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Relevant bibliographies by topics / Ming dynasty

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Academic literature on the topic 'Ming dynasty'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Ming dynasty"

1

Xu, Cheng. "A Study for the Po family, Mongolian Military Officers in Xuan-Fu during the late Ming and early Qing." Korean Association for Mongolian Studies 76 (February 28, 2024): 229–52. http://dx.doi.org/10.17292/kams.2024.76.229.

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In the late Ming Dynasty, a family of the Po, who was a Mongolian military officer, emerged in Xuanfu. At first, they served as “Yi Ding(Tatar Soliders)” in Jiubian(nine-frontier fortification system of the Ming Dynasty). Unlike the Mongolians who joined the Wei Suo system in the early Ming Dynasty, the Po family served as private armed servants of Ming Dynasty border defense generals. They not only serve as frontline soldiers for border defense generals, but also serve as Mongolian language translators for them. In short, they have a lot of effectiveness.At the same time, they were incorporated into the military status of the garrison in Xuanfu, and became officials in the camp step by step from the positions of garrison and guerrilla.Its members took part in a series of eastern expeditions and western wars in the late Ming Empire, such as the Imjin War, and participated in the battles of Jigsan and Ulsan to expel the Japanese army, while the father and son of Pou Tingxiang participated in the war between the Ming Dynasty and the Later Jin Dynasty and sacrificed their lives on the battlefield. After the change of Dynasties in the Ming and Qing Dynasties, the members of the Po family chose to become officials in the Qing Dynasty for the sake of family interests, and tried to let the next generation continue to engage in the army and maintain their glory. However, due to the collapse of the former Ming Dynasty’s military officer system, the Qing Dynasty’s vigilance against the former Ming Dynasty’s generals, and the characteristics of the Qing Dynasty’s military system and military officer system itself, the Po family did not get the same position of power as the former Ming.In the end, like other generals on the Jiubian(nine-frontier), the former Ming generals, who were born as adherents, gradually withered away in the Qing Dynasty.

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Yu, Lixiao. "The Impact of Power Struggles Between the Ming Dynasty Monarchy and Bureaucratic Groups on The Qing Dynasty Power Structure." Journal of Education, Humanities and Social Sciences 28 (April 1, 2024): 202–6. http://dx.doi.org/10.54097/qzk2t115.

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Throughout Chinese history, the power of the emperor has shown a trend of increasing. Eventually, it reached its peak in the Qing Dynasty. Compared with the Ming Dynasty, imperial power during the Qing Dynasty was more powerful and centralized which led to a more stable political situation. The rulers of the Qing dynasty learned an important lesson from the Ming dynasty’s demise that was the struggle between imperial power and bureaucratic groups and effectively avoided a series of problems occurred in the mid-to-late Ming dynasty by several means, including improving the emperor’s personal ability, strengthening the emperor’s power, optimizing the administrative apparatus, and intensifying ideological control. These methods above helped the imperial power grow up to an unprecedented level. This paper discusses the reasons for the measures to strengthen imperial power in the Qing dynasty, based on the historical works such as The History of the Ming Dynasty, The History of the Qing Dynasty, and Reading Notes of Twenty-two Historical Books.

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Nyanchen, Zhen. "THE USE AND ARTISTIC FEATURES OF XUANZI POLYCHROME PAINTING IN THE MING AND QING DYNASTIES." Scientific and analytical journal Burganov House. The space of culture 16, no. 3 (September 10, 2020): 134–44. http://dx.doi.org/10.36340//2071-6818-2020-16-3-134-144.

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In the field of the pictorial decoration of Chinese architecture, the decor of the period of the Ming and Qing dynasties is considered the most outstanding since, at that time, the technique was perfect, and the methods of decoration were rich in their diversity, which was not possible in previous eras. The polychrome painting of official buildings during the Ming and Qing dynasties’ reign is quite different from the Song dynasty’s polychrome painting. The transition from the Song dynasty’s polychrome painting to the Ming and Qing dynasties’ polychrome painting was completed during the Yuan dynasty’s reign. Due to the decrease of dougong in size in the Ming dynasty, polychrome painting began to be placed on beams. Xuanzi polychrome painting, which originated from painting beams under the Yuan dynasty, became the primary type. By the Qing dynasty, Hexi polychrome painting and Suzhou polychrome painting, which evolved from the folk polychrome painting of the Jiangnan region of the Ming dynasty, appeared. The Xuanzi type was one of the three main polychrome painting types in the Qing dynasty. It was fully developed compared to the Hexi type as it was used more widely. The article explains the development of the artistic features of the various decorative parts of Xuanzi polychrome painting during the Ming and Qing dynasties, the characteristics of each gradation, and the method of distinguishing it, as well as its place of application.

