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Journal articles on the topic 'Mina Loy'

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Published: 4 June 2021
Last updated: 2 February 2022

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1

Nicholls, Peter. "Mina Loy and lexicophilia." Feminist Modernist Studies 2, no. 3 (September 2, 2019): 263–73. http://dx.doi.org/10.1080/24692921.2019.1663090.

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2

Hampson, R. "dialogue with Mina Loy." English 52, no. 203 (June 1, 2003): 166–67. http://dx.doi.org/10.1093/english/52.203.166a.

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3

Teixeira, Virna, and Mina Loy. "Poemas de Mina Loy." Cadernos de Literatura em Tradução, no. 7 (November 1, 2006): 229–39. http://dx.doi.org/10.11606/issn.2359-5388.i7p229-239.

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Powell, Jim. "Basil Bunting and Mina Loy." Chicago Review 37, no. 1 (1990): 6. http://dx.doi.org/10.2307/25305473.

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5

Sumner, Charles. "Measuring up to Mina Loy." Modernism/modernity 25, no. 4 (2018): 827–30. http://dx.doi.org/10.1353/mod.2018.0062.

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Metz, Madeleine Gedde. "Mina Loy og det futuristiske paradoks." Tidsskrift for kjønnsforskning 39, no. 03-04 (November 28, 2016): 67–83. http://dx.doi.org/10.18261/issn.1891-1781-2016-03-04-06.

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Goody, Alex. "Mina Loy and the Hollywood Industry." Literature & History 21, no. 1 (March 2012): 76–93. http://dx.doi.org/10.7227/lh.21.1.6.

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8

Weiner, Joshua. "Mina Loy: Woman and Poet (review)." Modernism/modernity 6, no. 3 (1999): 155–57. http://dx.doi.org/10.1353/mod.1999.0037.

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Shoaf, Dian Blakely, Carolyn Burke, and Mina Loy. "Becoming Modern: The Life of Mina Loy." Antioch Review 55, no. 3 (1997): 380. http://dx.doi.org/10.2307/4613559.

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Lusty, Natalya. "Sexing the Manifesto: Mina Loy, Feminism and Futurism." Women: A Cultural Review 19, no. 3 (November 2008): 245–60. http://dx.doi.org/10.1080/09574040802413834.

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Peppis, Paul. "Rewriting Sex: Mina Loy, Marie Stopes, and Sexology." Modernism/modernity 9, no. 4 (2002): 561–79. http://dx.doi.org/10.1353/mod.2002.0075.

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Nicholls, Peter. "'Arid clarity': Ezra Pound, Mina Loy, and Jules Laforgue." Yearbook of English Studies 32 (2002): 52. http://dx.doi.org/10.2307/3509047.

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Pope, Natalie. "Mina Loy, twentieth-century photography, and contemporary women poets." Feminist Modernist Studies 3, no. 3 (September 1, 2020): 310–12. http://dx.doi.org/10.1080/24692921.2020.1821478.

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14

Lazevnick, Ashley. "Impossible descriptions in Mina Loy and Constantin Brancusi'sGolden Bird." Word & Image 29, no. 2 (April 2013): 192–202. http://dx.doi.org/10.1080/02666286.2013.787809.

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15

Re, Lucia. "Mina Loy and the Quest for a Futurist Feminist Woman." European Legacy 14, no. 7 (December 2009): 799–819. http://dx.doi.org/10.1080/10848770903363896.

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Van Durme, D. "Conjuring Melodies from Arid Air: Mina Loy and Pound's Melopoeia." Cambridge Quarterly 37, no. 3 (September 1, 2008): 324–48. http://dx.doi.org/10.1093/camqtly/bfn019.

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17

Quin, Jack. "Sarah Hayden. Curious Disciplines: Mina Loy and Avant-Garde Artisthood." Review of English Studies 70, no. 297 (July 3, 2019): 991–93. http://dx.doi.org/10.1093/res/hgz069.

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18

Goody, Alex. ""The dance of the intelligence"?: Dancing Bodies in Mina Loy." Tulsa Studies in Women's Literature 37, no. 1 (2018): 131–56. http://dx.doi.org/10.1353/tsw.2018.0006.

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19

Stauder, Ellen Keck. "Forging the dusk of chaos: the modernity of Mina Loy." Modernism/modernity 4, no. 3 (1997): 141–59. http://dx.doi.org/10.1353/mod.1997.0051.

