant poet constructs, to self-approval, to social environment approval, to other people approval grade opposite sex. 2nd. attached state status: Somebody the female, somebody the wife and concubines, somebody the mother, the attachment masculine status, does not have the independent status. 3rd, self-supposes limits: Female experience of life limitation: Take the family life trivial matters as the center of gravity, produces feels inferior the complaint, gives vent to the point of view. 4th,the social value limitation because which 4th, the society esthetic and the moral outlook construction, the maidservant poet which is molded the image, receives, to the moral request and so on, but only then many lucky thin psychology, has the negative writing manner. 5th, female poet self-pretty girls have hard luck recollections: From sighs from the recollections poem from pities, to life variable recollections. 6th, female poet to self-hope the mold: From to self-firm purpose and integrity, Confucianism request, to it from picture poem likely, to happy ideal pursue. 7th, to self-existence thinking: To keeps the foreword from the nameless poem from an attempt. 8th, female poet self-awareness awakening, expresses, and penetrates the written language creation, remembered penetrates the language to be able to release. 9th, to the self-approval, through the outside stimulation, projects oneself from the outside thing, determined produces the main body to own approval. 10th, from the self-identity construction, the annotation, attempts by the fragmentary fragment capture integrity self-main body. 11th, the female poet presents from the private space to the male domain in self-discovery with the self-realization. 12th, the feminine literary work is collected and the dissemination, as well as in notes on poets and poetry commentary present. So as to the expectation on the question consciousness development, presents the Ming Dynasty female poet literature and the time space relations, in the literary style and the psychoanalysis self-approval, and in work content its value, significance, written way, consciousness, reading, influence; The public and private domain transformation presents and so on.
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Yang, Lin Zhi, and 林芝仰. "The tour guidebook of Ming Dynasty." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/52769369231176549681.
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Yang, Yun Ting, and 楊蕓庭. "Maxim Xiaopin in Late Ming Dynasty." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/97457595937656628501.
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Hsu, Ni-jing, and 許倪菁. "Female infanticide by Drowning in Ming Dynasty." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/95627301375552670673.
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碩士國立中央大學
歷史研究所
99
Infanticide by drowning had been a way for reluctant Chinese parents to rid unwanted newborns. Such practices are recorded in many dynasties of Chinese history. Parents choose to kill unwanted babies by drowning for many reasons. Generally speaking, main reasons are economic factors and gender selection; when faced with economic pressures, both the boys and girls can become victims. However, if it is because of gender concern, female babies are usually the object of sacrifice. This paper aimed to explore the aspects of Ming Dynasty: the marriage, family, social status and expectations of women in the Ming . and how the lifestyle transition from thrifty to spendthrift affected desires to raise female newborns. Though the Ming government repeatedly campaigned against social acts of extravagance, the efforts were fruitless. Wasteful weddings were a norm and competition between households to outdo extravagance had parents worry about future cost of marrying their daughters off, thus reducing their willingness to raise female newborns. In addition, local sex ratio was also affected, causing difficulty for men to find a mate. Gender inbalance brought about social problems such as marriage by capture, marrying widows and other non-normal marriages. In response, the local officials and intellectuals prohibited parents from vulgar infanticide by employing warnings and bans, particularly, on wasteful living and weddings. The Ming society had a religious concept of incarnation, which discouraged parents from infanticide and helped increase parental willingness to raise female baby. These approaches remained ineffective though receiving some results in the short term, indicating the prevailing force against raising female infants Keywords: Infanticide, Infanticide, extravagance in marriage, delayed marriage , sumptuary
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Hwang, Rue-Shine, and 黃如焄. "Late Ming Dynasty Lu Shr Yung Study." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/48567217805362399693.
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Hsieh, Chung-chih, and 謝忠志. "The Heresies of Life in Ming Dynasty." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/43050186513804053163.
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LiHsuan, Wang, and 王麗瑄. "The study of Xiaokai in Ming Dynasty." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/52467583671957416651.