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HUANG, Xiu Zhi. "TOUCHSTONE, WIREPULLER AND TRANSITION: SINO-KOREAN BOOK-DIPLOMACY AND POLITICAL FIGHTS IN 1597-1599." International Journal of Korean Humanities and Social Sciences 3 (July 8, 2017): 169–85. http://dx.doi.org/10.14746/kr.2017.03.10.

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Embodying an optimistic diplomatic mind in early Joseon Dynasty, haidongzhuguoji written by Shin Suk-ju became a main evidence of Chinese official Ding Yingtai impeaching Joseon in the Jeongyu War occurring in 1597 because of Toyotomi Hideyoshi’s second invasion. Ding Yingtai’s impeachment involved Joseon’s king, Chinese generals in Joseon and officials in Beijing in a political maelstrom, which aroused strong reactions of Joseon king and ministers. In this situation, Joseon’s diplomatic corps were dispatched to Beijing in order to justify and defend. They made preparations and took action zealously, winning the final victory and achieving the goal consequently. However, this book-diplomacy surpassed the problem of justifying a book, thus there were some complicated and subtle meanings in the process. Firstly, This book-diplomacy provided a touchstone of Sino-Korean relationship in Ming Dynasty, explaining the political essence of the relationship. Secondly, This diplomacy resulted from Ming Dynasty’s political fights and calmed down also because of Ming Dynasty’s political fights, intensively showing both Sino-Korean interdependent political fights and each liege fights. Thirdly, The book-diplomacy became an important turning point of the transformation of Joseon’s foreign concept, and Joseon’s “Smaller China” mind began to emphasize excluding barbarians, which made an idealistic preparation for the rising “Smaller China” mind in Qing Dynasty.

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Choi, Soyoung. "A Study on Policies toward Hami during theEarly Ming Dynasty: Focused on the Boqtaq Bestowal." Korean Association for Mongolian Studies 76 (February 28, 2024): 171–203. http://dx.doi.org/10.17292/kams.2024.76.171.

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In the late period of the Yuan Dynasty, the region of Hami (哈密) was dominated by the descendants of Chagatai, the son of Chinggis Khan. Although the Ming Dynasty could not directly rule over Hami and its surrounding areas, they were able to expand their influence there following the military attack. Hami was a major thoroughfare connecting the Central Plains (中原) and the Western Regions (西域). After the Ming Dynasty successfully attacked Hami, they were overjoyed that merchants and travelers could now move freely. The descendants of Chagatai continued to govern this region. The Ming Dynasty established a guard post in Hami, changing the royal titles of the Mongol princes in the area from Su Wang(肅王) to Zhongshun Wang(忠順王) and Zhongyi Wang(忠義王). Noteworthy is the fact that the Ming Dynasty granted Mongolian women's headgear, known as 'boqtaq,' to Prince Zhongshun and Prince Zhongyi. This demonstrates, first and foremost, that the Ming Dynasty valued the former Yuan Dynasty's royal descendants who ruled Hami (哈密), a strategic gateway to the Western Regions (西域). Furthermore, the fact that the Ming did not only bestow ceremonial items upon the men of Hami but also gave special items to the women indicates the remarkably high status of women in Hami. Therefore, we can discern that the Ming Dynasty sought to replicate the practices of the Mongol rulers by bestowing similar honors upon the remaining Mongol imperial members who adhered to their established norms.

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Zhao, Chen Xin, and Wei Liu. "The Developing Process and Features of Chinese Classical Gardens in Ming Dynasty." Advanced Materials Research 838-841 (November 2013): 3035–41. http://dx.doi.org/10.4028/www.scientific.net/amr.838-841.3035.

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As a transiting period, the Ming Dynasty gardens showed a creation of its uniqueness. Private gardens in Ming Dynasty mainly focused on small courtyard, it had an unadorned style and they were extremely rich in symbols of leisure landscape; Ming royal gardens development was slightly left behind, but it lead itself to form a special style which was rough and heroic. Through analysis and comparison to the gardens from Ming, Song and Qing Dynasty, it is concluded that the Ming Dynasty gardens is an inheritance and development of Song Dynasty gardens intention, and its characteristics had a plentiful variation of space. To Sum up, the Ming dynasty gardens chose circuitous paths, enhancing the level of landscape and highlighting central spot of landscape as its routine.

