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Books on the topic 'Mill and Russell'

Author: Grafiati

Published: 18 May 2024

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1

Prevost-Combs, Cecilia. West Mill Plain and Russell grade schools, 1901-1946, District No. 39, rural Vancouver, Washington: A 1996 community history project of former students. Gig Harbor, WA (4508 Garden Place, NW, Gig Harbor 98335-1426): C. Prevost-Combs, 1997.

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2

Mills, Cliff. Russell Wilson: Cliff Mills. Hockessin, Delaware: Mitchell Lane Publishers, 2015.

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3

Mills, Russell. Measured in shadows: An installation by Russell Mills and Ian Walton. [S.l.]: Mills, Walton, Big Block 454, 1996.

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4

La démesure russe: Mille ans d'histoire. [Paris]: Fayard, 2009.

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5

Sokoloff, Georges. La démesure russe: Mille ans d'histoire. [Paris]: Fayard, 2009.

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6

Ilma, Reissner, ed. La sainte Russie: Mille ans d'histoire de l'Église orthodoxe russe. Paris: Desclée de Brouwer, 1987.

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7

Georges, Nivat, ed. Le christianisme russe entre mille narisme d'hier et soif spirituelle d'aujourd'hui. Paris: E ditions de l'e cole des hautes e tudes en sciences sociales, 1988.

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8

1951-, Coe Sue, and Institute of Contemporary Arts (London, England), eds. Contemporary British illustration: Sue Coe, George Hardie, Bush Hollyhead, Anne Howeson, Robert Mason, Tony McSweeney, Russell Mills, Gary Powell, Liz Pyle, Linda Scott, Peter Till, Ian Wright. [London]: Institute of Contemporary Arts, 1985.

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9

Université de Paris X: Nanterre., ed. Mille ans de christianisme russe, 988-1988: Actes du colloque international de l'Université Paris X-Nanterre, 20-23 janvier 1988. Paris: YMCA-Press, 1989.

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10

Philosophers and Their Philosophy: Thomas Jefferson, Jeremy Bentham, Mary Wollstonecraft, John Stuart Mill, Karl Marx, Sri Aurobindo and Bertrand Russell. Independently Published, 2021.

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11

Russell, Paul. Causation, Compulsion, and Compatibilism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190627607.003.0002.

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This chapter examines certain salient features of the influential compatibilist position that is widely associated with the views of several leading figures of the empiricist tradition (Hobbes, Hume, Mill, Russell, Ayer, etc.). The empiricist-compatibilist strategy falls, essentially, into two distinct stages of argument. The first stage, referred to as the “compulsion argument,” seeks to describe the general significance of the distinction between causation and compulsion for the free will dispute. The second stage of this strategy, referred to as the “regularity argument,” endeavors to reconstruct the compulsion argument on the foundation of the regularity theory of causation. Proponents of this strategy claim that the regularity argument strengthens the compatibilist position. This chapter argues, on the contrary, that the regularity argument generates serious difficulties for the compulsion argument and that it, therefore, weakens the compatibilist position.

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12

Tsuzuki, Kyoichi. Ian Walton/Russel Mills (Art Random, Vol 73). Books Nippan, 1991.

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13

Cartwright, Stephen, Heather Amery, Sabine Wyckaert-Fetick, and Sophie Cooper. Les mille premiers mots en russe. Usborne, 2015.

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14

Small, Helen. The Function of Cynicism at the Present Time. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861935.001.0001.

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Cynicism is usually seen as a provocative mode of dissent from conventional moral thought, casting doubt on the motives that guide right conduct. When critics today complain that it is ubiquitous but lacks the serious bite of classical Cynicism, they express concern that it can now only be corrosively negative. The Function of Cynicism at the Present Time takes a more balanced view. Re-evaluating the role of cynicism in literature, cultural criticism, and philosophy from 1840 to the present, it treats cynic confrontationalism as a widely employed credibility check on the promotion of moral ideals—with roots in human psychology. Helen Small investigates how writers have engaged with Cynic traditions of thought, and later more gestural styles of cynicism, to recalibrate dominant moral values, judgements of taste, and political agreements. The argument develops through a series of cynic challenges to conventional moral thinking: Friedrich Nietzsche on morality; Thomas Carlyle vs. J. S. Mill on the permissible limits of moral provocation; Arnold on the freedom of criticism; George Eliot and Ford Madox Ford on cosmopolitanism; Bertrand Russell, John Dewey, and Laura Kipnis on the conditions of work in the university. The Function of Cynicism treats topics of present-day public concern: abrasive styles of public argument, debasing challenges to conventional morality, free speech, moral controversialism, the authority of reason, and the limits of that authority, nationalism and resistance to nationalism, and liberty of expression as a core principle of the university.

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15

Pollack, Howard. The Boy Wonder of Broadway. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.003.0003.

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After dropping out of Columbia, Latouche attempted to make his career on Broadway. One very early effort included contributions to the satire The Murder in the Old Red Barn. He also worked for a while as a press agent for the Ballet Russes de Monte Carlo. His work on Erika Mann’s Pepper Mill, which included adapting German texts and appearing on stage, marked his growing involvement with the refugee community. His transgressive cabaret songs established a following, but his first big break came with interpolations in the labor musical Pins and Needles.

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16

Murnaghan, Sheila, and Deborah H. Roberts. Classics in their Own Right. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199583478.003.0003.

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This chapter traces the reception of Nathaniel Hawthorne’s and Charles Kingsley’s mid-nineteenth-century myth collections for children (A Wonder-Book for Girls and Boys, Tanglewood Tales, and The Heroes) over a century-long period during which they dominated the field and came to be viewed as classics in their own right. It treats the general cultural impact of these works, their role as gift books, and their progressive transformation as they were republished in varying formats and with illustrations by an array of distinguished artists; it includes detailed analyses of selected illustrations by Frederick Church, Milo Winter, Arthur Rackham, Charles Kingsley, William Russell Flint, H. M. Brock, Joan Kiddell-Monroe, and Charles Keeping.

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17

Harris, Andrea. Making Ballet 2. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199342235.003.0005.

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Making Ballet 2 provides a choreographic analysis of the ballet Rodeo, produced by Sergei J. Denham’s Ballet Russe de Monte Carlo in 1942 with choreography and libretto by Agnes de Mille, music by Aaron Copland, and design by Oliver Smith. Drawing on archival sources and movement analysis, it argues that Rodeo narrates a jubilant portrayal of the resolution of social dissatisfactions into a unified nation during wartime. At the same time, however, new archival information is mobilized to argue that embedded in Rodeo’s production history is a political silencing of the socially conscious aesthetic of the 1930s. This phenomenon has not been acknowledged previously in scholarship on Rodeo. This interchapter contributes a more complicated understanding of this iconic American ballet that takes into account the deeper conflicts created by pressures of wartime unity and consensus, particularly for women, that lie beneath its lighthearted, comic surface.

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