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碩士國立暨南國際大學
中國語文學系
95
Abstract: Regular script was mature in Wei-Jin Dynasties and prosperous in Tang Dynasty. However, in Song Dynasty, under the influence of the Shang-I-Shu-Feng , calligraphy was countered the serious style in pervious dynasty and got rid of the rule shackles, thus calligraphers started to emphasis the expression of emotion. Regular script is not taken seriously. Because Zhao Meng-fu emphasizing the Wang Xizhi and Wang Xianzhi writing techniques, advocated to restore the old style tracing to Wei-Jin Dynasties, Xiaokai’s status jumped high once more. From the late Yuan Dynasty to early Ming Dynasty, the Tai-ge calligraphers were influenced by Zhao Meng-fu writing style, so the graceful and elegant writing technique became the mainstream. It was hard to break the tradition style to buildup their own standard. The appraisal of this kind of writing technique was not high. The tone of writing Xiaokai is obvious in Ming Dynasty. The calligraphers had considerable achievement of Xiaokai works in quality and quantity especially from the middle to late period time in Ming Dynasty, such as Wen Chengming, Zhu Yunming, Wang Chong, Dong QiChang, Huang Daozhou, and Wang Duo. The calligraphers in Ming Dynasty, being good at writing Xiaokai, pursuing the feelings of naturalism, adoring ancients and finding the immoral aspiration are pushed by the prevalence of Tai-ge-ti, Ke-tie (words carved on the wood), and Ti-ba (related comments or poem written on the painting, the affection of famous calligraphers such as Zhao Meng-fu and Wen Chengming, and the interaction of literators. That was offered literators the internal basis to write Xiaokai. In the last Ming Dynasty, the turbulent atmosphere gave calligraphers a sense of mission to survey their own worth of morality. They wrote the scriptures in Xiaokai in order to educate and settle their heart. In the middle Ming Dynasty, the calligraphers had achievement and affection obviously especially in Wu-Chang area. Wen Chengming, Zhu Yunming, and Wang Chong are the representative. The majority of them are literators who had no political position and were good at poem, calligraphy, and painting. They all had the considerable achievement of Xiaokai works in quantity and standard. Xiaokai has several development not only by the prevalence of the atmosphere of revival and Jung Yau calligraphy form but also by the fusion of the calligraphy form in Tang and Song. The simple style was important than graceful style. In the late Ming Dynasty, because of the impact of romantic thought, the rise of clerical script and Seal script (Official script), the change of calligraphers’ esthetic standard and the idea of mimic ancients, there was not many Xiaokai works, however, the remarkable performance of the running script (Semi-cursive Script) and grass script (Cursive script) had given Xiaokai the new development and appearance. The words could not be separated from the content. The epoch and the calligraphers’ esthetic standard always affect the expression of calligraphy. The author enumerates some representative calligraphers through the angle of calligrapher and the esthetic standard of each epoch for discovering the thought of calligrapher, the style of art and the feature and change of Xiaokai. The writer studied not only the tradition and innovation of the Xiaokai in Ming Dynasty but also the meaning of Ming Dynasty Xiaokai by the written contents in order to understand the correlation between the calligraphers’ mood and calligraphy style choice and further comprehend the meaning of writing and the interaction of humanities and art.
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Lu, shiu-mei, and 羅秀美. "Song dynasty accept Tao yuan-ming reserch." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/20164601961274256782.
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Kuo, Hsiu-Jung, and 郭秀容. "Women Painting of the Late Ming Dynasty." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/91405026522357290513.
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Chen, Shih-Wei, and 陳詩瑋. "Children Education about Li in Ming Dynasty." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/s64xv6.
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石翊君. "Stepmother-child Relationship in the Ming Dynasty." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/j2km7r.
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Chao, Zui-Yin, and 趙子瑩. "The Madrasa of Hui-Ming in China during Ming and Ching Dynasty." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/63505326996759782540.
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Zhou, Chengyi, and 周承毅. "Wanli Korean War:The Guidance of Ming Dynasty Army." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/h6b9p2.