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LIM, Sang Hun. "The Relationship Between Ming Dynasty and The 15 No Punish Countries: Focus on Xian-Luo." Institute of History and Culture Hankuk University of Foreign Studies 85 (February 28, 2023): 241–72. http://dx.doi.org/10.18347/hufshis.2023.85.241.

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This study summarized the relationship between Ming Dynasty and Xian-Luo to see if Ming Dynasty really punished Xian-Luo. During the 277 years of Ming Dynasty, there was not a single armed conflict between Ming Dynasty and Xian-Luo during 135 envoys. It is important that the later emperors kept Xian-Luo as one of the “No Punish Countries” in Huang Ming Zu Xun but it would be more reasonable to see it as a product of a friendly relationship between Ming Dynasty and Xian-Luo. There are many reasons why the relationship between Ming Dynasty and Xian-Luo could develop in a friendly manner, but it may be because their respective interests of establishing an international order in name and Xian-Luo's political and economic interests fit. Ming dynasty and Xian-Luo was able to adjust relations between the southwestern countries, stabilize changes, and maintain the international order he established. Xian-Luo was also able to take huge economic gains through tribute and combined trade with Ming dynasty. In such a relationship, it would not have been necessary to provoke the other person to break the existing Eu life. The result soon led to rave reviews under the name of “Xian-Luo is the closest” and frequent visits to Xian-Luo up to 110 times.

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Gao, Jiarun. "Analysis on the Historical Development, Characteristics and Placement of Ming Furniture." Communications in Humanities Research 6, no. 1 (September 14, 2023): 56–62. http://dx.doi.org/10.54254/2753-7064/6/20230078.

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Furniture from the Ming dynasty is renowned for its distinct beauty and simplicity and is a priceless piece of Chinese history and culture. Additionally, the social and economic climate of the Ming Dynasty had a significant impact on the growth and prosperity of Ming furniture. The placement of furniture during the Ming Dynasty, however, not only emphasized the harmony of functionality and aesthetics but also expressed the thoughts and preferences of the Ming literati of the period. To highlight the distinctiveness of traditional Chinese furniture, this essay will first discuss the historical context of the development of furniture during the Ming Dynasty, then will particularly introduce a type of Ming furnitureHuanghuali furniture. The study will then analyze the simplicity, functionality, and indoor arrangement of Ming furniture to create a thorough introduction to Ming furniture and Chinese culture to let people better comprehend it.

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Baldanza, Kathlene. "Our mountains and rivers have changed: Nature and empire in the Ming colonisation of Đại Việt, 1407–28." Journal of Southeast Asian Studies 53, no. 1-2 (June 2022): 80–99. http://dx.doi.org/10.1017/s0022463422000236.

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Scholars have yet to fully recognise the central role environment played in inspiring, and stymying, the Ming dynasty invasion and colonisation of Đại Việt (1407–27) and subsequent Vietnamese resistance movement. During the initial campaign, the Yongle emperor and his generals identified miasma, the illness-inducing hot and misty climate of the Sino-Vietnamese uplands (‘the Dong World’), as their primary obstacle and obsessed over strategies to avoid it. For Lê Lợi, the Vietnamese dynastic founder who expelled the Ming troops from Đại Việt, resistance to Ming environmental exploitation of Vietnamese resources was a rallying cry. The ecology and flora and fauna of Đại Việt helped inform an articulation of Vietnamese difference and independence. Despite the anticolonial rhetoric of the early Lê, the dynasty was soon engaging in a project of imperial expansion not dissimilar from that of the Ming. The Vietnamese state that emerged following Ming colonisation was in turn limited by the miasmic uplands.

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Chen, Yunyun, Wenyi Wu, and Dini Xiong. "Exploration the use of digital technology in the revitalisation design of Ming Dynasty’s Yingluo jewellery." SHS Web of Conferences 181 (2024): 01047. http://dx.doi.org/10.1051/shsconf/202418101047.

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Buddhist art originated with the emergence of Buddhism and has experienced continual innovation and development throughout history. Yingluo jewellery was introduced to China from India, with its form continuously incorporating ancient Chinese aesthetics in its inheritance and development. The designs of Ming Dynasty’s Yingluo jewellery exhibited a more secular and everyday trend. This article centres on the design of Ming Dynasty necklaces, using the Fahai Temple mural and the Yongxuan court statues as representative examples. The article summarises the distinct artistic features of Ming Dynasty necklaces and explores their aesthetics, focusing on three aspects: shape structure, colour matching, and pattern design. Additionally, 3D digital modelling is employed to revitalise and restore the necklaces’ beauty. Technical abbreviations will be explained upon first usage, and the text adheres to standard academic formatting and language conventions. The objective is to enhance national cultural confidence, bridge the gap between cultural heritage, appreciate the allure of traditional art treasures, and revive cultural artifacts. The infusion of rich cultural nuances into contemporary jewellery design, integration of traditional artistic components into modern aesthetics, and merging exceptional Ming Dynasty necklace works with contemporary aesthetic context, facilitates the seamless integration of outstanding culture into contemporary society.