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20

Girdwood, Megan. "‘Puppet of skeletal escapade’: Dance Dialogues in Mina Loy and Carl Van Vechten." Modernist Cultures 16, no. 2 (May 2021): 265–88. http://dx.doi.org/10.3366/mod.2021.0331.

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In an undated letter, likely composed in late 1914, Mina Loy reflected on the recent aesthetic experiences that had greatly affected her, writing that the ‘things that have made [her] gasp were a few Picassos, Windham [ sic] Lewis, Nijinski dancing – perfection is infrequent’. The letter was addressed to her American agent Carl Van Vechten, a dance and music critic at the New York Times, who played a highly influential role in shaping discourses around ballet and modern dance both in the US and internationally. This article conjoins Loy and Van Vechten's modernist oeuvres – crossing genres including poetry, novels, newspaper reviews, and photography – in order to reveal the importance of dance to their shifting aesthetic commitments and shared interest in the expressive capacities of the human form. Dancing bodies, moving fluently across the work of this modernist pair, variously transcribe Futurist satires, Decadent revivals, and a primitivist fascination with the erotic aspects of dance, crystallising in Loy and Van Vechten's responses to the Harlem Renaissance.
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21

Pugliesi, Lucas Bento. "A escritura de Mina Loy entre as figurações do feminino na virada do século." Revista Criação & Crítica, no. 19 (December 2, 2017): 58. http://dx.doi.org/10.11606/issn.1984-1124.v0i19p58-71.

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O presente artigo tratará das ambivalências do pensamento de Mina Loy, conforme apresentado em seus poemas e no Manifesto Feminista, em vias de situá-lo como resposta à psicologia europeia da virada do século XIX para o XX, em especial às concepções do feminino de Otto Weininger. Deste modo, pretende-se entender como a forma poética já carrega em si algo de uma invectiva contra o modo, masculino (DERRIDA, 1993), de valorizar o saber que Loy pretende destruir em prol de afirmações positivas de uma identidade feminina.
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22

Rives. "Modernist Prosopopoeia: Mina Loy, Gaudier-Brzeska and the Making of Face." Journal of Modern Literature 34, no. 4 (2011): 137. http://dx.doi.org/10.2979/jmodelite.34.4.137.

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23

Goody, Alex. "Ladies of fashion/ modern(ist) women: Mina Loy and Djuna Barnes." Women: A Cultural Review 10, no. 3 (December 1999): 266–82. http://dx.doi.org/10.1080/09574049908578399.

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Pozorski, A. L. "Eugenicist Mistress & Ethnic Mother: Mina Loy and Futurism, 1913-1917." MELUS: Multi-Ethnic Literature of the United States 30, no. 3 (September 1, 2005): 41–69. http://dx.doi.org/10.1093/melus/30.3.41.

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Goody, Alex. "Nonhuman Animals and Decorative Modernism in Djuna Barnes and Mina Loy." Women: A Cultural Review 32, no. 1 (January 2, 2021): 8–31. http://dx.doi.org/10.1080/09574042.2021.1882129.

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Churchill, Suzanne W., Linda A. Kinnahan, and Susan Rosenbaum. "Feminist designs: modernist digital humanities & Mina Loy: Navigating the Avant-Garde." Feminist Modernist Studies 1, no. 3 (August 16, 2018): 243–56. http://dx.doi.org/10.1080/24692921.2018.1505255.

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Lyon, Janet. "Cultures of Modernism: Marianne Moore, Mina Loy, and Else Lasker-Schüler (review)." Modernism/modernity 13, no. 3 (2006): 586–88. http://dx.doi.org/10.1353/mod.2006.0066.

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28

Abbott, Berenice, Mina Loy, and Amy E. Elkins. "From the Gutter to the Gallery: Berenice Abbott Photographs Mina Loy's Assemblages." PMLA/Publications of the Modern Language Association of America 134, no. 5 (October 2019): 1094–103. http://dx.doi.org/10.1632/pmla.2019.134.5.1094.