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碩士國防大學
戰略研究所
101
In 1592, Toyotomi Hideyoshi, who is the leaders of Japan, sent over than 150000 troops to invasion Korea. Japanese troops landed on Busan for two months, the whole territory of Korea near fall. King of Korean, Li Yan(李昖) sent envoys to the neighboring Ming Dynasty for help. Soon after, the Emperor of Ming Dynasty, Wanli Emperor Zhu Yi-jun(朱翊鈞), received intelligence of the Japanese invasion of Korea. Wanli Emperor sent Ming Dynasty army to enter Japan Korean Peninsula rapidly, since then expand the seven-year state of war with Japan. After a series of campaign and negotiations between the two sides, Hideyoshi died in 1598, the Japanese army in full withdrawal of Korea. Declared victory in the Ming Dynasty to the neighboring countries, and the war formally terminated. The study of Wanli Korean War (1592–1598) in Taiwan, mostly focus on the history. My study from a strategic approach to studying the war, to analyze the war guidance of Ming Dynasty government and army senior among these seven years.
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Lien, Chi-yuan, and 連啟元. "The Official Declaration and Notices of Ming Dynasty." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/21659966507633558000.
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Chih, Hsieh Chung, and 謝忠志. "The Bin Bei Dao System of Ming Dynasty." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/55275007822439802951.
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Shiao, Huei-Yuan, and 蕭慧媛. "Debates on Ancestor Ritual in the Ming Dynasty." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/88051046818735858487.
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Chen-Jen, Liu, and 劉振仁. "The Wei-so System of the Ming Dynasty." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/80281011034157486647.
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LIAO, RAY-MING, and 廖瑞銘. "Development and character of Ming Dynasty private historiography." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/88699685574840494665.
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Meng-ShengHuang and 黃盟盛. "A Study Of Traditional Firearms In Ming Dynasty." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/75656768832776037942.
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碩士國立成功大學
歷史學系
102
The purpose of this paper is to investigate the challenges faced by traditional firearms during Ming Dynasty and the causes of its continued existence. Firstly, invention and application of gunpowder and firearms are analyzed. Furthermore, formation of various types of firearms and development of huochong (火銃, a kind of tubular metal firearms) are discussed so as to understand background under which firearms the most commonly used in Ming Dynasty are generated. Secondly, western firearms introduced in middle and late Ming Dynasty are expounded, and performances of traditional and western firearms are compared to find out advantages of western firearms as well as demonstrate severe challenges faced by traditional firearms at that time. Finally, actual examples such as san yen chhuni (three eyes gun) and hut un phao (squatting-tiger cannon) are used to probe into reasons for continued existence and even greater activity of traditional firearms in middle and late Ming Dynasty.
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Wu, Qiu-yan, and 吳秋燕. "Chinese Books Written by Vietnam of Ming Dynasty." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/87508979879544041641.
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碩士國立成功大學
中國文學系碩博士班
97
This study aims to find Chinese books written by Vietnam of Ming dynasty which is lost or misunderstood. As I know, there are three Chinese books written by Vietnam of Ming dynasty: Da Yue Shi Lue, Nan Weng Meng Lu, and Qin Shan Ji. On the one hand I search for other books widely, on the other hand I analyze these books particularly, and try to synthesize two sides for defined these books’ valuation appropriately. I hope the study can make up a deficiency of the history of culture exchange between Chinese and Vietnam. This paper comprises six chapters. Chapter one brings up some questions about Chinese books written by Vietnam, and defines the proposition, explains my research scope and methods. Chapter two introduces the preserve and spread of Chinese books written by Vietnam in China and Vietnam before Ming dynasty, which is benefit for following chapter’s research. Chapter three analyzes Da Yue Shi Lue, which spread from Vietnam to Chinese. The spread of this book stands for that Chinese starts to pay attention to Vietnam’s history in Ming dynasty, and the complete of this book reflects that Chinese pay much attention to it in Qing dynasty. However, the most important valuation of Da Yue Shi Lue is make up the deficiency of Vietnam history. Chapter four analyzes Nan Weng Meng Lu, which written in China. The real valuations of this book are making up Vietnam history and introducing Vietnam’s life and culture to Chinese. The complete of this book not only presents Vietnam in China take its culture seriously, but also symbolizes that Chinese understands and embraces Vietnam people and culture further. Chapter five analyzes Qin Shan Ji, written by the third period of Vietnam. It provides a good example of culture blend between Chinese and Vietnam, reflects that Vietnam learn Chinese culture actively, and Chinese take Vietnam friendly. Chapter six concludes this study’s research achievement. From “spread to China”, “written in China”, to “join with China”, these three books show us different ways of Vietnam in China of Ming dynasty, and Chinese of Ming dynasty accept Vietnam culture step by step.
