Academic literature on the topic 'Militourism'

Waikīkī is a world-renowned leisure destination; at least, that is the image flung vehemently around the world about Hawaii. This framing of Hawaii as paradisiac is parasitic, it eats away and denigrates the enduring relationship that Hawaii the land and the people have. During the COVID-19 pandemic, we have seen a shift in the way our home feels. Tourism, a self-proclaimed necessity of Hawaii’s economy, was not only put on hold, it was essentially eliminated. Through this project I would like to present pre/post-colonialist modalities of Hawaii, to contest and disarm this space densely affected by militourism. Hawaii has been framed as a leisure destination first by colonialists and much later by hip hop music. My approach to contesting these projections is to refuse this notion and feature lines from songs, chants and prayers related to Waikīkī which are pre/postcolonial and have been influenced by colonialism through hip hop.

Abstract This article discusses and analyzes British and American perceptions, postwar planning aims, and stereotypes about Austria and its future restoration–post World War II. The article uses the concept of “militourist gaze” in order to compare differences and similarities between the British and the American attitudes reflected in their military handbooks for Austria. Through comparative research and close reading of Austria—A Soldier’s Guide, with other Second World War II soldier’s guides that were published by the British and the Americans respectively, we can conclude that it was the British and not the Americans who published the booklet Austria—A Soldier’s Guide. Furthermore, a typeset titled “A Short Guide to Austria,” found in the British National Archives, reveals the American version of the soldier’s guide to Austria, although this version was never published and both armies distributed the British guide to their troops. Using the militourist gaze in our interpretation of the soldier’s guide(s) to Austria we can better understand how British and American military media used prewar stereotypes on Austrians and Austria in order to rebuild Austrian nationhood vis-a-vis Germany. In this sense the British Austria—A Soldier’s Guide holds a special place since it is intended not only for army indoctrination of troops and their mission in Austria, but also as a means of national propaganda for the Austrians themselves, both by using the Moscow Declaration as subtext in the guide and by voicing prewar Austrian self-understanding from the interwar period.