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In 1958 Marcel Duchamp and a friend gained access to the modernist poet Mina Loy's apartment on stanton street near the Bowery in New York, so that they could display the art she was storing there in a one-woman show of her assemblage artwork (Burke, Becoming 433–34). The show, which Loy herself couldn't attend since she was unwell and living with family in Aspen, Colorado, was known as the Bodley Gallery Exhibition and generated considerable interest, even drawing the increasingly reclusive Djuna Barnes to its lively opening (434). The show was described by Stuart Preston in a New York Times review as a boxing match between the popular art of the time and “Mina Loy's shocking and macabre big collages, composed most graphically of refuse, and inspired by scenes near the Bowery” (qtd. in Burke, Becoming 434). Loy's dadaist assemblages, Preston's review made clear, were a formidable opponent not only of mainstream art but also of the larger politics of art at the time: the “alliance” they reflected “between Dada and social comment,” he wrote, was “downright sinister,” and they contained a slightly apocalyptic undercurrent of social critique. Loy's artwork incorporated discarded objects, such as bottles and pieces of cardboard, from New York City's liminal spaces—especially the Bowery's alleys and abandoned buildings, places where the homeless and unemployed gathered in desperate conditions. Transporting the gutter to the gallery, this body of work depended on her close relationship to the city's so-called refuse, the homeless people she befriended who helped her collect the objects she recycled as art. It has been almost impossible to know what Loy's body of assemblage artwork—carefully dusted off and hung up by Duchamp—looked like at the Bodley Gallery show. But one fellow Bowery artist, the American photographer Berenice Abbott, had photographed Loy's assemblages. Abbott and Loy had been friends since the 1920s, when they frequented the same art scene in Paris, where Abbott was Man Ray's assistant. Abbott photographed Loy's children, and the two artists are pictured together, along with Tristan Tzara, Jane Heap, and Margaret Anderson, in a famous photograph taken at a party in Constantin Brancusi's studio in 1920.1 In this image, Loy and Abbott fill the center of the frame; Abbott's eyes confront the camera, as if to say, “I know what you're up to,” her confident head emerging over Loy's right shoulder—Loy looking as ethereal as she does glamorous. Their friendship picked up again in New York in the 1940s and 1950s, where it was defined by Abbott's interest in Loy's success and well-being.
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Oliver. "Mina Loy, Bessie Breuer, Charm Magazine and Fashion as Modernist Historiography." Journal of Modern Periodical Studies 11, no. 2 (2020): 248. http://dx.doi.org/10.5325/jmodeperistud.11.2.0248.

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Kelly, Jacinta. "Of Archives and Architecture: Domestication, Digital Collections, and the Poetry of Mina Loy." Australian Feminist Studies 32, no. 91-92 (April 3, 2017): 171–85. http://dx.doi.org/10.1080/08164649.2017.1357008.

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Schnur. "Mechanical Labor and Fleshy Births: Maternal Resistance in Mina Loy and William Carlos Williams." William Carlos Williams Review 37, no. 1 (2020): 94. http://dx.doi.org/10.5325/willcarlwillrevi.37.1.0094.

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32

Roberts, A. "'How to be happy in Paris': Mina Loy and the transvaluation of the body." Cambridge Quarterly 27, no. 2 (February 1, 1998): 129–47. http://dx.doi.org/10.1093/camqtly/27.2.129.

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Roberts, A. M. "'How To Be Happy in Paris': Mina Loy and the Transvaluation of the Body." Cambridge Quarterly XXVII, no. 2 (February 1, 1998): 129–47. http://dx.doi.org/10.1093/camqtly/xxvii.2.129.

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34

Caselli, Daniela. "Modernist Articulations: A Cultural Study of Djuna Barnes, Mina Loy, and Gertrude Stein (review)." Modernism/modernity 15, no. 2 (2008): 406–8. http://dx.doi.org/10.1353/mod.2008.0045.

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Vetter, Lara. "Theories of Spiritual Evolution, Christian Science, and the “Cosmopolitan Jew”:Mina Loy and American Identity." Journal of Modern Literature 31, no. 1 (September 2007): 47–63. http://dx.doi.org/10.2979/jml.2007.31.1.47.

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Scuriatti, Laura. "Transnational Modernist Encounters in the Provinces: Lacerba, Mina Loy and International Debates on Sexual Morality in Florence." Forum for Modern Language Studies 53, no. 3 (June 22, 2017): 303–13. http://dx.doi.org/10.1093/fmls/cqx014.