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Chen, Shu-Han, and 陳舒涵. "People’s financial management of the Late Ming Dynasty." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/42659435237121177703.
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SHIZUMI, NAGAYASU, and 長安靜美. "Disquisition of Sixteen Scenarists in Early Ming Dynasty." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/86372341164180379864.
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Chung, Wen-Ling, and 鐘文伶. "The Research of Love Zaju in Ming Dynasty." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/47224620251495080177.
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Chi, Yu-chien, and 紀宇謙. "A Reasearch of Ming Zheng Againsts Qing Dynasty." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/97635612541026663201.
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碩士國立臺南大學
台灣文化研究所碩士班
99
Research on Zheng Cheng-gong has long been an important issue in the academia. There are many articles relating to him, and there have been rich accomplishments in terms of politics, economics, military, and society. However,it is regrettable that there are few thematic thesis or articles related to Zheng Cheng-gong for the resistance movement of Qing Dynasty, and these are especially few in Taiwan.Thus, this study seeks to discuss the background of Zheng’s attempt to restore the Ming Dynasty from political and military perspectives, how Zheng Cheng-gong resisted the Qing Dynasty on the mainland, the reasons for his failure, and the motivation for Zheng Cheng-gong in capturing Taiwan and the reasons for his demise.Furthermore, this study delineates the perspectives of“restoration of the Ming Dynasty ”and “establishment of a kingdom.” The purpose of this study is to provide a brief explanation of the resistance work by Ming-Zheng in the Qing Dynasty and show its trajectory. With the assistance of the advising professor, comprehensive additions and supplementations will be made in order to improve the content and to reach a certain standard. Thus, the interpretive directions of this thesis are as follows: 1、This thesis is divided into five chapters. The first chapter is the “Introduction,” which will explain the research motivation and purpose of this thesis,followed by related research articles, the research materials used,and research methodology. Finally, the framework and arrangement of the entire thesis will be explained. 2、Chapter 2 is “Establishment of Southern Ming and the Military Rise of Zheng Cheng-gong.” This chapter explores the causes and effects of the rise and fall of the four kings of Southern Ming, then explains the reason for the military rise of Zheng Cheng-gong, as well as the organization and importance of his army. 3、Chapter 3 is “Resistance against the Qing Dynasty on the Mainland and Zheng Cheng-gong’s Failure.” This chapter first explains the geographic and strategic advantages of Jinmen and Xiamen, which is in turn used to explain how Zheng Cheng-gong obtained these two islands, as well as the influence on his losing the most important battle on the mainland against the Qing,the northern campaign to Nanjing. Finally, this chapter describes changes after losing the battle at Nanjing, as well as strategies taken by Zheng and the Qing Dynasty. 4、Chapter 4 is “Zheng’s capturing Taiwan, and Extinction.” This chapter explains the long-term and short-term reasons for Zheng Cheng-gong’s eastern campaign for Taiwan, and the necessity of taking Taiwan. Further, this chapter explains how Zheng Jing won victory in internal struggle and became king. In addition, the western campaign to the mainland was caused by the circumstances of “Revolt of the Three Feudatories,”and the reasons of success and failure are analyzed. Finally, the history of Zheng Jing and Revolt of the Three Feudatories is divided into three periods for discussion. Third, after Zheng Jing was defeated on the western campaign and returned to Taiwan , he gave the reins to politics to his eldest son Zheng Ke-zang. After the death of Zheng Jing, another internal struggle occurred within the Ming-Zheng regime,in which Zheng Ke-zang was killed in a coup.With the collusion of Feng Xifan and Liu Guoxuan, Zheng Ke-shuang became king, but as a mere puppet.With the control of Feng and Liu, the demise of Ming-Zheng was accelerated. Finally, this chapter analyzes and explains when Zheng Cheng-gong took Taiwan, whether he intended to“restore the Ming Dynasty” or to create a new kingdom. 5、Chapter 5 is the “Conclusion,” in which the author proposes research reflections and views as the ending of this thesis.
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CHEN, JIN-LIN, and 陳錦麟. "The Study for Heroine Image in Ming Dynasty." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/42424396361343632908.