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Dissertations / Theses on the topic "Ming dynasty"

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何偉幟 and Wai-chi Ho. "Eunuch politics in early Ming dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B3121230X.

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Ming, Yau-yau, and 明柔佑. "Qing poetry on Ming." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44204723.

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Li, Qingxin. "Ming dai hai wai mao yi zhi du = Overseas trade system of Ming dynasty /." Beijing Shi : She hui ke xue wen xian chu ban she, 2007. http://www.loc.gov/catdir/toc/chi0801/2007401541.html.

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魏城璧 and Sing-bik Cindy Ngai. "A study of court drama in the early Ming Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221531.

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Wong, Nai-kwan, and 黃迺錕. "A study of the imperial family of the Ming Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31220101.

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Lau, Siu Ying Christine. "Ming dynasty monochrome procelains with high-firing glazes from Jingdezhen." Thesis, SOAS, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319507.

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Guan, Shanming, and 關善明. "The imperial porcelain wares of the late Qing dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31231561.

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鍾妙昏 and Miu-fun Anita Chung. "Jiehua of the Qing Dynasty (1644-1911)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238373.

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Yang, Jin Rong. "Intelligent Systems Analyzing Sections of the Great Wall of China for Ming and Pre-Ming Dynasty Construction." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1354688019.

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Bailey, Kate Erin. "Beyond the orchid pavilion: the expression of neo-Confucian thought in the Literati Gardens of Ming dynasty China." Thesis, Boston University, 1997. https://hdl.handle.net/2144/27581.

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Boston University. University Professors Program Senior theses.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02

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Books on the topic "Ming dynasty"

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Di qiu chu ban she. Bian ji bu. Ming dai: Ming dynasty. Taibei Shi: Di qiu chu ban she, 1995.

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Streissguth, Thomas. Life under the Ming dynasty. San Diego, Calif: Lucent Books, 2006.

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China, Window to, ed. Ming Qing wen xue ming zuo xin shang. Beijing: Beijing da xue chu ban she, 2017.

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Symposium on Painting of the Ming Dynasty (1988 Hong Kong, China). Symposium on Painting of the Ming Dynasty. [Hong Kong: Art Gallery, Institute of Chinese Studies, the Chinese University of Hong Kong, 1988.

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Shi, Nan. Tang Song ming pian song du. Nanjing: Jiangsu shao nian er tong, 1999.

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Jianwu, Li. Ming Qing xiao shuo shi hua. Beijing Shi: She hui ke xue wen xian chu ban she, 2017.

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1559-1626, Nu'erhachi, and Stary Giovanni, eds. Manchu versus Ming: Qing Taizu Nurhaci's "Proclamation" to the Ming dynasty. Wiesbaden: Harrassowitz, 2010.

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author, Gan Song, and Cao Xiulan 1978 author, eds. Song Yuan Ming ci xuan yan jiu. Beijing: Shang wu yin shu guan, 2012.

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author, Yang Xiushan, ed. Xi Xia wen ming. Yinchuan Shi: Ningxia ren min chu ban she, 2016.

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Li, Guangbi. Ming chao shi lue. Taipei?: s.n., 1987.

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Book chapters on the topic "Ming dynasty"

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Ch’ien, Mu. "The Ming Dynasty." In Merits and Demerits of Political Systems in Dynastic China, 81–111. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-58514-6_4.

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Blofeld, John. "A Ming Dynasty Tea Manual." In The Chinese Art of Tea, 33–35. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003130871-3.

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Longxi, Zhang. "Poetry of the Ming Dynasty." In A History of Chinese Literature, 310–27. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003164173-16.

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Ditmanson, Peter. "The Ming dynasty (pre-1521)." In Routledge Handbook of Imperial Chinese History, 249–58. London; New York: Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315726878-21.

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Miller, Harry. "The Ming dynasty (post-1521)." In Routledge Handbook of Imperial Chinese History, 259–70. London; New York: Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315726878-22.