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De Nervaux-Gavoty, Laure. ""Compensations of poverty" : la féerie urbaine ou la modernité en question dans "On Third Avenue" et "Ephemerid" de Mina Loy." Caliban, no. 25 (December 1, 2009): 153–67. http://dx.doi.org/10.4000/caliban.1528.

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Amy Wells. "Cultures of Modernism: Marianne Moore, Mina Loy, and Else Lasker-Schüler. Gender and Literary Community in New York and Berlin (review)." William Carlos Williams Review 27, no. 1 (2007): 89–92. http://dx.doi.org/10.1353/wcw.0.0000.

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Friedman, Ellen G. "A Tawdry Place of Salvation: The Art of Jane Bowles. Jennie Skerl , Jane BowlesBecoming Modern: The Life of Mina Loy. Carolyn Burke." Signs: Journal of Women in Culture and Society 25, no. 2 (January 2000): 552–55. http://dx.doi.org/10.1086/495453.

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Ferrara, Dylan. "Staging Modernist Lives: H.D., Mina Loy, Nancy Cunard, Three Plays and Criticism. By Sasha Colby. Montreal and Kingston: McGill-Queen's University Press, 2017. Pp. x + 320. $110 Hb." Theatre Research International 44, no. 3 (October 2019): 325–26. http://dx.doi.org/10.1017/s0307883319000452.

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Rivero Ysern, José Luis, and Encarnación Montoya Martín. "Una nueva oportunidad para la minería metálica." Revista Andaluza de Administración Pública, no. 91 (April 30, 2015): 37–90. http://dx.doi.org/10.46735/raap.n91.827.

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El estudio analiza la articulación técnica de la reapertura de la mina de Aznalcóllar a través de un concurso internacional. Se examina la situación de los permisos de investigación afectados por el proyecto de reapertura. La extinción de los permisos solicitados suscita dos cuestiones: de una parte, la naturaleza de la caducidad de los títulos mineros que regula la vigente Ley de Minas de 1973 y, de otra parte, la cuestión de la indemnizabilidad de la extinción de los permisos mineros. El sistema que prevé la Ley preconstitucional de Minas de 1973 con relación a la concesión que es el título habilitante para la explotación de los recursos de la Sección C, es la adjudicación directa basada en la preferencia de los titulares previos de permisos de investigación. Pese a ello, consideramos que, para la mejor garantía de los intereses generales implicados, el procedimiento de adjudicación debía de ser el concurso público. Dado que la Ley de Minas no prevé tal posibilidad, se examinan los instrumentos jurídicos que pudieran permitir articular jurídicamente el concurso público en el marco de la propia Ley de Minas: la reserva minera (art. 7 LMi) y la declaración de no registrabilidad (art. 39.3 LMi). Entre las dos opciones estudiadas, la Junta de Andalucía optó por ejercer la potestad de reserva definiendo y delimitando la “zona Aznalcóllar” y permitiendo la adjudicación de la Mina conforme a un procedimiento de concurrencia competitiva a través de del Decreto-ley 9/2013, de 17 de diciembre, por el que se articulan los procedimientos necesarios para la reapertura de la mina de Aznalcóllar. Este Decreto-ley, dio lugar al planteamiento de recurso de inconstitucionalidad interpuesto por el Gobierno. No obstante, y como resultado de las negociaciones políticas, el desbloqueo de la situación se articuló jurídicamente de una parte, a través del Decreto-ley estatal 6/2014, de 11 de abril, por el que se regula el otorgamiento de la explotación de los recursos mineros de la zona denominada «Aznalcóllar», y de otra parte, del Decreto-ley 4/2014, de 11 de abril, por el que se adoptan las medidas urgentes necesarias en relación con el procedimiento de reapertura de la mina de Aznalcóllar. El estudio concluye que no puede mantenerse una normativa preconstitucional para regular un sector tan complejo y de tanta trascendencia para la economía y el empleo de nuestro país. No lo permite nuestra Constitución ni el nuevo modelo de nuestro Estado de las Autonomías.
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Alonso González, Alegría. "Si no lo cultivas, sácalo de la mina." Asclepio 55, no. 2 (December 30, 2003): 43–66. http://dx.doi.org/10.3989/asclepio.2003.v55.i2.103.

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Franco-Sepúlveda, Giovanni, and Danilo Arturo Velilla-Avilez. "PLANEAMIENTO MINERO COMO FUNCIÓN DE LA VARIACIÓN DE LA LEY DE CORTE CRÍTICA." Boletín de Ciencias de la Tierra, no. 35 (January 1, 2014): 25–30. http://dx.doi.org/10.15446/rbct.n35.34650.