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YU, Hua-Lung, and 遇華龍. "The Product Design with The Ming Dynasty Style." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/16948984894468535362.
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碩士華梵大學
工業設計學系碩士班
96
Under the influence of “Globalization”, because of the massive information transition throughout the world, every design regardless of the different economy or continent has been put onto the platform. In the past few years, by adding traditional culture characteristics into their designs, Korea and Thailand have stand out to the crowd and caught many people’s eyes. This factor not only brought economic benefit but also promote their own culture to the world. As for us, shouldn’t we start reinstating the main attributes of “Chinese Design”?. By using our 5000 years of history, all the famous Philosophies, and artistic style, combining the modern design techniques, we should be able to come up with modern design products that clearly shows the Chinese style in them. In this research, by deliberating and inducting the culture background, artistic style, and philosophy of the Ming Dynasty of China, we were able to gather the primary picture of this project. This idea becomes very useful when a designer wants to add a little bit of the Ming Dynasty taste to his/her design. This research is specifically aiming at the representing Ming Dynasty furniture. Its type, form, structure were carefully studied and analyzed in order to clarify the style. These steps were necessary to backup the design product which style has been combined with the Ming Dynasty style to the modern design. Next, this research focused on product designs, which are usually placed in a corner of the modern interior of a household-phone, stand lamp and small table, as the main frame to combine with the Ming Dynasty style. The process of brainstorming the design, we were able to refine the Ming Dynasty artistic style from literature and drawings and use it onto the design itself. Finally carries on the reality appraisal, knew the Ming Dynasty style applies technique of and the benefit in the modern product design.
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Wu, Ching Chang, and 吳錦昌. "Women's Family Education of Aphorism of Ming Dynasty." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/01244880123254553670.
Full textAbstract:
碩士慈濟大學
教育研究所
93
The main purpose of this study is to explore the women’s Family Education of Ming dynasty, in order to realize women’s education in different period of their family life of Ming dynasty. For reaching this, there is three processes are integrates purpose: 1. Using Historical Research and Literature Review to select several meaningful contents of women’s education. 2. Analyzing and interpretation the contents, methods of education, and teaching activities of women’s family education of Ming dynasty. 3. Using critical analysis and interpretation to bring up understanding and critique of women’s family education of Ming dynasty, and according to Tzu Chi Family, that bring up several roles position and development suggestion of women’s family education and sexual education in this modern time. On the basis of studying result, women of Ming dynasty have produced different thinking and development from classic family education. From this point, that brings up more and more points of view to introspection and treasure, to concert with the part in the family life and women’s free will in this modern time. However, according to Tzu Chi world, that selfless spirit can not only improve member’s relationship of the family, but also purify human kind and make society love and peace.
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Lu, Lifen, and 呂麗粉. "Study on Travel Literature in Late Ming Dynasty." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/95707116583000826107.
Full textAbstract:
博士中國文化大學
中國文學系
99
It is exciting to read “Xu Xiake Travel Notes” which is an outstanding work in late Ming Dynasty. Xia Xianchun observed that there is a “Xu Xiake phenomenon.” There were lots of scholars like Xu Xiake，they all enjoyed beautiful scenery and they all love travelling. It is said that it is a coincidence to read such an outstanding work; however, it is definitely not a coincidence to read the mature travel notes monograph such as “Thousand Area Unit Hall Booklists” which was compiled by Huang Yu Ji (1629-1691) in Qing Dynasty and his booklists consisted of 57 authors and 65 volumes. Such great numbers of authors and works indicate the prosperity travel notes writing atmosphere. In late Ming Dynasty, scholars emphasized how to appraise the scenery they saw and how to document what they saw and how they felt about it, because the more the scholars showed their insight about the scenery, the more they showed their taste and wonderful characteristics. In this dissertation, there are four main parts to investigate the travel activities and the characteristics of travel notes in late Ming Dynasty. The first part discusses about the popularity of travelling in late Ming Dynasty includes the background of the society, the motivations and purposes for scholars to travel, and the most popular sightseeing locations. The second part discusses about the purpose of travel note creation, the development condition, the aesthetic standard of mountains and rivers and the reflection of cultural spirits from travel notes, as well as the important writers and the comparison of their works. The third part discusses about the travel notes literary criticism which analyzes related travel theories proposed at that time. The fourth part discusses about travel notes literature value and its influence including physical geography, the zoology and botany, the historical sites, the folk custom culture, the religion, the art, the political, economic society and so on, as well as the influence to the later generations.