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Qian, Liu. "Novels in the Ming Dynasty." In Concise Reader of Chinese Literature History, 413–28. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5814-6_33.

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Fang, Li. "Opera in the Ming Dynasty." In Concise Reader of Chinese Literature History, 403–11. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5814-6_32.

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Fang, Lili. "Ceramics of the Ming Dynasty." In China Academic Library, 643–806. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-9094-6_10.

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Shao, Qi, Xiaojing Wen, and Paul White. "Design Thinking Under the Ming Dynasty." In A Brief History of Chinese Design Thought, 175–224. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9408-0_7.

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Zheng, Zhenduo. "Folk Songs in the Ming Dynasty." In History of Chinese Folk Literature, 453–89. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_10.

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Conference papers on the topic "Ming dynasty"

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Zhang, Chi. "Style Evolution of Lacquerware in the Ming Dynasty." In 8th International Conference on Arts, Design and Contemporary Education (ICADCE 2022). Amsterdam: Athena International Publishing B.V., 2022. http://dx.doi.org/10.55060/s.atssh.221107.020.

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Ji, Yi Qiong, and Sean Clark. "The Virtual Recreation of a Ming Dynasty Pailou Gate." In Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.49.

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Guo, Li, Chuxin Che, Changshun Ding, and Jinbo Lv. "Hg Geochemical Character on Soil of Xianling of Ming Dynasty." In 2015 Asia-Pacific Energy Equipment Engineering Research Conference. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/ap3er-15.2015.80.

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"Effects of Clothing in the Ming Dynasty on Modern Theatrical Costume." In 2017 International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2017. http://dx.doi.org/10.25236/ssah.2017.39.

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Zheng, Weishi. "Research on Designing Intentions of Suzhou Style Chair in Ming Dynasty." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.174.

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He, Xi, and Xing Sun. "Research on the Reconstruction of Ming Dynasty History Based on AIGC." In CHCHI 2023: Chinese CHI 2023. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3629606.3629652.

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Lu, Ting, Wenying Dong, and Zhengjun Wen. "A Brief Analysis on the Development and Inheritance of SuZuo Ming-style Furniture in Late Ming Dynasty." In 2nd International Forum on Management, Education and Information Technology Application (IFMEITA 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ifmeita-17.2018.7.

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Peng, Zhen. "Analysis of the modern significance of the traditional Chinese theater Yuan Zaju (1271–1368)." In 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-11.

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China is an ancient civilization with a history of 5,000 years, with a long history and many ethnic groups. From the Han Dynasty to the middle of the Tang Dynasty, there were "baixi" (百戏) and "Can Jun xi" (参军)). During the Middle and late Tang Dynasty, opera was gradually formed. During the Song-Jin dynasties, opera developed rapidly and laid the foundation for the Yuan Ming Opera. This article, firstly, examines the historical and cultural background of the Yuan Zaju and analyzes the reasons for their popularity in feudal society; secondly, the plot structure of the Yuan Zaju has a linear course. The main structural scheme of Yuan-Zaju and its modern social influence.

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Yi, Duan Xin. "Talking About the Tea-Drinking Fashion in Ming Dynasty From the Chapter." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.507.

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Yan Wen-hong and Ouyang Jin-jin. "GIS based study on restoration and planning of Qing & Ming Dynasty town." In 2010 Second IITA International Conference on Geoscience and Remote Sensing (IITA-GRS 2010). IEEE, 2010. http://dx.doi.org/10.1109/iita-grs.2010.5602951.

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Reports on the topic "Ming dynasty"

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Miksic, John N., and Geok Yian Goh. The Empress Place (EMP) Site: A Preliminary Report. NUS Press, February 2023. http://dx.doi.org/10.56159/sitereport11.

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An archaeological site report of an excavation of the Empress Place site in Singapore. Empress Place was the fourth site excavated in Singapore, and the first and so far the only ancient site located directly on the Singapore River’s bank. The opportunity to investigate this site arose when it was decided to convert the Empress Place Building into a permanent Asian Civilisations Museum under the National Heritage Board. The project began in January 1998, during the rainy season and the excavation was completed in May the same year. Empress Place was occupied during the 14th through 16th centuries CE. A wide variety of Chinese porcelain from the Ming Dynasty is quite plentiful at Empress Place. This is significant in view of the rarity of Chinese porcelain from the 15th century CE outside of China. Artifacts from Vietnam, Thailand, Java, Borneo, the Philippines, China, and Persia are consistent with the description of EMP as a site where goods from much of maritime Asia were loaded, unloaded, and transhipped.

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