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Los accionistas de proyectos mineros buscan cada vez obtener el mayor rendimiento de las inversiones que realizan en la industria de la explotación de recursos no renovables. La ley de corte crítica (LCC) se ha convertido entonces en el parámetro de decisión que determina la viabilidad económica de un proyecto. En el presente artículo se determina la LCC óptima de un depósito mineral hipotético con la que se pretende maximizar el valor presente neto (VPN) de la operación, determinando como influye el cambio de ésta en el planeamiento de la mina. El trabajo se desarrolla haciendo uso del algoritmo propuesto por Lane (1964) como fundamento metodológico. Además, se hace una revisión bibliográfica de trabajos relacionados con el tema, que sirvieron como guía para la elaboración de este documento. Con base a la distribución tenor-tonelaje de un depósito mineral hipotético se obtiene el plan de explotación de la mina con la LCC obtenida implementando una variación del algoritmo original. Por último, se exponen las conclusiones referentes al plan de producción y el VPN de la mina, obtenidas al comparar los resultados arrojados con este enfoque y los obtenidos usando el método tradicional para el cálculo de la LCC.
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Silvestre Madrid, María, and Emiliano Almansa Rodríguez. "Almadén en la España del siglo XVII. Crisis de producción de azogue y soluciones propuestas." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 337. http://dx.doi.org/10.18239/vdh_2019.08.17.

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RESUMENA mediados del siglo XVI, la mina de azogue de Almadén adquirió una gran importancia debido al descubrimiento del método industrial de la amalgamación para los minerales de plata de baja ley. Los accidentes, enfermedades y el impago de salarios hicieron que el trabajo de minero no fuera atractivo para los forasteros, de modo que faltaban brazos para dar la producción de azogue necesaria para abastecer a las minas americanas de plata. En el siglo XVII, el Consejo de Hacienda intentó solucionar el problema de las consignaciones económicas, lo que resultó harto difícil en una España con graves dificultades financieras y, por otra parte, trató de conseguir mano de obra para la mina, fuera forzada, esclava o procedente del repartimiento de pueblos cercanos.PALABRAS CLAVE: Almadén, azogue, siglo XVII, mineros, repartimiento.ABSTRACTIn the middle of the 16th century, the Almadén quicksilver mine acquired considerable importance due to the discovery of the industrial method of amalgamation of low-grade silver ores. Accidents, diseases and unpaid wages made mining work unattractive to outsiders, so manpower was needed for the quicksilver production necessary to supply American silver mines. In the 17th century, theFinance Council attempted to solve the problem of economic consignments, which was very difficult in a Spain with serious financial difficulties and, meanwhile, tried to obtain workers for the mine, be they forced, enslaved or from the repartimiento of nearby villages.KEY WORDS: Almadén, quicksilver, 17th century, miners, repartimiento. BIBLIOGRAFÍAAgricolae, G., De Re Metallica libri XII, Basileae: Froben, 1556.Álvarez Nogal, C., El crédito de la monarquía hispánica en el reinado de Felipe IV, Ávila, Junta de Castilla y León, 1997.Bleiberg, G., El informe secreto de Mateo Alemán sobre el trabajo forzoso en las minas de Almadén, Londres, Tamesis Book Limited, 1984.Carande, R., Carlos V y sus banqueros, Barcelona, Editorial Crítica, 1987.Castillo Martos, M., Bartolomé de Medina y el siglo XVI. Un sevillano lleva la revolución tecnológica a América, Sevilla, Ayuntamiento de Sevilla, 2001.Dobado González, R., “Las minas de Almadén, el monopolio del azogue y la producción de plata en Nueva España en el siglo XVIII”, en La savia del imperio. Tres estudios de economía colonial, Salamanca, 1997, Ediciones Universidad de Salamanca, pp. 403-495.Gil Bautista, R., Almadén del Azogue, Puertollano, Ediciones Puertollano, 2013.Gil Bautista, R., Las minas de Almadén en la Edad Moderna, Publicaciones de la Universidad de Alicante, Alicante, 2015.González, T., Registro y relación general de minas de la Corona de Castilla, Madrid, Imprenta de Don Miguel de Burgos, 1832.Hernández Sobrino, A., Los esclavos del rey. Los forzados de Su Majestad en las minas de Almadén, años 1550-1800, Ciudad Real, Fundación Almadén y Asociación Montesur, 1982.Hernández Sobrino, A., Silvestre Madrid, M. A. y Almansa Rodríguez, E., “La mina de azogue de Almadén en la época del Quijote” en La España del Quijote: IV Centenario Cervantes, Llerena, 2017, Sociedad Extremeña de Historia, pp. 161-172.Langue, F. y Salazar-Soler, C., Dictionaire des termes miniers en usage en Amerique espagnole (XVI-XIX siecle), Paris, Editions Recherche sur les Civilisations, 1993.Matilla Tascón, A., Historia de las minas de Almadén, Vol. I: Desde la época romana hasta el año 1645, Madrid, Consejo de Administración de Minas de Almadén y Arrayanes, 1958.Matilla Tascón, A., Historia de las minas de Almadén, vol. II: Desde 1646 a 1799, Madrid, Minas de Almadén y Arrayanes, S.A. e Instituto de Estudios Fiscales, 1987.Menéndez Navarro, A., Catástrofe morboso de las minas mercuriales de la villa de Almadén del Azogue (1778) de José Parés y Franqués, edición anotada, Ciudad Real, Universidad de Castilla- La Mancha, 1998.Prieto, C., La minería en el Nuevo Mundo, Madrid, Ediciones de la Revista de Occidente, 1977.Prior Cabanillas, J., La pena de minas: los forzados de Almadén, 1646-1649, Ciudad Real, Fundación Almadén y Junta de Comunidades de Castilla-La Mancha, 2006.Sánchez Gómez, J., De minería, metalurgia y comercio de metales. La minería no férrica en el reino de Castilla, 1450-1610, Salamanca, Universidad de Salamanca e Instituto Tecnológico GeoMinero de España, 1989.Sánchez Gómez, J., “La técnica en la producción de metales monedables en España y en América”, en La savia del imperio. Tres estudios de economía colonial, Salamanca, Ediciones Universidad de Salamanca, 1997, pp. 17-264.Silvestre Madrid, M. Á., Mineros de Almadén en la América Colonial, Trabajo Fin de Máster, Universidad de Córdoba, inédito, 2014.Voltes Bou, P., El ocaso de los Fugger en España. Operaciones de los Fugger en la España del siglo XVII, Ciudad Real, Fundación Almadén, 2009.
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Uribe Tobón, Carlos Alberto. "El retorno de Mateo Mina a la selva sin ley." Antípoda. Revista de Antropología y Arqueología, no. 2 (January 2006): 127–53. http://dx.doi.org/10.7440/antipoda2.2006.08.