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Hsin, Chen Pin, and 陳品欣. "" San Yen " reflected Ming Dynasty Civilian life research." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/75777961866703159876.
Full textAbstract:
碩士玄奘大學
中國語文學系碩士班
100
Feng Meng-edited the " San Yen "not only popular, but also short stories represent the highest achievements of the Ming Dynasty. Since from the Song and Yuan dynasties, then the novels and the city and the public have a close relationship, is typical of the public literature. " San Yen " character, based on a variety of people's lives based not only provides a splendid aesthetic objects, but also created a unique aesthetic vision of the subject. These works to change the long-standing tradition of thinking dominating the literary throne, to merchants, vendors, fireworks and a prostitute, man in the street, the educated class as the main character, to "fine people to write for the Civilian heart" the spirit of the sound. This thesis are: First, Feng Meng and his " San Yen " of ideas and artistic achievements. Of the "three words" drawn the social background and the " San Yen " presents the ideological content. Second, the " San Yen " in the business outlook presented in the Ming Dynasty. Of the "three words" in the Ming Dynasty to reflect business and economic development, and social status of merchants. Third, the " San Yen " in the Ming Dynasty scholars presented face. Try to choose from the Ming Shi-system and the background of the Ming Dynasty scholar's scholar status and state of mind. Fourth, the " San Yen " in the Ming Dynasty, female chastity presented in writing. The chastity of the Ming Dynasty and explore the " San Yen " in writing for the women stick to analyze the type of feudal traditions and challenges, and finally from the " San Yen " on women's writing, the concept of Feng Meng women.
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SHIAU, HAN-WEI, and 蕭漢威. "The Study of Buddihist Publications in Ming Dynasty." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/z6snck.
Full textAbstract:
碩士輔仁大學
圖書資訊學系碩士班
106
The history of ancient Chinese classics had a long-standing historical development and was very well-developed with the extremely early rise of the engraving. Since late Tang Dynasty, engraving printing had been developed rapidly and reached a matured and perfect condition until Song Dynasty. No matter it was an official carved publishing or a private and bookstore carved publishing, it was in a self-contained system and prosperous. In the process of development of woodblock printing, the circulation of Buddhist scriptures and the high demands of the majority of believers were also the most important keys to promoting forward of ancient Chinese typography. Buddhism originated in India and was introduced to China about the Eastern Han Dynasty. A large number of Buddhist books were translated into Chinese characters with Buddhism into Chinese culture. The spread of Buddhist books was gradually evolved from handwritten to engraving. The Ming Dynasty published Buddhist books undertook the two left behind glorious results of Song and Yuan Dynasty. Based on this cornerstone, it pushed the publishing of the Buddhist sutras to another peak. During the Ming Dynasty, both official and civilian had launched several large-scale engraved printing of Buddhist Tripitaka(藏經), which had a far-reaching and widespread impacted on the spread and circulation of the Buddhist scriptures. In this study, based on the Ming Dynasty Buddhist books collected by the National Central Library, is the main object of this essay. We have selected 10 publishing units that were more representative and 112 donators of Buddhist publishing books, as well as explored related historical facts, many of its cultural and publishing businesses during the Ming Dynasty. In terms of the publishing of Buddhist books, we discussed from three aspects: acquisitions, collation, and publication. According to the acquisitions categories, it is divided into monastic acquisitions and private acquisitions. In terms of the publishing activities of Buddhist books, we have comprehensively analyzed the characters and units related to Buddhist book engraved, based on four aspects: official publishing, monastic publishing, private publishing and cooperative publishing. All the purpose is to provide a more detailed historical exploration of the publishing of Buddhist books in the Ming Dynasty and obtain more in-depth perspectives and cognition.
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Chao, Yi-Chi, and 趙逸琦. "A Preliminary Study on YanduYipin in Ming Dynasty." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/9k26kx.
Full textAbstract:
碩士臺北市立大學
中國語文學系
107
This paper is based on the Ming Dynasty Binghua Meishi "YanduYipin" as the research object. This text is the only book that can be seen in the Ming Dynasty. And from the style, form and content of " YanduYipin ", it discusses its evaluation of the famous names of the northern capitals and the value of the Ming Dynasty Qinglou literature. From the exploration of the style and form of YanduYipin, it was found that the six regulations were used to standardize the northern name, and the list of scholars was ranked as the first name. Finally, the poems of the Tang Dynasty and the "Shi Shuo Xinyu" were used in the form of wine orders. The style, character, temperament and talent of the literary article. The author creates texts through the analogy of the form of the world, because the real life fails to achieve the ideal, so that the literati can enter the official and the scientific test, but can not obtain the fame of the fame to achieve irony. However, the name and status are low. It should be a definition of "vulgar". However, through the creation of literati, the artistic conception describes the beautification and promotes the shackles to the realm of "elegance". This is the creation consciousness of the text of " YanduYipin ". As for the author of " YanduYipin ", according to the author of "saying continuation" is Binghua MeiShi, but "MeiShi" is borrowed from his name, edited by Zhejiang famous scholar Shen Lang. According to Cao Dazhang's "Liantai Xianhui" in the "Liantai Order Regulations", it is very likely that the author of " YanduYipin ", Bing Huamei, is Cao Dazhang's pseudonym "Binghua". Therefore, the author has three arguments: one is Binghua Meishi, the other is Shen Lang, and the third is Cao Dazhang. No matter who the author is, they are Ming literati. This shows the era of chaos in the late Ming Dynasty, literati talk about objects and contents through literary works, and hide their own situation and adjustment. The text content of " YanduYipin " is divided into four tens of examples. The author uses the six names of the first yuan in the text as an example to analyze the author's evaluation paradigm of " YanduYipin ". The first name is Hao Jun, the second is Chen Gui, the third is the flower Wei Ji, the fourth is the CM Chuan Li Zeng, the fifth is the Sanjia Chuan Li Ding, and the sixth is the second. A Jinshi Yang Liu, through the author's poems of the Tang Dynasty, the "Shi Shuo XinYu" texts and the Ming Dynasty celebrity evaluation to the name, posture and personal characteristics of the famous name through a metaphor to infer the "Ya" image of the name. Then the author's own idea is projected on the name, which reflects that the Ming Dynasty literati have an ideal image for the name, and created the unique text of "YanduYipin".
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(10730592), Meng Wang. "AN ANNOTATED TRANSLATION OF CHAPTERS 21-30 OF THE LATE MING DYNASTY NOVEL, XINGSHI YINYUAN ZHUAN 醒世姻缘傳 (MARRIAGE DESTINIES TO AWAKEN THE WORLD)." Thesis, 2021.
Find full textAbstract:
Xingshi Yinyuan Zhuan 醒世姻緣傳 is a vernacular Chinese novel which was composed in late Ming or early Qing dynasty by an anonymous author in what is now modern Shandong province. Like most of the counterparts to this novel during the same era, Xingshi was composed not as an “art for art’s sake”, but as a vehicle for moral edification and education; it discusses many pressing social issues existing at a time of social turmoil, such as government corruption, moral depravity, migration of peasants due to natural disaster and agricultural involution, roving bandits, the subversion of the gender roles, etc. The novel discussed the social issues through the lives and activities of the residents of an ordinary Shandong town named Mingshui, a microminiature of Qing dynasty China, and presents the golden era of Mingshui which is a microminiature of an idealized Chinese society. This dissertation is a study on the Utopian chapters of this novel with the texts translated into English language with annotations; these chapters are both a continuation of Chinese Utopian literature tradition, as well as the embodiment of the author’s unique understanding of various philosophical and religious schools.Up until now, due to limited resources and texts, little is known about the life and thoughts of the author of Xinshi and the study on the Utopian chapters will shed light on further explorations of the identity and political philosophy of this author.
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Chen, Ying-Yin, and 陳盈吟. "A Study of the Philosophy about Wang Yang-ming and Literature during Ming Dynasty." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/24283579984774231160.