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46

Kokotović, Filip, and Petar Kurečić. "The MINT Countries: A Regression Analysis of the Selected Economic Features." INTERNATIONAL JOURNAL OF MANAGEMENT SCIENCE AND BUSINESS ADMINISTRATION 2, no. 5 (2014): 21–31. http://dx.doi.org/10.18775/ijmsba.1849-5664-5419.2014.25.1003.

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The BRIC countries – Brazil, Russia, India, and China – are being considered as potential powerhouses of the world economy. These countries have formalized their cooperation, and later, with the joining of South Africa, became the BRICS. They are often perceived as proponents of a multipolar world, choosing multipolarity over unipolarity, and supporting political institutions and organizations, at the same time creating alternative financial institutions to the hegemonic ones (the IMF and the World Bank), still dominated by the developed economies of the Western countries. So, what about a different group of countries, called the MINT countries or simply the MINTs that are emerging, growing economies, are heterogeneous as BRICS, but not nearly as large and powerful, and are located on four different continents, with no formal cooperation between themselves such as the BRICS? This article analyses the basic economic trends in the MINT countries by analyzing the linear relationship between GDP as the dependent variable and household consumption, foreign direct investment and government consumption as the independent variables. The general model is as follows: Δ log GDPt = α0 + α1 Δ log FDIt + α2 Δ log PCt + α3 Δ log GCt +εt. The analysis was conducted using ordinary least squares (OLS) regression. By conducting this analysis, it is possible to conclude that the MINT countries have significant differences in regards to the statistical relevance of the chosen independent variables. One of the rare common traits of these four economies is that FDI does not seem to have a statistically significant impact on their development. This article concludes that the MINT countries may have a significant role in international relations as regional powers, but they do not have the economic or political traits necessary to challenge the BRICS countries significantly.
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Loy, Anatoly, Illia Davidenko, Kseniia Myroshnyk, and Daria Popil. "The Mind behind the Iron Curtain: Ukrainian Philosophy of the Late USSR and World Science." Sententiae 40, no. 2 (August 15, 2021): 161–83. http://dx.doi.org/10.31649/sent40.02.161.