Full textAbstract:
博士國立中興大學
中國文學系所
105
The study is intended to uncover the development of Wang Yangming''s thoughts by following the footsteps of a thinker who faced his true self in his pursuit of moral knowledge, and exploring the experience of his early life. The most critical turning point in the development of Wang Yangming''s thoughts occurred at Longchang. It was recorded in the history as "The Enlightenment at Longchang". When that event occurred, Wang Yangming''s life was threatened by illnesses and death. It was during the process of the Enlightenment, Wang discovered the unlimited potential of "the mind (Xin)" and transcended death. The breakthrough demonstrated the uniqueness of "the philosophy of the mind (Xin Xue)". "The Enlightenment at Longchang" achieved an uplifting of his thoughts. After Wang''s arrival at Longchang, his core theory of "Good Conscience" was established. Starting from the third chapter, the Yangming Theory was fully discussed and analyzed, and the purpose was to induced a new Confucian pedigree -- the pedigree of Dynamic Confucian. It is expected that the various elements of the literary realm of the middle and late Ming dynasty could be identified through the examination of the characteristics of this particular pedigree and the lineage. New Confucian topography, formed in Ming dynasty, was different from the lineage of Zhu Xi''s. The Yangming lineage is a dynamic Confucian lineage rooted in moral compassion. With regard to the definition of the "dynamic Confucian lineage", the "dynamic" is used to express the combination of rationality and emotion in the mind without getting rid of the emotion factor so that the practice of morality is close to living realm. Morality should not be a set of pale and listless specification separated from human nature. Instead, humans should be the subject of morality. The literary realm of the middle and late Ming dynasty was affected by Wang''s philosophy of the mind. What was the mentality of the creators of literary works? That was discussed in Chapter Four. Topics also discussed in Chapter Four: How did they express themselves? What was the resistance they cast upon the authority? The focus of the study was on those literary creators who were affected relatively deeper by the Yangming thoughts and whose works were characterized by their representative roles in the realm of literature. The study tries to understand how they lived by combining the expression of themselves and the beauty of their creative works into their artistic lives.
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Yang, Hung-Lung, and 楊宏龍. "A research of existent ancient steles in kinmen of Ming Dynasty and Tsing Dynasty." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/3bmdh6.
Full textAbstract:
碩士銘傳大學
應用中國文學系碩士在職專班
95
Kinmen possesses a long history and abundant historical resources, synthesizing with its interactions and communications with the mainland throughout the history. This provides precious deposits to literary history researchers. Especially, the ancient steles are plentiful, while domestic researchers have not laid much emphasis on them, which ignores the crucial values on those steles. In fact, If dating back to Ming Dynasty, we can find a considerable amount of steles all over the island, which cover a wide range of aspects, including political economic, military actions, law, customs, religion, education and so on. They are worthwhile enough to be studied on. By studying on ancient steles, we can obtain a clearer image of history, testify it, and even make supplements to history. In modern social sciences, ancient steles can also help us resurge past history. These are the objectives of the dissertation. This dissertation is divided into six chapters. In the First Chapter, the author will elaborate his research intentions and review previous studies on ancient steles in Kinmen as well as Taiwan and hope the review could enlighten current study. In addition, main research methods and constrains will also be presented in this section. The Second Chapter intends to discuss some fundamental theoretical issues including the definition of ancient steles, the development of Chinese ancient steles, their categories and values. At the end of this chapter, ruins of ancient steles will also be discussed. In the Third Chapter, the author will give out a survey of existent ancient steles in Kinmen of Ming Dynasty and Tsing Dynasty. This survey will use charts, statistics, graphs and words. Subsequently, each of the seventy-four steles will be introduced by a category. At last, a general situation of ruin and preservation of those steles will be introduced. The Fourth Chapter is the core of this dissertation, not only in significance but also in length. In this chapter, traditional methods of literary history and social science research methods will be used to conduct a comprehensive study on the Ming & Tsing steles. According to their indications, this study will be conducted in three sections, which are Political-Economical Construction, frequent Military Activities and Regional folk beliefs. Beside all the key issues elaborated in Chapter Four, the author recognizes that although a critical elaboration has been given out, there are still some important issues been excluded from the dissertation due to a concern of overall framework and consistency. The author makes efforts to explore such vital issues in an extended section, Chapter Five. The Sixth Chapter is Conclusion, in which an intensive summary of this dissertation will be given out.