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48

Moraes, Márcia Regina Batistela, Fernando Justino Nascimento Matias, Darione Alves Leal, Plínio Victor Palmeziano de Velloso Vianna, Roberto Terumi Atarassi, and Hudson De Paula Carvalho. "COMPARAÇÃO ENTRE METODOLOGIAS PARA ESTIMATIVA DE Q7,10 EM QUATRO ESTAÇÕES FLUVIOMÉTRICAS DE MINAS GERAIS." Revista Gestão & Sustentabilidade Ambiental 8, no. 2 (June 28, 2019): 213. http://dx.doi.org/10.19177/rgsa.v8e22019213-229.

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No Estado de Minas Gerais, a legislação que trata de outorga de uso de recursos hídricos tem como referência a menor vazão média consecutiva de sete dias com retorno de dez anos - Q7,10, sendo fundamental haver confiabilidade em seu cálculo devido à interferência na concessão de direito de uso da água e na manutenção do potencial hídrico do corpo d'água. Diante deste fato, este trabalho teve como objetivo mensurar a discrepância entre os valores de Q7,10 estimados por meio do Atlas Digital das Águas de Minas e do Deflúvios Superficiais de Minas Gerais, com os calculados pelo método de Gumbel para mínimos e log normal a três parâmetros. Para isso, foram utilizados dados de vazão de cinco estações fluviométricas localizadas na Bacia Hidrográfica do Rio Araguari, em Minas Gerais. Como principais resultados, cita-se a alta discrepância entre os valores calculados pela metodologia Gumbel e os estimados por meio do Deflúvios Superficiais de Minas Gerais, com erro relativo de -15,44% a -87,18%. Quando comparado com os valores calculados pelo método log normal a três parâmetros, esse erro variou de -22,26% a -88,62%. A metodologia empregada no Atlas Digital das Águas de Minas apresentou erro relativo médio de +3,10% a -81,84% quando comparado com o resultado obtido pelo método de Gumbel para mínimos e, de -10,13 a -83,88% quando comparado com os dados estimados por log normal a três parâmetros.
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Kahraman, Merve, Nilgün Kızılcan, and Mehmet Ali Oral. "Influence of mica mineral on flame retardancy and mechanical properties of intumescent flame retardant polypropylene composites." Open Chemistry 19, no. 1 (January 1, 2021): 904–15. http://dx.doi.org/10.1515/chem-2021-0072.

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Abstract In many plastic applications, improvement of the flame retardancy is a very significant topic. Polypropylene (PP) is used in many applications such as housing industry due to its cost performance efficiency. Enhancement of flame retardancy properties of PP is necessary in many applications. In this study, the investigation focuses on the synergistic effect of mica mineral and IFR in enhancing the flame retardancy properties of PP in order to achieve cost competitive solution, so as to provide that different/various ratios of IFR and mica mineral were added into PP to compose 30 wt% of the total mass of the polymeric compounds. The synergistic effect of mica mineral with IFR in PP was investigated by limiting oxygen index (LOI), glow wire test (GWT), UL-94 test, thermal gravimetric analyses (TGA), and mechanical tests. The results from LOI, UL 94, and GWT tests indicated that mica added to PP/IFR compound has a synergistic flame retardancy effects with the IFR system. When the content of mica was 6 wt%, LOI value of PP compound reaches to 34.9% and becomes V-0 rating (3.2 mm) in UL 94 flammability tests and compounds pass GWT tests both at 750 and 850°C.
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Caro-Moreno, David, and Francisco Abel Jiménez-Cantizano. "Study of the concentration of toxic trace elements of sludge deposits, soils and plants in Mina La Solana, Almería (Spain)." Ecosistemas 22, no. 3 (December 26, 2013): 101–10. http://dx.doi.org/10.7818/ecos.2013.22-3.14.

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